Thursday, July 25, 2019

Nickelodeon UK Invites You to Hang with the Biggest Nick Stars at the Nick Summer Hangout

This summer, get ready to party Nickelodeon style at the Nick Summer Hangout - the only summer holiday destination that gives you VIP access to all your Nickelodeon favourites, bringing you the best cast interviews, the juiciest cast gossip, and some silly games with the stars of Nickelodeon!


Hangout with all your favourite Nickelodeon stars, including Jace Norman, Riele Downs and Ella Anderson from Henry Danger, Benjamin Flores Jr. from Game Shakers, Kira Kosarin from The Thundermans, Dallas Young and Scarlet Spencer from Cousins for Life, Daniella Perkins from Knight Squad, and JoJo Siwa, and catch the biggest shows and specials, including brand-new Hunter Street!

Plus, Nickelodeon is inviting fans to pick which Original Nickelodeon Movie to play every Friday at 6:30pm throughout the summer hols! Fans can vote in the dedicated posts on Instagram @NickelodeonUK!

Week 1: Legend of the Hidden Temple Vs. Bixler High Private Eye

Plus, to keep the party going, and going, and going, and going, and going all summer long, head to nick.co.uk/hangout for even more summer fun, including exclusive video clips, games and poll: Who would you rather hangout with - Jace Norman, Cree Cicchino, Kira Kosarin or Benjy Flores?

The Nickelodeon Summer Hangout starts Monday 22nd July 2019, only on Nickelodeon UK & Ireland!

More Nick: Diversity, Max & Harvey, Jess Folley and Roadtrip Join Nickelodeon SLIMEFEST UK 2019 as Resident Acts!

Originally published: Thursday, July 25, 2019.
Follow NickALive! on Twitter, Tumblr, Reddit, via RSS, on Instagram, and/or Facebook for the latest Summer on Nickelodeon UK News and Highlights!

Nicktoons UK to Host the the Loud Horrid Sponge Awards During Summer 2019

The biggest event in the Nicktoons calendar is coming - the prestigious Loud Horrid Sponge Awards!


The Loud Horrid Sponge Awards are here to celebrate the best moments from the best 'toons. Get ready for six weeks of jaw slamming awards, plus non-stop episodes of your favourite shows, including The Loud House, SpongeBob SquarePants, ALVINNN!!! and The Chipmunks, and Horrid Henry all summer long - all hosted by the Loud Horrid Sponge! Doesn't he scrub up well!?

Online at nicktoons.co.uk, Nicktoons is inviting fans to vote for their favourite clips for the chance to win awesome prizes! Prizes include:

- 1 x Xbox One S 1TB + Forza Horizon 4 Game
- 1 x Apple iPad 4 Mini [Silver / 64GB / Wi-FI]
- 1 x Anki Overdrive [Starter Kit]

Electronic products provided by Nickelodeon

- 1 x SpongeBob Giggle Blaster
- 1 x SpongeBob Stretch Pants
- 1 x SpongeBob Mini Plush
- 1 x SpongeBob Squeezies
- 1 x SpongeBob Slimeezies
- 2 x SpongeBob Culture Pants (1 SpongeBob and 1 Patrick)

SpongeBob products courtesy of Smyths

The Loud Horrid Sponge Awards start Monday 22nd July 2019, only on Nicktoons UK & Ireland!

Make sure to take the The Loud Horrid Sponge Quiz now at nicktoons.co.uk/loudhorridsponge!

More Nick: Diversity, Max & Harvey, Jess Folley and Roadtrip Join Nickelodeon SLIMEFEST UK 2019 as Resident Acts!

Originally published: Sunday, July 14, 2019.

Picture: Vimeo / Laura Payne.
Follow NickALive! on Twitter, Tumblr, Reddit, via RSS, on Instagram, and/or Facebook for the latest Summer on Nickelodeon UK and Nicktoons UK News and Highlights!

Nickelodeon's 'Avatar: The Last Airbender' Universe to Expand with Two New Novels Exploring the Life of Avatar Kyoshi

Originally published: Wednesday, August 30, 2018.

The world of Avatar: The Last Airbender is set to expand once more in a series of original novels!

Nickelodeon Taps Jenny Wall as CMO; Appoints Eryk Casemiro as SVP, Nickelodeon Preschool

Nickelodeon has added two more executives to its leadership team.


Jenny Wall and Eryk Casemiro

Jenny Wall has come aboard the Viacom-owned cable network as Chief Marketing Officer (CMO), and Eryk Casemiro will be Senior Vice President (SVP), Nickelodeon Preschool, at the kid-focused channel.

Wall is taking over for Kim Rosenblum, who was Executive Vice President (EVP), Head of Marketing and Chief Creative Officer for Nick. Casemiro takes over from Cathy Galeota, senior vp preschool content.

"Jenny is a dynamic innovator who knows how to create cultural moments that connect content and audiences," Nickelodeon president Brian Robbins, to whom Wall will report, said Monday in a statement. "As Nickelodeon focuses its efforts to expanding onto new platforms and building our audience, Jenny's creative instincts and strategic planning will further add to our momentum."

Wall will be responsible for all on- and off-air consumer marketing, brand creative and content launches across all of Nickelodeon’s platforms. That roster includes digital, social and direct-to-consumer, including Nicktoons, TeenNick, Nick at Nite and Noggin. She will report to Nickelodeon chief Brian Robbins and be based in New York. Wall will be based in New York and report to Nickelodeon president Brian Robbins.

Casemiro has a long association with Nickelodeon, having worked on signature Nick series like Rugrats and The Wild Thornberrys as senior vp creative affairs at Klasky-Csupo Productions. At Nickelodeon, he will lead its preschool production and development across all formats and platforms spanning digital, TV and film, and have oversight of the preschool executives in charge. He'll also remain an executive producer of the Rugrats reboot in the works at Nickelodeon. The announcement was made today by Nickelodeon’s EVP of Animation Ramsey Naito, to whom he will report. Casemiro will be based in Nickelodeon’s Burbank headquarters.

"In addition to being a longtime collaborator and friend of Nickelodeon, Eryk is an immensely creative executive who has worked on some of the most beloved animated kids' properties around the world," said Naito. "His leadership of our best-in-class preschool team will enable us to further expand our powerhouse portfolio for this next generation of kids."

Wall comes to Nickelodeon from leading podcast producer Gimlet Media, a Spotify company, where she held the same title and oversaw all marketing and public relations for the company. Prior to her time at Gimlet, Wall was senior VP, head of marketing at Hulu, where she oversaw the launch of The Mindy Project, Difficult People, The Handmaid’s Tale, and other series. She also launched the streamer’s ad-free and live-TV offerings and the Hulu with Live TV bundle. Wall has also spent part of her career as VP of marketing at Netflix, where she spearheaded new brand and launch campaigns for the company’s original programming: House of Cards, Orange is the New Black and Arrested Development. She also led creative for the launch of Netflix in the Netherlands and the Nordics, and served as CMO of BLT Communications, among other places.

Casemiro most recently served as Chief Creative Officer for Zodiak Kids Studios, comprised of Marathon Media and Tele-Image in Paris and The Foundation in London. Prior to that, he served as chief creative officer for Marathon Media, and has been a writer and producer on series such as Olivia, Poppy Cat and The Mr. Men Show.

While at Klasky-Csupo, Casemiro was also responsible for the development and production of beloved Nickelodeon shows such as The Wild Thornberrys, Rocket Power, As Told By Ginger, and All Grown Up! He also led the development and production of feature films for Paramount Pictures including Rugrats Go Wild and The Wild Thornberrys Movie.

Robbins, who was named president of Nickelodeon in October, has brought in a number of new executives as he pushes to evolve the Nick brand for the next generation of kids. His team includes animation head Naito, programming head Paul DeBenedittis and Shauna Phelan, his longtime AwesomenessTV colleague who now oversees live-action scripted content.

Update (7/25) - Below is Nickelodeon's official press release announcing the news, via Nickandmore!:

NICKELODEON NAMES ERYK CASEMIRO AS SENIOR VICE PRESIDENT, NICKELODEON PRESCHOOL

BURBANK, Calif.—July 22, 2019—Nickelodeon has named Emmy® Award-winning producer Eryk Casemiro to the position of Senior Vice President of Nickelodeon Preschool. In this role, he will lead the network’s preschool production and development across all formats and platforms spanning digital, TV and film, and have oversight of the preschool Executives In Charge (EICs). The announcement was made today by Nickelodeon’s Executive Vice President of Animation Ramsey Naito, to whom he will report. Casemiro will be based in Nickelodeon’s Burbank, Calif., headquarters.

Said Naito, “In addition to being a longtime collaborator and friend of Nickelodeon, Eryk is an immensely creative executive who has worked on some of the most beloved animated kids’ properties around the world. His leadership of our best-in-class preschool team will enable us to further expand our powerhouse portfolio for this next generation of kids.”

Casemiro will continue to serve as an executive producer for Nickelodeon’s forthcoming reboot of the iconic kids’ series, Rugrats, which will include all-new adventures with fan-favorites Tommy, Chuckie, Phil, Lil, Susie and Angelica, and introduce a new world of characters. A Rugrats alum, Casemiro was a producer on the original series during his time as Senior Vice President of Creative Affairs at Klasky-Csupo Productions.

While at Klasky-Csupo Productions, Casemiro was also responsible for the development and production of beloved Nickelodeon shows such as The Wild Thornberrys, Rocket Power, As Told By Ginger, and All Grown Up!, earning the studio three Ark Trust Awards, four Humanitas Awards, 10 Emmy nominations, and an Emmy Award. He also led the development and production of feature films for Paramount Pictures including Rugrats Go Wild, The Wild Thornberrys Movie, which earned an Academy Award nomination for Best Song, Rugrats in Paris: The Movie, and The Rugrats Movie.

Most recently, Casemiro was the Chief Creative Officer for Zodiak Kids Studios, comprised of Marathon Media and Tele-Image in Paris, and the Foundation in London, where he produced Kody Kapow for Sprout NBC/ Universal; Lilybuds for France Televisions and Discovery Kids Latin America; and Magiki for DeA Kids and Planeta. Prior to that, Casemiro was Chief Creative Officer for Marathon Media, overseeing the production of Get Blake for Nickelodeon Global and LoliRock, a co-production with Disney and France Televisions.

Casemiro also worked as a writer/producer on series including: OLIVIA, based on Ian Falconer’s award-winning book; Poppy Cat, adapted from illustrator Lara Jones’ picture book series and currently seen in 170 countries across the globe; and The Mr. Men Show, adapted from Roger Hargreaves’ Little Miss and Mr. Men book series, for which he received his 11th Emmy nomination–this time for Best Writing in a Children’s Series.

Casemiro began his career with Lorne Michaels’ Broadway Video, where he produced Sharon, Lois and Bram’s Candles, Snow and Mistletoe for CBC, Lassie’s 40th Special, and the long-running hit Frosty Returns, now in its 27th year on CBS.

Nickelodeon, now in its 40th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location based experiences, publishing and feature films. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc. (NASDAQ: VIA, VIAB).

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More Nick: Nickelodeon Embarks on New Direction with its Biggest, Most Wide-Ranging Content Slate Ever!

Originally published: Monday, July 22, 2019.

Sources: The Hollywood Reporter, Variety, Deadline.
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'Teenage Mutant Ninja Turtles' Co-Creator Kevin Eastman Teases a Mature Netflix Type Live-Action Show | Nick at SDCC 2019

Teenage Mutant Ninja Turtles Co-Creator Kevin Eastman Teases a Mature Netflix Type Live-Action Show


The iconic Teenage Mutant Ninja Turtles franchise has been running since the mid-80s, and most fans know it from the kid-friendly animated series and movies - but in reality, the original Ninja Turtles comic series was a lot more adult-oriented. TMNT creators Kevin Eastman and Peter Laird's original run of the comic at Mirage Studios produced a story that was bloody, violent, and harsh in language - and for some fans, it's still the purest and most beloved form of the story.

While at San Diego Comic-Con 2019, Comicbook.com got to sit down with Teenage Mutant Ninja Turtles co-creator Kevin Eastman to talk about TMNT #100, the 35th anniversary, and of course, the future of the franchise. Given the true roots of the franchise, CB had to ask Eastman: could Ninja Turtles actually find a way to add that classic hard-edged version of the characters to the franchise - specifically in the form of a live-action show? Here's what Eastman had to say:

"Its a great question cause it really been so fascinating as we watch so many things on the entertainment side of our industry change so much in particular, you know, and I think of, how I enjoyed Daredevil, the Netflix TV series with Charlie Cox and because Daredevil was a huge influence obviously on the Turtles universe and for me that was my favorite comic growing up. I feel like The Turtles have evolved to this point after 35 years almost, and this sounds weird, but its almost to where they started out where we had the original black and white comic book come out intended for our older audience, and then we developed a cartoon show specifically for a younger audience, and now I feel like we've gone back to that place where we have the original fans that are like 30 years old."

Having an adult-themed Turtles show on a streaming platform like Netflix seems to be more than just an idea for Eastman. It seems like an avenue of the franchise that he's eager to go down. The streaming service is already working on a new Rise of the TMNT animated movie, which will feature characters everyone knows and loves, as well as some new ones, but Eastman thinks there's room for something else, as well:

"...I feel like that's the direction I think we can go and there'll be enough of and audience to support both. Because we do see a lot of that fans asking when can we get that edgy, you know, Netflix Daredevilish sort of intensity of the Turtles - at the same time, you can balance that with such a wonderful cartoon series like, Rise of the Turtles, the new series, back to that spot where we're sacred to a much younger audience. So I think that's hopefully in the future I'd love to see that, really."

What do you think: do you want an adult-themed Teenage Mutant Ninja Turtles series or movie? And how would you like to see it done? Let me know in the comments.

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From GameSpot:

Ninja Turtles Co-Creator Talks Adding Jennika To The Mix, Rise Of The TMNT, And More

"When we did the first comic, we thought that if we sold 200 copies that would be fantastic."

It's been 35 years since the first issue of the Teenage Mutant Ninja Turtles comic was released, after being created by Kevin Eatman and Peter Laird as a means of entertaining each other. Against all odds, though, the property remains a beloved franchise, with seemingly every generation having their own version of the Ninja Turtles.

Whether it's the original film, any of the animated series, a number of comic book lines, or even the live concert tour, it's hard to think of a time in the last three decades where the Ninja Turtles weren't somewhere in pop culture. According to Eastman, who sat down to speak with GameSpot at San Diego Comic-Con, it wasn't by design. "When we did the first comic, we thought that if we sold 200 copies that would be fantastic," he admitted.

That's due, in large part, to the fans that have never let go of the franchise and continue to introduce it to new generations. During his interview with GameSpot, Eastman spoke about those fans, the arrival of a female turtle, and collaborating with other creators--from Jim Henson to those in charge of the current show, Rise of the TMNT--to make sure the Teenage Mutant Ninja Turtles franchise always stays true to its roots.

GameSpot: It's 2019 and the Ninja Turtles have a crossover movie with Batman, Rise of the TMNT on Nickelodeon, a popular comic book, and toys that are still all over stores. When you and co-creator Peter Laird thought this idea up in a garage 35 years ago, did you have any idea it would have this lasting appeal?

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Kevin Eastman: My goodness no. I always go back to the original [TMNT] comic that Peter [Laird] and I did. It really made me feel like it was a lot of things responsible for this longevity, but 99% of them are the fans, period. It's just one of those things that whatever resonated initially back then is somehow still finding its way into that soft spot in fans today, 35 years later. When we did the first comic, we thought that if we sold 200 copies that would be fantastic and that would be great, and then we'd go on to the next thing.

No Caption Provided
The fact that it worked the first time, found its audience base and kids as toys and cartoons and all that stuff, and the movies, was fantastic. 20 years later, it found a new generation with the stuff that we've done, so every generation sort of had their version of the Turtles, right up to [Rise of the TMNT]. So to me, it goes back to the fans, in that I would say you can't tell a child what's cool and what's not cool. They decide. And the fact that there's still something about [Ninja Turtles] that people like is mind-blowing to me in every sense of the word.

GameSpot: The comic book movie genre is a very crowded space in 2019, but times were different back in 1990 when the original film was released. How involved did you get to be in adapting them for live-action back then?

Kevin Eastman: Well, we were very lucky. Our mentors and our inspirations--guys like Jack Kirby--not only did they not own [their creations], they didn't participate in what was done with them in other types of entertainment [mediums]. So we knew how lucky we were [to have] owned and controlled all aspects of our characters, whether it be the comic series, the final design of the toys, the 300 cartoon episodes we worked on, [or] all those movies. We wanted full and complete say, so we had treatment approval, script approval, and we had final look of the Turtles approval.

Hollywood at the time, even then they were like, "Who do you think you are?" And we're like, "We think we're exactly who we are. We created these characters and it's not that important for us to do a movie on your terms, but if you want to do a movie on our terms, we're willing to have that discussion." Luckily for us, before they thought we had big of egos and threw us out, we were really like, "Look, so we have a vision of what these characters need to look like."

We saw too many of our favorite superhero movies ruined by people that thought they knew better than the fans that loved them in the first place. But Steve Barron came on as a director and he really loved the original black and white comics and he sort of rooted it based in reality of some of the early versions. Jim Henson's Creature Shop, that was a miracle that they came in. They're the reason that they brought those characters to life and had them work as well as they did and it was just a perfect storm of Steve Barron, Todd Langen who wrote it, and Jim Henson that just made that movie a great movie that was good for all audiences.

That to me will always be the pinnacle of all sorts of entertainment, was that first movie.

GameSpot: As someone who grew up watching The Muppet Show, it's so bizarre to think about you working with Jim Henson to come up with how these things look in live-action.

Kevin Eastman: Isn't that crazy? It is. We've seen those movies [where] the costumes don't work [and] you don't buy into that world. You might go, "Look, I know it's a person in a rubber suit." I knew that stuff, but if you're allowed to get past that, fully invested in that--especially for kids because they're pretty smart anyway. But yeah, [Henson's] work made it come to life.

No Caption Provided
GameSpot: For the franchise, that was a strange time, because you couldn't look anywhere without having Ninja Turtles somewhere in your line of vision. There was even a concert tour. Are there any memories that stand out for you from that time of the popularity?

Kevin Eastman: Well there were several, and actually I quite liked the evolution of the Coming Out of Their Shells tour because it's not Barney on tour or Disney on Ice--there was always these wonderful kid events. It was gauged as something that would be fun as a kid's event. I loved how it evolved with the songs.

But I think you know back in those days--what we call it was the peak years of the Turtles--it might be at that time in '91, '92. I went to Paris to be part of the promotion for the first Turtle movie, but I just remember standing there the first time looking at the Eiffel Tower and going, "This is incredible!" But then seeing an advertisement for "Tortues Ninja," the new Turtles movie coming out. So that was a weird sort of thing, being in such an amazing place, the names of all that I love and appreciate from art history. And here I am standing, looking at the Eiffel Tower with an ad for my characters next to it.

But there was so many other pleasant experiences or weird juxtaposition of things like that, but all [are] blessings, every single one of them. The things I've done and seen, the people I've met and I've traveled the world and get to meet fans from all over the world and it's always the same. They just love their turtles and that's changed my life. I can't imagine what an amazing life I've had thanks to them.

GameSpot: Looking at other character designs, how involved do you get to be when it comes to developing the turtles for their various TV animation styles?

Kevin Eastman: Well like I said, in the early days we had full control for that work. But I sold my interest 15-plus years ago, so what's been great is that although I have no final say, you have a wonderful company like Nickelodeon who wants to bring that original element of the creators back in. So they brought me in to consult on the series and I work on the comic books and they want my input. The thing is that they don't have to have my input. They own it and control it but it's their commitment to make it right, to make it good, but still keep the heart and soul back from the original creation.

No Caption Provided
So it's been fantastic to see these different versions and work with guys like [Rise of the TMNT producers] Ant [Ward] and Andy [Suriano] or [producer] Ciro [Nieli] on the 2012 series because they're all coming from the same sweet spot [that] these are characters that they're invested in, that they love, and they want to tell great stories [about]. So they're in really good hands already.

GameSpot: It was recently announced that the female character Jennika in the comics had become a mutant turtle. Some fans will certainly remember Venus from Ninja Turtles: The Next Mutation. Will we see anything traits from that character makes their way into the Jennika character?

Kevin Eastman: Well what's interesting is the difference--like Venus is now 20. That context is 20-something years old. It was 1997 when that came out. But now it's a new spin. It was an interesting time because we were still in control but we were sharing the control with Haim Saban, and [he had] success with the Power Rangers. I'll say a term as endearing as I can, the campiness of the Power Rangers is what made those [shows] so popular. So he wanted Turtles to take the turn more like a live-action cartoon as opposed to trying to find a balance. I think the resistance there came from the hardcore fans because that was the first version after the original animated series.

The fans were not happy. They didn't like Venus as a character. It was sort of put in their face and the show was way too campy. I loved the series, I worked very hard on it. But it just didn't resonate with the fans.

What was interesting when we evolved into the character Jennika--much like what Ciro's approach to the 2012 series, Ant and Andy's approach to the Rise--my focus is on the comic books with Tom Waltz and IDW and it's always story first, story-centric. So when we introduce a character in Issue 51 named Jennika, we really like her and we knew that if the fans liked her as much as we did, she can continue as part of the family. She got more and more popular and so for about 30 issues we wanted to evolve her into this female turtle character.

We've been thinking about this for two-and-a-half years and planning it. And so we knew that because of her popularity and because of the same story-driven aspect that we said, people will buy because they've already bought into the story. They're already fully invested in the characters and they love her as a character--to see her evolve organically to become this character instead of, "Hey we need to sell more issues. Here's a girl turtle!" So it's very story-centric and it has exceeded our hopes in that we hope that they would embrace her. We hope that they'll like it because we have so much fun doing it and they go nuts so it's been a great blessing.

This interview has been edited for clarity and length.

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More Nick: Nickelodeon to Host '35 Years of Teenage Mutant Ninja Turtles' Interactive Exhibit at the Paley Center for Media in NYC to Celebrate 35th Anniversary of TMNT!

Originally published: Tuesday, July 23, 2019.
Follow NickALive! on Twitter, Tumblr, Reddit, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Rise of the Teenage Mutant Ninja Turtles News and Highlights!