Saturday, August 09, 2025

Blue's Big City Adventure Movie (2022) | “On Our Way” Song 💙 | Paramount Movies

Blue's Big City Adventure Movie (2022) | “On Our Way” Song 💙 | Paramount Movies


Blue and Josh are trying new things they didn't know existed in New York City, a city full of magic! Sing along with them as they explore the big city in the song "On Our Way" from the movie Blue's Big City Adventure (2022)!

Featuring Josh Dela Cruz, Donovan Patton, Steve Burns, Traci Paige Johnson, Alex Winter, BD Wong, and more!

Watch Blue’s Big City Adventure on Paramount+. Visit ParamountPlus.com for a FREE trial!

When Josh gets the opportunity of a lifetime to audition for Rainbow Puppy’s Broadway musical, Josh and Blue skidoo to NYC for the very first time, where they meet new friends and discover the magic of music, dance, and following one’s dreams! The entire Blue’s Clues crew is reunited for this special movie musical event, with the beloved animated friends and all three hosts – Josh, Steve, and Joe – together for the first time in the Big Apple like fans have never seen them before!

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#Bluesbigcityadventure #JoshDelaCruz, #ParamountMovies

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Classic Rugrats Comic Strip for August 9, 2025 | Nickelodeon

Classic Rugrats Comic Strip for August 9, 2025 | Nickelodeon

Classic Rugrats Comic Strip for August 9, 2025 | Nickelodeon

Stream the classic Rugrats series on Paramount+! Try it FREE at ParamountPlus.com!

Rugrats, provided to Creators Syndicate by Nickelodeon, based off the popular animated television series has been created for children and family's to laugh and enjoy together.

Follow these comics and their take on real episodes of the show and their own spin on hilarious adventures.

Read more Rugrats comic strips!: https://www.creators.com/features/rugrats

More Nick: Paramount+ Renews 'Rugrats' For Season 3!

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Paramount Planning to Shift Its Corporate Headquarters To L.A., Keeping Skydance Base In Santa Monica

Paramount, A Skydance Corporation, will now be Paramount, an L.A.-based operation.

After the $8.4 billion merger of Paramount and Skydance formally closed on Thursday, August 7, company leaders visited New York for a press conference. One detail to emerge from that 90-minute gathering was the fact that Paramount, whose corporate predecessors, Paramount Global, ViacomCBS, Viacom and CBS Corp., were all strongly identified with New York, will now be headquartered in L.A.

Paramount Studios Gates
Paramount Studios Gates | Getty Images

Plans call for the company’s official base to be on the fabled Melrose lot, executives said, though the press conference was held mere hours after the deal’s close, meaning plenty of decisions are still at a formative stage. As it sets up shop in that century-old Hollywood redoubt, Skydance Media would also preserve Santa Monica base. Hundreds of employees work at the Olympic Boulevard site in divisions focused on sports, animation and other areas.

Where companies are officially headquartered is not as significant as it was in the pre-digital age. Thanks to technology, shareholder meetings and other corporate functions can be handled by a number of remote offices, of which the newly merged Paramount has several. Yet the main corporate address of any company can be a defining characteristic. Just ask people in Battle Creek, MI about breakfast cereal.

With the move, Paramount would become the largest L.A.-based media company apart from Disney. Skydance brass were already mostly based in L.A., so the move makes sense in that way. Advertising sales, investor relations and numerous other corporate functions will still be New York-based.

In the company’s current Times Square digs, which has seen multiple renovation projects over the years, changes could well be coming. The building, at 1515 Broadway (site of MTV’s Total Request Live as well as late corporate founder Sumner Redstone’s home away from home at various stages of empire-building), could soon be in the media rear-view mirror. Already, CBS had vacated “Black Rock,” its longtime offices on West 52nd Street and Avenue of the Americas, when the previous regime decided to sell the building. A Caesar’s Palace casino has been proposed for the Times Square building, which could be a little too on-the-nose for staffers placing bets on the fortunes of film, TV and streaming hopefuls.

Speculation has it that the CBS News production facilities along West 57th Street on Manhattan’s Far West Side could be a nexus for the new Paramount’s New York operations. With news and sports talent coming and going there, and with corporate brass mostly in L.A., there is a logic to fortifying the site. It’s hard to find many blocks in New York City that are in need of an upgrade as rents and real estate values continue to surge, but certain pockets of 57th Street around 10th and 11th Avenues surrounding the CBS building have seen better days. City officials may want to hear out Paramount’s ideas for an expanded presence in the neighborhood, which is in a lower-profile pocket north of Hudson Yards but also south of the Upper West Side.

Nickelodeon-wise, the brand has presences on both the West and East Coast, including Nickelodeon Studios in Burbank, California, and 1515 Broadway in New York.

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Original source: Deadline.

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Brian Robbins Steps Down as Paramount Global Co-CEO and President and CEO of Paramount and Nickelodeon

In what has been heavily rumored, Paramount Global Co-CEO and President and CEO of Paramount and Nickelodeon, Brian Robbins, has confirmed that he is leaving the company following Skydance’s acquisition of the entertainment conglomerate.

Brian Robbins

Robbins' announced his departure in a memo to staff on Wednesday, August 6, in which he reflected on his time at the company:

Subject: Thank You

Team,

I’m writing today to share with you that I am departing as Co-CEO of Paramount Global, and President and CEO of Paramount Pictures and Nickelodeon. As my time with the company comes to a close, I want to take a moment to express my sincere gratitude to all of you.

When I first walked onto the Paramount Pictures lot as a young filmmaker many years ago, I never imagined I’d one day be entrusted with leading this storied studio. It has been one of the greatest privileges of my life to work alongside such an extraordinary group of people – creators, executives, teams – whose passion and dedication continue to inspire me every day. 

As I reflect on our time together, we’ve jointly experienced an incredible amount of change and transformation. Through global disruptions, shifting audience behaviors, and major industry evolution, your perseverance and creativity never wavered. You stayed focused, resilient, and committed to our shared mission: telling great stories that captivate audiences. With commitment and care, we brought new life to our studio’s franchises, expanded into new platforms, and strengthened our footprint across film, television, streaming, and consumer products.

At Paramount Pictures, we’ve continued to build on a legacy of great entertainment while pushing forward with fresh voices and ambitious ideas. You’ve helped bring to life stories that entertain, resonate, and endure, and reminded audiences why theatrical matters – why shared experiences in dark rooms still have the power to unite. We’ve reinvigorated beloved properties and expanded franchises, including Sonic the Hedgehog, Scream, Teenage Mutant Ninja Turtles, A Quiet Place, and Mission: Impossible. We championed bold new films like Smile and Bob Marley: One Love, and delivered new takes on classic films like Mean Girls and The Naked Gun – and of course – this team is behind the highest-grossing film in the studio’s history, Top Gun: Maverick. In the wake of Covid, we led the charge bringing audiences back to theaters at a time when the world longed for connection and community, leading to a record-breaking year in the studio’s history.

At Nickelodeon, I’m especially proud of how we honored the iconic heritage of the brand while building new connections with today’s generation through innovative content, smart digital strategy, and deep franchise expansion – from SpongeBob and Teenage Mutant Ninja Turtles to Dora to PAW Patrol and beyond. Also, our groundbreaking and Emmy® Award-winning simulcasts of the NFL Playoff and Super Bowl games set the bar for massive engagement with a younger generation during these landmark sporting events. As a result, we expanded Nick’s standing as a creative wellspring and as the #1 kids’ entertainment brand. 

This moment of transition is, of course, bittersweet. But I step away with deep pride in what we’ve built together, and with great confidence in the road ahead. The company is in exceptionally capable hands with David Ellison and the incoming team from Skydance, and I know you’ll continue to thrive and excel with your collective talents. 

To everyone across the company, thank you. Thank you for staying the course in difficult moments, and for pushing boundaries with heart and determination. Most importantly, thank you for your friendship. It has been an honor to be on this journey with you. I’ll be cheering for you – always.

With gratitude,
Brian

It was speculated that Robbins would be departing the company after his name was left off the list of executives who’ll be leading the new company once the $8 billion merger becomes official on Thursday, August 7.

Update (8/9): Outgoing Paramount Global executives including Brian Robbins and Chris McCarthy will collect severance payouts. A previous SEC filing had set payments “upon termination and other events” totaling $18.3 million for McCarthy and $18.6 million for Robbins.

That’s on top of their 2024 pay. George Cheeks — who is staying with the new company and will oversee production of South Park — McCarthy and Robbins collected $22.2 million, $19.5 million and $19.6 million, respectively, for last year. The trio worked as co-CEOs since April, when former chief Bob Bakish exited in the midst of deal talks.

Last week, following the FCC clearance of the Skydance-Paramount marriage, Robbins’ fellow co-CEO Chris McCarthy announced his departure. Paramount Co-CEO George Cheeks is making the jump to the new merger, continuing to oversee the CBS Network.

There’s no word on what’s next for Robbins, but it would not be shocking if he starts a new entertainment enterprise. Before Paramount, the executive founded Gen Z multiplatform media company Awesomeness, which was ultimately acquired by DreamWorks Animation in 2013, and then by Viacom in 2018.

The Paramount veteran of eight years and former star of Head of the Class gained oversight of the Paramount motion picture studio in September 2021, taking over for Chairman and CEO Jim Gianopulos. Known for electrifying Nickelodeon brands with downstream and ancillary revenues, it was assumed at the time Robbins wouldn’t be a fierce advocate of theatrical in the conglomerate’s quick embrace of its streaming arm Paramount+. But instead, Paramount Pictures led the charge to bring movies back to theaters in 2022. During Robbins’ reign, the studio yielded the biggest-grossing movie of Tom Cruise’s career with Top Gun: Maverick at $1.49 billion. That movie is also technically Paramount’s biggest global-grossing title (not counting 1997’s Titanic, which it only had domestic on, with that James Cameron feature earning $674.3M stateside).

A testament to his executive prowess in minting franchises from theatrical to retail, Robbins’ animated reboot of Teenage Mutant Ninja Turtles and embrace of Spin Master’s PAW Patrol were not only solid hits at the box office but also achieved more than $2.5 billion in consumer products revenue in 2023 alone. Other high points during the Robbins’ regime included Sonic the Hedgehog 2 & 3, the Spyglass reboot of Scream, A Quiet Place: Day One, and Mission: Impossible duo Dead Reckoning and Final Reckoning.

If there was a defining moment for Robbins since taking over for Gianopulos, it was his ability to pivot Paramount+ movies — i.e., horror film Smile and musical Mean Girls — from streaming to theatrical. While studios mulled theatrical day-and-date coming out of the pandemic, and even jettisoned prized big-screen franchises to their OTT services (like Disney with Hocus Pocus 2), Robbins had the guts to go all in on theatrical for Smile in 2022. With a global gross of $217M, Smile became the studio’s third most-profitable movie in the last decade. A 2024 sequel raised the franchise’s worldwide cume to $356M.

In his oversee of Nickelodeon, Robbins brought in a partnership with the NFL, which led to the first AR-driven NFL wildcard game, leading to the first ever Super Bowl alternate-telecast on Nickelodeon, hosted by all the Nick IP of characters (i.e. SpongeBob SquarePants and Patrick Star). This telecast went on to win an Emmy.

Robbins joined Paramount in 2017 as the first President of Paramount Players, after which he became President of Nickelodeon in 2018, and then President, Kids & Family Entertainment, for ViacomCBS (now Paramount).

In April 2024, following the departure of President and CEO Bob Bakish, Robbins was elevated alongside Cheeks, President and CEO of CBS; and McCarthy, President and CEO, Showtime/MTV Entertainment Studios and Paramount Media Networks, to the role of Co-CEO of Paramount Global. In the role, Robbins oversaw the filmed entertainment division’s creative strategy, multi-platform and worldwide business operations including Paramount Pictures, Paramount Animation, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

In his role as President and CEO of Nickelodeon, Robbins had global oversight of all creative, strategic and business operations for Paramount Global’s kids- and young-adult-focused brands, where he led the continued growth of SpongeBob SquarePants across TV, theatricals and consumer products among other Nickelodeon IP. During his run as Chief Content Officer, Movies & Kids & Family, Paramount+, Robbins continued to grow Nickelodeon’s live-action, animated kids and family programming, which also includes Teenage Mutant Ninja Turtles, Good Burger 2, Pet Sematary: Bloodlines, Monster High and the Sonic the Hedgehog spinoff series Knuckles, which in its first 28 days on Paramount+ clocked 11 million-plus global hours and ranked as the No. 1 Kids and Family Paramount+ series ever in terms of hours.

Among Robbins’ Executive Producer credits are CW series Smallville and One Tree Hill, Nickelodeon’s All That - which he brought back for a new generation in 2019 - and Kenan & Kel, Disney Channel’s So Random and Spike TV’s Blue Mountain State. He also produced the popular WB series What I Like About You and HBO’s Arli$$. In the feature film world, his directing and producing credits include Varsity Blues, Hardball and Coach Carter, among others.

Elsewhere at Paramount:

  • Tom Ryan, President & CEO, Paramount Streaming, is departing following the merger with Skydance Media as the David Ellison company sets its new management team. A trailblazer in the streaming industry who led the creation and growth of Pluto TV and Paramount+, Ryan will support Cindy Holland, the new chair of Direct-to-Consumer, and streaming leadership in an advisory role to ensure a smooth transition.
  • Veteran MTV Networks executive Nina L. Diaz, who most recently served as President of Content and Chief Creative Officer for Showtime/MTV Entertainment Studios, will be leaving when Skydance‘s pending acquisition of Paramount Global is completed Aug. 7.
  • Motion Picture Group Chief Mike Ireland is exiting the studio. Insiders say Ireland will stay on in a consulting role to help with the transition and is considering an offer for a producing deal with the studio.
  • Cindy Holland is reassembling the team. Jane Wiseman and Efrain Miron who had worked with Holland at both Netflix and Sister, are expected to be named as part of her team at Paramount, sources said. Holland, who had been advising Skydance on the streaming business, was officially revealed yesterday as a member of the corporate leadership at post-merger Paramount, a Skydance corporation. She will serve as Chair of Direct-to-Consumer, overseeing the strategy, operations and performance of the company’s streaming platforms, Paramount+ and Pluto TV.
  • Chris McCarthy, who was co-CEO of Paramount Global and president of Showtime/MTV Entertainment and is leaving after more than 20 years, says his “greatest achievement” at the company was his work around mental health.
  • Liza Burnett Fefferman is stepping down as EVP and Head of Communications for Showtime/MTV Entertainment Studios and Paramount Media Networks. She just notified the staff of her pending departure.
  • Keyes Hill-Edgar, a 25-year Viacom/Paramount Global veteran, is leaving as Chief Operating Officer at Paramount Media Networks & Showtime/MTV Entertainment Studios.

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Stream a Mountain of Entertainment, including your Nickelodeon favorites on Paramount+! Try it FREE at ParamountPlus.com!


Originally published: August 06, 2025.


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New Paramount Executive Team Meets the Press

"We're ready to move past the noise," the new Paramount Skydance CEO said, as reporters lobbed questions about Trump, 60 Minutes independence, artificial intelligence, The Late Show cancellation and FCC maneuvering.

Team Paramount Skydance: Jeff Shell, Gerry Cardinale, David Ellison, George Cheeks and Andy Gordon take questions on Aug. 7 at the company’s Time's Square office
Team Paramount Skydance: Jeff Shell, Gerry Cardinale, David Ellison, George Cheeks and Andy Gordon take questions on Aug. 7 at the company’s office. Photo: Mary Kouw/Paramount

In his first few minutes as the chief of the newly minted Paramount Skydance, David Ellison took the microphone on Thursday, August 7, taking questions from reporters who’ve followed every dramatic turn of the 13-month journey to close the $8 billion deal to take control of the venerable owner of Paramount Pictures and CBS.

The message from the mogul was urgent: Technology is coming to Hollywood, regardless of whether studios choose to embrace it, so Paramount hopes to take an artist-driven approach to it. That includes machine-learning to help with film and TV show discovery on streaming platforms, as well as an AI influence on “content generation,” but Ellison didn’t go into specifics about what that could mean. In an example cherry-picked for Hollywood, Pixar was cited for revolutionizing the animation world and ushering in an era of 3D animated blockbusters.

The Ellisons were framed as the “first time since Walt Disney” that a family put a sizable amount of money — David’s father Larry Ellison is worth roughly $300 billion — into the major Hollywood studio business to try and kickstart growth. “This is what I’m doing for the next twenty years of my life,” the 42-year-old David Ellison said. “We would not be investing the amount of capital if it was to basically stay stagnant.”

The Oracle heir spoke about his affinity for the film and television business — and said the words that all talent wants to hear, that talent is of utmost importance in a storytelling company — but also signaled that he’s much more willing to experiment with new technology that can “supercharge” Paramount’s IP, which includes SpongeBob SquarePants, Star Trek, Yellowstone and more. (In a nod to the auteur class of Hollywood, the Skydance-era Paramount Pictures unveiled its first original swing, snapping up the James Mangold-directed Timothée Chalamet MotoGP racer movie package High Side shortly after the presentation ended.)

“We need to make more content across the company. We’re going to make more movies, we’re going to make more series, we’re going to invest in the business,” Ellison said. “And we’re going to significantly scale and supercharge the content engines of the company. And while that is absolutely core to the business, I would advocate today that unless you can build a tech product that is truly competitive with what’s coming out of Silicon Valley, you can’t compete. And that’s one of the big problems that has been facing legacy media. They don’t understand that skill set and how critical that is.”

Ellison tried to distance himself from the $16 million deal that the Shari Redstone-led leadership made with President Trump to settle a 60 Minutes lawsuit. Pressed by reporters about whether Ellison’s Paramount Skydance had a side deal to air public service announcements on the issues Trump cares about, the CEO of the company said that settlement had been made by the prior regime and tried to leave it at that. (The problem is that Trump himself has not left it at that, and has posted on Truth Social about such a deal and talked to reporters about it.) “We’re ready to move past the noise,” Ellison said. “I’m excited to put my head down and do the work and build this business with this remarkable team up here, not sit up there and talk about, basically, how certain things are politicized.”

Ellison added, “Of course we believe in the independence of journalism, we believe in basically being in the trust business, we believe in being in the truth business. But also, I’ve watched others wade in to the political spectrum and, I just want to be transparent, I have no interest in doing that.”

Ellison, flanked by president Jeff Shell, chairman of TV media George Cheeks, RedBird Capital’s Gerry Cardinale and COO Andy Gordon, fielded a series of questions about the deal close on Thursday while at Paramount’s Times Square office complex. Over and over, the buzz word among executives who’d gathered was how they were taking care to be “non-political” in this particular moment. As for CBS News, the exec team zeroed in on describing the broadcast brand as being refocused on the “70 percent” of the country that doesn’t define itself as either far left or far right politically and said it’ll be judged by the journalistic work that it does in the near future.

Ellison was also asked about any deal to buy Bari Weiss’ The Free Press, and replied by saying he took “about 50 meetings” during the Sun Valley mogul conference in July. The Weiss news leaked during that billionaire summer camp event, and has been the subject of speculation due to the $100 million rumored price tag for a Substack newsletter brand, but Ellison would only add a boilerplate line that he couldn’t comment on rumors and speculation.

Another defensive moment occurred when the exec panel was asked about the cancellation of The Late Show With Stephen Colbert, which will end its run in 2026. It was another move made weeks before the new ownership took over, saving this current exec crew from a decision being technically made on their watch (aside from George Cheeks, who was the exec quoted in the Colbert cancellation press release). The question was parried back to reporters, as the flock of journalists were asked to raise their hands if they watched late-night TV at night when it first airs on linear television. Few reporters raised their hands. “Exactly,” Gordon noted. The execs also didn’t respond to a question about how much the Colbert-led show was losing annually, aside from noting that the numbers were “significant, in the tens of millions of dollars.”

Ellison was more open about in-the-weeds questions, including mentioning talks with several tech partners (including Oracle, which Larry Ellison founded) as well as unifying the Paramount tech stack (the backend technology) that powers Paramount+, BET+ and ad-supported PlutoTV, while acknowledging that there’d be cost-cutting made at the company. The exec team also highlighted the importance of Nickelodeon as as asset along with the Tiffany Network, CBS, which still leads broadcast ratings but is being managed as a healthy but declining linear business.

As for layoffs, look for the Thursday, November 6 earnings call for those financial outlook details, the execs said, while also appearing to imply that further pink slip decisions wouldn’t be a quarter-by-quarter occurrence, or, “death-by-a-thousand-cuts” even though $2 billion-plus in synergies — typically things like redundancies in corporate layers, administration, product or tech — had been targeted.

Despite those expected cuts, the goal would be to invest into the growth areas of the business. What those growth areas may be are an outstanding question (the exec panel only dropped hints of how emerging tech could influence content generation) but Ellison has stated in his deal close letter that he hopes to scale up Paramount’s direct-to-consumer business globally. That also includes investing in more content — “the Taylor Sheridan business” was name-checked, in a sign of its prominence, along with an NFL mention — as far as what types of programming may get those dollars. Right now its flagship streamer, Paramount+, has about 77 million subscribers currently, running further behind the likes of Netflix, Disney+ and Prime Video and closer to HBO Max (and ahead of Peacock).

Shell, for one, signaled that he’s looking forward to finally getting to work implementing the new Skydance plan at Paramount after sitting on the sidelines as the company underwent regulatory review, a drawn out process that, lets just say, certainly didn’t stay “non-political.”

The new Paramount Skydance will trade on the Nasdaq as “PSKY” in its latest incarnation. In an open letter to shareholders on Thursday, Ellison wrote that he wants “to empower our creative partners with technology that will enable them to tell bigger, more compelling stories fueled by human ingenuity.”

Paramount’s new studio chiefs, as well as streaming head Cindy Holland, were not present Thursday, with Dana Goldberg, Josh Greenstein and Don Granger walking the Paramount lot in Hollywood to say hello to employees on their first day, ahead of the next changes ahead. As Ellison added during his Times Square panel chat, “We do have to restructure the business. We will do that in a way that will obviously increase cash flow, but to enable us to invest back in to the business to be able to grow and scale it.”

Original source: The Hollywood Reporter.

Skydance Media Announces Proposed Executive Leadership Team for Paramount Following Anticipated Completion of Merger

Skydance Media Announces Proposed Executive Leadership Team for Paramount Following Anticipated Completion of Merger

Ellison’s new executive team will bring unparalleled industry expertise, visionary thinking, and a winning spirit to support a strong culture of innovation and excellence

Skydance's new executive team, clockwise from top left: David Ellison, Chief Executive Officer, Jeff Shell, President, Andy Gordon, Chief Strategy Officer and Chief Operating Officer, George Cheeks, Chair of TV Media, Dana Goldberg, Co-Chair of Paramount Pictures and Chair of Paramount Television, Josh Greenstein, Co-Chair of Paramount Pictures and Vice Chair of Platforms, Cindy Holland, Chair of Direct-to-Consumer, Stephanie Kyoko McKinnon, General Counsel and Acting Chief Legal Officer, Jim Sterner, Chief People Officer, Melissa Zukerman, Chief Communications Officer
Skydance's new executive team, clockwise from top left: David Ellison, Chief Executive Officer, Jeff Shell, President, Andy Gordon, Chief Strategy Officer and Chief Operating Officer, George Cheeks, Chair of TV Media, Dana Goldberg, Co-Chair of Paramount Pictures and Chair of Paramount Television, Josh Greenstein, Co-Chair of Paramount Pictures and Vice Chair of Platforms, Cindy Holland, Chair of Direct-to-Consumer, Stephanie Kyoko McKinnon, General Counsel and Acting Chief Legal Officer, Jim Sterner, Chief People Officer, Melissa Zukerman, Chief Communications Officer | Paramount

LOS ANGELES, Aug. 04, 2025 -- Skydance Media today announced the future executive team expected to lead the combined company following the close of its pending merger with Paramount Global (NASDAQ: PARA, PARAA) (the “Transaction”).

The new executive team will be comprised of highly accomplished industry veterans, who bring with them complementary capabilities and strategic insight spanning entertainment, technology, business operations, and the world at large to drive Paramount’s transformation for the future.

The Company is expected to be structured into three primary business segments: 1) Studios; 2) Direct-to-Consumer; and 3) TV Media.

The following is the expected full executive leadership team (bios below):

  • David Ellison, Chief Executive Officer
  • Jeff Shell, President
  • Andy Gordon, Chief Strategy Officer and Chief Operating Officer
  • George Cheeks, Chair of TV Media
  • Dana Goldberg, Co-Chair of Paramount Pictures and Chair of Paramount Television
  • Josh Greenstein, Co-Chair of Paramount Pictures and Vice Chair of Platforms
  • Cindy Holland, Chair of Direct-to-Consumer
  • Stephanie Kyoko McKinnon, General Counsel and Acting Chief Legal Officer
  • Jim Sterner, Chief People Officer
  • Melissa Zukerman, Chief Communications Officer
Andrew Warren will continue as Interim CFO.

David Ellison, the future Chairman and CEO of Paramount, commented:

"I’m thrilled to introduce our new executive leadership team — backed by deep industry experience, proven track records, and a shared commitment to excellence, this world-class team is uniquely equipped to rise to the occasion and deliver on our bold vision for a new Paramount. Each member was chosen to align with our goals and with the intention to drive transformation. Together, we will foster an environment where creative and technical talent collaborate seamlessly, marrying leading technologies with powerful storytelling and artistic vision to unlock Paramount's full potential and help shape the future of our industry.”

Executive Leadership Team Bios, assuming completion of the Transaction

David Ellison, Chairman & Chief Executive Officer

David Ellison is Chairman and Chief Executive Officer of Paramount, a Skydance Corporation, a premier global media and entertainment company that creates and distributes award-winning content across television, film, streaming, and digital platforms through brands like CBS Entertainment, CBS News and CBS Sports, Paramount Pictures, Paramount Television, Nickelodeon, MTV, Paramount+, and Pluto TV.

David previously served as CEO of Skydance Media, the diversified media company he founded in 2010. In this role, he oversaw the entire Skydance slate of blockbuster and critically acclaimed films, including 2022’s Top Gun: Maverick, which broke box office records, became the highest-grossing film of the year, and was nominated for six Academy Awards, including “Best Picture.” In 2022, Skydance formed a multi-year deal with Apple to develop and produce an annual slate of live-action films for Apple TV+. David is an Academy Award-nominated and Emmy Award-nominated producer, whose films have grossed nearly $10 billion globally.

In 2013, he launched Skydance Television, which boasts a diverse slate of series across a range of platforms. The studio’s slate includes Emmy-nominated series such as Grace and Frankie, Foundation, and Tom Clancy’s Jack Ryan.

David established Skydance Animation in 2017, which expanded to Madrid in 2020, and has since partnered with Apple TV+ and Netflix. In 2021, he launched Skydance Sports with the NFL, producing acclaimed content like Good Rivals and Air, followed by numerous sports documentaries and films.

David is an accomplished pilot and a lifelong film enthusiast. He attended the School of Cinematic Arts at the University of Southern California and is a member of the Producers Guild of America, as well as the Television Academy. He is a Member of the Board of the Ellison Institute of Technology, which applies advanced science and technology to address global challenges in health, climate, energy, and education.

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Jeff Shell, President

Jeff Shell is the President of Paramount, a Skydance Corporation, responsible for overseeing the day-to-day operations of the Company’s media businesses under the strategic leadership of CEO David Ellison.

Prior to joining Paramount, Jeff was the Chairman of RedBird Sports and Media, where he played a central leadership role in directing the firm’s investments and strategy across sports and entertainment assets. He also previously served as Chief Executive Officer of NBCUniversal from January 2020 until April 2023, where he oversaw the company's valuable portfolio of news, sports, and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks.

Prior to being named CEO, Jeff held several roles at NBCUniversal, including Chairman of Film and Entertainment, Chairman of Universal Film Group, and Chairman of NBCUniversal International. His career also includes an executive role at Comcast running its programming group, and executive positions at News Corporation, Fox, The Walt Disney Company, and Salomon Brothers.

Jeff holds a B.A. in Economics and Applied Mathematics from the University of California, Berkeley, and an MBA from Harvard University.

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Andy Gordon, Chief Strategy Officer and Chief Operating Officer

Andy Gordon is the Chief Strategy Officer and Chief Operating Officer of Paramount, a Skydance Corporation, where he leads corporate strategy and operations, focused on translating strategy into operational plans that drive performance, scalability, efficiency, and long-term growth across the Company.

Prior to joining Paramount, Andy was a Partner at RedBird Capital Partners, leading the firm’s Los Angeles office as well as its Technology, Media & Telecom (“TMT”) investment team and its Capital Markets activities.

While at RedBird, Andy was responsible for the firm’s West Coast business and established the firm’s Los Angeles office in 2021. In addition, he helped lead the firm’s Capital Markets initiatives, supporting RedBird’s existing investment portfolio as well as strategic opportunities for new investments. Within the portfolio, Andy helped source the firm’s investments in Skydance Media with the Ellison family, Talent Systems, and Hidden Pigeon. He also led the firm’s investment in Paramount.

Prior to joining RedBird, Andy had a distinguished 35-year career at Goldman Sachs, where he was the global chairman of Investment Banking Services, head of the Investment Bank’s West Region, global head of media and telecommunications for the Technology, Media and Telecom Group, and co-head of the One Goldman Sachs family office initiative in the Americas. He advised some of the most prominent industry leaders in Media, Entertainment, and Telecommunications, including Disney, AT&T, Liberty Global, Live Nation, IAC/Expedia, and Activision, and was the first leader to build and unify the West Region, which now spans three offices, generating over $3 billion in revenue.

Philanthropically, Andy is the founding Chairman of the Sierra Canyon School, an early kindergarten through grade 12 college preparatory school in Los Angeles. He serves as a Trustee Emeritus for Wesleyan University and is the Co-Chairman Emeritus and Trustee of the Los Angeles County Museum of Art.

Andy holds a B.A. from Wesleyan University and a General Course degree from the London School of Economics.

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George Cheeks, Chair of TV Media

George Cheeks is the Chair of TV Media at Paramount, a Skydance Corporation, where he oversees the Company’s broadcast and cable television businesses. His portfolio includes all CBS-branded properties—such as CBS Television Network, CBS News & Stations, CBS Sports, and CBS Studios—as well as BET Studios, Nickelodeon TV Studios, See It Now Studios, and Paramount Media Networks, home to iconic brands like MTV, Comedy Central, Nickelodeon, and BET.

George was previously the co-CEO of Paramount Global, as well as President and CEO of CBS. Since joining Paramount in March 2020, George has helped transform the CBS brand from a singular broadcast network to a global content provider for broadcast and streaming. Under George’s leadership, CBS has continued its reign as America’s Most-Watched Network, a streak that has reached an industry-record 17 consecutive seasons, while adding new hit programs such as Tracker, Fire Country, Ghosts, and Matlock that drive audiences for both CBS and Paramount+. George has also overseen the expansion of CBS Sports programming on Paramount+, while extending CBS News content to both Paramount+ and Pluto TV.

George has been an innovative business and creative force in the television industry for more than 30 years, which includes senior leadership roles at NBC and Viacom Music and Entertainment Groups. He served more than seven years at NBCUniversal in senior executive positions that spanned creative, business, and operational roles, including co-Chairman of NBC Entertainment, where he oversaw primetime, late-night and scripted daytime programming for the network.

George started his career in 1992 as an entertainment associate at Loeb & Loeb. He moved to Castle Rock Entertainment as senior counsel, business and legal affairs in 1995 before joining the boutique entertainment firm of Hansen, Jacobson, Teller, Hoberman, Newman, Warren & Richman in Beverly Hills as an entertainment attorney.

George holds an undergraduate degree from Yale University, where he was inducted into Phi Beta Kappa, and received a Juris Doctorate from Harvard Law School [...].

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Dana Goldberg, Co-Chair of Paramount Pictures and Chair of Paramount Television

Dana Goldberg serves as Co-Chair of Paramount Pictures with Josh Greenstein, and as Chair of Paramount Television Studio for Paramount, a Skydance Corporation, where she oversees the vision and long-term strategy of both. She has oversight of production, marketing, distribution, and strategic planning, and will lead Paramount Pictures, Nickelodeon Films, and Paramount Television Studios. 

Previously, Dana was the Chief Creative Officer of Skydance, where she developed and produced numerous record-breaking features, as well as Skydance Television’s slate of original, Emmy-nominated series. Dana joined Skydance in 2010 as President of Production, where she was responsible for the entire film slate, including The Adam Project, The Tomorrow War, The Old Guard, The Family Plan, The Gorge, and several entries in the Mission: Impossible franchise (Dead Reckoning, Fallout, Rogue Nation, Ghost Protocol), as well as World War Z, True Grit, and many others.

Dana also founded Skydance Television in 2013 and has developed and produced over 20 series, including Grace & Frankie, Reacher, Jack Ryan, Cross, Foundation, The Runarounds, and more.

Before joining Skydance, Dana served as President of Production at Village Roadshow Pictures, where she oversaw and executive produced many of the studio’s blockbuster and award-winning films, including I Am Legend and Happy Feet. Earlier in her career, she served as Vice President of Production at Baltimore/Spring Creek Pictures.

Dana has been a member of the Academy of Motion Picture Arts and Sciences since 2007 and is also a member of the Producers Guild of America and the Television Academy.

She holds a B.A. from the University of Missouri.

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Josh Greenstein, Co-Chair of Paramount Pictures and Vice Chair of Platforms

Josh Greenstein serves as Co-Chair of Paramount Pictures with Dana Goldberg, and as Vice Chair of Platforms for Paramount, a Skydance Corporation, where he oversees the vision and long-term strategy and has oversight of production, marketing, distribution, and strategic planning, and will lead Paramount Pictures and Nickelodeon Films. As Vice Chair of Platforms, he collaborates on all platform strategy, leveraging his extensive creative, distribution, and marketing experience. 

Prior to joining Paramount, Josh was the President of Sony Pictures’ Motion Picture Group, where he helped oversee the production, development, marketing, and distribution for all the studios’ labels, including Columbia Pictures, TriStar Pictures, Screen Gems, Stage 6 Films, AFFIRM Films, and Sony Pictures Animation. His tenure at Sony included work on films such as Once Upon a Time in Hollywood, Spider-Man, Spiderverse, Venom, James Bond, Jumanji, Ghostbusters, The Equalizer, Insidious, Bad Boys, Uncharted, Little Women, 28 Years Later, Baby Driver, Where the Crawdads Sing, and Anyone But You.

Under Josh’s leadership, Spider-Man: No Way Home became the studio’s highest-grossing film of all time, earning $1.91 billion worldwide; Into the Spider-Verse won the Academy Award for Best Animated Feature; and Across the Spider-Verse grossed $690.8 million globally – making it the highest-grossing animated release in Sony’s history.

Before joining Sony in 2014, Josh served as Chief Marketing Officer at Paramount Pictures, where he led global marketing efforts for major titles such as Iron Man, Mission Impossible, Captain America: The First Avenger, Interstellar, World War Z, Wolf of Wall Street, Anchorman, The Curious Case of Benjamin Button, Tropic Thunder, True Grit, The Devil Inside, and Super 8. He was instrumental to the success of the Transformers, Star Trek, Jackass, and Scary Movie franchises, as well as numerous DreamWorks Animation hits, including Kung Fu Panda 2, How to Train Your Dragon, Monsters vs. Aliens, Shrek Forever After, and the Madagascar series. 

Josh holds a B.A. in Communications from Boston University. 

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Cindy Holland, Chair of Direct-to-Consumer

Cindy Holland is the Chair of Direct-to-Consumer for Paramount, a Skydance Corporation, overseeing the strategy, operations, and performance of the Company’s streaming platforms, Paramount+ and Pluto TV. She previously advised Skydance on the streaming business. Prior to that, Cindy was CEO of global independent studio SISTER, which she joined in July 2023.

Cindy had an 18-year tenure at Netflix, including nine years as Vice President of Original Content. In her role, she established the network’s original programming strategy and oversaw the teams behind culture-defining titles, including House of Cards, Orange is the New Black, BoJack Horseman, Grace and Frankie, Narcos, Making a Murderer, Stranger Things, The Crown, Icarus, Ozark, Big Mouth, Russian Doll, When They See Us, and The Queen’s Gambit, among many others. 

Cindy began her career on the producing side working at Spring Creek Productions with Paula Weinstein and at Mutual Film Company. She was named to the 2018 Time 100 list of most influential people, is a graduate of Stanford University, and is a Board Member of Big Brothers Big Sisters of Greater Los Angeles.

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Stephanie Kyoko McKinnon, General Counsel and Acting Chief Legal Officer

Stephanie Kyoko McKinnon is the General Counsel and Acting Chief Legal Officer of Paramount, a Skydance Corporation, where she oversees all legal, regulatory, and compliance matters across the Company’s global operations, providing strategic legal guidance on transactions, intellectual property, litigation, employment, and corporate matters.

She was previously the General Counsel at Skydance Media, where she provided key legal and strategic guidance on major corporate transactions, including mergers, acquisitions, financing, and joint ventures, as well as oversaw corporate governance, litigation, and employment matters for the company. She also served as Co-President of Business Operations and oversaw Human Resources, Information Technology, and Facilities.

Prior to her time at Skydance, Stephanie served as Senior Vice President, Deputy General Counsel for VICE Media, where she oversaw legal for all of VICE’s strategic projects, including international expansion, joint ventures, market entry, investments, equity raises, and acquisitions. She was previously also the Vice President, Legal & Business Affairs for Whistle Sports, where she was responsible for the legal and business affairs, compliance, insurance, and human resources functions. She started her law career at Paul, Weiss, Rifkind, Wharton & Garrison LLP in New York City.

Stephanie holds a B.A. from Simon Fraser University and received her Bachelor of Laws degree from McGill University.

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Jim Sterner, Chief People Officer

Jim Sterner is the Chief People Officer of Paramount, a Skydance Corporation, responsible for shaping the Company’s global talent vision, building high-performing creative and corporate teams, and fostering a culture that fuels innovation and long-term business success. Jim brings more than two decades of experience leading people strategy at the intersection of entertainment, media, and technology.

Prior to joining Paramount, Jim spent over 15 years at Amazon, most recently as the HR leader for Global Media and Entertainment, where he supported Prime Video, Amazon Studios, and Amazon Music. In this role, he partnered with senior leadership to scale global content and streaming businesses through rapid growth and transformation.

Earlier in his Amazon tenure, Jim led HR for Corporate Functions, supporting more than 40,000 employees globally across Finance, Legal, Corporate Affairs, and People Experience & Technology (HR). He also held global HR leadership roles in Operations and Customer Service and spent two years based in London as UK HR Director.

Before Amazon, Jim held senior HR positions at PepsiCo, Honeywell, and The Home Depot.

Jim holds an MBA from the Paul Merage School of Business at the University of California, Irvine, and a bachelor’s degree in business administration from the University of the Pacific.

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Melissa Zukerman, Chief Communications Officer

Melissa Zukerman is the Chief Communications Officer of Paramount, a Skydance Corporation, where she leads the Company’s global communications strategy and serves as the Company’s chief spokesperson as well as advisor to the Chairman and CEO on external relations. In her role, she is responsible for overseeing all corporate messaging as well as executive, crisis, and internal communications to promote and protect the Company and its culture across all platforms and stakeholders. She also heads Paramount’s Corporate Social Responsibility division, guiding the Company’s advocacy initiatives and philanthropic priorities.

She brings to Paramount unparalleled industry experience and a proven track record partnering with business leaders and their teams to develop and communicate revenue objectives, growth strategies, and creative priorities and success. Melissa joins Paramount after 18 years as managing partner of a communications and public relations advisory firm where she represented some of the industry’s most high-profile media companies, studios, C-Suite executives, and production and distribution entities, including AT&T, Bad Robot, Chernin, Disney, Legendary, Live Nation, Marvel Studios, Warner Bros. Discovery, Skydance, and RedBird Capital Partners. Prior to that she was a consultant for several leading studios, technology, and gaming companies.

Earlier in her career Melissa held corporate communications positions at media and entertainment companies, including Universal Studios, E! Entertainment Television, Virgin, and IFILM, which was acquired by Viacom.

Melissa serves on the ADL’s Entertainment Leadership Council and is active in fighting homelessness in Los Angeles.

She holds a bachelor’s degree in communications from Northwestern University.

Editors Note:

Headshots of the Executive Leadership Team are available by contacting the media relations team.

Cautionary Note Regarding Forward-Looking Statements

This press release contains both historical and forward-looking statements that involve significant risks and uncertainties, including, without limitation, statements related to the consummation of the merger transactions among us, Paramount Global (“Paramount”) and Paramount Skydance Corporation (“New Paramount,” and together, the “Companies”) and the related transactions thereunder (the “Transactions”), expectations regarding the structure of New Paramount following the merger, and expectations regarding New Paramount’s management and leadership team upon closing of the merger. All statements that are not statements of historical fact are, or may be deemed to be, forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. Similarly, statements that describe the Companies’ objectives, plans or goals are or may be forward-looking statements. These forward-looking statements reflect current expectations concerning future results and events and generally can be identified by the use of statements that include phrases such as “believe,” “expect,” “anticipate,” “intend,” “plan,” “foresee,” “likely,” “will,” “may,” “could,” “estimate” or other similar words or phrases, and involve known and unknown risks, uncertainties and other factors that are difficult to predict and which may cause actual results, performance or achievements to be different from any future results, performance or achievements expressed or implied by these statements.

These risks, uncertainties and other factors include, among others: challenges realizing synergies and other anticipated benefits expected from the Transactions, including integrating ours and Paramount’s businesses successfully; risks related to Paramount’s streaming business; the adverse impact on Paramount’s advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries, including cost increases; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to the Companies’ decisions to make investments in new businesses, products, services and technologies, and the evolution of the Companies’ business strategy; the potential for loss of carriage or other reduction in or the impact of negotiations for the distribution of the Companies’ content; damage to the Companies’ reputation or brands; losses due to asset impairment charges for goodwill, intangible assets, FCC licenses and content; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; content infringement; domestic and global political, economic and regulatory factors affecting the Companies’ businesses generally, including tariffs and other changes in trade policies; the inability to hire or retain executives, key employees or secure creative talent, including following completion of the Transactions; disruptions to the Companies’ operations as a result of labor disputes; the dilution to the earnings per share of New Paramount which may negatively affect the price of New Paramount Class B Common Stock; the Companies’ continued incurrence of significant transaction and merger-related transaction costs in connection with the Transactions; business uncertainties, including the effect of the Transactions on the Companies’ employees, commercial partners, clients and customers, and contractual restrictions; tax consequences of the Transactions; lawsuits relating to the Transactions; the Transactions triggering change of control or other provisions in certain agreements which may allow third parties to terminate or alter existing contracts or relationships; changes and uncertainties with respect to taxes in the jurisdictions in which New Paramount will operate which may have an adverse effect on New Paramount’s business; volatility in the price of New Paramount’s Class B Common Stock; potential conflicts of interest arising from the ownership structure of New Paramount with a controlling stockholder; and other factors described in New Paramount’s filings with the Securities and Exchange Commission, including but not limited to Paramount Global’s Annual Report on Form 10-K filed on February 26, 2025, and Quarterly Reports on Form 10-Q filed on May 8 and July 31, 2025. There may be additional risks, uncertainties and factors that we do not currently view as material or that are not necessarily known. The forward-looking statements included in this communication are made only as of the date hereof, and we do not undertake any obligation to publicly update any forward-looking statements to reflect subsequent events or circumstances.

###

Update (8/7) - Skydance Media on Wednesday confirmed its senior leadership team ahead of its pending merger with Paramount Global.

The company has unveiled 10 executives who will form the top table under the executive leadership team that was revealed Monday, led by David Ellison, who will become CEO and chairman of Paramount once the deal closes Thursday.

The executives are Don Granger, President, Motion Picture Group; Kevin MacLellan, President, International and Global Content Distribution; Rebecca Mall, President, Cross Company Initiatives, Franchise, and Corporate Marketing; Matt Thunell, President, Paramount Television Studios; Kevin Creighton, EVP, Corporate Finance & Investor Relations; Tony Driscoll, EVP, Head of Corporate Strategy & Development; Efrain Miron, EVP, Head of Content Strategy & Licensing, DTC; Jose Turkienicz, EVP, Head of Global Operations; Laura Watson, EVP, Corporate and Executive Communications; and Jane Wiseman, EVP, Head of Originals, DTC.

This comes after the new Paramount structured the company into three business segments — Studios, Direct-to-Consumer and TV Media — with Dana Goldberg and Josh Greenstein overseeing studios as Co-Chairs of Paramount Pictures (with Goldberg as Chair of Paramount Television), George Cheeks as Chair of TV Media, and Cindy Holland as Chair of Direct-to-Consumer.

Don Granger, President, Motion Picture Group, Kevin MacLellan, President, International and Global Content Distribution, Rebecca Mall, President, Cross Company Initiatives, Franchise, and Corporate Marketing, Matt Thunell, President, Paramount Television Studios, Kevin Creighton, EVP, Corporate Finance & Investor Relations, Tony Driscoll, EVP, Head of Corporate Strategy & Development, Efrain Miron, EVP, Head of Content Strategy & Licensing, DTC, Jose Turkienicz, EVP, Head of Global Operations, Laura Watson, EVP, Corporate and Executive Communications and Jane Wiseman, EVP, Head of Originals, DTC
Don Granger, President, Motion Picture Group, Kevin MacLellan, President, International and Global Content Distribution, Rebecca Mall, President, Cross Company Initiatives, Franchise, and Corporate Marketing, Matt Thunell, President, Paramount Television Studios, Kevin Creighton, EVP, Corporate Finance & Investor Relations, Tony Driscoll, EVP, Head of Corporate Strategy & Development, Efrain Miron, EVP, Head of Content Strategy & Licensing, DTC, Jose Turkienicz, EVP, Head of Global Operations, Laura Watson, EVP, Corporate and Executive Communications and Jane Wiseman, EVP, Head of Originals, DTC | Skydance

“These new members of the senior management team bring fresh perspectives shaped by years of industry experience, adding meaningful depth, unrelenting passion, and a shared commitment to building a next-generation media company,” Ellison said today “At a time of incredible opportunity for Paramount and our industry, I’m confident these forward-minded leaders will propel our vision and reignite a shared sense of purpose and ambition throughout our teams.”

Update (8/9): Paramount Skydance has inked new five-year employment contracts with its senior executives, including CEO David Ellison, president Jeff Shell, and chief strategy officer and COO Andrew Brandon-Gordon, in conjunction with the close of the $8 billion transaction Thursday.

According to an SEC filing that included copies of the contracts, Ellison and Shell will be eligible to receive salaries of no less than $3.5 million per year, as well as annual bonuses with a target of $1.5 million per year. Brandon-Gordon will receive a $2.8 million salary, with a target bonus of $1.2 million.

The executives also received a tranche of restricted stock units, with Ellison and Shell receiving 5 million shares, and Brandon-Gordon 4 million shares, which will vest quarterly over a five year period. Based on Paramount Skydance’s current share price, the current value of those shares is about $55 million for Ellison and Shell.

Ellison, Shell and Brandon-Gordon will all be based out of the company’s Los Angeles headquarters, per the agreements.

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Originally published: August 05, 2025.

Official Skydance Media press release courtesy of GlobeNewswire; H/T: TheWrap; Lead image courtesy of Deadline.

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Introducing the Director of Homeland Security | South Park | South Park Studios

Introducing the Director of Homeland Security | South Park | South Park Studios


Kristi Noem does what's hard and inspires the new recruits at ICE.

Stream classic and brand new episodes on Paramount+, the exclusive streaming home of South Park! Try it FREE at ParamountPlus.com

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Teenage Mutant Ninja Turtles: Nightwatcher Book Trailer | IDWPublishing

Teenage Mutant Ninja Turtles: Nightwatcher Book Trailer | IDWPublishing


Who is the Nightwatcher? Spinning out of the new ongoing TMNT comic series, delve into the grim reality of New York City after the mutagen bomb & unveil the secrets behind the mask.

Violence and discrimination against mutants are running wild, and a new vigilante will rise up to combat it…but who is this fearsome armored fighter standing bravely against the criminals who wish to harm mutants? As life in New York City marches on, with the Teenage Mutant Ninja Turtles scattered, the mutant population is more vulnerable than ever. The community needs a defender, and as the police struggle to address rising crime rates against mutants, someone else has to step up. A new symbol of safety and justice is born in the shadows, but even the best intentions can lead to unforeseen consequences…

Collects the Free Comic Book Day issue plus all seven issues of the Teenage Mutant Ninja Turtles: Nightwatcher series by writer Juni Ba and artist Fero Pe and includes an Introduction by the director of the 2007 Teenage Mutant Ninja Turtles film Kevin Munroe!

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The Art of Smurfs Book Trailer | IDWPublishing

The Art of Smurfs Book Trailer | IDWPublishing


Journey into the world of Smurfs with fresh takes on well-known characters such as Smurfette, Papa Smurf, Grouchy Smurf, Gargamel, Azrael, & a few brand-new faces.

See how the art was developed, from concept to final, creating the animated wonder that ended up on the screen. This showcases the beauty of the art while giving fans an opportunity to revisit their favorite characters & locations from the film.

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The Smurfs
This series follows the adventures of the Smurfs, little blue creatures who live in a peaceful village and try to outwit the evil Gargamel.

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Course Correction | Dexter: Resurrection Episode 107 Promo | Official Teaser | Dexter on Paramount+ with Showtime

Dexter: Resurrection Episode 107 Promo | Official Teaser | Dexter on Paramount+ with Showtime


Everything’s going off the rails 👀 Stream Dexter: Resurrection now on Paramount Plus Premium Plan 🩸

Course Correction: At a remote retreat hosted by Prater, Dexter discovers unsettling information about Gareth; Harrison contemplates his future and his growing sense of justice driven by Elsa's struggles with her abusive landlord. (#107)

Find out what's to come on season one of Dexter: Resurrection! Stream new episodes of Dexter: Resurrection on the Paramount+ with SHOWTIME plan. Try it FREE at ParamountPlus.com

DEXTER: RESURRECTION, a continuation of DEXTER®: NEW BLOOD, takes place weeks after Dexter Morgan (Hall) takes a bullet to the chest from his own son, as he awakens from a coma to find Harrison (Jack Alcott) gone without a trace. Realizing the weight of what he put his son through, Dexter sets out for New York City, determined to find him and make things right. But closure won’t come easy. When Miami Metro’s Angel Batista (David Zayas) arrives with questions, Dexter realizes his past is catching up to him fast. As father and son navigate their own darkness in the city that never sleeps, they soon find themselves deeper than they ever imagined—and that the only way out is together.

Starring: Michael C. Hall, Julie Benz, Jennifer Carpenter, Erik King, Lauren Vélez, David Zayas, James Remar, C. S. Lee, Desmond Harrington, Aimee Garcia, & Geoff Pierson

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Originally published: August 09, 2025.

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