Junto a Alex y Kevin de Kally's Mashup, ¡aprende cómo tocar Crushed en guitarra!
More Nick: Nickelodeon Latin America & Mediapro Partner For New eSports-Themed Scripted Series 'N00Bees'!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Latin America and Kally's MashUp News and Highlights!
Monday, March 12, 2018
KCA 2018 | Vote now | Nickelodeon Greece
Τα Kids' Choice Awards 2018 έρχονται στο Nickelodeon στις 31 Μαρτίου, με τον πιο θρυλικό παρουσιαστή, τον John Cena!
Έφτασε η ώρα να ψηφίσεις ποιός θέλεις να κερδίσει!
Για πρώτη φορά, στα KCA συμμετέχουν και καλλιτέχνες από την Ελλάδα!
Μπες στο www.KCA2018.tv και ψήφισε τους αγαπημένους σου καλλιτέχνες, ηθοποιούς, ταινίες, video game, funny YouTube creator κ.α !
Favorite Greek Music Artist Υποψηφίους
Anastasios Rammos
Bo
Claydee
Demy
Eleni Foureira
Vangelis Kakouriotis
KCA 2018 | Ελληνικές υποψηφιότητες
KCA 2018 | CENA FAMILY
KCA 2018 | Αγαπημένο Παγκόσμιο Μουσικό Αστέρι
More Nick: Nickelodeon's International Channels Announce Their Local 2018 Kids' Choice Awards Nominees!
Originally published: Wednesday, February 28, 2018.
Additional source: Google Translate.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Kids' Choice Awards 2018 News and Highlights!
How the Creators of ‘Avatar: The Last Airbender’ Made One of the Smartest Kids Shows Ever
'Avatar' and 'Korra' both explored mature themes like death, war, and depression.
While it’s not uncommon for shows ostensibly aimed at kids to tackle mature themes, few shows have ever done so with more intelligence and generosity than Avatar: The Last Airbender. The beloved Nickelodeon series (and its sequel The Legend of Korra) owed that clarity of vision to two men, Michael Dante DiMartino and Bryan Konietzko, who set out to craft epic stories that remained, at their core, deeply human. Throughout the run of both shows, the pair of showrunners injected narratives not only with real stakes, but with personal problems and personal decisions that helped children understand contingency, accountability, and how one thing leads to the next.
On Avatar, death was always in the cards; from the moment that Aang found out his destiny – to stop the Fire Nation from conquering the world – he believed that he had to kill Firelord Ozai. The series never shied away from the morbid nature of his quest, even using it to create some of The Last Airbender’s stickiest dilemmas. In “The Storm,” for instance, Aang runs away because he does not think that he can kill someone, even if it means stopping a war. He’s scared despite being all too familiar with the consequences of inaction. His personal narrative runs counter to the flow of the show and feels, because of the nature of DiMartino and Konietzko’s work, more important.
But the realities on the show were never just internal. Along the way to Avatar’s extremely grand finale, the Aang Gang also encountered genocide, collateral damage, corporal punishment, and war. And none of this could be written off to a one-dimensional evil. The Fire Nation, while at odds with the protagonist, is not assumed to be homogenous or purely malicious.
Michael Dante DiMartino (left) and Bryan Konietzko (right)
To get such a mature and consistent point of view across three seasons and 61 episodes, the creators of Avatar had to finesse what they would show without ever transparently retreating from a hard truth. Learning how to do this took time and doing it required a willingness to push back on the studio and on each other.
Fatherly spoke to both DiMartino and Konietzko about the process of making a truly smart and challenging show mainly geared towards children and that one thing that Nickelodeon wouldn’t let them put on kids television.
At what point in the creation process of Avatar did you realize that you could discuss mature topics in a way that kids would both understand and be intrigued by?
DiMartino: There wasn’t a specific revelatory moment. Mature topics like genocide, abuse, war, spirituality, and matters of life and death were baked into the concept of Avatar from the beginning. Bryan and I were always concerned with telling a complex story with serious themes, while at the same time ensuring the show remained fun, entertaining, and exciting to watch. I honestly don’t know how to write a story without delving into mature topics, since that is where I find meaning in a story. The longer I’ve been writing stories, both for TV and now in novels for young readers, I’m impressed by how those deeper themes resonate with kids. There’s a quote by Philip Pullman – author of The Golden Compass – that I always go back to: “There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children’s book.”
Death was always a part of the Avatar universe – right down to the Avatar being reincarnated after death. Aang grapples with having to kill the Fire Lord for the entire series. Was there ever any hesitancy to focus on such a dark topic?
Konietzko: In a lot of entertainment for adults, death is depicted so frequently and casually that it loses any weight. On the contrary, in much of kids’ entertainment, it is often swept under the rug as if it doesn’t exist. Right off the bat, Mike and I felt strongly that in order for our series to be truly epic, there had to be high stakes — namely, death. But it was never in an effort to make some edgy, irreverent show. We tried to approach those subjects with care, and sought to find a balance in tones that would make the Avatar world deeper and richer, and serve the story as best we could.
What does the medium of animation allow you to do with regards to mature content that you couldn’t do in a live-action TV show or movie?
DiMartino: In a general sense, the animation makes it slightly more permissible to depict action or intense imagery. In a practical sense, we could show big battles and large-scale elemental effects that would be prohibitively expensive on a live-action TV show. We were constantly pushing the limits of what we could accomplish creatively with our budgets and schedules. Looking back, I think we were crazy for trying some of the things we did, but time after time, the artists and animators rose to the challenge, always surpassing my expectations of what was possible.
Was there anything that was rejected by the studio because it was just too dark for Nickelodeon?
Konietzko: Mike and I tried to police ourselves in terms of pulling back from things being too gratuitous throughout both productions. Even so, there were certainly still notes from the network, as there always are. On the original Avatar series, they were very hesitant for us to be explicit when a character died, or even having our characters say any variations of “die” or “kill” more than once in an episode.
Years later, on Korra, those restrictions were significantly looser, and that series as a whole was far more mature in its tone. However, we did butt heads with the network on the final scene of Korra, where we wanted to show a same-sex kiss. We lost that battle, but we’ve been able to continue that story in the Dark Horse comics Mike is writing. Korra and Asami (aka Korrasami) finally got their kiss.
More Nick: Avatar: The Last Airbender - 'The Complete Series' Blu-ray Box Set is Confirmed for Spring 2018!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon, Avatar: The Last Airbender (The Legend of Aang) and The Legend of Korra News and Highlights!
While it’s not uncommon for shows ostensibly aimed at kids to tackle mature themes, few shows have ever done so with more intelligence and generosity than Avatar: The Last Airbender. The beloved Nickelodeon series (and its sequel The Legend of Korra) owed that clarity of vision to two men, Michael Dante DiMartino and Bryan Konietzko, who set out to craft epic stories that remained, at their core, deeply human. Throughout the run of both shows, the pair of showrunners injected narratives not only with real stakes, but with personal problems and personal decisions that helped children understand contingency, accountability, and how one thing leads to the next.
On Avatar, death was always in the cards; from the moment that Aang found out his destiny – to stop the Fire Nation from conquering the world – he believed that he had to kill Firelord Ozai. The series never shied away from the morbid nature of his quest, even using it to create some of The Last Airbender’s stickiest dilemmas. In “The Storm,” for instance, Aang runs away because he does not think that he can kill someone, even if it means stopping a war. He’s scared despite being all too familiar with the consequences of inaction. His personal narrative runs counter to the flow of the show and feels, because of the nature of DiMartino and Konietzko’s work, more important.
But the realities on the show were never just internal. Along the way to Avatar’s extremely grand finale, the Aang Gang also encountered genocide, collateral damage, corporal punishment, and war. And none of this could be written off to a one-dimensional evil. The Fire Nation, while at odds with the protagonist, is not assumed to be homogenous or purely malicious.
Michael Dante DiMartino (left) and Bryan Konietzko (right)
To get such a mature and consistent point of view across three seasons and 61 episodes, the creators of Avatar had to finesse what they would show without ever transparently retreating from a hard truth. Learning how to do this took time and doing it required a willingness to push back on the studio and on each other.
Fatherly spoke to both DiMartino and Konietzko about the process of making a truly smart and challenging show mainly geared towards children and that one thing that Nickelodeon wouldn’t let them put on kids television.
At what point in the creation process of Avatar did you realize that you could discuss mature topics in a way that kids would both understand and be intrigued by?
DiMartino: There wasn’t a specific revelatory moment. Mature topics like genocide, abuse, war, spirituality, and matters of life and death were baked into the concept of Avatar from the beginning. Bryan and I were always concerned with telling a complex story with serious themes, while at the same time ensuring the show remained fun, entertaining, and exciting to watch. I honestly don’t know how to write a story without delving into mature topics, since that is where I find meaning in a story. The longer I’ve been writing stories, both for TV and now in novels for young readers, I’m impressed by how those deeper themes resonate with kids. There’s a quote by Philip Pullman – author of The Golden Compass – that I always go back to: “There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children’s book.”
Death was always a part of the Avatar universe – right down to the Avatar being reincarnated after death. Aang grapples with having to kill the Fire Lord for the entire series. Was there ever any hesitancy to focus on such a dark topic?
Konietzko: In a lot of entertainment for adults, death is depicted so frequently and casually that it loses any weight. On the contrary, in much of kids’ entertainment, it is often swept under the rug as if it doesn’t exist. Right off the bat, Mike and I felt strongly that in order for our series to be truly epic, there had to be high stakes — namely, death. But it was never in an effort to make some edgy, irreverent show. We tried to approach those subjects with care, and sought to find a balance in tones that would make the Avatar world deeper and richer, and serve the story as best we could.
What does the medium of animation allow you to do with regards to mature content that you couldn’t do in a live-action TV show or movie?
DiMartino: In a general sense, the animation makes it slightly more permissible to depict action or intense imagery. In a practical sense, we could show big battles and large-scale elemental effects that would be prohibitively expensive on a live-action TV show. We were constantly pushing the limits of what we could accomplish creatively with our budgets and schedules. Looking back, I think we were crazy for trying some of the things we did, but time after time, the artists and animators rose to the challenge, always surpassing my expectations of what was possible.
Was there anything that was rejected by the studio because it was just too dark for Nickelodeon?
Konietzko: Mike and I tried to police ourselves in terms of pulling back from things being too gratuitous throughout both productions. Even so, there were certainly still notes from the network, as there always are. On the original Avatar series, they were very hesitant for us to be explicit when a character died, or even having our characters say any variations of “die” or “kill” more than once in an episode.
Years later, on Korra, those restrictions were significantly looser, and that series as a whole was far more mature in its tone. However, we did butt heads with the network on the final scene of Korra, where we wanted to show a same-sex kiss. We lost that battle, but we’ve been able to continue that story in the Dark Horse comics Mike is writing. Korra and Asami (aka Korrasami) finally got their kiss.
More Nick: Avatar: The Last Airbender - 'The Complete Series' Blu-ray Box Set is Confirmed for Spring 2018!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon, Avatar: The Last Airbender (The Legend of Aang) and The Legend of Korra News and Highlights!
WIN Tickets To A Exclusive Screening Of 'Blurt!' In London Hosted By Jace Norman | Nickelodeon UK & Ireland
Henry Danger star Jace Norman is starring in the hilarious brand-new Nickelodeon Original Movie Blurt!, premiering very soon on Nickelodeon UK & Ireland! To celebrate, Nick is offering fans the super chance to win tickets to a very special screening of Blurt! in central London, hosted by Jace Norman himself!
PRIZE:
A family ticket for 4 to a special screening of Blurt! hosted by Jace Norman in London on Wednesday 4th April 2018 at a top secret location!
There will be 10 winners! That's right, 10 incredibly lucky Nick Fans will receive the above prize, how cool is that?! So, what are you waiting for? Enter now:
Answer the question on nick.co.uk/blurt and tell Nickelodeon the one question you'd like to ask Jace Norman for a chance to win! Good luck! :)
Please note: Competition Open to UK & ROI residents aged 17 or under only. Closing date: 9am on 22/3/18. Many will enter, 10 will win. Must be able to attend the screening in London on 4/4/18 at 1pm. Prize: 4 tickets ONLY per winner. Click here for full Terms & Conditions.
Starring Jace Norman (Henry Danger, Splitting Adam, Rufus), JoJo Siwa (Lip Sync Battle Shorties) and Daniella Perkins (Knight Squad), Nickelodeon's brand-new live-action original comedy TV movie Blurt (formerly Inside Voice) tells the story of Jeremy Martin (Norman) who, after a comical virtual reality mishap, starts speaking every thought he has out loud and to complicate matters, he happens to be running in the school election.
Jeremy Martin is a nice-guy and when he puts on mysterious virtual reality glasses at the mall, he suddenly loses his “inside voice” and starts spouting every thought he has out loud. Making matters worse, Jeremy is running for student council president against his classmate Milly (Perkins), who is full of great ideas to improve the school. Desperate to get back to normal, Jeremy and his sister Victoria (Siwa) must figure out how to convince his brain that he can speak up for himself. Can they do it, or will Jeremy be stuck saying his thoughts out loud forever?!
The virtual reality sequences featured in the movie are being developed and created by Nickelodeon’s Entertainment Lab, the network’s new division spearheading long-range research and development efforts around new technologies for Nick and its audience. Blurt is the second on-air project fed through the lab, following Escape from Mr. Lemoncello’s Library.
Blurt is executive produced by Scott McAboy and Michael Sammaciccia. Amy Sydorick is serving as producer. Jace Norman is serving as co-producer. The TV movie was written by Adrian Vina (Liar, Liar Vampire) and is directed by Michelle Johnston (Another Cinderella Story: If The Shoe Fits).
More Nick: Kids Can Get intu Slime This Easter With New Nickelodeon UK Retail Campaign!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon UK and Blurt! News and Highlights!
PRIZE:
A family ticket for 4 to a special screening of Blurt! hosted by Jace Norman in London on Wednesday 4th April 2018 at a top secret location!
There will be 10 winners! That's right, 10 incredibly lucky Nick Fans will receive the above prize, how cool is that?! So, what are you waiting for? Enter now:
Answer the question on nick.co.uk/blurt and tell Nickelodeon the one question you'd like to ask Jace Norman for a chance to win! Good luck! :)
Please note: Competition Open to UK & ROI residents aged 17 or under only. Closing date: 9am on 22/3/18. Many will enter, 10 will win. Must be able to attend the screening in London on 4/4/18 at 1pm. Prize: 4 tickets ONLY per winner. Click here for full Terms & Conditions.
Starring Jace Norman (Henry Danger, Splitting Adam, Rufus), JoJo Siwa (Lip Sync Battle Shorties) and Daniella Perkins (Knight Squad), Nickelodeon's brand-new live-action original comedy TV movie Blurt (formerly Inside Voice) tells the story of Jeremy Martin (Norman) who, after a comical virtual reality mishap, starts speaking every thought he has out loud and to complicate matters, he happens to be running in the school election.
Jeremy Martin is a nice-guy and when he puts on mysterious virtual reality glasses at the mall, he suddenly loses his “inside voice” and starts spouting every thought he has out loud. Making matters worse, Jeremy is running for student council president against his classmate Milly (Perkins), who is full of great ideas to improve the school. Desperate to get back to normal, Jeremy and his sister Victoria (Siwa) must figure out how to convince his brain that he can speak up for himself. Can they do it, or will Jeremy be stuck saying his thoughts out loud forever?!
The virtual reality sequences featured in the movie are being developed and created by Nickelodeon’s Entertainment Lab, the network’s new division spearheading long-range research and development efforts around new technologies for Nick and its audience. Blurt is the second on-air project fed through the lab, following Escape from Mr. Lemoncello’s Library.
Blurt is executive produced by Scott McAboy and Michael Sammaciccia. Amy Sydorick is serving as producer. Jace Norman is serving as co-producer. The TV movie was written by Adrian Vina (Liar, Liar Vampire) and is directed by Michelle Johnston (Another Cinderella Story: If The Shoe Fits).
More Nick: Kids Can Get intu Slime This Easter With New Nickelodeon UK Retail Campaign!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon UK and Blurt! News and Highlights!
Nickelodeon Benelux Announces New Competition Series 'De Viral Fabriek'
Nickelodeon Benelux has teamed up with popular YouTube stars to launch De Viral Fabriek (The Viral Factory), a brand-new weekly competition series in which YouTubers from the Netherlands (Nederland) and Belgium (België; Flanders) will compete head-to-head to win an amazing prize!
Who doesn't want to become the next big YouTuber, coached along the way by some of today's most popular YouTubers? In Nickelodeon's De Viral Fabriek, young YouTubers will compete with some of the biggest Dutch and Belgian YouTubers:
Episode 1 (Sunday 25th March 2018): Jeroen van Holland & Quinty Misiedjan (Quinsding)
Episode 2 (Sunday 1st April 2018): Niek Roozen & Marije Zuurveld
Episode 3 (Sunday 8th April 2018): Just Jade & Peter de Harder (Petrus)
Episode 4 (Sunday 15th April 2018): Niels Oosthoek (Gierige Gasten) & Samir (UP2D8)
Following the broadcast of each weeks episode, the battle will continue online, when the contestants place their vlogs on Nickelodeon Nederland's official YouTube channel. Each weeks winner will be determined by the number of likes viewers give each video. The winning kids will then go on to compete against each other in the big live final, where one lucky winner will win the grand prize: A professional camera package and training from a YouTube professional on how they can build their own successful YouTube channel!
De Viral Fabriek will be presented by Nienke van Dijk en Stef Poelmans (Race naar de KCA's).
De Viral Fabriek will premiere on Nickelodeon Nederland and Nickelodeon België on Sunday 25th March 2018 at 20:30 uur, following the debut of Nickelodeon Kids’ Choice Awards 2018 at 19:00 uur. New episodes will continue to air in its regular timeslot of Sundays at 19:00 uur on Nickelodeon Nederland and Nickelodeon België.
Below is Nickelodeon Nederland's official press release announcing the news, via Viacom Benelux's official Press Centre!:
12 maart 2018
Wie wil er nou niet de volgende grote YouTuber worden en gecoacht worden door de populairste YouTubers van het moment? In Nickelodeon's nieuwe wekelijkse show De Viral Fabriek gaat nieuw, jong YouTube-talent de strijd met elkaar aan onder leiding van 8 van de grootste Nederlandse en Belgische YouTubers:
Aflevering 1 (zondag 25 maart): Jeroen van Holland & Quinty Misiedjan (Quinsding)
Aflevering 2 (zondag 1 april): Niek Roozen & Marije Zuurveld
Aflevering 3 (zondag 8 april): Just Jade & Peter de Harder (Petrus)
Aflevering 4 (zondag 15 april): Niels Oosthoek (Gierige Gasten) & Samir (UP2D8)
Strijd gaat online verder
Na de TV-uitzending gaat de strijd online verder wanneer de deelnemers hun vlog op het Nickelodeon YouTube-kanaal plaatsen waar de winnaar van de week bepaald wordt door het aantal likes op de video door de kijkers. Hierna strijden de winnende kids per aflevering tegen elkaar tot de grote live finale. De prijs? Een professioneel camerapakket en een professionele YouTube-training om zo hun eigen kanaal op te bouwen. De Viral Fabriek wordt gepresenteerd door Nienke van Dijk en Stef Poelmans.
De Viral Fabriek is vanaf 25 maart iedere zondag te zien op Nickelodeon. Normaal gesproken om 19.00 uur, maar de eerste aflevering op 25 maart wordt direct na de Kids' Choice Awards uitgezonden om 20.30 uur.
Volg de strijd en meer Viral Fabriek-content op het Nickelodeon YouTube-kanaal.
###
De Viral Fabriek follows Nickelodeon Russia's (Россия) Быть блогером, in which popular Russian YouTube celebrity's tutored a group of kids on how to become the next big internet star, with the winner being crowned as Nickelodeon Россия's official vlogger.
Meer Nick: Maan, Ronnie Flex, Shane Kluivert en Taylor Swift genomineerd voor Nickelodeon Kids’ Choice Awards 2018!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Benelux and De Viral Fabriek News and Highlights!
Who doesn't want to become the next big YouTuber, coached along the way by some of today's most popular YouTubers? In Nickelodeon's De Viral Fabriek, young YouTubers will compete with some of the biggest Dutch and Belgian YouTubers:
Episode 1 (Sunday 25th March 2018): Jeroen van Holland & Quinty Misiedjan (Quinsding)
Episode 2 (Sunday 1st April 2018): Niek Roozen & Marije Zuurveld
Episode 3 (Sunday 8th April 2018): Just Jade & Peter de Harder (Petrus)
Episode 4 (Sunday 15th April 2018): Niels Oosthoek (Gierige Gasten) & Samir (UP2D8)
Following the broadcast of each weeks episode, the battle will continue online, when the contestants place their vlogs on Nickelodeon Nederland's official YouTube channel. Each weeks winner will be determined by the number of likes viewers give each video. The winning kids will then go on to compete against each other in the big live final, where one lucky winner will win the grand prize: A professional camera package and training from a YouTube professional on how they can build their own successful YouTube channel!
De Viral Fabriek will be presented by Nienke van Dijk en Stef Poelmans (Race naar de KCA's).
De Viral Fabriek will premiere on Nickelodeon Nederland and Nickelodeon België on Sunday 25th March 2018 at 20:30 uur, following the debut of Nickelodeon Kids’ Choice Awards 2018 at 19:00 uur. New episodes will continue to air in its regular timeslot of Sundays at 19:00 uur on Nickelodeon Nederland and Nickelodeon België.
Below is Nickelodeon Nederland's official press release announcing the news, via Viacom Benelux's official Press Centre!:
12 maart 2018
YouTubers Petrus en Marije Zuurveld coachen opvolgers in Nickelodeon's De Viral Fabriek
Ook YouTubers Jeroen van Holland, Quinsding, Niek Roozen, Niels Oosthoek (Gierige Gasten), JustJade en UP2D8 gaan vanaf 25 maart elke zondag de strijd aan op Nickelodeon
Wie wil er nou niet de volgende grote YouTuber worden en gecoacht worden door de populairste YouTubers van het moment? In Nickelodeon's nieuwe wekelijkse show De Viral Fabriek gaat nieuw, jong YouTube-talent de strijd met elkaar aan onder leiding van 8 van de grootste Nederlandse en Belgische YouTubers:
Aflevering 1 (zondag 25 maart): Jeroen van Holland & Quinty Misiedjan (Quinsding)
Aflevering 2 (zondag 1 april): Niek Roozen & Marije Zuurveld
Aflevering 3 (zondag 8 april): Just Jade & Peter de Harder (Petrus)
Aflevering 4 (zondag 15 april): Niels Oosthoek (Gierige Gasten) & Samir (UP2D8)
Strijd gaat online verder
Na de TV-uitzending gaat de strijd online verder wanneer de deelnemers hun vlog op het Nickelodeon YouTube-kanaal plaatsen waar de winnaar van de week bepaald wordt door het aantal likes op de video door de kijkers. Hierna strijden de winnende kids per aflevering tegen elkaar tot de grote live finale. De prijs? Een professioneel camerapakket en een professionele YouTube-training om zo hun eigen kanaal op te bouwen. De Viral Fabriek wordt gepresenteerd door Nienke van Dijk en Stef Poelmans.
De Viral Fabriek is vanaf 25 maart iedere zondag te zien op Nickelodeon. Normaal gesproken om 19.00 uur, maar de eerste aflevering op 25 maart wordt direct na de Kids' Choice Awards uitgezonden om 20.30 uur.
Volg de strijd en meer Viral Fabriek-content op het Nickelodeon YouTube-kanaal.
De Viral Fabriek follows Nickelodeon Russia's (Россия) Быть блогером, in which popular Russian YouTube celebrity's tutored a group of kids on how to become the next big internet star, with the winner being crowned as Nickelodeon Россия's official vlogger.
Meer Nick: Maan, Ronnie Flex, Shane Kluivert en Taylor Swift genomineerd voor Nickelodeon Kids’ Choice Awards 2018!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Benelux and De Viral Fabriek News and Highlights!
Subscribe to:
Posts (Atom)