Showing posts with label Paramount Skydance Corp.. Show all posts
Showing posts with label Paramount Skydance Corp.. Show all posts

Thursday, October 01, 2026

Paramount Settles Antitrust Suit, Set To Seal Deal For Warner Bros. Discovery

Paramount Skydance Corporation has settled an antitrust lawsuit brought by a dozen state attorneys led by California’s Rob Bonta, the last obstacle to closing its acquisition of Warner Bros. Discovery.

Paramount Skydance Corporation and Warner Bros. Discovery Logos

Below is a hand-picked selection of articles about the settlement.

Casey Bloys Poised to Run HBO and Paramount+ as Cindy Holland Confirms Her Exit From Paramount on Eve of Merger Closing

HBO chief Casey Bloys is poised to take the reins of all of Paramount and Warner Bros. streaming operations once the two companies merge. On Tuesday, September 29, Cindy Holland announced she was stepping down from her role running Paramount+ and other direct to consumer streamers under the Paramount umbrella.

WEST HOLLYWOOD, CALIFORNIA - SEPTEMBER 14: Casey Bloys attends the HBO Max Post-Emmy Reception at San Vicente Bungalows on September 14, 2026 in West Hollywood, California. (Photo by Joe Scarnici/Getty Images) / NEW YORK, NEW YORK - JULY 29:   Cindy Holland attends Paramount+s "Lioness" Season 3 New York Premiere at SVA Theater on July 29, 2026 in New York City. (Photo by Jamie McCarthy/Getty Images)
WEST HOLLYWOOD, CALIFORNIA - SEPTEMBER 14: Casey Bloys attends the HBO Max Post-Emmy Reception at San Vicente Bungalows on September 14, 2026 in West Hollywood, California. (Photo by Joe Scarnici/Getty Images) / NEW YORK, NEW YORK - JULY 29:   Cindy Holland attends Paramount+s "Lioness" Season 3 New York Premiere at SVA Theater on July 29, 2026 in New York City. (Photo by Jamie McCarthy/Getty Images)

The shuffle comes as Paramount Skydance is days away from closing its hard-won $110 billion acquisition of Warner Bros. Discovery.

Holland confirmed her departure in a memo to staff sent Tuesday afternoon, acknowledging that Paramount Skydance CEO David Ellison has made the decision regarding streaming leadership, although she did not reference Bloys by name.

“As David readies for the next phase of his vision, we’ve discussed my role and the future of the combined businesses. David is optimizing for HBO stability as we move into this next chapter, and I fully support that. I know this team has the leadership and expertise to manage through the transition and the next phase of the company, and to this end today will mark my last day here,” Holland wrote.

Over the past few weeks, speculation emerged that Bloys was likely to come over post merger in the top role overseeing all streaming operations. Bloys is a near 25-year veteran of HBO who has steered TV’s most prestigious brand through choppy waters and three massive corporate takeovers in eight years. There’s also speculation that JB Perrette, who now heads streaming business operations and gaming for WBD, will join Bloys in steering HBO, HBO Max and Paramount+.

Holland was part of the pioneering team that built Netflix into the world’s biggest subscription streaming platform. Her 18-year run at that streamer included nine years as Vice President of Original Content. Holland established the network’s original programming strategy and oversaw the teams behind flagship hits like House of Cards, Stranger Things, The Crown, Icarus, When They See Us and The Queen’s Gambit. Between Netflix and Paramount, Holland served as CEO of Sister — the production company formed by Elizabeth Murdoch. Her exit comes as the industry speculates wildly about the fate of other division leaders across both companies.

Here is Holland’s memo in full:

When I joined David’s team in January 2025, we proceeded to set three goals: i) advise on the Warner Bros. Discovery acquisition, ii) integrate and transform Paramount+ & revive Pluto TV, and iii) build an unparalleled team in this industry. In just over 12 months, I’m proud to say we accomplished all three and it’s been a joy to work closely with all of you.

Together with the Product team, we drove significant strategic and organizational change across DTC — building a new foundation for growth on both services, while investing in greater depth and breadth of programming and delivering strong revenue, profit, and subscriber growth for the division.

As David readies for the next phase of his vision, we’ve discussed my role and the future of the combined businesses. David is optimizing for HBO stability as we move into this next chapter, and I fully support that. I know this team has the leadership and expertise to manage through the transition and the next phase of the company, and to this end today will mark my last day here.

As I reflect on my time here and all that we’ve built together in this short time, what stands out most to me is this team. I have never been more proud of a group of people. What we’ve accomplished together is remarkable — landing quarter after quarter while navigating extraordinary uncertainty and change with resilience, focus and ambition. We grew Paramount+ to an all-time subscriber high, delivered the best retention in the service’s history, and drove double-digit growth in both engagement and revenue. We built an extraordinary content pipeline, greenlighting more than 40 new and returning series and setting all-time records with Landman, the most-watched series in Paramount+ history, and Dutton Ranch, the service’s biggest original series debut ever. We transformed live sports into a powerful streaming growth engine, securing landmark agreements with UFC and Zuffa Boxing and expanding our WNBA and UEFA Champions League rights – with UFC Freedom 250 becoming the largest-ever audience for an exclusive live event on Paramount+ and UFC 329 setting a new platform record for peak concurrent streams for an exclusive live event. And we undertook Pluto TV’s biggest product transformation in a decade, dramatically increasing registered viewing and VOD consumption while delivering strong financial performance across the business. These are extraordinary accomplishments – but what makes me proudest is how we achieved them: together, with an unwavering commitment to our audiences, our creative partners and one another.

I joined Paramount because I believe in these businesses, and because I believe wholeheartedly that the combination of Paramount and Warner Bros. Discovery serves the best interests of artists and audiences worldwide. I’m looking forward to seeing what you all accomplish together in this next, momentous chapter.

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Original source: Variety; H/T: @emeraldappul, @Nick_Crave.

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Chairman and CEO David Ellison Announces Ynon Kreiz Co-CEO of the Anticipated Combined Paramount and Warner Bros. Discovery at Closing to Help Build the Next-Generation Global Media Company

CHAIRMAN AND CEO DAVID ELLISON ANNOUNCES YNON KREIZ CO-CEO OF THE ANTICIPATED COMBINED PARAMOUNT AND WARNER BROS. DISCOVERY AT CLOSING TO HELP BUILD THE NEXT-GENERATION GLOBAL MEDIA COMPANY
     
  • Appointment comes as Paramount nears completion of Warner Bros. Discovery merger
  • Ellison sought a partner with the operating firepower to help usher in a new era of entertainment — duo prepared to unlock value for the creative community, shareholders and audiences alike
  • As Chairman & CEO, Ellison will lead all strategy, creative and technology while Kreiz, as Co-CEO will oversee the Company's day-to-day operations and integration of the combined businesses — a pairing that joins complementary skillsets to amplify results
  • Kreiz joins Ellison from Mattel and brings more than 30 years of experience leading and investing in international media and entertainment businesses, with a track record of pioneering new business models at the intersection of media, entertainment and technology

LOS ANGELES, Sept. 30, 2026 -- Paramount Skydance Corporation (NASDAQ: PSKY) (the "Company") today disclosed that David Ellison has announced Ynon Kreiz as Co-CEO of the anticipated merged company, effective at closing. Kreiz, who will start at Paramount, effective October 5, 2026, joins Ellison from Mattel, a leading global play and family entertainment company where he has served as Chairman and CEO since 2018, leading an unprecedented transformation of the business and the execution of its multi-platform, brand-centric strategy. Upon closing, Ellison will remain Chairman and CEO of the newly combined company, and Kreiz will serve as Co-CEO and join the Board of Directors. Together, they will oversee the combined company's businesses, which will report jointly to both.

Ynon Kreiz Headshot
Ynon Kreiz

Ellison's appointment of Kreiz caps a long-term plan: pursue both Paramount and Warner Bros. Discovery, then partner with a leading executive of his caliber to integrate, operationalize and manage the businesses as they build one of the most ambitious next-generation media companies in the industry's history.

Together, Ellison and Kreiz will lead the anticipated combined company as one team, pairing complementary skillsets to maximize the full upside of the merger under a comprehensive long-term strategy. Ellison will focus on the company's long-term strategy, creative vision and direction, including its talent relationships, strategic partnerships, technology and capital allocation. Kreiz will focus on the company's day-to-day management and integration of the combined businesses.

David Ellison said: "Bringing together Paramount and Warner Bros. Discovery to create a next-generation global media company is a transformational moment for our industry. Leading it takes a rare combination of strategic vision, operational depth and experience running a public company at the highest levels of media. Ynon brings all three. In Ynon, I'm adding a partner with strong leadership and the operating firepower this integration demands. It's a division of labor built on our complementary strengths, with clear reporting lines and it lets me focus where I can contribute most: long-term strategy, the company's overall creative direction, talent relationships, strategic partnerships, technology and capital allocation. We're like-minded, we see this business the same way and there's no one I'd rather partner with. Together we'll build one integrated company that is creator-first, tech-forward and built to scale globally."

Ynon Kreiz said: "I'm excited to partner with David to build the next-generation media and entertainment company — bringing together premium content and iconic brands at the highest quality and scale, serving global audiences across every entertainment vertical and distribution platform. David is a unique talent and executive: a rare blend of business acumen, creative instinct, and clear vision. I very much share that vision, and I'm inspired by what we can accomplish together. The industry is at an inflection point, demanding evolution, investment, and a willingness to rethink business models. I look forward to working with the leadership team to build a cohesive global entertainment platform — one that stands out with best-in-class operations and execution powered by technology, with unparalleled creative relationships, production capabilities, and global reach. We will continue empowering creators, make this company a greenfield for innovation and storytelling, and collaborate with key partners to reach and engage fans worldwide."

Gerry Cardinale, Founder and Managing Partner of RedBird Capital Partners — the Company's co-controlling shareholder and a member of its Board of Directors — said: "David has done what few modern executives have accomplished. He has led this company through not one but two historic acquisitions, while also running the business and building a team that's already exceeding our synergy targets, beating our financial metrics, and never wavering on our commitment to the creative community. Ynon has spent his career at the intersection of media, technology and franchise-building — pairing extraordinary storytelling with the technology to deliver it to fans everywhere. He understands not just how fans connect with the IP they love, but the economics that make entertainment endure. Great leaders accomplish great things. Historic ones know when to bring in the right partner to make it last — and that's what David has done. It's exactly why the company will have the operational firepower and the cutting-edge leadership to win."

Today's appointment of an executive with Kreiz's stature and track record marks the next step in Ellison's pursuit to unite Warner Bros. Discovery and Paramount — two of Hollywood's most storied studios, with more than 200 combined years of storytelling and a streaming platform expected to reach 200 million-plus global subscribers.

In just over a year under Ellison, Paramount has doubled its theatrical slate, deepened its creative bench, greenlit more than 40 new and returning series for Paramount+, and built the capital discipline and technology to scale. That foundation positions the Company to grow 2026 projected revenue and EBITDA (preSBC) by 16-19%, and it laid the groundwork for this historic transaction, which is expected to generate more than $6 billion in run-rate synergies accelerate EBITDA growth.

Once the Paramount and Warner Bros. Discovery merger closes, the combined company will be guided by four overarching strategic priorities: win in content, become the most technologically capable media company, maximize operational efficiencies, and earn trust — delivering reliable, responsible experiences that strengthen its relationships with creators, audiences, consumers, employees, advertisers and partners.

About Ynon Kreiz

Mr. Kreiz has extensive experience as a corporate leader in the entertainment industry, with a track record of scaling content and brands globally. During his career spanning more than 30 years, he has successfully managed and invested in international media enterprises that have pioneered new business models at the intersection of media and technology.

Mr. Kreiz has been Chairman and Chief Executive Officer of Mattel since 2018. Mattel is a leading global play and family entertainment company with one of the most iconic brand portfolios in the world, including Barbie, Hot Wheels, Fisher-Price, UNO, American Girl, and Thomas & Friends. Following his appointment at Mattel in 2018, Kreiz led a multi-year transformation that strengthened its leadership across key toy categories and expanded its brands into new entertainment verticals, including film, television, consumer products, digital games, live events and experiences, and publishing. Under Mr. Kreiz's leadership, Mattel's first theatrical release, "Barbie," became the #1 global box office film of 2023 and Warner Bros. Pictures' highest-grossing movie of all time, and the Company grew its global footprint to more than 150 countries.

Before Mattel, Mr. Kreiz was Chairman and CEO of Maker Studios, a global leader in short-form video content and one of YouTube's largest multichannel networks, which was acquired by The Walt Disney Company. He previously served as Chairman and CEO of Endemol Group, the world's largest independent television production company at the time, producing more than 10,000 hours of programming a year and owning global franchises such as "Big Brother" and "Deal or No Deal." Prior to that, he was a General Partner at Balderton Capital (formerly Benchmark Capital Europe), specializing in early-stage media and technology investments.

Earlier in his career, Mr. Kreiz was co-founder, Chairman, and CEO of Fox Kids Europe NV, which developed and owned pay TV channels across Europe and the Middle East. The company was acquired by The Walt Disney Company.

Mr. Kreiz holds a BA degree in Economics and Management from Tel Aviv University and an MBA from UCLA Anderson School of Management. He serves on the Board of Directors of Warner Music Group and the Board of Advisors of the UCLA Anderson School of Management. Mr. Kreiz is a member of Business Roundtable and the Academy of Motion Picture Arts and Sciences. He was named in 2024 one of TIME's 100 Most Influential People in the World and Entertainment Person of the Year by Cannes Lions.

Following the completion of its acquisition of Warner Bros. Discovery, the merged company's portfolio will unite legendary brands including Paramount Pictures, Warner Bros. Pictures, Paramount Television, Warner Bros. Television, CBS, CBS News, CBS Sports, CNN, HBO, HBO Max, TNT, TBS, Discovery, HGTV, Food Network, Nickelodeon, Cartoon Network, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment — serving audiences in more than 200 countries and territories.

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended, regarding the merger, including statements relating to projected financial performance, anticipated synergies, expected subscriber levels and the expected benefits of the merger. The reader is cautioned not to rely on these forward-looking statements. Forward-looking statements may be identified by words such as "projected," "anticipated," "expected," "estimated," "believes," "intends," "plans," "seeks," "will," and similar expressions. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of Paramount or WBD. The forward-looking statements in this communication include, but are not limited to, statements regarding projected adjusted EBITDA growth, anticipated run-rate synergies, expected global subscriber levels and other financial and operational metrics. Any financial projections or estimates contained herein are based on assumptions that the Company believes to be reasonable but are inherently uncertain, and actual results may differ materially. Risks and uncertainties include, but are not limited to: the risk that the closing conditions for the merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of Paramount or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the merger, if completed, may not be realized or may take longer to realize than expected; risks related to Paramount's streaming business; the adverse impact on Paramount's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to Paramount's decisions to invest in new businesses, products, services and technologies, and the evolution of Paramount's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of Paramount's content; damage to Paramount's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining Paramount's intellectual property rights; domestic and global political, economic and regulatory factors affecting Paramount's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to Paramount's operations as a result of labor disputes; risks and costs associated with the integration of, and Paramount's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of Paramount's Class B common stock; the effect Paramount's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in Paramount, including that Paramount's stockholders may not realize any change of control premium on shares of Paramount's Class B common stock and that Paramount may become subject to the control of a presently unknown third party; risks associated with Paramount's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of Paramount's Class B common stock; risks that anti-takeover provisions in Paramount's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against Paramount's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to Paramount; risks associated with Paramount's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; disruptions the merger may cause to Paramount's and WBD's business and commercial relationships; the negative impact that a failure to consummate the merger could have on Paramount's business, financial condition, results of operations and stock price; the risk that the merger may be prevented or delayed or the anticipated benefits reduced if Paramount does not obtain certain regulatory approvals; the risk that the Merger Agreement may be terminated in accordance with its terms, including if any conditions to the closing of the merger are not satisfied; the risk that litigation relating to the merger could prevent or further delay the closing of the merger or result in the payment of damages after closing; challenges realizing synergies and other anticipated benefits expected from the merger, including integrating WBD's business successfully; risks to Paramount's business, financial condition or results of operations as a result of the incurrence of substantial costs and indebtedness in connection with the merger; and risks of reduced ownership and economic interest by Paramount's existing stockholders as a result of the merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of Paramount and WBD can be found in Paramount's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, Paramount's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, and Paramount's Form 10-Q for the quarterly period ended June 30, 2026, filed with the SEC on August 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and Paramount's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at http://www.sec.gov, ir.wbd.com or on request from Paramount or WBD. Paramount undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law. We are not able to reconcile forward-looking non-GAAP financial measures because we are unable without unreasonable efforts to accurate estimate the individual adjustments for such reconciliations, as applicable, or to quantify the probable significance of these times at this time.

PSKY-IR

###

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Official Paramount Skydance Corporation press release courtesy of PR Newswire.

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Saturday, September 19, 2026

SkyShowtime Faces Uncertain Future as Owners of European Streaming JV Review Business

Comcast and Paramount Skydance have launched a strategic review of the European streaming joint venture, with a potential wind-down among the options under consideration.

SkyShowtime Logo
SkyShowtime

Comcast and Paramount Skydance are reviewing the future of SkyShowtime, including the possibility of shutting down the European streaming platform, according to an internal memo sent to employees on Monday 14th September 2026. The board informed Chief Executive Officer (CEO) Monty Sarhan that shareholders had initiated a “review of strategic options” for the business, citing the increasingly competitive and challenging streaming market. No decision has been made and all options remain under consideration, including a potential wind-down.

Launched in 2022, SkyShowtime operates across 22 European markets, combining programming from NBCUniversal, Sky Studios and Paramount. The service currently has several million subscribers and has established a presence in markets including Spain, Portugal, Denmark and Sweden.

The review comes as both parent companies reassess their streaming strategies and the broader media sector continues to consolidate. Paramount Skydance is also pursuing a potential acquisition of Warner Bros. Discovery, adding further complexity to the group’s long-term portfolio decisions.

In a memo to staff, Sarhan acknowledged the uncertainty created by the review, while stressing that the platform remains fully operational. The board similarly confirmed that the service will continue operating as normal for customers and partners, with all roles unchanged for now. The company has asked employees to maintain focus on the operating business and continue building momentum into 2027. Any proposal affecting employees will be subject to the required information and consultation processes in the markets where SkyShowtime operates.

For now, the review leaves the future structure of one of Europe’s most significant streaming joint ventures open, as its shareholders evaluate the strategic value of maintaining the standalone platform.


Original source: Señal News.

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Friday, September 04, 2026

Super! Italy to Premiere 'iCarly (2021)' in September 2026

The Italian free-to-air (FTA) children's channel Super! will start to air iCarly (2021), the hit Paramount+ Original comedy series, from Monday 14th September 2026! The series is a revival of Nickelodeon's iconic comedy series, iCarly, and picks up where the characters are today. The news follows De Agostini Editore recently reacquiring the channel from Paramount, with plans to rebrand the channel into a family entertainment destination. The news was announced by PRS Mediagroup, the channel's ad-sales partner.

iCarly (2021)
Courtesy of Paramount+/Nickelodeon

Ordered in 2020, the rebooted series picked up with adult Carly Shay (Miranda Cosgrove), 10 years older, as she reunited with her brother Spencer (Jerry Trainer) and longtime friend and cameraman Freddie (Nathan Kress), and sets out to revamp her popular web show with the help of old and new friends. Laci Mosley joined the original cast as Carly’s new friend, Harper, along with Jaidyn Triplett, who portrayed Freddie’s stepdaughter Millicent.

The series ran for 33 episodes across three seasons between June 2021 and July 2023. The reboot was produced by Nickelodeon Studios and Awesomeness and executive produced by Jay Kogen and Ali Schouten, who also wrote the pilot. Cosgrove served as executive producer, with Trainor and Alissa Vradenburg serving as producers. The series was previously released on Paramount+ Italia.

The third season of the iCarly reboot ended on a massive cliffhanger, in which fans were about to learn the identity of Carly's mother, who has remained of the series biggest mysteries. A movie to wrap up the series is planned.


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Originally published: July 25, 2026.

Original sources: idk_1141, CosmoMattia75Vista, KeyPho.

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Monday, August 24, 2026

California Expected to Seek TV Channel Sales From Paramount-Warner - Report

California Attorney General Rob Bonta is expected to ask Paramount to divest some cable channels and keep its movie studio separate from Warner Bros.

Paramount Skydance Corp. x Warner Bros. Discovery

California Attorney General Rob Bonta is expected to ask Paramount PSKY to divest some cable channels and commit to keeping its movie studio separate from Warner Bros. before he signs off on the $81 billion merger, people familiar with the matter have told The Wall Street Journal.

Bonta and Paramount Chief Executive David Ellison were scheduled to meet today (Monday, August 24) to discuss potential ways to settle the antitrust lawsuit California and 11 other states filed last month to block a deal that would combine the two entertainment giants.

Lawyers from both sides met Friday (August 21), according to people familiar with the matter. The purpose of that gathering was to lay out an agenda for today’s meeting, including discussions about the cable and motion-picture business, one of the people familiar with the matter said.

However, Bonta canceled the meeting late on Sunday evening, accusing Paramount of "playing games" and leaking what was discussed at Friday's meeting into the public sphere, something Paramount denies doing, with the company saying that they "share AG Bonta’s concerns about the public discussions and misreporting that has surrounded this deal" and that they "remain hopeful and stand ready to continue good faith discussions to resolve the Attorneys General suit and move forward with our plans for increased competition and increased output to the benefit of the talent and entertainment workers."

Leading up to Monday's meeting, people close to the talks between the two sides disclosed to the WSJ that they were doubtful that significant ground would've been made at the meeting.

The lawsuit filed by the states’ attorneys general argued that the merger would create too much concentration in the markets for theatrical movies and cable TV channels. Other areas of concern include film and television production and employment.

Pressure has mounted for Bonta and Ellison to reach an accord to allow the merger to proceed. In recent days, both California Gov. Gavin Newsom and Los Angeles Mayor Karen Bass have urged the two sides to find common ground.

Ellison and Paramount face significant financial costs if the deal isn’t closed soon. The deal with Warner includes a “ticking fee” with payments to Warner shareholders of roughly $650 million a quarter starting Oct. 1 and lasting until the transaction closes. If the trial goes on as scheduled, Paramount could be responsible for more than $1 billion in such fees.

Paramount has indicated it is prepared to leave California if it can’t reach an agreement with Bonta and the other states before the ticking fee goes into effect. Tennessee is the company’s first choice for a new home, people familiar with the company’s thinking have said.

Bonta has been adamant that he will fight the deal in court unless Paramount agrees to structural remedies. Paramount has committed to making 30 theatrical releases a year when the deal closes but hasn’t shown a willingness to sell assets or agree to management structures that would limit potential cost-savings and synergies.

A sale or spinoff of even a handful of cable networks could hurt Paramount’s bottom line and make it harder to service the nearly $80 billion in debt it will be carrying once the deal closes. While the cable-network business is struggling with cord-cutting and declining ad revenue, the channels still generate significant cash.

Paramount owns and operates the Nickelodeon whilst Warner Bros. Discovery owns and operates the Cartoon Network.

Bonta also wants Warner Bros.’ movie studio to remain a stand-alone operation with little interference from Ellison, people familiar with the matter said. Taking a hands-off approach to Warner Bros. is a nonstarter for Ellison, a person familiar with his thinking said.

The Paramount-Warner deal was approved by the Justice Department in June. It has also received approvals from the European Union, U.K., China and dozens of other countries.

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H/T: Kidscreen; Additional source: Reuters.

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Monday, August 17, 2026

Paramount’s Dino-Sized Mission to Help Kids Discover Their Own Superpowers

The PAW Patrol is taking on a rescue mission unlike any they have encountered before in PAW Patrol: The Dino Movie, playing now exclusively in theaters. In the film, the PAW Patrol land on a mysterious dinosaur island after a storm where they meet Rex, a stranded pup. When Humdinger's reckless mining triggers a volcano, the team must band together to save the island, kicking off their biggest rescue mission yet.

Kids at the EGG-cellent Dino Photo Opp
Kids at the EGG-cellent Dino Photo Opp | Paramount

But beyond dinosaurs, adventure, and big-screen action, the film also opens the door to another kind of mission: helping kids recognize their own ability to be brave, persevere, and make a difference. At the heart of the story is a message especially meaningful for families with kids ages 2-9 years old: even when a challenge feels enormous, you can keep going.

Inspired by Marshall’s storyline, Paramount and Nickelodeon extended that message beyond the screen through a social impact campaign designed to give families resources to help kids build confidence and resilience.

A Dino-Sized Adventure with a Lasting Message

The campaign builds on Nickelodeon’s existing Our World initiative, which launched in 2023 as a global initiative to inspire kids and provide them with tools to make a positive change in their communities and beyond. Together with Afterschool Alliance, Ashoka, Association of Children’s Museums, Boys and Girls Clubs of America Inc., Jack and Jill of America, Team Impact, and UNICEF USA, the partner organizations reach more than 20 million kids and families. With PAW Patrol: The Dino Movie, that mission comes to life through resources families can use to help a child navigate a challenge, recognize their strengths or take positive action. Custom print materials, digital content, and an online resource hub page, encourage families to access these practical tools designed to turn the movie’s themes into everyday moments of empowerment.

  • Conversation Starters offer sample questions parents can ask after the movie to spark empowering dialogue with their kids.
  • A Dino-Sized Mission Kit provides parents with interactive activities that help kids build skills like imagination, resilience, and teamwork while having fun with their friends and family.
  • A PAW Patrol-themed set of Dino-Mite Tips to Build Confidence and encourage kids to find their roar.

Together, the resources center on a simple idea: the lessons kids saw their favorite pups put into action on screen can become tools for navigating their own world.

Kids receive resource cards at the Children’s Museum of Manhattan
Kids receive resource cards at the Children’s Museum of Manhattan | Paramount

Bringing the Mission into Communities

The campaign also created opportunities for families to experience those messages together in the real world. Through a partnership with the Association of Children’s Museums, PAW Patrol costume characters visited children’s museums in Dallas, LA, Miami, NYC and Salt Lake City, and offered families movie-themed takeaway materials featuring Our World resources focused on kids empowerment. Children’s museums across the country are invited to further activate using the Dino-Sized Mission Kit to engage kids and families on Worldwide Day of Play powered by Nickelodeon Our World on September 26, 2026.

Kids and families meet PAW Patrol characters at the Museum of Discovery and Science in Miami
Kids and families meet PAW Patrol characters at the Museum of Discovery and Science in Miami | Paramount

Families got into the prehistoric spirit with the EGG-cellent dino photo opp at the LA Premiere of the film and Family Day screening. Kids struck a "hero pose" with empowerment props featuring messages including "I can make a difference," "I never give up," and "My voice matters," and received printed resource cards with valuable tips from the Our World campaign. This playful activation, inspired by the movie's dino-sized adventure, gave families another memorable way to engage with the world of PAW Patrol.

Families were also given Our World resource cards and invited to check out the campaign at family day screenings taking place in 29 cities across the country the weekend before release. 

Mckenna Grace at the EGG-cellent Dino Photo Opp
Phoebe Spengler Mckenna Grace at the EGG-cellent Dino Photo Opp | Paramount

These experiences met kids where they were through characters they love, imaginative play and memorable moments shared with their families.

Saving a dinosaur island may have been a job for the PAW Patrol. But being brave, trying again after a setback, speaking up and helping your community? Those are missions every kid can take on.

Via the official Paramount News hub.

Check out full episodes of PAW Patrol and Rubble & Crew on Nickelodeon and Paramount+!

For more information on PAW Patrol, visit: http://www.pawpatrol.com

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Sunday, August 16, 2026

Paramount Skydance Satisfies All Regulatory Conditions Under the Merger Agreement to Close Warner Bros. Discovery Acquisition, Securing Clearances In Nearly 70 Countries Worldwide

PARAMOUNT SKYDANCE SATISFIES ALL REGULATORY CONDITIONS UNDER THE MERGER AGREEMENT TO CLOSE WARNER BROS. DISCOVERY ACQUISITION, SECURING CLEARANCES IN NEARLY 70 COUNTRIES WORLDWIDE

Paramount Skydance Corporation x Warner Bros. Discovery

LOS ANGELES and NEW YORK, Aug. 14, 2026 -- Paramount Skydance Corporation (NASDAQ: PSKY) ("Paramount") has satisfied all regulatory clearances required under the merger agreement to close its proposed acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD").

The eight-month review process has spanned 68 countries worldwide, including the European Union, UK, Australia, Canada, Brazil, China, COMESA, the U.S. Department of Justice and, most recently, Mexico, which announced its clearance today. These independent regulators from across the globe applied the law and market definitions that reflect how audiences consume entertainment and how media companies compete today – and have consistently found no basis to prevent the transaction from moving forward. Paramount and WBD could and would close today and begin delivering the benefits recognized by regulators around the world, theater owners and others across the industry but for the actions of just 12 state attorneys general.

"We are grateful that competition authorities in nearly 70 jurisdictions worldwide have independently and thoroughly reviewed this transaction and reached the same conclusion: it is pro-competitive, pro-consumer and pro-worker," said David Ellison, CEO of Paramount. "Despite this overwhelming global consensus, the litigation brought by the State of California and 11 other State AGs remains the final obstacle to completing a combination that will create a stronger competitor with greater capacity to invest in premium content, support creative talent and workers, and deliver more high-quality entertainment to audiences."  

Paramount urges these 12 State AGs to engage with us in good faith, as we have repeatedly sought to do, to resolve this litigation and clear the way to bring these two companies together.

"While we remain confident that the law and the facts are on our side, we have offered commitments and concessions and remain open to working constructively with the State AGs to find a path forward in the interest of our employees and the creative community in California and across the world – just as we have with the regulators in 68 countries worldwide," said Ellison.  

Rather than support a stronger Hollywood and deliver tangible commitments to invest in for the benefit of labor, talent and other industry participants, the current path the 12 State AGs are on inflicts harm without benefit to their own constituents. The unwarranted eight-plus month additional delay for a trial beyond the engagement of the last 9 months will impose needless costs from penalty fees, litigation expenses and business disruption. As a business with many stakeholders, including pension and state retirement funds, Paramount is required to consider how it can absorb the unnecessary additional financial costs while preserving the longer-term strength of the combined company. The better path would be to resolve this through a settlement that would serve the interests of workers, consumers and the consumers in each of the 12 states.

Across jurisdictions, antitrust regulators examining the same competitive dynamics have reached findings that directly contradict the states AGs' core theories about competition in theatrical film distribution, the range of studios competing in film production, and the competitive pressure facing linear television. What regulators have found:

Competition Overall

THEME: The unanimous clearance of the transaction by competition authorities around the world confirms that the combination of Paramount and WBD does not pose a threat to competition.

  • UK Competition and Markets Authority (CMA): The transaction "does not give rise to a realistic prospect of a substantial lessening of competition."

Cable Networks

THEME: As the European Commission, U.S. Department of Justice and others have recognized, the relevant competitive landscape today is not cable-vs-cable, as the 12 State AGs contend, but cable competing directly with streaming and other platforms for audiences.

  • European Commission: "Streaming platforms offering children's content will continue to act as a competitive constraint on the merged entity's TV channels" – rejecting a cable-only competitive landscape.
  • U.S. DOJ: Streaming services "compete aggressively" and place "increasing competitive pressure on legacy linear and broadcast networks."

Theatrical Film Distribution

THEME: Regulators worldwide recognize theatrical film as a broad, dynamic and hit-driven market in which films compete based on their ability to attract audiences – not whether they fall within an artificially narrow "top-grossing" category.

  • Australian Competition and Consumer Commission (ACCC): The transaction is "unlikely to have the effect of substantially lessening competition," with the merged company "constrained by other film studios," including Disney, Sony, Universal, Amazon MGM, StudioCanal, and numerous independent providers.
  • Brazil's CADE: Treated film distribution as "a single relevant market, without additional segmentation" – unlike the 12 State AGs' narrower "top-grossing" theatrical market.
  • COMESA – Eastern & Southern Africa: Described the theatrical film market as "highly competitive, dynamic, and hit-driven," citing the "presence of numerous competitors."

Film Output & Quality

THEME: Regulators found no basis for claims that the transaction will reduce film output or quality – a conclusion further reinforced by Paramount's commitment to release at least 30 high-quality films annually across the combined company.

  • Contrary to the 12 State AGs' claim of "higher prices, lower quality, and less content," the ACCC found the merged company "would still be incentivised to produce and supply a similar number of films, and films of similar quality."

Across markets and continents, independent competition authorities scrutinized every major facet of the transaction – including theatrical distribution, film production, streaming and content licensing – and consistently found robust competition, directly contradicting the artificially narrow market definitions relied on by the state attorneys general.

The judgment of 68 jurisdictions cannot simply be dismissed. Their conclusion is clear: this transaction is lawful, pro-competitive and raises no antitrust concerns. The lawsuit brought by just 12 of 50 State AGs stands alone – contrary to the global regulatory consensus, the facts, the law and sound economic analysis. While we are prepared to make our case at trial, the delay occasioned by this lawsuit is inflicting harm not merely on the two companies involved, but on the broader industry and, ultimately, the very constituents these 12 State AGs represent.

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation is a next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. Paramount's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment.

PSKY-IR

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" regarding the merger. The reader is cautioned not to rely on these forward-looking statements. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of Paramount or WBD. Risks and uncertainties include, but are not limited to:  the risk that the closing conditions for the merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of Paramount or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the merger, if completed, may not be realized or may take longer to realize than expected; risks related to Paramount's streaming business; the adverse impact on Paramount's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to Paramount's decisions to invest in new businesses, products, services and technologies, and the evolution of Paramount's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of Paramount's content; damage to Paramount's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining Paramount's intellectual property rights; domestic and global political, economic and regulatory factors affecting Paramount's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to Paramount's operations as a result of labor disputes; risks and costs associated with the integration of, and Paramount's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of Paramount's Class B common stock; the effect Paramount's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in Paramount, including that Paramount's stockholders may not realize any change of control premium on shares of Paramount's Class B common stock and that Paramount may become subject to the control of a presently unknown third party; risks associated with Paramount's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of Paramount's Class B common stock; risks that anti-takeover provisions in Paramount's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against Paramount's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to Paramount; risks associated with Paramount's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; disruptions the merger may cause to Paramount's and WBD's business and commercial relationships; the negative impact that a failure to consummate the merger could have on Paramount's business, financial condition, results of operations and stock price; the risk that the merger may be prevented or delayed or the anticipated benefits reduced if Paramount does not obtain certain regulatory approvals; the risk that the Merger Agreement may be terminated in accordance with its terms, including if any conditions to the closing of the merger are not satisfied; the risk that litigation relating to the merger could prevent or further delay the closing of the merger or result in the payment of damages after closing; challenges realizing synergies and other anticipated benefits expected from the merger, including integrating WBD's business successfully; risks to Paramount's business, financial condition or results of operations as a result of the incurrence of substantial costs and indebtedness in connection with the merger; and risks of reduced ownership and economic interest by Paramount's existing stockholders as a result of the merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of Paramount and WBD can be found in Paramount's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, Paramount's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, and Paramount's Form 10-Q for the quarterly period ended June 30, 2026, filed with the SEC on August 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and Paramount's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at www.sec.gov, ir.wbd.com or on request from Paramount or WBD. Paramount undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law.

###

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Official Paramount Skydance Corporation press release courtesy of PR Newswire.

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Saturday, August 15, 2026

Nickelodeon May and the Monsters: Paramount Files Trademark for New Nickelodeon Project

Paramount Skydance Corporation, the parent company of the Nickelodeon brand, has applied to register Nickelodeon May and the Monsters with the United States Patent and Trademark Office (USPTO), it has been revealed!

Nickelodeon Splat Logo (2023 Rebrand)
Nickelodeon

According to the recently made filing, Paramount (under Viacom International Inc.) has applied to trademark Nickelodeon May and the Monsters under NICE class 41 for Education and Entertainment Services, which is for Goods & Services pertaining to "entertainment services, namely, an ongoing multimedia program featuring animation distributed via various platforms across multiple forms of transmission media; Providing a non-downloadable multimedia program series featuring animation via a video-on-demand service; Providing on-line entertainment information, namely, information about television programming".

The trademark application was made on Monday, July 27, 2026, and is still pending at the time of writing.

Not much information about Nickelodeon May and the Monsters is currently available, including whether it'll be a TV series or special, for digital (YouTube), streaming (Paramount+) or linear TV (a Nickelodeon channel), or whether it'll be aimed towards preschoolers or older children, however, there is a similarly named children's book titled Waverly May and the Monsters of Lake Michigan, which, aimed towards children aged 4-9, is written to help kids learn how to face and beat their fears.

'Waverly May and the Monsters of Lake Michigan' Book Cover
Blake Kooi, Becky Kooi

Written by licensed counselors Blake Kooi and Becky Kooi and first published on January 4, 2020, in Waverly May and the Monsters of Lake Michigan:

Waverly May is visiting Lake Michigan for the first time. But what does she hear as she walks down the path towards the beach? Are those monsters roaring? With dragons, slime monsters, and ogres on the loose, how can Waverly May survive? With the help of her creative parents, Waverly May learns that she can tame any monster that comes her way! In this delightful children’s story, the seemingly irrational fears that children experience are validated and turned into opportunities for bravery, growth, and adventure. Blake and Becky Kooi are licensed counselors who use their knowledge of child development to empower children and adults to cope with the fears, frustrations, and fulfillment of growing up. Through their work as counselors, Blake and Becky have noticed that many mental and emotional struggles come from how people have been taught to react to life’s obstacles. In Waverly May and the Monsters of Lake Michigan, children ages 4 to 9 will learn to overcome their fears while parents of all ages will learn to join their children in that battle.

The independently published book is available on Amazon.

However, whilst similarly named, it is important to note that, for the time being, this is purely speculation and that the Nickelodeon project Paramount has filed to trademark may not be associated with the book after all.

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Friday, August 07, 2026

Paramount-Warner Bros. Merger Gets Green Light From U.K. Government

The U.K. has cleared Paramount Skydance’s $111 ⁠billion acquisition of Warner Bros. on both competition and ⁠public interest grounds after Paramount beefed up promises ​about ​programming ⁠and news provision in the country.

Paramount x Warner Bros. Discover

In a statement, the U.K.’s Department of Culture, Media and Sport said, “Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the U.K. which necessitate their further intervention.”

Among the areas that the CMA looked at were theatrical film distribution, linear children’s TV channels and the supply of subscription VOD services.

The DCMS added that Lisa Nandy, the Culture Secretary, had decided “not to issue a Public Interest Intervention Notice on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the U.K.; the continuation of their distinct editorial identities; and, the distinct editorial identities of key U.K. news programs.”

The U.K. government received the following assurances from Paramount:

  • Media and streaming services: “Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the U.K., and Paramount has made a commitment that they shall retain their distinct editorial identity.”
  • Children’s programming: “Paramount has promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original U.K. children’s content.”
  • News plurality and editorial independence: “Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the U.K. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.”
  • Channel 5 and U.K. investment: “Paramount has committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB license obligations. Channel 5’s commissioning strategy will remain focused on the U.K., with Paramount committing more funding to support high-quality news, original children’s programming and drama.”

Reacting to the U.K. decision, Paramount placed it in the context of its antitrust showdown in March 2027 against California attorney general Rob Bonta and his coalition of 11 other state AGs. “These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the U.S. state AGs in their antitrust complaint in California,” a Paramount spokesperson said.

Below is the official statement issued by the U.K.’s Department of Culture, Media and Sport:

Public statement- Proposed acquisition of Warner Bros Discovery by Paramount: decision of no intervention on Public Interest Intervention or Foreign State Influence grounds

The Culture Secretary has decided not to intervene on the basis of assurances and legally-binding commitments she has secured from Paramount.

From: Department for Digital, Culture, Media and Sport and Department for Culture, Media and Sport
Published: 6 August 2026

Details

Public statement

On 30 June 2026, DCMS wrote to Paramount and Warner Bros Discovery on behalf of the Culture Secretary informing them, under the Enterprise Act public interest regime, that she was minded to intervene in the proposed merger between the two companies on the basis that the merger may impact on media plurality in the UK, including in relation to children’s programming, editorial independence and news media. The Secretary of State also issued a Written Ministerial Statement to this effect in Parliament. Both the “minded to” letter and the parliamentary statement were clear about the Secretary of State’s concerns in relation to this proposed transaction. 

The parties were given the opportunity to make representations to the Secretary of State by 6 July in response to her concerns. Paramount put forward a set of assurances seeking to address the issues raised by the Secretary of State. These assurances included a range of commitments on future investment in the UK, maintaining the distinct editorial identities of key services and the editorial independence of news. Following further discussions with DCMS officials, Paramount offered to strengthen those assurances and turn them into legally-binding commitments by way of a ‘deed of undertaking’ made in the Secretary of State’s favour.

Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the UK which necessitate their further intervention.

In parallel, after careful consideration, the Secretary of State has decided not to issue a Public Interest Intervention Notice (PIIN) on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the UK; the continuation of their distinct editorial identities; and, the distinct editorial identities of key UK news programmes.

Paramount has committed to providing the Secretary of State with annual statements of compliance with the undertakings in the deed and DCMS will closely monitor their implementation. In the circumstances, she has decided to accept the deed and has informed the parties of her decision. She will update Parliament of her decisions formally when it returns from Summer Recess in September.

The Secretary of State has taken this decision based on the specific powers she currently has available to her under the Enterprise Act, which only relate to matters concerning UK broadcasting and news media landscape. As set out in the “Watch this Space” Green Paper published on 23 June, the media sector is undergoing a profound and rapid transformation. The Secretary of State believes it is of the utmost importance to protect plurality, diversity and distinct British voices across our wider creative industries, including film, and shares the concerns about the impact consolidation could have on the UK’s creative industries.

She will be meeting with Paramount in the coming weeks with a view to seek assurances about the impact of this proposed deal on the wider creative industries. Beyond this the Secretary of State is also considering all avenues - ranging from changes to existing powers to further legislation should it be necessary - to ensure the government has the ability to protect plurality, diversity and British content when it is under threat.

Assurances from Paramount

A copy of the letter of assurances from Paramount and the Deed can be found on GOV.UK.. The main assurances are:

  • Media and streaming services: The assurances offered by Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the UK, and Paramount has made a commitment that they shall retain their distinct editorial identity.
  • Children’s programming: Paramount has also promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original UK children’s content.
  • News plurality and editorial independence: Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the UK. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.
  • Channel 5 and UK Investment: Paramount has also committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB licence obligations. Channel 5’s commissioning strategy will remain focussed on the UK, with Paramount committing more funding to support high-quality news, original children’s programming and drama.

Video-on-demand services

The Secretary of State’s Written Ministerial Statement noted that should she decide to intervene in this case, she would bring forward secondary legislation to amend the plurality of control public interest consideration set out in the Enterprise Act, to enable Ofcom to examine the impact of the proposed acquisition on video-on-demand services. While DCMS will no longer be bringing forward secondary legislation in relation to this specific merger, the Secretary of State may do so in future, given the role on-demand viewing now plays in the market.  

Foreign state influence regime

Having considered the proposed merger under the statutory Foreign State Influence regime, the Secretary of State has concluded that she does not have reasonable grounds to suspect that her duty to issue a Foreign State Intervention Notice has arisen. She is therefore currently not minded to intervene in this case. The Secretary of State will reassess the position if any new information comes to light suggesting otherwise.

Notes to editors

How long do Paramount’s commitments last?

The commitments in the deed are to come into effect on the date on which the transaction completes, and to remain effective for a period of five years. Commitments relating to Channel 5 will remain in effect until 31 December 2034, when Channel 5’s current public service broadcasting licence ends.

What about film and cinema?

Under the Enterprise Act 2002, the Secretary of State’s role in this merger process is strictly defined. Her powers of intervention are limited specifically to Public Interest considerations, which focus on issues such as media plurality and editorial independence. Issues relating to the effect of the merger on film and cinema are for the CMA to examine, as the responsible body for assessing the competition aspects of the merger.

--Ends--

Below is Paramount Skydance Corporation's official press release announcing the news, courtesy of PR Newswire:

UK COMPETITION AND MARKETS AUTHORITY APPROVES PARAMOUNT SKYDANCE CORPORATION ACQUISITION OF WARNER BROS. DISCOVERY

LOS ANGELES and NEW YORK, Aug. 6, 2026 /PRNewswire/ -- The United Kingdom Competition and Markets Authority has today formally cleared the acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD") by Paramount Skydance Corporation (NASDAQ: PSKY) ("Paramount"), representing an important milestone in completing the transaction.

Paramount is grateful to the CMA for its constructive engagement and its review of the transaction.

Separately, Paramount has entered into a deed of covenant and undertaking with the UK Department for Digital, Culture, Media and Sport. Paramount welcomed the opportunity to engage with DCMS and is pleased to have agreed on a path forward.

Paramount has already received competition clearances from antitrust and competition authorities in: the United States, Australia, Brazil, Canada, China, Kuwait, Montenegro, New Zealand, North Macedonia, Saudi Arabia, Serbia, South Africa, South Korea, Ukraine, and by the European Commission, and the COMESA Competition Commission.

Additionally, Paramount has received foreign direct investment clearances in Australia, Belgium, Czechia, Germany, France, Italy, New Zealand, Romania, Spain, and Slovenia. The transaction was also unconditionally approved by European Commission under its Foreign Subsidies Regulation regime and by the Austrian Federal Competition Authority under its media merger control regime.

With the clearance from the Competition and Markets Authority, bodies and governments representing 66 jurisdictions have either cleared the transaction or chosen not to challenge it on competition and/or foreign direct investment grounds.

These clearances recognize that the combination of Paramount and WBD will enhance consumer choice and enable a creative-first company to invest in more projects and bring stories to audiences worldwide. It will create a scaled media and entertainment company capable of competing with the tech companies that have come to dominate the industry, strengthening the media ecosystem and creating more opportunities for creatives both in front of and behind the camera.

As we have noted, this transaction does not raise antitrust concerns in any market. Today's clearance by the CMA further reinforces that. Similar to the European Commission, which cleared the transaction on 22 July 2026 after months of careful review, the conclusions reached by the CMA directly refute the assumptions that underpin the US state AGs' complaint seeking to block the transaction, despite federal approval. When considering theatrical film distribution, the CMA concluded that the merged entity "would continue to face competition from these three major studios and a range of other smaller studios." At several points, the CMA review considered how other forms of content distribution directly compete with SVOD.  Moreover, in its assessment of linear cable and in particular children's TV channels, the CMA highlighted the competitive constraint from free-to-air channels and children's content available via SVOD, and in relation to the supply of SVOD services, the constraint imposed by broadcast video on demand services and other SVOD suppliers. These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the US state AGs in their antitrust complaint in California. 

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation is a next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. Paramount's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment.

PSKY-IR

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" regarding the merger. The reader is cautioned not to rely on these forward-looking statements. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of Paramount or WBD. Risks and uncertainties include, but are not limited to:  the risk that the closing conditions for the merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of Paramount or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the merger, if completed, may not be realized or may take longer to realize than expected; risks related to Paramount's streaming business; the adverse impact on Paramount's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to Paramount's decisions to invest in new businesses, products, services and technologies, and the evolution of Paramount's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of Paramount's content; damage to Paramount's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining Paramount's intellectual property rights; domestic and global political, economic and regulatory factors affecting Paramount's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to Paramount's operations as a result of labor disputes; risks and costs associated with the integration of, and Paramount's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of Paramount's Class B common stock; the effect Paramount's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in Paramount, including that Paramount's stockholders may not realize any change of control premium on shares of Paramount's Class B common stock and that Paramount may become subject to the control of a presently unknown third party; risks associated with Paramount's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of Paramount's Class B common stock; risks that anti-takeover provisions in Paramount's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against Paramount's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to Paramount; risks associated with Paramount's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; disruptions the merger may cause to Paramount's and WBD's business and commercial relationships; the negative impact that a failure to consummate the merger could have on Paramount's business, financial condition, results of operations and stock price; the risk that the merger may be prevented or delayed or the anticipated benefits reduced if Paramount does not obtain certain regulatory approvals; the risk that the Merger Agreement may be terminated in accordance with its terms, including if any conditions to the closing of the merger are not satisfied; the risk that litigation relating to the merger could prevent or further delay the closing of the merger or result in the payment of damages after closing; challenges realizing synergies and other anticipated benefits expected from the merger, including integrating WBD's business successfully; risks to Paramount's business, financial condition or results of operations as a result of the incurrence of substantial costs and indebtedness in connection with the merger; and risks of reduced ownership and economic interest by Paramount's existing stockholders as a result of the merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of Paramount and WBD can be found in Paramount's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, Paramount's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, and Paramount's Form 10-Q for the quarterly period ended June 30, 2026, filed with the SEC on August 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and Paramount's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at www.sec.gov, ir.wbd.com or on request from Paramount or WBD. Paramount undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law.

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Source: Variety; H/T: Special thanks to RegularCapital for the news!

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