Showing posts with label Nickelodeon Legal. Show all posts
Showing posts with label Nickelodeon Legal. Show all posts

Thursday, July 30, 2026

'Peppa Pig' Owners Win Copyright Battle Against 'Impostor' Animation 'Wolfoo'

Audio clips of Peppa saying words like "hooray!" were used in Wolfoo videos, a judge found

Peppa Pig Jumping In a Muddy Puddle
The Peppa Pig character seen in the TV show: Image source: Hasbro/eOne/Astley Baker Davies/PA Media

A judge has ordered all videos featuring popular animated character Wolfoo to be removed from platforms including YouTube after ruling that the cartoon illegally copied audio from Peppa Pig.

Wolfoo, a Vietnamese animation about a young wolf who lives with his family, has had hundreds of millions of views online.

A High Court judge in London recently ruled in favour of entertainment giant Hasbro, which owns the rights to Peppa Pig, after it sued Wolfoo's makers SConnect for copyright infringement.

Mr Justice Smith said the copying - in which Wolfoo videos used short audio clips of Peppa and her family saying words like "hooray!" - had been "prolific" and "long-standing".

Screenshot of YouTube showing "Wolfoo Channel" and various colourful video thumbnails and graphics
One Wolfoo channel on YouTube has more than 13 million subscribers | Image source: SConnect/YouTube

In a ruling this week, the judge said "all videos featuring Wolfoo" must be taken down before 16:00 BST on Monday.

Hasbro and Peppa Pig's creators Astley Baker Davies Ltd originally took court action in London in 2022.

They claimed SConnect had attempted "to deceive the young Wolfoo viewership, most aged between two and five, into believing that Wolfoo is the same character as Peppa Pig" or connected to Peppa, the judge wrote.

The companies initially complained about Wolfoo's appearance and artwork, but focused their legal case on the audio because they believed it would be easier to prove that sound clips were directly copied.

The evidence of "copying of the audio clips is compelling", the judge decided.

"That copying was extensive, seemingly endemic at least so far as the English language Wolfoo videos are concerned."

SConnect denied the copyright infringement claim but accepted that some Wolfoo videos made before mid-2020 included audio from Peppa Pig because an independent third-party contractor had used the clips without the company's knowledge.

SConnect said all infringing videos were removed, and that Wolfoo animations made after mid-2020 used only voices and sounds that were created in-house.

However, the judge said the fact the sounds were supplied by a third party was "irrelevant"; that while many infringing videos were removed, some were simply moved to other channels; and that the claim that all new sounds were recorded in-house "can be disproved".

BBC News has asked SConnect for comment.

The judge said clips from Peppa Pig were found in all 92 English-language Wolfoo videos that were examined, and about 75% of the foreign-language videos.

'Significant judgment'

SConnect said the ruling should only apply to the videos examined in the sample, but the judge declared that all Wolfoo videos should now be removed.

SConnect also argued that the area covered by the ruling would be "too broad", but the judge said it would apply in the UK, European Union and all 166 World Trade Organisation member states, which also include the USA and Vietnam.

Andrew Lee, partner and head of intellectual property at law firm Brandsmiths, which represented Hasbro, told BBC News it was a "significant judgment".

Peppa Pig is available "in hundreds of countries around the world, and this was obviously a major problem for the brand because of the scale of Wolfoo", he said.

"By bringing the claim in the UK courts, which was our home territory, and because the defendants had activity in the United Kingdom even though they were based in Vietnam, we were able to persuade the court to hear the case on a wider scale.

"So it was about trying to protect the Peppa Pig brand in one forum, rather than having to bring actions in every single country."

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Thursday, February 12, 2026

Big Time Rush Creator Scott Fellows Settles Lawsuit Against Sony Music

Big Time Rush creator Scott Fellows is reportedly suing Sony Music for allegedly cheating him out of the band's reunion tour profits.

Big Time Rush
Big Time Rush

Fellows, who created Nickelodeon's hit musical comedy series about a fictional boy band, which ran from 2009 to 2013, has brought a series of breach of contract claims against Sony.

He claims the record label intentionally "concocted a bad faith entity shell game" to cut him out of a 2021 licensing deal that allowed Big Time Rush to reunite as an independent entity, in exchange for 10% of future revenues.

During the show's original run, the real-life members of Big Time Rush - Kendall Schmidt, James Maslow, Logan Henderson and Carlos PenaVega - released music and toured under a deal with Sony Music.

According to Fellows' lawsuit, he received contractual payments amounting to 3.75% of the band's touring revenue until its members went their separate ways in 2014.

As stated in the complaint, when Big Time Rush reunited in 2021, the group struck a deal to go independent from Nickelodeon and Sony Music. The lawsuit reveals that the band licensed its trademarks and past music from Sony and Nickelodeon in exchange for 10% of future revenues.

Fellows' attorneys allege in the lawsuit that Sony "restructured its inter-company arrangements" and his rights to his share of touring revenue were eliminated.

Fellows is now seeking to recoup his cut of Big Time Rush's 2022 reunion tour, as well as the band's In Real Life world tour, which is scheduled to kick off on Wednesday, 9 July.

Update (2/12/26): Scott Fellows, who created the hit show about a fictional boy band that ran on Nickelodeon from 2009 to 2013, sued Sony this past summer, alleging the major music company nefariously structured Big Time Rush’s 2021 reunion deal to cut him out of touring revenues. Now, a Thursday (Jan. 29) federal court notice says the matter has been resolved, Billboard Pro reports.

“The parties have reached a settlement in [principle] of the above-titled matter,” reads the joint filing from Fellows and Sony, which does not spell out any terms of the resolution. Reps for both sides did not immediately return requests for comment on the matter.

The real-life members of Big Time Rush released music and toured under a deal with Sony during the heyday of their Nickelodeon show. According to Fellows’ lawsuit, this deal gave him 3.75% of the band’s touring revenue until its members went their separate ways in 2014.

Big Time Rush reunited in 2021, but this time they opted to go independent. Fellows claims the band licensed its trademarks and catalog in exchange for giving Nickelodeon and Sony 10% of future revenues — but that Sony intentionally wrote the terms of this licensing deal to eliminate his share of the profits.

Fellows’ lawsuit sought to recoup a 3.75% share of the earnings from Big Time Rush’s 2022 reunion tour and the ongoing In Real Life World Tour, which kicked off in July and is set to run through March.

Big Time Rush the band was not named in the lawsuit or accused of any wrong-doing. Reps for the group did not return a request for comment on the settlement.

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Originally published: July 09, 2025.

Original source: Cover Media / Yahoo! News.

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Friday, August 29, 2025

You Don’t Actually Own That Movie You Just 'Bought.' A New Class Action Lawsuit Targets Amazon Over Misleading 'Buy' Button

A suit challenges Prime Video telling people they can "buy" a movie when they're purchasing a license to watch it for a period of time.

Amazon Logo
Edward Smith/Getty Images

A little known fact about movie and TV show “purchases” online: What’s being bought isn’t actually ownership of the title but rather a limited-time license for viewing access. Consider the $4.99 director’s cut of Alien on Amazon Prime Video. Cheap, right? But if the tech giant loses the rights to that version, the movie can be replaced with a different cut, like the one for theaters. And if Amazon loses the rights to the film altogether, it’ll completely disappear from the viewer’s library.

So should Amazon be able to say a consumer is “buying” that movie? Some people don’t think so, and they’ve turned to court.

On Friday, August 22, a proposed class action was filed in Washington federal court against Amazon over a “bait and switch” in which the company allegedly misleads consumers into believing they’ve purchased content when they’re only getting a license to watch, which can be revoked at any time.

The issue came to the forefront at the California legislature in 2023 when gamers discovered that their access to The Crew would be cut off once Ubisoft shut down servers for the game. After, the “Stop Killing Games” movement was born to stop publishers from destroying titles consumers had already bought.

Lisa Reingold, who filed the lawsuit, says she bought Nickelodeon's Bella and the Bulldogs — Volume 4 on Amazon in May for $20.79 but soon lost access to the title. It’s not an uncommon occurrence, similarly affecting consumers across digital stores, like those hosted by Apple and Google. If you bought Downton Abbey through Amazon as the five seasons came out from 2010 to 2015, you’d no longer have them by 2024.

The way in which digital transactions are structured, the lack of transparency around them and the streaming landscape is partly why physical media is kind-of-sort-of cool again. DVDs offer the ability, now and forever, to bypass the complicated web of licenses that leave fans unable to access their favorite titles.

The lawsuit accuses Amazon, which didn’t respond to The Hollywood Reporter's request for a comment, of misrepresenting the nature of movie and TV transactions during the purchase process. On its website and platform, the company tells consumers they can “buy” a movie. But hidden in a footnote on the confirmation page is fine print that says, “You receive a license to the video and you agree to our terms,” the complaint says.

The issue is already before a court. In a 2020 lawsuit alleging unfair competition and false advertising over the practice, Amazon maintained that its use of the word “buy” for digital content isn’t deceptive because consumers understand their purchases are subject to licenses. Quoting Webster’s Dictionary, it said that the term means “rights to the use or services of payment” rather than perpetual ownership and that its disclosures properly warn people that they may lose access. The court ultimately rebuffed Amazon’s bid to dismiss the lawsuit outside of a claim alleging a violation of Washington’s unjust enrichment law.

Recent legislative changes may make the lawsuit even more viable. Earlier this year, a California law went into effect barring the advertisement of a transaction as a “purchase” unless it offers unrestricted ownership of the product. Under the statute, sellers must obtain acknowledgement that buyers are aware they’re actually buying a limited license, in this case movies or TV shows, that can be revoked.

Amazon “does not meet the standards set by the statute for a clear and conspicuous notice that the thing they are purchasing is a revocable license to access the digital good,” writes Wright Noel, a lawyer for consumers looking to sue the company, in the complaint. “The warning is buried at the very bottom of the screen, in font that is considerably smaller than the other text on the screen.”

The lawsuit claims violations of California unfair competition, false advertising and consumer legal remedies laws. It seeks unspecified damages, including disgorgement of profits and punitive damages for allegedly intentionally malicious conduct.

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Originally published: August 29, 2025.


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Wednesday, June 04, 2025

Paramount Global Nominates Three Board Directors as Skydance Merger Awaits FCC Approval

Paramount Global nominated three new directors on Monday, June 2, seeking to boost its board strength to seven as it awaits regulatory approval for its $8.4 billion merger with Skydance Media.

Illustration shows Paramount Global and Skydance logos
Paramount Global and Skydance logos are seen in this illustration taken December 17, 2024. REUTERS/Dado Ruvic/Illustration/File Photo

Paramount nominated Mary Boies, counsel to Boies Schiller Flexner LLP, Charles Ryan, co-founder and general partner of Almaz Capital, and Roanne Sragow Licht, former justice and adjunct professor at Boston University and Roger Williams University.

U.S. President Donald Trump filed a $10 billion lawsuit against Paramount-owned CBS News in October, alleging that the network deceptively edited an interview with then-vice president and presidential candidate Kamala Harris, to "tip the scales in favor of the Democratic Party" in the election.
Trump's lawsuit is seen as a major roadblock to the Paramount-Skydance merger, according to some analysts.

The merger, which is slated to be completed by the first half of 2025, requires approval from the U.S. Federal Communications Commission (FCC), which has authority over the transaction because it needs to approve the transfer of the broadcast television licenses held by CBS.

Paramount, chaired by Shari Redstone, reportedly offered $15 million to settle the suit, however, in a letter sent on Friday, May 30 to former 60 Minutes Executive Producer Bill Owens and ex-CBS News and Stations boss Wendy McMahon, plus the Paramount Global board and the state Attorney General, the heads of the Senate Energy, Utilities & Communications Committee and the Senate Judiciary Committee in Sacramento, California, Senators Josh Becker and Thomas J. Umberg have began an investigation to see if Golden State bribery and unfair competition laws are about to be violated.

Trump raised his claim for damages to $20 billion in February.

The Wall Street Journal reported last week that the company wanted to ensure it had a full board in place in case its negotiations with Trump to settle his lawsuit fell through.

Paramount is scheduled to hold its annual stockholder meeting on Wednesday, July 2.

In additional Paramount news, in a move that blindsided many staffers, Paramount has fired its longtime media agency of record in a cost-saving move as its proposed merger with Skydance Media continues to gestate.

The abrupt change comes as Skydance and its private equity backer RedBird Capital are waiting in the wings to take control of Paramount, pending government approval of the $8 billion deal. Precisely who drove the ad agency decision is a matter of some dispute, according to sources, but Paramount’s relationship with agencies primarily resides with John Halley, president of Paramount Advertising. On the sell-side, Paramount does business with agencies across its networks and streaming services and the opportunity apparently presented itself to create more favorable economics via a buy-side shift of agencies.

WPP Media, formerly known as GroupM before a recent rebrand, had worked with Paramount Pictures for more than two decades, dating back to when the studio was part of Viacom. Three sources familiar with the situation told Deadline that the agency was dismissed and replaced by Publicis, another of the large agency players. The switch, which was not preceded by the customary review period (when an incumbent has a chance to retain the business), will result in significant cost savings and has been characterized as a business decision. Executives relayed the news selectively inside Paramount and to some people externally last Friday and word has spread quickly in subsequent days.

Total annual billings from Paramount, spanning international ads for Paramount+ (Horizon Media handles the streamer domestically) as well as global campaigns for films like the latest Mission: Impossible installment, are in the range of $600 million, according to people with knowledge of the numbers.

It wasn’t immediately clear how much of a savings would be created by the move, and sources indicated that other factors like buying and planning strategy and account personnel were also considered in terms of workflow and strategy. Feedback about WPP from a range of Paramount employees, from directors to SVPs and EVPs had been generally positive in recent months. And unlike creative marketing teams, trailer vendors or others involved in campaigns, media agencies are usually not in the direct line of fire if corporate leadership wants to respond to box office or ratings results.

Horizon’s work on domestic Paramount+ is another question, with rumors circulating that it had moved to IPG in parallel with the larger move. Those agencies did not immediately respond to Deadline’s request for comment.

Publicis also did not respond to a request for comment. Reps from Paramount Global, Paramount Advertising, Skydance and WPP Media declined to comment when contacted by Deadline.

The merger of Skydance and Paramount, which seemed a sure bet at the start of the year, has entered murkier territory thanks in large part to President Donald Trump’s animus toward CBS News.

Sentiment on the Paramount lot, Deadline has learned, has moved from the agonizingly slow crawl of the merger process and more about the abrupt changing of the guard with a longtime third-party vendor. The notion of swapping out an agency of record without warning is virtually unheard of on Madison Avenue. While clients are more antsy than ever and have jumped agencies in an effort to save money, gain efficiencies or for other reasons, the transition usually follows a more orderly and deliberate path.

Halley oversees the sell-side efforts at Paramount but also the outward promotion of the company’s films, series, streaming and other wares and its relationships with agencies. Since ascending to the No. 1 role in 2022, he has shown a willingness to buck convention, as with his conviction about ending decades of tradition by discontinuing the company’s traditional big-stage upfront presentation every spring. In place of the splashy show, the company convenes a number of smaller agency-focused dinners with talent in New York, Los Angeles and Chicago.

Skydance, along with RedBird, sealed its merger proposal with Paramount controlling shareholder National Amusements last July and remained in pole position after a 45-day “go-shop” period expired. Mindful of legal restrictions against “gun-jumping” by parties involved in corporate mergers, Skydance has maintained a fairly low profile as the review has unfolded. (CEO David Ellison, for example, was not a public presence at last month’s Cannes Film Festival despite Mission: Impossible – The Final Reckoning having its world premiere there.)

On a matter as consequential as the change of agency, sources indicated to Deadline, Skydance and RedBird could well have been consulted about the switch under the terms of the merger agreement.

The merger does not require approval from shareholders given that Shari Redstone and her family control a large majority of the company’s shares.

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Sources: Reuters, Deadline, Kidscreen.

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Tuesday, May 20, 2025

Nickelodeon Gak May Be About to Make a Comeback

Could Nickelodeon Gak be about to make a comeback?

Nickelodeon Gak Splat commercial

Nickelodeon could be planning to relaunch its classic Gak slime!

Inspired by Nickelodeon's iconic slime and based on an idea from the network's beloved Double Dare game show, Gak Splat is a slimy Nickelodeon Compound toy first introduced by Nickelodeon in 1992 in partnership with Mattel, and allowed fans to play with Nickelodeon slime in their own homes, as well as make fart noises whilst putting the slime back into it's clear Splat casing.

Over the course of the '90s, the Gak toy range was expanded to include different variants, including Gak-in-the-Dark, Solar Gak, and Smell My Gak, along with activity and play sets, such as the Gak Pak, Gak Vac, Gak Inflator, Gak Copier, and Nickelodeon Gakoids, before eventually being discontinued. There was even a GAK Meister's Kitchen at Nickelodeon Studios in Orlando, Florida, which allowed visitors to taste Gak.

Over the years, Gak has made various comebacks, including in 2012 in partnership with NSI International, however, it seems like Gak is set to make another comeback!

Earlier this month, Paramount Global, under Viacom International, Inc., applied to trademark the name "GAK SPLAT" with the United States Patent and Trademark Office (USPTO), under NICE Class 28 for Games; toys; sports equipment, pertaining to Goods & Services such as "Flying discs; Play balls; Foot balls; Dart games; Toy sling shots; Toy modeling compounds". The application was made on Thursday, May 8, and is currently pending approval.

Whilst the filing doesn't confirm that Nickelodeon is about to bring back its classic Gak product, it seems like there may be a good chance we'll be seeing Gak back on toy store shelves once again in the near future!


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Thursday, May 08, 2025

SAG-AFTRA and Nickelodeon Reach a Tentative Agreement; National Board to Review

SAG-AFTRA and Nickelodeon Reach a Tentative Agreement; National Board to Review

SAG-AFTRA x Nickelodeon Animation

May 7, 2025
 
Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and Nickelodeon have reached a tentative agreement on terms for their 2025 SAG-AFTRA/Nickelodeon Animation Studios, Inc. Basic Cable Television Animation Agreement (“Nickelodeon Animation Agreement”).

The Nickelodeon Animation Agreement is the contract covering animated programs for Nickelodeon basic cable and Paramount + (The Loud House, Patrick Star Show, Kamp Koral, Rock Paper Scissors, Rugrats, Dora the Explorer, etc.). 

SAG-AFTRA National Executive Director & Chief Negotiator Duncan Crabtree-Ireland said, “I’d like to thank our hardworking negotiating committee for their dedication to their colleagues who provide their voice artistry to Nickelodeon’s programming. I’m especially pleased that Nickelodeon agreed to commonsense A.I. protections for voice actors.”

Chair of SAG-AFTRA’s Nickelodeon Animation Agreement Negotiating Committee David Jolliffe said, “We’re thrilled that productive bargaining has resulted in a very strong contract for voice actors that includes A.I. guideline enhancements that protect voice performers. There’s much to celebrate about this deal and we look forward to sending it to the Board for review.”

Among the highlights of the contract are: 

  • Pay increases worth over $3.25 million dollars in instant gains for members.
  • Retained higher Legacy rates.
  • Increased rates for Interstitials.
  • Increased promo tag rate to $93 per tag.
  • Special allocation of Health and Retirement contributions increase 75% to Health, 25% to Retirement.
  • New 25% premium for multitracking/sweetening.
  • Incorporate the updated Television Animation Agreement Made For New Media Sideletter, which includes 2023 SVOD budgets for animation, SVOD residuals improvements, a Success Bonus, new AVOD terms.
  • Increased clip use payments
  • Payment due date moved up to 5 business days.
  • Substantial artificial intelligence protections and gains for voice actors from the Television Animation Agreement, that will automatically conform to any updated provisions secured in upcoming negotiations on that contract. These A.I. protections include:
    • Specific language acknowledging that the term “voice actors” includes only humans and that acknowledges the importance of human voice acting.
    • Removal of the requirement that a digital replica must exclusively sound like the recognizable natural voice of an actor in order to be protected.
    • Language specifying that “employment-based digital replicas” need only be recognized and identifiable via contracts and other regular business documents, confirming that it was in fact the performer's voice used to make the replica.
    • Language specifying that “independently created digital replicas” need only sound like the “character voice” from which the replica was created.
    • Confirmation that if the voice actor’s performance is digitally altered into a foreign language, the voice actor shall be eligible for residuals based on the distribution of the foreign language version.
    • Language clarifying that when prompting a generative artificial intelligence system with a performer name or names, consent of those performers is required. The contract has removed the requirement, which exists in live action, that a “major facial feature” be included in the prompt with no substitute for that criterion.
    • The establishment of regular, mandatory artificial intelligence meetings with producers, which will include discussion of methods and systems to track the use of digital replicas.

The 2025 SAG-AFTRA/Nickelodeon Animation Studios, Inc. Basic Cable Television Animation Agreement is a three-year contract that will be considered for ratification by SAG-AFTRA’s National Board.

About SAG-AFTRA
SAG-AFTRA represents approximately 160,000 actors, announcers, broadcast journalists, dancers, DJs, news writers, news editors, program hosts, puppeteers, recording artists, singers, stunt performers, voiceover artists and other entertainment and media professionals. SAG-AFTRA members are the faces and voices that entertain and inform America and the world. A proud affiliate of the AFL-CIO, SAG-AFTRA has national offices in Los Angeles and New York and local offices nationwide representing members working together to secure the strongest protections for entertainment and media artists into the 21st century and beyond. Visit SAG-AFTRA online at SAGAFTRA.org.

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Originally published: May 08, 2025.


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Tuesday, April 29, 2025

Paramount Ex-CEO Bob Bakish Walks Away With Almost $87M; George Cheeks, Chris McCarthy And Brian Robbins Each Net Between $19.5M And $22.2M In 2024

The three occupants of Paramount Global‘s Office of the CEO did well for themselves financially in 2024, but the biggest payday went to ex-CEO Bob Bakish.

From left, Paramount Global Co-CEOs Chris McCarthy, George Cheeks and Brian Robbins
From left, Paramount Global Co-CEOs Chris McCarthy, George Cheeks and Brian Robbins | Eric Charbonneau/Paramount via Getty Images

George Cheeks, Chris McCarthy and Brian Robbins collected $22.2 million, $19.5 million and $19.6 million, respectively, according to an SEC filing by the company on Friday, April 25. Bakish took home just shy of $87 million, including about $69 million in severance.

The compensation figures come as talks are continuing between Paramount Global and the Federal Communications Commission, which is reviewing the proposed merger of Paramount and Skydance Media. The FCC has made it plain that it wants Paramount and other media companies to roll back their Diversity, Equity and Inclusion efforts. Unwinding the DEI programs put in place across corporate America in recent years has been a major priority of President Donald Trump and appointees like FCC Chair Brendan Carr. Trump has also filed a $20 billion lawsuit in Texas against Paramount, citing CBS News and 60 Minutes, but Carr has maintained that the FCC review is separate from that case.

Bakish was removed as CEO in April 2024 and the company created the Office of the CEO after clashing with Paramount chair and controlling shareholder Shari Redstone. Cheeks, McCarthy and Robbins have continued to oversee divisions of the company in addition to fulfilling their Co-CEO duties. In the Skydance deal announced last summer, Redstone’s privately held National Amusements will be acquired by Skydance, which will then merge with all of Paramount. The companies have said the transaction would close by the first half of 2025, but that timetable has come into question in recent weeks.

The framework for Bakish’s severance payment had been disclosed, but the final number was determined based on a range of performance-based metrics. In 2023, Bakish’s total payday was $31.3 million.

Christa D’Alimonte, who departed last June as EVP and General Counsel, collected $8.9 million in 2024, including about $4 million in severance.

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Original source: Deadline.

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Paramount, FCC Start Talks Around Skydance Merger

The Federal Communications Commission (FCC) and Paramount have been in contact about steps needed for the agency to approve its sale to Skydance, Deadline has confirmed.

Paramount Water Tower
Michael Buckner/Variety

The Wall Street Journal first reported the start of discussions over how the parties might work towards a green light of the deal announced last summer that’s been parked at the watchdog agency ever since.

Not surprisingly, one initial concession by Paramount could include the company continuing to abstain from Diversity, Equity and Inclusion (DEI) efforts, a target of President Donald Trump and his appointed FCC chairman Brendan Carr.

The outreach last week is a rare sign of progress around the sale of Shari Redstone’s Paramount Global to David Ellison’s Skydance Media in a deal backed by Oracle co-founded and CEO Larry Ellison and RedBird Capital. The merger agreement was automatically extended earlier this month for another 90 days pending the regulatory review.

The FCC has sway over the transfer of broadcast licenses, which would apply here to the parent of CBS. The commission has launched investigations of Disney and NBCUniversal parent Comcast over DEI practices.

Carr told Bloomberg last month, “Any businesses that are looking for FCC approval, I would encourage them to get busy ending any sort of their invidious forms of DEI discrimination.” Paramount Global along with other media companies has walked back and recast work in Diversity, Equity & Inclusion.

The merger process has rattled CBS News, as Redstone, Paramount Global’s controlling shareholder, is said to be anxious to close the transaction. Paramount Global has had settlement talks with Trump’s legal team to resolve the president’s $20 billion lawsuit against the network over the way that 60 Minutes edited an interview with Kamala Harris. Many legal observers see the lawsuit as frivolous, but a settlement also been viewed as a way to appease the president at a time when the companies need the administration’s greenlight for the merger.

Things came to a head last week, when 60 Minutes executive producer Bill Owens resigned, citing corporate interference. Just about each week since Trump took office, the show has produced hard hitting pieces about various aspects of the administration, and the president has lashed out at the network over some of them. 60 Minutes planned another piece for Sunday, April 27 over the Trump administration cuts to the National Institutes of Health.

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Tuesday, April 08, 2025

Skydance-Paramount Merger Agreement Extended for 90 Days Whilst Awaiting FCC Approval

Skydance Media‘s $8 billion agreement to merge with Paramount Global expired on Monday, April 7 as the parties await FCC approval. Under the terms of the pact, the deadline for the agreement to close has been automatically extended for another 90 days, reports Variety.

Paramount Pictures Water Tower
Michael Buckner/Variety

If by the end of that 90-day period (Monday, July 7, 2025) the deal still hasn’t closed, it will be subject to a second 90-day extension. The automatic extensions are triggered in the event that “all of the conditions of the closing, except those relating to regulatory approvals, have been satisfied or waived,” per the companies’ deal.

On July 7, 2024, after months of on-and-off negotiations, Paramount controlling shareholder Shari Redstone clinched a deal to merge the media conglomerate with Skydance.

The SEC approved the Skydance-Paramount deal in February. That same month, the European Commission gave it the thumbs-up, noting that the transaction does not pose any significant anti-competitive concerns.

But the FCC has not yet cleared the merger. And there’s no formal date by which the FCC must issue a decision in the matter.

What’s the holdup? Some background on the situation: Prior to the 2024 election, President Trump filed a lawsuit against CBS News over a 60 Minutes interview with then VP and presidential hopeful Kamala Harris, alleged the Harris interview was deceptively edited. Trump has demanded $20 billion in damages. Last month, Paramount and CBS moved to dismiss Trump’s suit as “an affront to the First Amendment.”

Republican FCC Chairman Brendan Carr, a Trump appointee, has said Trump’s 60 Minutes lawsuit would likely will be a factor during the FCC’s review of the Skydance-Paramount merger.

And last month, Carr claimed he will block M&A deals for media companies that promote diversity, equity and inclusion programs — as he helps execute Trump’s aggressive anti-DEI agenda. Carr has directed the FCC to probe DEI practices as Disney/ABC and Comcast/NBCUniversal, claiming he is concerned the media companies are promoting “invidious forms of DEI.” Paramount, meanwhile, in February said it was changing some of its DEI programs to comply with the Trump administration’s directives.

The Skydance-Paramount deal has an enterprise value estimated at $28 billion and gives Skydance an implied valuation of $4.75 billion. Shareholders of Redstone's National Amusements, Inc. (NAI) will receive $1.75 billion and the assumption of NAI’s debt (for $2.4 billion total enterprise value) while Paramount Global Class B common shareholders will receive $15 per share. About $6 billion of the money to fund the deal is coming from the Ellison family (i.e. Oracle founder Larry Ellison) and about $2 billion is from RedBird Capital Partners.

Last October, Skydance submitted an updated filing with the FCC to reflect that David Ellison, Skydance’s CEO, will hold 100% percent of the Ellison family’s voting interests in the newly combined Skydance-Paramount and not Larry Ellison, as previous documents indicated.

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H/T: Special thanks to @KcaWomansRights for the news!

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Saturday, April 05, 2025

Paramount Applies to Trademark 'Avatar: Safe Havens' With the USPTO [Updated]

Paramount Global has applied to trademark the name Avatar: Safe Havens with the United States Patent and Trademark Office (USPTO).

'Avatar: The Last Airbender' cast

Update (4/5) - Paramount have now "abandoned" their trademark applications for Avatar: Safe Havens, and are now applying to trademark the previously announced Avatar: Seven Havens title.

Paramount, under Viacom International Inc., has applied to register Avatar: Safe Havens under three NICE Classes: 28, for "Games; toys; sports equipment"; 41, for "Education, entertainment, sporting and cultural services"; and 25, for "Clothing; footwear; headgear". The requests was filed on March 14, 2025, and are currently pending approval.

It's currently unknown whether Avatar: Safe Havens pertains to an already announced Avatar: The Last Airbender project, such as the upcoming movie, tentatively titled Aang: The Last Airbender, or the upcoming animated series, Avatar: Seven Havens, or a completely new, still unannounced project set in the Avatarverse.

However, a clue might be in one of the NICE Classes that Paramount has applied to register the title in. NICE Class 41 is for "entertainment services, namely, a multimedia series featuring animation distributed via various platforms across multiple forms of transmission media; providing non-downloadable television programs featuring animation via a video-on-demand service; providing entertainment information to others via a global computer network", which could pertain to Avatar: Seven Havens. As the names are very similar, Avatar: Safe Havens could be a new name for Avatar: Seven Havens, as it's not uncommon for series to change titles whilst in production. However, this is purely speculation.

Announced in February 2025, Nickelodeon is continuing the mythology and adventure of the beloved animated series Avatar: The Last Airbender with Avatar: Seven Havens, an all-new series from creators Michael DiMartino and Bryan Konietzko. Set in the world of Avatar: The Last Airbender, the original 26-episode, 2D-animated series centers around a young Earthbender who discovers she’s the new Avatar.

Avatar: Seven Havens is set in a world shattered by a devastating cataclysm. A young Earthbender discovers she's the new Avatar after Korra – but in this dangerous era, that title marks her as humanity's destroyer, not its savior. Hunted by both human and spirit enemies, she and her long-lost twin must uncover their mysterious origins and save the Seven Havens before civilization’s last strongholds collapse.

The series is in production under the Avatar Studios banner from Nickelodeon Animation in Burbank. Avatar: Seven Havens is comprised of Book 1 (13 half-hour episodes) and Book 2 (13 half-hour episodes). Michael DiMartino (Avatar: The Last Airbender, The Legend of Korra) and Bryan Konietzko (Avatar: The Last Airbender, The Legend of Korra) are co-creators and executive producers. Ethan Spaulding is executive producer and Sehaj Sethi is co-executive producer.

Previously announced, Paramount Pictures and Nickelodeon Movies’ highly anticipated Untitled Animated Aang Avatar film debuts only in theatres on January 30, 2026, featuring a voice cast that includes Dave Bautista, Dionne Quan, Jessica Matten, Román Zaragoza, Steven Yeun, and introducing Eric Nam.

The news comes as Nickelodeon celebrates the milestone 20th anniversary of Avatar: The Last Airbender with all-new original digital content across the Paramount ecosystem, one-of-a-kind experiences, and exclusive consumer products and games. Since its debut February 21, 2005, Avatar: The Last Airbender has been a fixture with fans around the world, spawning a universe of popular characters, a spinoff series with The Legend of Korra, several bestselling book series, live orchestra world tour and an upcoming theatrical film.

Below is more information about the NICE Classes that Paramount Global has applied to trademark Avatar: Safe Havens in with the USPTO:

AVATAR: SAFE HAVENS
IP Type: Trademark
Jurisdiction: United States
Serial Number : 99084166
Status: Pending
Filing Date: 2025-03-14
Owner: Viacom International Inc. ()
NICE Classes: 25 - Clothing; footwear; headgear

Goods & Services:

Clothing, namely, shirts, t-shirts, sweatshirts, sweaters, blouses, pants, jeans, ties as clothing, trousers, shorts, suits, underwear, pajamas, jackets, coats, vests, socks, stockings, tights, dresses, skirts, swimwear; headwear, namely, hats, beanies, caps being headwear, visors, headbands, bandanas; clothing accessories, namely, belts, gloves, mittens, scarves; footwear, namely, boots, shoes, sandals, slippers; Halloween costumes

AVATAR: SAFE HAVENS
IP Type: Trademark
Jurisdiction: United States
Serial Number : 99084154
Status: Pending
Filing Date: 2025-03-14
Owner: Viacom International Inc. ()
NICE Classes: 41 - Education, entertainment, sporting and cultural services

Goods & Services

Entertainment services, namely, a multimedia series featuring animation distributed via various platforms across multiple forms of transmission media; providing non-downloadable television programs featuring animation via a video-on-demand service; providing entertainment information to others via a global computer network

AVATAR: SAFE HAVENS
IP Type: Trademark
Jurisdiction: United States
Serial Number: 99084277
Status: Pending
Filing Date: 2025-03-14
Owner: Viacom International Inc. ()
NICE Classes: 28 - Games; toys; sports equipment

Goods & Services

Toys, games and playthings, namely, dolls and accessories therefor, action figures, action figure play sets, character figures, character figure play sets, toy figurines, plush toys, toy vehicles and accessories therefor, children's multiple activity toys, toy building sets, children's educational toys for developing cognitive skills, ride-on toys, construction toys, parlor games, puzzle board games, jigsaw puzzles, manipulative puzzles, mosaic puzzles, role-playing games, card games, board games, interactive board games, action skill games, action target games, electronic hand-held games for use with external display screen or monitor and electronic action toys

Stream Avatar: The Last Airbender and The Legend of Korra on Paramount+ and Netflix! Try Paramount+ for FREE at ParamountPlus.com

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Listen to the official A:TLA podcast, Avatar: Braving the Elements!

Get more Avatar: The Last Airbender on: YouTube | Facebook | Instagram | TikTok



Originally published: March 30, 2025.

Additional source: Merriam-Webster.

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Saturday, March 08, 2025

Judge Declines to Block Paramount-Skydance Merger, but Accelerates Investor Suit

A Delaware judge on Thursday (March 6) declined to issue an order to temporarily halt the merger between Paramount Global and Skydance Media.

Paramount Mountain

But in the ruling, Chancellor Kathaleen McCormick agreed to set a “break-neck pace” for an investor suit that seeks to block the deal in favor of a competing bid from Project Rise Partners.

A group of New York City pension funds filed the suit last month, arguing that Paramount Global had failed to get maximum value by refusing to consider the $13.5 billion bid from Project Rise. The funds argued that Paramount Global controlling owner Shari Redstone opted for the Skydance deal because it benefits her at the expense of minority shareholders.

The funds sought a temporary restraining order that would prevent the Skydance deal from going through while the suit is pending. Paramount has argued that the offer came in after the close of the “go-shop” window, and that it is contractually bound to stick with Skydance.

In her ruling on Thursday, McCormick declined to issue a TRO, but did set an accelerated schedule that would allow for a ruling on an injunction by April 7.

“This is a break-neck pace but doable,” the judge wrote. She reasoned that the pension funds had shown sufficient potential harm to warrant an expedited schedule, but not enough to get a TRO.

A rep for law firm Grant & Eisenhofer, which is representing the New York City pension funds in the case, said in a statement: “We are pleased with the Chancellor’s decision.” Paramount and Skydance declined to comment on the ruling. Reps for Project Rise Partners and the Paramount board’s special committee did not respond to requests for comment.

It is not clear when the $8 billion Skydance deal will close, as it must still get approval from the Federal Communications Commission. The current end date in the merger agreement is April 7, but that deadline could be extended assuming the FCC has yet to approve the deal.

McCormick asked Paramount to give the plaintiffs up to five days’ notice if it appears the deal will close before then, so that they can renew their request for a temporary restraining order.

The judge ordered the parties to confer on a briefing schedule. “Perhaps the parties can negotiate a more civilized schedule in the event they learn that the FCC process is not likely to conclude by April 7,” she wrote.

Shares of Paramount Global ticked up 2.2% Thursday amid a broader market decline.

Separately Thursday, Paramount and CBS filed motions to dismiss President Trump’s lawsuit over a 60 Minutes interview last year, calling the suit an “affront to the First Amendment.”

The investors in the Project Rise consortium include Daphna Edwards Ziman, president and co-chairman of film and lifestyle TV network Cinémoi, and Moses Gross, founder and CEO of real estate company ANM Group. Gross is the CEO of Malka Equities, the umbrella company that signed a $10 billion commitment on behalf of the investors.

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Originally published: March 08, 2025.

Original source: Variety; H/T: Kidscreen.

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Friday, February 07, 2025

‘South Park’ Streaming Brawl: Warner Bros Discovery Fights To Keep Alive Suit Against Paramount Global & Series Creators

See below for the latest updates

The studios are putting on a united front when it comes to the striking scribes and actors, but the Warner Bros. Discovery and Paramount Global dust-up over who really has the streaming rights to Eric Cartman and the South Park gang shows no signs of settling down, Deadline reports.

Cartman from South Park

In the match of legal dodgeball that the David Zaslav and Shari Redstone-run conglomerates have been hurling at each other the past few months, WBD are now moving to have Paramount’s partial motion to dismiss tossed out.

“Defendants’ Motion has the dubious distinction of trying to downplay while simultaneously highlighting the very misconduct which forced Plaintiff to file this suit,” declares WBD’s memorandum of opposition to the desire by Paramount and series creators Trey Parker and Matt Stone to disperse the Max parent company’s $200 million lawsuit (read it here).

“The reality is that Defendant South Park Digital Studios agreed that Plaintiff’s HBO Max streaming platform would be the exclusive destination for consumers looking to stream new episodes of the popular comedy series South Park. Defendants came to regret having granted these exclusive streaming rights to Plaintiff when Paramount Global launched its own streaming platform, Paramount+,” WBD added.

In a Hollywood seemingly looking to cut costs and trim spending everywhere it can, the initially filed February 24 action over South Park comes from the $500 million 2019 deal where then AT&T-owned WarnerMedia snared multi-year domestic streaming rights to the 23-season past seasons of South Park plus several new seasons. Adding around 300 episodes of the Comedy Central show to Warner’s inventory for mid-2020, the agreement with the then Viacom was to be paid in installments of about $25 million a quarter – which worked out fine until early this year.

That’s when WBD turned off the money tap in protest, but kept streaming the series

The company alleges that soon after an August 2021 $900 million “f*ck you-money” deal that ViacomCBS made with Parker and Stone’s South Park Digital Studios, the 2019 deal started to sour. WBD claims Paramount SPDS and MTV Entertainment wedged in loophole of sorts in the original deal that now permitted them to fully retain new seasons of South Park and more than a dozen so-called “original movies” based on the series.

Rubbing some vinegar in the wound, a subscriber seeking Paramount+ said in early 2022 that come 2025 they would be the global streaming hub for all the South Park episodes, movies, and made-for-streaming movies.

“In short, Defendants’ assertions that it provided all required content to Plaintiff are contradicted by the multitude of factual allegations evincing SPDS’s bad faith conduct in diverting new South Park episodes to Paramount+ after granting exclusive streaming rights in such content to Plaintiff,” says WBD in their July 13 East Coast opposition filing. “At most, Defendants’ assertions present a disputed issue of fact that a jury will need to decide, not grounds for dismissal of Plaintiff’s well-pled claims at the initial pleading stage.”

Giving Paramount the gears for “deceptive acts” to lure viewers to watch South Park on Paramount+  over what was once called HBO Max, WBD are determined to have this Steaming Wars battlefield remain very active, at least for now.

“This is not merely ‘garden variety’ behavior as Defendants argue,” the 27-page document asserts. “Rather, it is a textbook example of bad faith business conduct, with a consequential adverse impact on consumers at large. Plaintiff’s claims are based on well-pled factual allegations that go far beyond the minimal requirements necessary to withstand a motion to dismiss. Defendants’ Motion is groundless and should be denied in its entirety.”

The opposition drafted up by WBD’s Walden Macht & Haran LLP attorneys asks New York Judge Margaret Chan to schedule an oral argument hearing on whether Paramount Global’s partial motion can go forward or not. Though Zaslav and Redstone may not be bringing it up around the fireplace at Sun Valley this year over roasted marshmallows, there is also the matter of Paramount’s more than $50 million countersuit too.

That missive from the Redstone-run corporation was fired off in April along with the partial motion to dismiss.

Or, as Cartman once said: “The only way to fight hate is with even more hate!”

Neither WBD nor Paramount Global responded to Deadline's requests today for comment on this latest legal move.

Update (2/7/25) - Max's rights to the South Park catalog are set to expire in 2025, with the series thought to be heading to Paramount+.

Update (2/7/25) - via Deadline:

Warner Bros Discovery‘s lawsuit against over South Park streaming rights looks like it’s headed to trial. In a legal win for WBD, a Manhattan judge ruled today that defendant Paramount Global might have breached its contract with the David Zaslav-run company.

Justice Margaret Chan of New York State Supreme Court denied a motion for summary judgment by Paramount Global and MTV Entertainment Studios to dismiss the “unjust enrichment” portion of the $200 million suit (read the ruling here). The decision clears the way for the case to go before a jury.

“Plaintiff makes multiple allegations that defendants deny but at this time have neither proven nor disproven,” Chan wrote.

At issue is the right to stream episodes labeled as “specials” not specified in the companies’ deal. Chan ruled that

Paramount/MTV had argued that the unjust-enrichment portion duplicated other claims in the lawsuit and that, even if that weren’t the case, the claim should be tossed because WBD failed to plead the essential element that the defendants received a benefit at plaintiff’s expense.”

But Chan disagreed on both counts, ruling that Paramount/MTV “define the dispute too narrowly.” The defendants, she wrote, “didn’t receive third-party fees in the abstract; Paramount/MTV received the right to stream the Specials, and people who wanted to watch or advertise during the Specials gave Paramount/MTV money. That money would have gone to plaintiff if plaintiff were the one streaming the Specials. Thus, a benefit has been alleged.”

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Originally published: July 15, 2023.

Special thanks to @RegularTweetsUK and @916786wc for the news!

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Wednesday, January 29, 2025

Paramount Hit With Legal Letter to Consider Last-Minute $13.5 Billion Offer From Outside Investors Over Skydance Takeover Bid [UPDATED 1/29]

Here comes a plot twist: As Skydance Media and RedBird Capital Partners work to close the Larry Ellison-backed takeover of Paramount Global this spring, a consortium of investors who previously bid on the storied media conglomerate is mounting an eleventh-hour $13.5 billion offer.

Paramount Pictures Studios Water Tower
Michael Buckner/Variety

Variety has obtained a legal letter that is being sent to Paramount’s board Friday, Jan. 24, from Project Rise Partners that outlines a new bid that is higher than an all-cash offer the consortium made during the go-shop window. The group says its terms are vastly superior to the $8 billion deal from Skydance and RedBird.

The letter, prepared by the law firm Baker & Hostetler, notes that in light of “the market’s negative reaction to the Skydance transaction, PRP is now increasing its offer as follows: The offer for the B shares is $19 per share compared to $15 per share in the Skydance offer — a 75% premium and 27% more than Skydance. The PRP offer for the A shares remains the same as the Skydance offer. PRP will add $2B to the balance sheet. This is an all-cash offer with committed financing from credible investors.”

Those investors have largely remained mysterious outside of Daphna Edwards Ziman, president and co-chairman of film and lifestyle TV network Cinémoi, and Moses Gross, founder and CEO of real estate company ANM Group. (Gross is the CEO of Malka Equities, the umbrella company that signed a $10 billion commitment on behalf of the investors.) But sources say Project Rise Partners is also backed by titans of industry comparable to Larry Ellison and includes at least one of the richest men in the world and as well as a company partner that is a pioneer in the satellite industry. Ziman and Gross fronted the previous offer, which they say was never presented to the board.

Reps for Skydance and Paramount Global declined to comment. A spokesperson for the Paramount board’s special committee established to vet offers did not immediately respond to a request for comment.

A publicly traded corporation is typically legally bound to consider any legitimate offer of value that could benefit shareholders. The Project Rise investors fired off a legal letter in October 2024 claiming that Paramount’s special committee violated its fiduciary duty to shareholders by neglecting to consider the group’s previous $8.5 billion bid for the company. Project Rise Partners’ $13.5 billion offer includes $5 billion for restructuring of the debt.

According to an SEC filing, a member of Paramount’s Special Committee held a call with a Project Rise Partners representative on Aug. 15, which was inside the go-shop window. (That window closed on Aug. 21.) But the SEC filing says the two sides did not discuss terms during the call and that the group’s acquisition proposal was only submitted on Aug. 26, after the window closed.

The Baker & Hostetler letter — addressed to Paramount board members Shari Redstone, Barbara Byrne, Linda Griego, Judith McHale and Susan Schuman — states that the company’s Class B shareholders “would own 50% of the equity versus 30% in the Skydance offer. The PRP offer includes an independent board and normal corporate governance. The board committees Skydance plans to eliminate would be retained. B shareholders would receive a vote for the first time in the company’s history.”

Project Rise Partners additionally claims that it plans to grow Paramount Global’s headcount, whereas the Skydance and RedBird partners have indicated more cuts would come under a Skydance-Paramount merger.

Larry Ellison, also one of the world’s richest men, is facing regulatory hurdles with the Paramount-Skydance merger that would see his son, Skydance CEO David Ellison, running the combined media assets. President Donald Trump’s new FCC chair Brendan Carr has publicly raised concerns about the merger. The elder Ellison, founder of Oracle who has a net worth of more than $200 billion, has been a longtime supporter of Trump’s and has been shoring up his relationship with the president. He traveled to the White House on Tuesday (Jan. 21) to announce a separate AI Stargate deal that industry observers saw as part of an effort to keep the Paramount-Skydance merger on track. That prompted Elon Musk to mock Ellison on X, writing: “they don’t actually have the money” and have “well under $10B secured.” Separately, Trump has indicated that he would be open to Larry Ellison or Musk buying TikTok.

The Skydance-RedBird $8 billion deal to merge with Paramount has been controversial among shareholders, primarily because it values Skydance at roughly $4 billion. The new Project Rise Partners bid questions that valuation. “Skydance reported $25M in EBITDA in 2023, and Paramount purchased Skydance for $4.75B, or approximately 200x trailing earnings,” the Jan. 24 letter says. “There are no market benchmarks that justify the Skydance valuation, and no independent bidder would pay that price.”

Meanwhile, politicians like Rep. John Moolenaar (R-Mich.), chair of the House China Select Committee, have raised concerns about China’s role in the Skydance deal because Tencent, a company with ties to the Chinese military, will have a small stake in the media giant, whose assets include everything from CBS News to the Paramount film and TV studio and networks including Nickelodeon and MTV.

“The Board and its advisors appeared so eager to conclude a transaction with Skydance, no one appears to have fully accounted for Skydance’s foreign ownership,” the Project Rise Partners letter says. “The Pentagon recently placed Tencent on a list of firms alleged to be helping the Chinese military. Regulators will scrutinize the proposed transaction given the heightened concern over Chinese control of consumer platforms and access to personal data. If the Board and its advisors missed or ignored such a serious red flag, shareholders will naturally question the thoroughness of the Board’s due diligence. By extension, ineffective diligence might explain the unreasonable valuation paid for Skydance, the company acquiring Paramount.”

Paramount and Redstone, whose National Amusements Inc. is the controlling shareholder of Paramount, have a binding deal with Skydance Media and may only be able to back out if regulators stop the merger. A source familiar with the process told Variety that is highly unlikely. But the Baker & Hostetler letter claims that the Paramount board eliminated an option to consider superior bids from its sale process.

“In the public company context, most merger agreements include a standard fiduciary out that allows a new bidder with a superior offer to pay the breakup fee to compensate the original bidder for opportunity and other costs,” the letter says. “For unknown reasons, the Board or its legal counsel specifically excluded a fiduciary out which harms B shareholders and benefits Skydance. … Fiduciary outs enable boards to terminate a transaction agreement if a superior offer arrives before the deal is approved by the shareholders and closed. If the agreement omits such an exit clause, the Board’s decision may be deemed ‘preclusive and coercive.’ There is no discernable rationale for that unnecessary, one-way value transfer to Skydance. These ‘deal protection devices’ do not protect shareholders.”

The letter also stresses that Paramount directors have a duty of loyalty to shareholders, not to advisers or Skydance.

“Because of the Board’s decision to eliminate the fiduciary out, the outsized $400M breakup fee benefits Skydance in the case of a regulatory block but does not benefit B shareholders if there is a superior offer. After canvassing the market for over nine months, the Board concluded that Skydance was the only actionable, fully financed offer available,” the letter continues. “Paramount Directors breached their duty of loyalty by crafting a merger agreement favorable to the buyer and not the seller in this transaction.

Update (1/29) - From Deadline:

A special committee of Paramount Global’s board of directors says it is “bound” by a pending agreement to merge with Skydance Media and will not consider an 11th-hour offer from a rival bidder.

In a statement provided to Deadline, a spokesperson for the committee formed last year to evaluate opportunities and steer a merger, said investment group Project Rise Partners effectively arrived too late to the party.

“The transaction agreement between Paramount and Skydance Media enabled the Special Committee to pursue a superior proposal during the now-expired 45-day go-shop period, during which representatives of the Special Committee contacted more than 50 third parties to determine whether they had an interest in making a proposal to acquire Paramount,” the statement said. “Project Rise Partners did not make a proposal during such period, nor during the prior seven-month sale process for Paramount. It is unclear what PRP’s objectives are; however, Paramount is bound by its agreement with Skydance Media and there will not be any engagement with PRP in contravention of such agreement.”

The Paramount-Skydance deal was set last July after a months-long saga, with numerous parties looking into throwing their hat into the ring for the century-old Hollywood mainstay. Barry Diller, Sony Pictures Entertainment, private equity giant Apollo and a group of investors led by Seagram heir Edgar Bronfman Jr. were among the suitors. Skydance was able to leverage its longstanding ties with Paramount as a co-finance partner. CEO David Ellison, backed by his father, Oracle co-founder Larry Ellison, was also seen as having significant resources and passion to invest in the company’s core film, TV and streaming businesses.

After multiple offers from Skydance, the company and Paramount agreed on a two-step transaction worth about $8 billion. The dual-class structure of Paramount stock made the fine points of the deal tricky to nail down, with a number of stakeholders accusing controlling shareholder Shari Redstone of furthering her own interests at the expense of holders of Class B shares. A number of notable Class B shareholders voiced their disapproval of earlier versions of the deal, though the complaints diminished as Skydance sweetened its offer.

Lawyers for Project Rise Partners sent the committee a letter on Friday advising them that the body was obligated to consider its offer, which principals described as superior to the $8 billion Skydance deal. PRP’s offer was “increasing,” the letter said, to $19 per Class B share, compared with the $15 offered by Skydance, according to a report by Variety. (Axios last October had also reported on PRP agitating for consideration of its post-deadline bid.)

Curiously, the Friday letter also drew a contrast with Skydance in terms of staffing. It asserted that PRP (whose backers include Daphna Edwards Ziman, co-chairman of TV network Cinémoi, and real estate finance exec Moses Gross) would add to Paramount’s headcount despite the widespread cutbacks reshaping the entertainment business. (Paramount itself shed 15% of U.S.-based workers in recent months.)

Despite plans to invest significant resources from the Ellisons and minority partner RedBird Capital in bulking up Paramount’s streaming platforms and studio operations, job cuts are expected at Paramount once Skydance assumes control. Among other things, the company faces significant challenges in managing its sizable linear TV assets, and last year signaled as much to Wall Street when it took a $6 billion write down on the value of its cable networks.

When the Skydance bid was first accepted by the special committee last summer, the agreement stipulated that a 45-day “go-shop” window would enable the board to explore alternatives. As an SEC filing affirmed this month, representatives of Project Rise Partners were in contact with the special committee but their proposal did not get submitted until several days after the go-shop period expired.

The idea of a last-minute twist to the Paramount merger melodrama is migraine-inducing to some observers. “It’s just silliness,” one person familiar with the merger process said of the PRP saber-rattling. The entreaties by the investor group come as the deal is falling under fresh scrutiny from regulators at the Federal Communications Commission, which has taken issue with political coverage by Paramount’s CBS News.

FCC Chair Brendan Carr, appointed to the post by President Trump, has revived complaints of “news distortion” by CBS due to its editing of a 60 Minutes interview with former Vice President Kamala Harris. Trump also has filed a lawsuit in Texas over the Harris segment, prompting internal discussion at Paramount about ways to settle the suit in order to allow the merger to proceed to a close. Trump’s objections are creating these potential roadblocks despite the fact that Redstone and Ellison are both longtime supporters of the president, with the latter appearing last week at a White House news conference about a major new AI initiative.

Reps for Redstone, Paramount Global and Skydance declined to comment when contacted by Deadline.

###

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Originally published: January 25, 2025.

H/T: Special thanks to @916786wc, @KcaWomansRights.

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