Friday, February 01, 2013

Viacom Plots Nickelodeon Turnaround; Nickelodeon Announces Plans To Premiere Six Brand New Animated TV Shows (Including "Monsters vs. Aliens") And New Live Afternoon Programming Block Soon!

UPDATE - Nickelodeon USA's brand new live afternoon programming block will be called "Nick Studio 10"! Official website - http://www.nick.com/shows/nick-studio-10

The entertainment news website C21Media is reporting the Nickelodeon News that, after Nickelodeon USA experienced a decline in advertising revenue, which hampered down Viacom Inc.'s first quarter 2013 total revenue, Nickelodeon has announced that they are aiming to launch six brand new animated television series which have been designed to appeal to a "purely post-millennial" audience, including new Nicktoon "Monsters vs. Aliens", Nick's all-new animated television series which will continue to follow the funny escapades of the beloved, well-meaning characters from DreamWorks Animation's 2009 blockbuster movie of the same name. "Monsters vs. Aliens" marks marks the third partnership between Nickelodeon and DreamWorks Animation. Viacom has also announced that Nickelodeon's flagship channel, Nick USA, is planning to launch a brand new live afternoon programming block in about a month's time (March 2013)!:
Viacom plots Nick turnaround

Viacom is putting programming at the heart of its recovery plan for flagging children’s channel Nickelodeon, aiming to debut six new animated series designed to appeal to a “purely post-millennial” audience.

During the firm’s quarterly earnings call, Viacom CEO Philippe Dauman said that Nickelodeon was “rapidly improving” even though the channel is struggling financially and was blamed for a 6% slump in domestic ad revenue within Vicaom’s Media Networks division.

Dauman said Nickelodeon posted three consecutive months of sequential ratings improvement in the quarter ending December 31 by putting more emphasis on event programming from strong franchises like SpongeBob SquarePants and The Fairly OddParents, and new properties like Peter Rabbit.

However, Dauman said that in the short term, the channel’s objectives were to reclaim its Saturday morning leadership, strengthen its weekday afternoon block and improve its preschool viewership, in order to boost longer-term growth of its older audience.

“That last point is particularly critical as the network hits the generational reset button. Nickelodeon’s long-term strategy is to refine its programming filter for an audience that is purely post-millennial,” said Dauman.

Among the new shows to which Nick is pinning its hopes are Monsters vs Aliens, based on the hit DreamWorks film, and the recently launched Teenage Mutant Ninja Turtles reboot. Viacom said it also aims to introduce a live afternoon block in about a month and that its efforts to centralise Nickelodeon’s leadership in Los Angeles under Russell Hicks would help to get programmes to screen faster.

Over at MTV, Dauman said Viacom also aimed to roll out “more and more new original programmes” aimed at the millennial generation. He said MTV had also started to answer the question “What’s next after Jersey Shore?” with Catfish: The TV show, which he claimed was “the number one new cable series of 2012, with MTV’s core 12 to 34 demo.”

Excluding the Nickelodeon networks, Viacom said its domestic channels – which also include MTV, VH1 and Comedy Central – returned to positive ad sales growth in the quarter. However, it predicted that Nickelodeon’s ratings improvement “will help us significantly improve our overall ad sales performance.”

Media Networks revenue fell by 2% to US$2.39bn during Q1. Total revenue dropped 16% to US$3.31bn, while operating income slipped 22% to US$797m, partly due to lower filmed entertainment revenue.

Andrew McDonald
01-02-2013
©C21Media

TAGS: Financial results
GENRES: Children's, Children's Pre-School
SHOWS: Fairly OddParents, Monsters Vs Aliens, SpongeBob SquarePants, Teenage Mutant Ninja Turtles
PEOPLE: Philippe Dauman
COMPANIES: MTV, Nickelodeon, Viacom
SECTIONS: C21Kids
COUNTRIES: US

Dan Schneider Signs New 3-Year Development Deal At Nickelodeon

The entertainment industry news website Variety is reporting the exciting Nickelodeon News that Nickelodeon TV show creator Dan Schneider, the creator, writer, and producer of hit Nickelodeon shows such as "iCarly", "Victorious", "Drake & Josh", "The Amanda Show", "Zoey 101", "Kenan & Kel", "All That" (plus "What I Like About You", which Nickelodeon UK showed in the mid-2000's), and the Nickelodeon Movie "Good Burger", and founder of the television production company "Schneider's Bakery Productions, Inc.", has signed a brand new three-year development deal with Nickelodeon! The first Nickelodeon Project he'll undertake under his new agreement with Nickelodeon will be the brand new live-action original comedy show "Sam & Cat", which will feature Nickelodeon Stars Jennette McCurdy ("iCarly"'s Sam Puckett) and Ariana Grande ("Victorious"'s Cat Valentine) reprising their roles from their respective hit shows, and will feature the pair as unlikely roommates who become teen entrepreneurs by starting their own after-school babysitting business. Nickelodeon commissioned "Sam & Cat" to become a full series and ordered 20 episodes of the show in November 2012:
Dan Schneider in development deal at Nick

Viacom cabler will rely on hitmaker as it seeks to rebound

Schneider
In the effort to stem the ratings slump at Nickelodeon, the kidvid cabler is turning to its most reliable live-action hitmaker: Dan Schneider.

The prolific producer has struck a hefty three-year development pact with the Viacom cabler. The first project under the new pact is "Sam and Cat," which aims to build on the fanbase by uniting characters from two past Nick comedies from Schneider: "iCarly" and "Victorious."

Jennette McCurdy in "iCarly"
Schneider has been a pioneer in integrating Web content and social media into the fabric of his shows. He'll be doing much more of that in the future as producers in all genres look to harness the power of second-screen activity to drive buzz and engagement among fans. For Nick shows, getting traction on Facebook, Twitter and other platforms is vital to reaching its core tween and teen aud.

Ariana Grande in "Victorious"

"I'm always trying to bake Web elements into the DNA of my shows," Schneider told Variety.

He first began playing with TV-to-Web plugs back in 1999 on Nick's "The Amanda Show," when star Amanda Bynes' character would frequently reference the AmandaPlease.com site that featured related show content.

"When we set out on a new project, we're not just creating a TV show, we're creating a multiplatform (property)," Schneider said. "But as powerful as the Internet is, it's still not more powerful than TV. It all starts with the show."

"Sam and Cat" stars Jennette McCurdy and Ariana Grande as characters they played on "iCarly" and "Victorious," respectively, who launch a babysitting biz. Production on 20 episodes got under way earlier this month, and the show is set to premiere later this year.

Schneider, who started in the biz as an actor, boasts nearly 445,000 Twitter followers. When new episodes of his shows air, he's usually live-tweeting along with some of his actors in an effort to make fans feel like they have a personal connection to the cast and producers.

Schneider's roster of past Nick shows include "All That," "Kenan and Kel," "Drake and Josh," "Zooey 101." He produced the Bynes sitcom "What I Like About You" for the WB Network from 2002-06 but otherwise has stayed in the Nick stable. After such a long tenure, he has the kind of control over his shows that he knows would be hard to command anywhere else.

"There are very few people in the entertainment business who have the level of creative control that I do," he said. "Nickelodeon has always been generous in giving me a lot of latitude."

Schneider, repped by WME, is also committed to the tough assignment of courting the oh-so-fickle tween demo, as well as the challenge of working with actors who grow up on air. He prefers the specificity of developing for the Nick crowd because it has such broad reach with its target audience despite its recent viewership declines.

"Even with very popular (adult) primetime shows, you can't count on everyone to have seen them," Schneider said. But when a show hits big on Nick, "You can be sure that there isn't a kid in the country who hasn't at least heard something about it," he said.
Also, from The Futon Critic:

Dan Schneider has struck a hefty three-year development pact with Nickelodeon beginning with his "iCarly" and "Victorious" spin-off "Sam and Cat" (Variety.com)

Thursday, January 31, 2013

Nickelodeon USA's Ratings Shortfall Hurts Viacom's 1Q13 Revenue; Nickelodeon May Hold Annual Upfront Presentation In Late February 2013

According to the following Nickelodeon News articles, despite the ratings for Nickelodeon's flagship channel, Nick USA, showing recovery after a rocky 2012, Nickelodeon USA still experienced a decline in advertising revenue, which has hampered down Viacom Inc.'s first quarter 2013 total revenue. However, the media company's 1Q13 profits came in slightly ahead of expectations, and, with Nickelodeon's significant and sustained investment in fresh, original content, Philippe Dauman, President and Chief Executive Officer of Viacom remains optimistic that Nickelodeon will continue to drive future ratings growth and revenue improvement. Nickelodeon's brand new CGI-animated "Teenage Mutant Ninja Turtles" television series is also starting to show promise for Nickelodeon. The New York Times' 'Media Decoder' column has also announced the Nick News that Nickelodeon is expected to hold their annual upfront presentation, Nickelodeon Upfront 2013, during late February 2013, where Nickelodeon will pitch a slate of new animated and live-action series to advertisers. One of the areas of Nick's focus is speculated to be Nick's preschool programming — the idea being that very young viewers will stick with Nickelodeon throughout their childhood.

From The New York Times' 'Media Decoder - Behind the Scenes, Behind the Lines' news column:
Ratings Shortfall at Nickelodeon Hurts Viacom Revenue

Hampered by ratings shortfalls at Nickelodeon and an unfavorable film release schedule, Viacom on Thursday reported a 16 percent decrease in revenue in the fourth quarter of 2012, a somewhat steeper drop than analysts anticipated.

But the company’s profits came in slightly ahead of expectations, and the chief executive, Philippe Dauman, pleased Wall Street with positive news about progress at Nickelodeon and Viacom’s other cable networks.

Mr. Dauman said the company was making an “unprecedented investment in content” that was paying off for Nickelodeon. The dramatic ratings declines that began to be visible in late 2011 are moderating, and new shows are premiering. Mr. Dauman said the ratings momentum “confirms our view that our significant and sustained investment in fresh, original content is working, and will continue to drive future ratings growth and revenue improvement.”

Viacom reported revenue in the fourth quarter of 2012, its fiscal first quarter, of $3.3 billion, down from $3.95 billion in the same quarter a year ago. Analysts had forecast $3.48 billion in revenue.

Profits rose to $470 million, or 92 cents a share, compared with $212 million, or 38 cents a share, in the same quarter a year ago. But the year-ago quarter was hurt by a settlement with the original shareholders of Harmonix Music Systems, the makers of the “Rock Band” video game series. After adjustments, Viacom earned 91 cents a share in the quarter, a penny higher than analysts had predicted, from $1.06 in the same quarter a year ago.

The damage done by Nickelodeon’s ratings drop was evident in the total revenues for Viacom’s cable networks, by far the biggest part of its business. Revenue dipped 2 percent at the networks overall, largely because advertising revenue decreased 6 percent, even as affiliate fees paid by cable and satellite distributors grew.

Mr. Dauman said on a conference call with analysts that the “lingering effects of the ratings softness” at Nickelodeon masked growth elsewhere at the cable networks. Excluding its children’s channels, Viacom’s networks group “returned to positive ad growth in the quarter,” he said.

David Bank, a media analyst for RBC Capital Markets, said Nickelodeon’s ratings for the last few months were showing recovery after a rocky 2012. “All they need to do is continue to deliver the audience they are already delivering — without growth — and the year-over-year comparisons virtually assure growth,” he said.

Nickelodeon will pitch a slate of new animated and live-action series to advertisers at a presentation in late February. One of the areas of focus is preschool programming — the idea being that very young viewers will stick with Nickelodeon throughout their childhood.

Mr. Dauman says Viacom has found that its viewers of all ages want more new shows, and they want more episodes of those shows on “faster cycles,” so it has sped up the development and production processes at Nickelodeon and elsewhere.

Mr. Dauman spent some time on Thursday’s earnings call praising MTV, another one of its flagship networks, which he said had started to answer the question “What comes after ‘Jersey Shore?’” That infamous reality show had its series finale earlier this winter.

“‘Jersey Shore’ was a game-changing hit,” he said, “but it also precipitated an overemphasis on one night,” which was Thursday. MTV is trying to spread its new shows — “Catfish,” “Washington Heights,” “Buckwild” — across the weekly schedule.

Viacom's film studio, Paramount, saw revenue drop 37 percent in the quarter, to $975 million. The company attributed this to the fact that its films in the quarter weren’t as successful as year-ago hits like “Mission: Impossible – Ghost Protocol” and “Puss in Boots.” The company also had one fewer release in the home video marketplace this time around.

Television, Bank, David, Buckwild (TV Program), Cable Television, Company Reports, Dauman, Philippe P, MTV Networks, Nickelodeon, Paramount Pictures, Television, Viacom Inc
Also, from Reuters:
Nickelodeon drags down Viacom but ad sales to improve

(Reuters) - SpongeBob SquarePants and the Teenage Mutant Ninja Turtles could not lift ad sales at Viacom's (VIAB.O) stable of cable networks, which dragged down first quarter total revenue.

Specifically, it was Viacom's Nickelodeon - home to the undersea goofy character and fighting reptiles - that was responsible for the six percent decline in advertising revenue for the quarter ending December 31.

Viacom Chief Executive Philippe Dauman singled out Nickelodeon during a quarterly earnings call on Thursday explaining that ad revenue would have been positive during the quarter excluding the network targeted to kids.

And yet he also offered some uplifting news to investors: Viacom is climbing out of the advertising slump that started last year because of weak ratings at its cable networks including MTV and Comedy Central.

Advertising revenue is expected to be flat and then turn positive during the year, Dauman said on a call with analysts.

"The results were pretty much on target," said Alan Gould, an analyst at Evercore Partners. "The fact of improving ad sales going forward that would be a positive."

Shares of Viacom rose 1.8 percent to $60.36 in morning trade on Thursday.

In the past year, Viacom has been struggling with declining cable ratings and is trying to gain a steadier foothold with its programming.

Ratings are the currency for TV commercials that set prices based on the popularity of programs. The more people that watch, the higher the cost of the ad.

"All of our groups are focusing intently on developing more new compelling programs," Dauman said.

The decline in ratings has multiple roots including intense competition from Walt Disney (DIS.N) and that younger audiences watch TV shows on demand, which are not always captured in ratings.

Still, after the wild success of "Jersey Shore," Viacom is rapidly trying to revive its status as a destination for young audiences. It has invested in a new slate of TV shows, including "Teenage Mutant Ninja Turtles," "Catfish" and "Buckwild," which are beginning to show promise.

"At the end of the day, I have been optimistic on Viacom," said Pivotal Research analyst Brian Wieser. "It's a hit driven business and hits are cyclical."

Viacom reported total revenue fell 16 percent to $3.3 billion, shy of analysts average forecast of $3.48 billion, according to Thomson Reuters I/B/E/S.

While its film entertainment revenue, which includes Paramount Pictures, dropped sharply, down 37 percent, it is the company's cable channels that represent more than 70 percent of Viacom's revenue.

Net income fell to $473 million, or 93 cents per share, from $591 million, or $1.06 per share, a year earlier.

Earnings before special items were 91 cents a share, beating analysts' average forecast by a penny.

Comedy Central USA Unveils CC Studios And Names Allison Kingsley As Vice President Of Digital Development To Run New Division

Comedy Central USA has announced the news in the following Press Release, from PRNewswire, that the network has created CC Studios, a new, in-house creative initiative that will develop content, concepts and talent for digital platforms. Comedy Central have also named Allison Kingsley as Vice President of Digital Development for the channel and will oversee CC Studios and the development of original digital content for the #1 brand in comedy!:
COMEDY CENTRAL® Unveils CC Studios And Names Allison Kingsley As Vice President Of Digital Development To Run New Division

CC Studios to Create Original Content with a Social Strategy Integrated at Every Stage of Development

NEW YORK, Jan. 31, 2013 /PRNewswire/ -- COMEDY CENTRAL has created CC Studios, a new, in-house creative initiative that will develop content, concepts and talent for digital platforms, it was announced today by Kent Alterman , President, Content Development & Original Programming, COMEDY CENTRAL and Erik Flannigan , Executive Vice President, Digital Media, Viacom Entertainment Group. Allison Kingsley has been named Vice President of Digital Development, COMEDY CENTRAL and will oversee CC Studios and the development of original digital content for the #1 brand in comedy.

CC Studios will serve as a destination where comedy and technology collide across multiple platforms to produce original shareable content for millennials. The goal is to provide a creative playground for the comedy community where comedians, directors, writers and animators can develop and cultivate their passion projects and further engage their peers and fans. CC Studios will offer a home for established talent, as well as strive to nurture new voices, concepts and future franchises, all with social strategies integrated into every stage of development. Kingsley and her CC Studios team are additionally responsible for developing and initiating branded entertainment projects in collaboration with COMEDY CENTRAL's integrated marketing and sales teams.

"Allison uses techy words I don't understand, so I know she's the right person for the job," says Alterman. "Plus, as an added bonus, she has a great comedy sensibility."

"Allison not only gets the Comedy Central filter, but she is helping to expand it by developing content beyond video as well," said Flannigan. "CC Studios talent will be playing with everything from animated GIFs to voice mail to comic strips."

"CC Studios is an outlet for veteran and upcoming comedians to develop and incubate their ideas for whichever platform best serves the content," said Kingsley. "We're excited to launch a supportive environment where the talent community can be inspired by social media and technology to create the work they love."

Projects currently available for viewing and in development include:

* "Couched"
Host Ben Hoffman spends a weekend crashing in a house full of college dudes. Ben's mission: get to know the typical Comedy Central fan as he prepares for production of his own show – "The Ben Show" (debuting February 28 on Comedy Central).

* "Bro-Dependent"
H. Michael Croner and Greg Worswick of the renowned Groundlings comedy troupe play Zack and Anderson – best friends who are equal parts [...], idiot and hopeless bromantic.

* The Lucas Brothers - Title TBD
Co-hosts Keith and Kenny bring their laid back twist to a morning show. Featuring sketches, interviews and guests like NBA stars Reggie Evans , Andray Blatche and Iman Shumpert , the show will tackle the guys' favorite subjects - sports, music and video games.

* "Behind Amy Schumer"
A web series that gives "behind the scenes" insight into the life of burgeoning superstar Amy Schumer as she creates and stars in her first TV series ("Inside Amy Schumer" premieres on Comedy Central in April).

Before joining COMEDY CENTRAL, Allison Kingsley was Vice President, Digital at Ovation, where she was responsible for the day-to-day management of the department, including fiscal and editorial oversight of Ovationtv.com, integrating on-air/branded initiatives into the digital platform, developing the award-winning Ovation social community of artists, and supervising growth of all social media platforms.

In the digital environment, Kingsley was also the General Manager and Co-Founder of Bushleaguetv.com, a comedic sports and video game site funded by DECA and designed for the 18-34 male demo.

In addition to her strong digital media skills, Kingsley has had an extensive background in television production and comedy development. Her producing experience includes the series "Significant Others" on Bravo and "Freeride" for Fox, both created by Rob Roy Thomas , along with pilots for Fox and VH1. Theatrically, Kingsley produced the long-running comedy "Beverly Winwood Presents: The Actors Showcase," which featured a cast of 20 comedians including Melissa McCarthy , Jennifer Coolidge , Nat Faxon , Jim Rash and was directed by Tony Sepulveda . She also served as Executive Director of The Groundlings, managing the famed comedy club and improvisation school.

Available on-air, online and on-the-go, COMEDY CENTRAL (www.cc.com) is the #1 brand in comedy and is owned by, and is a registered trademark of, Comedy Partners, a wholly-owned unit of Viacom Inc. (NASDAQ: VIA and VIAB). For up-to-the-minute and archival press information and photographs visit COMEDY CENTRAL's press Web site at www.cc.com/press and follow us on Twitter @ComedyCentralPR for the latest in breaking news updates, behind-the-scenes information and photos.

Viacom (NASDAQ: VIA, VIAB) is home to the world's premier entertainment brands that connect with audiences through compelling content across television, motion picture, online and mobile platforms in more than 160 countries and territories. With approximately 170 media networks reaching more than 600 million global subscribers, Viacom's leading brands include MTV, VH1, CMT, Logo, BET, CENTRIC, Nickelodeon, Nick Jr., TeenNick, Nicktoons, Nick at Nite, COMEDY CENTRAL, TV Land, Spike TV and Tr3s. Paramount Pictures, America's oldest film studio and creator of many of the most beloved motion pictures, continues today as a major global producer and distributor of filmed entertainment. Viacom operates a large portfolio of branded digital media experiences, including many of the world's most popular properties for entertainment, community and casual online gaming. For more information about Viacom and its businesses, visit www.viacom.com.

SOURCE COMEDY CENTRAL Corporate Communications

RELATED LINKS
http://www.comedycentral.com.

Viacom Reports Financial Results For First Quarter 2013 (1Q13)

Viacom Inc., the parent company of the Nickelodeon brand, has announced the Viacom News in the following Press Release, from PRNewswire, their quarterly financial results for the fiscal first quarter 2013, which ended December 31, 2012:
Viacom Reports Results For First Quarter 2013

NEW YORK, Jan. 31, 2013 /Viacom Press Release via PRNewswire-FirstCall/ --

Fiscal Year 2013 Results

Viacom Inc. (NASDAQ: VIAB, VIA) today reported financial results for the fiscal first quarter, which ended December 31, 2012. Revenues decreased 16% to $3.31 billion, driven primarily by lower Filmed Entertainment revenues due to the timing and mix of releases. Operating income and adjusted net earnings from continuing operations attributable to Viacom declined 22% to $797 million and $461 million, respectively, reflecting lower Filmed Entertainment results and a decline in Media Networks advertising revenues, partially offset by increased affiliate revenues. Adjusted diluted earnings per share from continuing operations decreased 14% to $0.91 per diluted share.

(Download image - Viacom Logo: http://photos.prnewswire.com/prnh/20110811/NY51392LOGO)

Sumner M. Redstone, Executive Chairman of Viacom, said, "Viacom continues to build on its impressive global portfolio of movies, television programming and digital content. Philippe leads a talented executive and creative team at Viacom, and I am fully confident that by investing in new hits we will continue to build our outstanding brands and deliver strong value to shareholders."

Philippe Dauman, President and Chief Executive Officer of Viacom, said, "Throughout the quarter, we kept our focus on creative excellence and strategic programming investment. Our ongoing investments in programming continue to produce results, with positive ratings trends and growing consumer engagement in new hit content, despite difficult short-term comparisons based on the mix of film releases and the lingering effect of ratings softness last year. Our television brands continue to be highly valued by distribution partners, highlighted by our double digit organic affiliate revenue growth. Paramount is well positioned for the future, with several upcoming tentpole releases, including G.I. Joe: Retaliation, Pain & Gain, Star Trek Into Darkness and World War Z. In addition, we are working closely with existing distribution partners and new digital distributors to continue to launch robust and consumer-friendly content experiences.

"Viacom's ability to generate significant cash flow permits us to continuously invest in our businesses and deliver value directly to shareholders through our share repurchase and dividend programs. Viacom's strong balance sheet has provided the flexibility to tap the financing markets and lower our average cost of debt."

Revenues

Quarterly revenues of $3.31 billion represented a 16% decline from the prior year. Media Networks revenues decreased 2% to $2.39 billion, driven by lower advertising revenues, partially offset by increased affiliate revenues. Domestic and worldwide advertising revenues each decreased 6%. The decline in domestic advertising revenues was driven by lower ratings. Domestic affiliate revenues increased 4%. Excluding the impact of digital distribution arrangements, which are affected by the timing of available programming, the domestic affiliate revenue growth rate was in the low-double digits. Worldwide affiliate fees increased 3%.

Filmed Entertainment revenues were down 37% to $975 million. Worldwide theatrical revenues decreased 42% in the quarter to $328 million, principally reflecting the difficult comparison against the prior year release of Mission: Impossible – Ghost Protocol, as well as the year over year comparison of revenue from third-party theatrical releases. Worldwide home entertainment revenues declined 43%, principally resulting from fewer releases in the quarter compared to the first quarter of 2012. The decline in home entertainment revenues also reflects lower carryover revenues from the prior period release of Transformers: Dark of the Moon. Television license fees decreased 24% to $227 million in the quarter.

Operating Income (Loss)

Quarterly operating income decreased 22% to $797 million in the quarter, reflecting lower overall revenues from the timing and mix of Filmed Entertainment releases, as well as lower revenues and increased investments in programming at Media Networks.

Quarterly adjusted net earnings from continuing operations attributable to Viacom declined $130 million, or 22%, in the quarter, principally due to the decline in operating income. Adjusted diluted earnings per share from continuing operations for the quarter were $0.91, a 14% decline from the prior year's comparable quarter.

Stock Repurchase Program

For the quarter ended December 31, 2012, Viacom repurchased 13.3 million shares under its stock repurchase program, for an aggregate purchase price of $700 million. As of December 31, 2012, Viacom had 496 million shares of Common stock outstanding. As of January 30, 2013, Viacom had $3.85 billion remaining in its $10 billion stock repurchase program.

Debt

At December 31, 2012, total debt outstanding, including capital lease obligations, was $8.39 billion, compared with $8.15 billion at September 30, 2012. The Company's cash balances were $671 million at December 31, 2012, a decrease from $848 million at September 30, 2012.

About Viacom

Viacom is home to the world's premier entertainment brands that connect with audiences through compelling content across television, motion picture, online and mobile platforms in over 160 countries and territories. With media networks reaching approximately 700 million global subscribers, Viacom's leading brands include MTV, VH1, CMT, Logo, BET, CENTRIC, Nickelodeon, Nick Jr., TeenNick, Nicktoons, Nick at Nite, COMEDY CENTRAL, TV Land, SPIKE, Tr3s, Paramount Channel and VIVA. Paramount Pictures, America's oldest film studio and creator of many of the most beloved motion pictures, continues today as a major global producer and distributor of filmed entertainment. Viacom operates a large portfolio of branded digital media experiences, including many of the world's most popular properties for entertainment, community and casual online gaming.
For more information about Viacom and its businesses, visit www.viacom.com. Keep up with Viacom news by following Viacom's blog at blog.viacom.com and Twitter feed at www.twitter.com/Viacom.

Cautionary Statement Concerning Forward-Looking Statements

This news release contains both historical and forward-looking statements. All statements that are not statements of historical fact are, or may be deemed to be, forward-looking statements. Forward-looking statements reflect the Company's current expectations concerning future results, objectives, plans and goals, and involve known and unknown risks, uncertainties and other factors that are difficult to predict and which may cause actual results, performance or achievements to differ. These risks, uncertainties and other factors include, among others: the public acceptance of the Company's programs, motion pictures and other entertainment content on the various platforms on which they are distributed; technological developments and their effect in the Company's markets and on consumer behavior; competition for audiences and distribution; the impact of piracy; economic conditions generally, and in advertising and retail markets in particular; fluctuations in the Company's results due to the timing, mix and availability of the Company's motion pictures and other programming; changes in the Federal communications laws and regulations; other domestic and global economic, business, competitive and/or regulatory factors affecting the Company's businesses generally; and other factors described in the Company's news releases and filings with the Securities and Exchange Commission, including but not limited to its 2012 Annual Report on Form 10-K and reports on Form 10-Q and Form 8-K. The forward-looking statements included in this document are made only as of the date of this document, and the Company does not have any obligation to publicly update any forward-looking statements to reflect subsequent events or circumstances. If applicable, reconciliations for any non-GAAP financial information contained in this news release are included in this news release or available on the Company's website at http://www.viacom.com .

VIACOM INC.
CONSOLIDATED STATEMENTS OF EARNINGS
(Unaudited)

VIACOM INC.
CONSOLIDATED BALANCE SHEETS


SUPPLEMENTAL DISCLOSURES REGARDING NON-GAAP FINANCIAL INFORMATION

The following table reconciles the Company's results for the quarter ended December 31, 2012 to adjusted results that exclude the impact of certain items identified as affecting comparability ("Factors Affecting Comparability"), including discrete tax benefits. The Company uses consolidated adjusted operating income, adjusted net earnings from continuing operations attributable to Viacom and adjusted diluted earnings per share ("EPS") from continuing operations, as applicable, among other measures, to evaluate the Company's actual operating performance and for planning and forecasting of future periods. The Company believes that the adjusted results provide relevant and useful information for investors because they clarify the Company's actual operating performance, make it easier to compare Viacom's results with those of other companies and allow investors to review performance in the same way as our management. Since these are not measures of performance calculated in accordance with accounting principles generally accepted in the United States of America, they should not be considered in isolation of, or as a substitute for, operating income, net earnings from continuing operations attributable to Viacom and diluted EPS as indicators of operating performance, and they may not be comparable to similarly titled measures employed by other companies.

SOURCE Viacom Inc.

RELATED LINKS

http://www.viacom.com.