Showing posts with label Paramount Press Releases. Show all posts
Showing posts with label Paramount Press Releases. Show all posts

Friday, August 07, 2026

Paramount+ Debuts Trailer for the Explosive and Witty Second Season of 'Average Joe', Premiering Globally August 19

PARAMOUNT+ DEBUTS TRAILER FOR THE EXPLOSIVE AND WITTY SECOND SEASON OF AVERAGE JOE, PREMIERING GLOBALLY AUGUST 19

What starts as a search for answers becomes a fight for survival.

New country. New enemies. Same Joe.

'Average Joe' Season Two Key Art
Courtesy of Paramount+

August 6, 2026 - Today, Paramount+ debuted the official trailer for season two of the comedy thriller Average Joe, starring Emmy Award-nominated writer, actor, and comedian Deon Cole. The eight-episode second season will premiere globally on Paramount+ on Wednesday, August 19, with two episodes at launch, followed by weekly episodes every Wednesday.

After the explosive events of season one, Joe Washington is trying to move forward when a mysterious threat targeting his family sends him and the gang to Cape Town, South Africa. What begins as a search for answers quickly spirals into a dangerous adventure involving international criminals, powerful enemies and long-buried secrets. As Joe, Leon, Cathy and Touch find themselves hunted across the city, they'll dodge assassins, outrun bounty hunters and attempt to survive a series of increasingly impossible situations that only seem to get more chaotic by the day. Because for Joe Washington, nothing is ever average.


The cast returning alongside Cole includes Malcolm Barrett, Cynthia Kaye McWilliams and Michael Trucco. Joining for season two are Katlego Lebogang, as Imani, a young woman whose connection to Joe's family changes everything he thought he knew about his past, and Hakeem Kae-Kazim as Sipho, a powerful Cape Town crime boss whose pursuit of Joe and the gang threatens to upend their lives.

Average Joe is executive produced by Robb Cullen, Deon Cole, Eric Dean Seaton, Tyrone Finch and Rose Catherine Pinkney as well as Deb Evans for DAE Light Media and McG, Corey Marsh and Mary Viola for Wonderland Sound and Vision. The series is produced by Wonderland Sound and Vision and DAE Light Media in association with BET Studios.

Season one of Average Joe is currently available to stream on Paramount+.

'Average Joe' Season Two Key Art/Poster
Courtesy of Paramount+

About Paramount, a Skydance Corporation
Paramount, a Skydance Corporation (Nasdaq: PSKY) is a leading, next generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. The Company's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, SHOWTIME®, Paramount+, Pluto TV, Skydance Animation, Film, Television, and Interactive/Games, and the newly established Paramount Sports Entertainment. For more information, please visit www.paramount.com.

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Official Paramount+ press release courtesy of TheFutonCritic.com; Imagery courtesy of Vital Thrills.

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Paramount+ Announces New Scripted Drama 'Trauma'

PARAMOUNT+ ANNOUNCES NEW SCRIPTED DRAMA TRAUMA

New Medical Action-Thriller from Lionsgate Television and 42, Created and Written by Geoff Bussetil, to Star Golden Globe® Winner Richard Madden

Production Set to Begin in October 2026

Richard Madden Headshot
Photo by Gareth Cattermole/Getty Images

August 5, 2026 – Paramount+ today announced Trauma, a new medical action-thriller series from Lionsgate Television and 42 Management & Production, starring Golden Globe®-winning actor Richard Madden (Game of Thrones, Bodyguard, Eternals). The series will premiere on Paramount+ in all available territories excluding the U.K. and Ireland.

  • Logline: When terrorists seize a busy London Hospital and take the Prime Minister hostage during surgery, former Royal Marines medic turned ER doctor Jim Marchant (Richard Madden) must fight his way through the building to save everyone inside. As he takes the hospital floor by floor, the balance of power shifts—and the building becomes a deadly battle of strategy, nerve and survival.
  • Trauma, which is a working title, is produced by Lionsgate Television and 42. The series is created by Geoff Bussetil (Slow Horses, Scoop, Skins), who will also write. Prime Video and Paramount+ will co-produce. The series is directed by Daniel Syrkin (Tehran, MobLand) and produced by Chrissy Skinns (A Spy Among Friends, The Last Kingdom), with 42’s Chris Kennedy serving as co-producer. Madden, Syrkin and 42’s Ben Pugh and Ben Cavey will executive produce.
  • Trauma came together through a unique co-production model brokered by Lionsgate Television and 42, bringing together Prime Video and Paramount+ for distribution. Lionsgate holds a minority stake in 42.
  • Trauma is exactly the kind of bold, global and propulsive storytelling we want Paramount+ audiences to experience,” said Jane Wiseman, Head of Originals for Paramount+. “Geoff Bussetil has crafted a nail-biting thriller that puts our audience inside one impossible night with a hero played by the incredibly talented Richard Madden. We can’t wait for viewers around the world to feel their pulse racing alongside his.”
  • “This premium global series has come together through exceptional creative collaboration and innovative dealmaking,” said Scott Herbst, EVP & Head of Scripted Development, Lionsgate Television. “Together with 42, we’ve assembled a best-in-class team of partners in Prime Video and Paramount+, and the result is a gripping, high-stakes series that showcases Geoff Bussetil's distinctive vision and Richard Madden's undeniable appeal. Trauma demonstrates what’s possible when strong creative and distribution partners align behind ambitious, internationally resonant storytelling.”
  • 42's Managing Director of International TV, Ben Cavey, added: "Geoff Bussetil has crafted an absolute page turner of a thriller, which uniquely brings together the fast-paced energy of a hospital ER with a high-stakes siege thriller. It's hard to imagine a more perfect director than Daniel Syrkin, with his brilliant mastery of on-screen tension and complex drama – and Richard Madden was of course made to play this flawed but good-hearted hero, an ex-military man turned Doctor who is about to have the longest and most intense shift of his life."
  • Madden can next be seen in Netflix's upcoming series Trinity. Previously, he starred in Amazon’s feature film Killer Heat and Marvel Studios’ Eternals, directed by Academy Award® winner ChloĆ© Zhao. In 2019, Madden won the Golden Globe Award for Best Actor in a Drama Series for Netflix’s Emmy Award®-nominated series Bodyguard. He also starred in both seasons of The Russo Brothers’ Citadel. He is repped by CAA, Anonymous Content and Sloane, Offer, Weber and Dern, LLP.
  • This announcement follows other recent greenlights from Paramount+ including Ascent starring Viola Davis, the Clueless Sequel Event Series with Alicia Silverstone returning, Laird, led by Kenneth Branagh, Fear Not starring Anne Hathaway, 9/12 starring Jeremy Strong and Discretion starring Nicole Kidman and Elle Fanning.

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About Paramount+:
Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

@ParamountPlus
@PeakParamount
#ParamountPlus

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Varnell Hill Is Back In the Spotlight: First Look at the Long-Awaited Comedy Series 'The Varnell Hill Show', Premiering Globally September 1 on Paramount+

VARNELL HILL IS BACK IN THE SPOTLIGHT:
FIRST LOOK AT THE LONG-AWAITED COMEDY SERIES THE VARNELL HILL SHOW, PREMIERING GLOBALLY SEPTEMBER 1 ON PARAMOUNT+

Tommy Davidson reprises his beloved Martin character in a new workplace comedy executive produced by Martin Lawrence and Bentley Kyle Evans

The Varnell Hill Show
Courtesy of Paramount+

August 5, 2026 — Paramount+ today unveiled first look photos and announced the premiere date for The Varnell Hill Show, a new half-hour workplace comedy executive produced by Martin Lawrence and Bentley Kyle Evans, and starring and executive produced by Tommy Davidson as the unforgettable talk show host first introduced in the iconic sitcom Martin. The eight-episode first season will make its global debut on Paramount+ with two episodes on Tuesday, September 1, followed by one new episode every Tuesday through October 13.

Nearly three decades after audiences first met him, Varnell Hill is stepping back into the spotlight — and he's determined to prove he's still the star of the show. Set behind the scenes of a long-running late-night talk show, The Varnell Hill Show follows Varnell (Davidson) as he fights to stay relevant in a rapidly changing entertainment landscape. Between network executives eager to modernize the show, a chaotic writers' room, celebrity guests, family drama, and his own outsized ego, Varnell quickly discovers that keeping a television empire together may be harder than building one in the first place.

Davidson leads an ensemble cast that includes Kym Whitley, Wendy Raquel Robinson, Nick Cafero, Emmanuel Hudson and Chris Williams, alongside a lineup of guest stars including Ms. Pat, Deon Cole, Damon Wayans, Mike Epps, Omarion and many more with special appearances by Lawrence.

In association with BET Studios, the series is executive produced by Lawrence, Davidson, Jesse Collins and Dionne Harmon for Jesse Collins Entertainment, Stacy Lyles, Rae Proctor, and Robert Lawrence for Runteldat Entertainment, Mark Greenberg, Andrew Horne, and Evans for Harvest Studios, who also serves as showrunner, writer and director.

The Varnell Hill Show
Courtesy of Paramount+

The Varnell Hill Show
Courtesy of Paramount+

The Varnell Hill Show
Courtesy of Paramount+

The Varnell Hill Show
Courtesy of Paramount+

The Varnell Hill Show
Courtesy of Paramount+

The Varnell Hill Show
Courtesy of Paramount+

The Varnell Hill Show
Courtesy of Paramount+

The Varnell Hill Show
Courtesy of Paramount+


About Paramount+:
Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

@ParamountPlus
@PeakParamount
#ParamountPlus

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Paramount-Warner Bros. Merger Gets Green Light From U.K. Government

The U.K. has cleared Paramount Skydance’s $111 ⁠billion acquisition of Warner Bros. on both competition and ⁠public interest grounds after Paramount beefed up promises ​about ​programming ⁠and news provision in the country.

Paramount x Warner Bros. Discover

In a statement, the U.K.’s Department of Culture, Media and Sport said, “Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the U.K. which necessitate their further intervention.”

Among the areas that the CMA looked at were theatrical film distribution, linear children’s TV channels and the supply of subscription VOD services.

The DCMS added that Lisa Nandy, the Culture Secretary, had decided “not to issue a Public Interest Intervention Notice on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the U.K.; the continuation of their distinct editorial identities; and, the distinct editorial identities of key U.K. news programs.”

The U.K. government received the following assurances from Paramount:

  • Media and streaming services: “Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the U.K., and Paramount has made a commitment that they shall retain their distinct editorial identity.”
  • Children’s programming: “Paramount has promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original U.K. children’s content.”
  • News plurality and editorial independence: “Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the U.K. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.”
  • Channel 5 and U.K. investment: “Paramount has committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB license obligations. Channel 5’s commissioning strategy will remain focused on the U.K., with Paramount committing more funding to support high-quality news, original children’s programming and drama.”

Reacting to the U.K. decision, Paramount placed it in the context of its antitrust showdown in March 2027 against California attorney general Rob Bonta and his coalition of 11 other state AGs. “These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the U.S. state AGs in their antitrust complaint in California,” a Paramount spokesperson said.

Below is the official statement issued by the U.K.’s Department of Culture, Media and Sport:

Public statement- Proposed acquisition of Warner Bros Discovery by Paramount: decision of no intervention on Public Interest Intervention or Foreign State Influence grounds

The Culture Secretary has decided not to intervene on the basis of assurances and legally-binding commitments she has secured from Paramount.

From: Department for Digital, Culture, Media and Sport and Department for Culture, Media and Sport
Published: 6 August 2026

Details

Public statement

On 30 June 2026, DCMS wrote to Paramount and Warner Bros Discovery on behalf of the Culture Secretary informing them, under the Enterprise Act public interest regime, that she was minded to intervene in the proposed merger between the two companies on the basis that the merger may impact on media plurality in the UK, including in relation to children’s programming, editorial independence and news media. The Secretary of State also issued a Written Ministerial Statement to this effect in Parliament. Both the “minded to” letter and the parliamentary statement were clear about the Secretary of State’s concerns in relation to this proposed transaction. 

The parties were given the opportunity to make representations to the Secretary of State by 6 July in response to her concerns. Paramount put forward a set of assurances seeking to address the issues raised by the Secretary of State. These assurances included a range of commitments on future investment in the UK, maintaining the distinct editorial identities of key services and the editorial independence of news. Following further discussions with DCMS officials, Paramount offered to strengthen those assurances and turn them into legally-binding commitments by way of a ‘deed of undertaking’ made in the Secretary of State’s favour.

Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the UK which necessitate their further intervention.

In parallel, after careful consideration, the Secretary of State has decided not to issue a Public Interest Intervention Notice (PIIN) on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the UK; the continuation of their distinct editorial identities; and, the distinct editorial identities of key UK news programmes.

Paramount has committed to providing the Secretary of State with annual statements of compliance with the undertakings in the deed and DCMS will closely monitor their implementation. In the circumstances, she has decided to accept the deed and has informed the parties of her decision. She will update Parliament of her decisions formally when it returns from Summer Recess in September.

The Secretary of State has taken this decision based on the specific powers she currently has available to her under the Enterprise Act, which only relate to matters concerning UK broadcasting and news media landscape. As set out in the “Watch this Space” Green Paper published on 23 June, the media sector is undergoing a profound and rapid transformation. The Secretary of State believes it is of the utmost importance to protect plurality, diversity and distinct British voices across our wider creative industries, including film, and shares the concerns about the impact consolidation could have on the UK’s creative industries.

She will be meeting with Paramount in the coming weeks with a view to seek assurances about the impact of this proposed deal on the wider creative industries. Beyond this the Secretary of State is also considering all avenues - ranging from changes to existing powers to further legislation should it be necessary - to ensure the government has the ability to protect plurality, diversity and British content when it is under threat.

Assurances from Paramount

A copy of the letter of assurances from Paramount and the Deed can be found on GOV.UK.. The main assurances are:

  • Media and streaming services: The assurances offered by Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the UK, and Paramount has made a commitment that they shall retain their distinct editorial identity.
  • Children’s programming: Paramount has also promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original UK children’s content.
  • News plurality and editorial independence: Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the UK. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.
  • Channel 5 and UK Investment: Paramount has also committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB licence obligations. Channel 5’s commissioning strategy will remain focussed on the UK, with Paramount committing more funding to support high-quality news, original children’s programming and drama.

Video-on-demand services

The Secretary of State’s Written Ministerial Statement noted that should she decide to intervene in this case, she would bring forward secondary legislation to amend the plurality of control public interest consideration set out in the Enterprise Act, to enable Ofcom to examine the impact of the proposed acquisition on video-on-demand services. While DCMS will no longer be bringing forward secondary legislation in relation to this specific merger, the Secretary of State may do so in future, given the role on-demand viewing now plays in the market.  

Foreign state influence regime

Having considered the proposed merger under the statutory Foreign State Influence regime, the Secretary of State has concluded that she does not have reasonable grounds to suspect that her duty to issue a Foreign State Intervention Notice has arisen. She is therefore currently not minded to intervene in this case. The Secretary of State will reassess the position if any new information comes to light suggesting otherwise.

Notes to editors

How long do Paramount’s commitments last?

The commitments in the deed are to come into effect on the date on which the transaction completes, and to remain effective for a period of five years. Commitments relating to Channel 5 will remain in effect until 31 December 2034, when Channel 5’s current public service broadcasting licence ends.

What about film and cinema?

Under the Enterprise Act 2002, the Secretary of State’s role in this merger process is strictly defined. Her powers of intervention are limited specifically to Public Interest considerations, which focus on issues such as media plurality and editorial independence. Issues relating to the effect of the merger on film and cinema are for the CMA to examine, as the responsible body for assessing the competition aspects of the merger.

--Ends--

Below is Paramount Skydance Corporation's official press release announcing the news, courtesy of PR Newswire:

UK COMPETITION AND MARKETS AUTHORITY APPROVES PARAMOUNT SKYDANCE CORPORATION ACQUISITION OF WARNER BROS. DISCOVERY

LOS ANGELES and NEW YORK, Aug. 6, 2026 /PRNewswire/ -- The United Kingdom Competition and Markets Authority has today formally cleared the acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD") by Paramount Skydance Corporation (NASDAQ: PSKY) ("Paramount"), representing an important milestone in completing the transaction.

Paramount is grateful to the CMA for its constructive engagement and its review of the transaction.

Separately, Paramount has entered into a deed of covenant and undertaking with the UK Department for Digital, Culture, Media and Sport. Paramount welcomed the opportunity to engage with DCMS and is pleased to have agreed on a path forward.

Paramount has already received competition clearances from antitrust and competition authorities in: the United States, Australia, Brazil, Canada, China, Kuwait, Montenegro, New Zealand, North Macedonia, Saudi Arabia, Serbia, South Africa, South Korea, Ukraine, and by the European Commission, and the COMESA Competition Commission.

Additionally, Paramount has received foreign direct investment clearances in Australia, Belgium, Czechia, Germany, France, Italy, New Zealand, Romania, Spain, and Slovenia. The transaction was also unconditionally approved by European Commission under its Foreign Subsidies Regulation regime and by the Austrian Federal Competition Authority under its media merger control regime.

With the clearance from the Competition and Markets Authority, bodies and governments representing 66 jurisdictions have either cleared the transaction or chosen not to challenge it on competition and/or foreign direct investment grounds.

These clearances recognize that the combination of Paramount and WBD will enhance consumer choice and enable a creative-first company to invest in more projects and bring stories to audiences worldwide. It will create a scaled media and entertainment company capable of competing with the tech companies that have come to dominate the industry, strengthening the media ecosystem and creating more opportunities for creatives both in front of and behind the camera.

As we have noted, this transaction does not raise antitrust concerns in any market. Today's clearance by the CMA further reinforces that. Similar to the European Commission, which cleared the transaction on 22 July 2026 after months of careful review, the conclusions reached by the CMA directly refute the assumptions that underpin the US state AGs' complaint seeking to block the transaction, despite federal approval. When considering theatrical film distribution, the CMA concluded that the merged entity "would continue to face competition from these three major studios and a range of other smaller studios." At several points, the CMA review considered how other forms of content distribution directly compete with SVOD.  Moreover, in its assessment of linear cable and in particular children's TV channels, the CMA highlighted the competitive constraint from free-to-air channels and children's content available via SVOD, and in relation to the supply of SVOD services, the constraint imposed by broadcast video on demand services and other SVOD suppliers. These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the US state AGs in their antitrust complaint in California. 

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation is a next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. Paramount's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment.

PSKY-IR

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" regarding the merger. The reader is cautioned not to rely on these forward-looking statements. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of Paramount or WBD. Risks and uncertainties include, but are not limited to:  the risk that the closing conditions for the merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of Paramount or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the merger, if completed, may not be realized or may take longer to realize than expected; risks related to Paramount's streaming business; the adverse impact on Paramount's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to Paramount's decisions to invest in new businesses, products, services and technologies, and the evolution of Paramount's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of Paramount's content; damage to Paramount's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining Paramount's intellectual property rights; domestic and global political, economic and regulatory factors affecting Paramount's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to Paramount's operations as a result of labor disputes; risks and costs associated with the integration of, and Paramount's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of Paramount's Class B common stock; the effect Paramount's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in Paramount, including that Paramount's stockholders may not realize any change of control premium on shares of Paramount's Class B common stock and that Paramount may become subject to the control of a presently unknown third party; risks associated with Paramount's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of Paramount's Class B common stock; risks that anti-takeover provisions in Paramount's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against Paramount's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to Paramount; risks associated with Paramount's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; disruptions the merger may cause to Paramount's and WBD's business and commercial relationships; the negative impact that a failure to consummate the merger could have on Paramount's business, financial condition, results of operations and stock price; the risk that the merger may be prevented or delayed or the anticipated benefits reduced if Paramount does not obtain certain regulatory approvals; the risk that the Merger Agreement may be terminated in accordance with its terms, including if any conditions to the closing of the merger are not satisfied; the risk that litigation relating to the merger could prevent or further delay the closing of the merger or result in the payment of damages after closing; challenges realizing synergies and other anticipated benefits expected from the merger, including integrating WBD's business successfully; risks to Paramount's business, financial condition or results of operations as a result of the incurrence of substantial costs and indebtedness in connection with the merger; and risks of reduced ownership and economic interest by Paramount's existing stockholders as a result of the merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of Paramount and WBD can be found in Paramount's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, Paramount's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, and Paramount's Form 10-Q for the quarterly period ended June 30, 2026, filed with the SEC on August 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and Paramount's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at www.sec.gov, ir.wbd.com or on request from Paramount or WBD. Paramount undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law.

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Source: Variety; H/T: Special thanks to RegularCapital for the news!

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Will They or Won't They? Third and Final Season of Paramount+ Original Comedy Series 'Colin From Accounts' to Premiere September 10

Will They or Won’t They?

THIRD AND FINAL SEASON OF PARAMOUNT+ ORIGINAL COMEDY SERIES COLIN FROM ACCOUNTS TO PREMIERE SEPTEMBER 10

L-R: Patrick Brammall as Gordon, Colin from Accounts, and Harriet Dyer as Ashley
L-R: Patrick Brammall as Gordon, Colin from Accounts, and Harriet Dyer as Ashley. | Paramount+

August 4, 2026 – Paramount+ today announced the third and final season of its critically acclaimed original series Colin From Accounts, a romantic comedy about flawed, funny people choosing each other and embracing the all-too-relatable chaos of modern life, will premiere Thursday, September 10. All episodes of the highly anticipated new season will be available to stream at premiere, exclusively on Paramount+ in the U.S. The season three official trailer and key art are also now available. Series creators Patrick Brammall and Harriet Dyer have returned to write, executive produce and star in the farewell season, which picks up after the season two cliffhanger of Gordon's unexpected proposal to Ashley.


  • Season three of Colin From Accounts reveals the aftermath of the ill-fated proposal, but while Gordon and Ashley are determined to move on from past embarrassments, they can’t seem to shake their collective baggage. And even as life moves on, with challenges at work, ongoing family battles and new friendship dramas, something keeps pulling this flawed, funny pair back into each other’s orbits. Do Gordon and Ashley belong together – or is their beloved dog Colin the only thing keeping their futures intertwined?
  • Alongside Brammall and Dyer, the season three cast includes Thomas Cocquerel (All Her Fault, Gilded Age), Nikki Shiels (The Last Anniversary, Prosper) and Mark Trevorrow (The Bob Downe Show, Kath & Kimderella), alongside returning favourites Emma Harvie, Genevieve Hegney, Michael Logo, Helen Thomson, Darren Gilshenan, Virginia Gay, Annie Maynard, Celeste Barber, Justin Rosniak and Tai Hara.
  • On the decision to wrap up the show with season three, Dyer and Brammall said: “Creatively it feels like the right time to say goodbye to Colin From Accounts after three seasons. We love everything about making this show. From writing all 24 episodes and producing with our amazing partners at Easy Tiger, to acting on set with our brilliant cast and spunky crew, to sitting in the edit with our wonderful post team where we are currently wrapping things up. We’re going to miss making this show terribly, but we hope you love season three as much as we do. Thank you for watching, it means the world."
  • The series has garnered international recognition and acclaim, including a BAFTA® TV Award nomination for Best International Series, alongside winning two Gotham TV Awards (Breakthrough Comedy Series and Outstanding Performance in a Comedy Series) and three Australian Logie Awards (for Outstanding Comedy Program, Outstanding Actor and Outstanding Actress). In addition, it was the most nominated comedy series at the 2024 and 2025 AACTA Awards with 19 total nominations, including Best Narrative Comedy Series and Best Acting in Comedy for Brammall and Dyer. Seasons one and two each continue to hold a 100% Certified Fresh rating on Rotten Tomatoes.
  • Colin from Accounts is commissioned by the Foxtel Group and produced by Easy Tiger Productions and CBS Studios. Rob Gibson, Ian Collie, Patrick Brammall, Harriet Dyer, Trent O’Donnell, Lana Greenhalgh and Daniel Monaghan serve as executive producers with Kevin Greene producing. O’Donnell returns to direct four episodes, with Madeleine Dyer directing the other four. Season three was financed with the assistance of Screen NSW, through the Made in NSW Fund. The series is distributed outside of Australia and New Zealand by Paramount Global Content Distribution.
  • Seasons one and two are currently available to stream exclusively on Paramount+ in the U.S.

Patrick Brammall as Gordon and Harriet Dyer as Ashley in Colin From Accounts Season 3
Patrick Brammall as Gordon and Harriet Dyer as Ashley in Colin From Accounts Season 3 | John Platt/Paramount+

Harriet Dyer as Ashley, Colin from Accounts, and Patrick Brammall as Gordon in Colin From Accounts Season 3
Harriet Dyer as Ashley, Colin from Accounts, and Patrick Brammall as Gordon in Colin From Accounts Season 3 | Lisa Tomasetti/Paramount+

L-R: Patrick Brammall as Gordon and Harriet Dyer as Ashley with Colin on the right
L-R: Patrick Brammall as Gordon and Harriet Dyer as Ashley with Colin on the right | John Platt/Paramount+

Patrick Brammall as Gordon and Harriet Dyer as Ashley in Colin From Accounts Season 3
Patrick Brammall as Gordon and Harriet Dyer as Ashley in Colin From Accounts Season 3 | Sarah Wilson/Paramount+

'Colin From Accounts' Season Three Key Art
Paramount+

About Paramount+
Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

About CBS Studios
CBS Studios is part of Paramount’s TV Media Group, a flagship division of Paramount, a Skydance Corporation (Nasdaq: PSKY). CBS Studios, which is also home to BET Studios and Nickelodeon Animation Studios, is one of the world’s leading producers of entertainment programming with dozens of globally popular series for broadcast and streaming. The Studio’s expansive portfolio features a diverse slate of commercially successful and critically acclaimed series including genre-defining franchises such as STAR TREK and the FIRE COUNTRY universe, ELSBETH, BOSTON BLUE, and the world’s #1 television franchise, NCIS; fan-favorite comedies such as GHOSTS, MURDERBOT, and COLIN FROM ACCOUNTS; the newly reimagined MATLOCK and LITTLE HOUSE ON THE PRAIRIE; the buzzy daytime hit BEYOND THE GATES and international co-productions such as KING & CONQUEROR.

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Additional source: TheFutonCritic.com; Additional imagery courtesy of Deadline.

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Viola Davis to Star In and Executive Produce Paramount+ Original Series, 'Ascent'

VIOLA DAVIS TO STAR IN AND EXECUTIVE PRODUCE PARAMOUNT+ ORIGINAL SERIES, ASCENT

EGOT-winning Icon Joins Acclaimed Writer John Logan’s New Thriller

Produced By Paramount Television Studios, Ascent is Set to Begin Production in Los Angeles in 2027

Viola Davis Headshot
Credit: Rodin Eckenroth/Getty Images

August 4, 2026 – Paramount+ today announced that it has greenlit a new thriller titled Ascent, starring Emmy®, Grammy®, Oscar® and Tony® Award-winning actress, Viola Davis and created by Tony Award winner and three-time Oscar nominee John Logan (Skyfall, Gladiator, Michael, Penny Dreadful). Logan will serve as showrunner and executive producer alongside executive producers Michael Aguilar (Penny Dreadful: City of Angels, Kidding, The Departed), and Davis and Julius Tennon for JuVee Productions.

  • Produced by Paramount Television Studios, Ascent is slated to begin production in Los Angeles in 2027.
  • Ascent is a character-driven thriller set in the dangerous world of global corporate crisis and damage control. Davis will play elite corporate fixer Catriona Vail, who must weaponize the ruthless skills that have made her indispensable to billion-dollar clients when her estranged daughter is in danger.
  • Viola Davis said: “I am overwhelmingly excited about this journey with the great John Logan. We won the lottery with this one! Work in which both story and character are bold, awe inspiring and deeply unique is why I became an artist. We at JuVee are deeply grateful to John Logan, Michael Aquilar, and Paramount. We are ready to create magic!”
  • "Viola Davis doesn't just take on roles; she transforms them. Catriona Vail is an incredibly complex character and Viola is exactly the generational talent to bring her to life,” said Jane Wiseman, Head of Originals for Paramount+. “With John Logan and Michael Aguilar behind the camera, Ascent is high-stakes television at its best."
  • “We are honored to support the vision of our exceptional creative partners: John Logan, Michael Aguilar, and Viola Davis,” said Matt Thunell, President Paramount Television Studios. “We celebrate bold, original ideas, and the icing on the cake is being able to shoot Ascent here at home on the Paramount Lot in Los Angeles.”
  • The series will premiere globally exclusively on Paramount+.
  • This announcement follows greenlights for additional new Paramount+ series including the Clueless sequel event series with Alicia Silverstone returning as Cher Horowitz, Laird starring Kenneth Branagh, and 9/12 starring Jeremy Strong, both from Paramount Television Studios, as well as Fear Not starring Anne Hathaway, and Discretion starring Nicole Kidman and Elle Fanning. Paramount+ also recently renewed record-setting series Dutton Ranch and The Madison.

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About Paramount+:
Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

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Wednesday, August 05, 2026

Paramount+ Greenlights 'Clueless' Event Series Starring Alicia Silverstone

PARAMOUNT+ GREENLIGHTS CLUELESS EVENT SERIES STARRING ALICIA SILVERSTONE

Josh Schwartz, Stephanie Savage and Jordan Weiss to Write and Executive Produce; Alicia Silverstone and Original Film Writer and Director Amy Heckerling to Also Serve as Executive Producers

Produced by CBS Studios, Filming is Slated to Begin in Los Angeles in 2027

Alicia Silverstone as Cher Holowitz | Clueless
Paramount Pictures

July 30, 2026 – Paramount+ today announced it has greenlit a sequel event series to the cult-classic 90s teen comedy film, Clueless. Alicia Silverstone will reprise her role as the Beverly Hills’ it-girl Cher Horowitz and will also serve as an executive producer for the series, set to begin production in Los Angeles in 2027.

  • Picking up 30 years after the original film, beloved Beverly Hills icon Cher Horowitz has figured out a lot: She’s successful in business and has mastered motherhood—that is, until her daughter’s high school years, and Cher finds that parenting a teenager makes her feel “clueless” all over again.
  • Produced by CBS Studios, the series is written and executive produced by Josh Schwartz & Stephanie Savage (The OC, Gossip Girl, Nancy Drew) via Fake Empire, and Jordan Weiss (Freakier Friday, Dollface). Alicia Silverstone, Amy Heckerling, who wrote and directed the original film, and original film producer Robert Lawrence will also serve as executive producers.
  • Last Summer, Paramount Pictures’ Clueless celebrated its milestone 30th anniversary, during which members of the original cast and movie’s director reunited at a 35mm screening of the film at the Academy Museum of Motion Pictures. The film was also recently added to the United States National Film Registry by the Library of Congress.
  • "Clueless is coming home," said Jane Wiseman, Head of Originals for Paramount+. "Thirty-one years ago, Alicia Silverstone's Cher Horowitz captivated audiences with her signature chic style, sharp wit and relentless optimism, helping make Clueless a box office hit and instant pop culture classic. We're especially proud to be filming this much-anticipated series in Los Angeles, honoring its starring role in the original film while investing in the city’s exceptional talent and crews.”
  • The series will premiere globally and exclusively on Paramount+.
  • This announcement follows greenlights for additional Paramount+ originals including Laird starring Kenneth Branagh, Fear Not starring Anne Hathaway, 9/12 starring Jeremy Strong and Discretion starring Nicole Kidman and Elle Fanning, as well as season renewals for record-setting series like Dutton Ranch and The Madison.

Amy Heckerling Headshot
Amy Heckerling

A Headshot of a Person
Credit: Kristin Burns

Jordan Weiss Headshot
Jordan Weiss | Credit: Austin Hargrave

Josh Schwartz & Stephanie Savage Duo Headshot
Josh Schwartz & Stephanie Savage

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About Paramount+:
Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

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'Billie Eilish – Hit Me Hard And Soft: The Tour (Live)' Takes the Streaming Stage Exclusively on Paramount+ August 6

BILLIE EILISH – HIT ME HARD AND SOFT: THE TOUR (LIVE) TAKES THE STREAMING STAGE EXCLUSIVELY ON PARAMOUNT+ AUGUST 6

Experience the Record-Breaking Global Tour Like Never Before in an Immersive Concert Event Directed by 3X Oscar®-winning Cinematic Auteur, James Cameron, and Eilish, Only on Paramount+

'Billie Eilish – Hit Me Hard And Soft: The Tour (Live)' Key Art
Courtesy of Paramount+

July 30, 2026 — Your front row seat is ready. Paramount+ today announced that Billie Eilish – Hit Me Hard And Soft: The Tour (Live) will debut exclusively on the streaming service Thursday, August 6 in the United States.

  • Captured during her sold-out world tour, Billie Eilish - Hit Me Hard And Soft: The Tour brings an innovative new concert experience to the big screen from one of the most celebrated, decorated and successful artists of her generation.


  • The concert film is directed by multi-Academy Award® winners James Cameron and Billie Eilish and was released earlier this year on May 8 to critical acclaim, with Variety hailing the event as, “a concert film that doesn’t look and feel like other concert films. It’s a true experience, because of a combination of the show itself and the way that Cameron has filmed it.” RogerEbert.com also praised the film as “One of the best concert films of recent vintage” and Empire Magazine coining it “a concert movie made for everyone.”
  • Featuring live performances of multi-platinum records from Eilish’s eclectic, Grammy® and Academy Award-winning discography, including “bad guy,” “What Was I Made For?,” “Happier Than Ever," "BIRDS OF A FEATHER” and” “when the party’s over,” the film brings one of the past year’s most-sought-after concert experiences to Paramount+ subscribers at home.
  • Paramount Pictures presents, A Lightstorm Earth, Darkroom and Interscope Films production, Billie Eilish – Hit Me Hard And Soft: The Tour (Live). Producers for the film include James Cameron, Billie Eilish, Maria Wilhelm, John Brooks, Geoff Burdick, Paul Clarke, Maggie Baird, Justin Lubliner, John Janick, Steve Berman, Chelsea Dodson, Jason Owen and Michelle An.

'Billie Eilish – Hit Me Hard And Soft: The Tour (Live)' Key Art/Poster
Courtesy of Paramount+

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About Paramount+:
Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

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