Showing posts with label Paramount Acquisitions. Show all posts
Showing posts with label Paramount Acquisitions. Show all posts

Saturday, September 19, 2026

Have You Heard? Critically-Acclaimed Film 'Tuner' Starring Leo Woodall and Dustin Hoffman Premieres Exclusively on Paramount+ Monday, September 21

HAVE YOU HEARD? CRITICALLY-ACCLAIMED FILM TUNER STARRING LEO WOODALL AND DUSTIN HOFFMAN PREMIERES EXCLUSIVELY ON PARAMOUNT+ MONDAY, SEPTEMBER 21

'Tuner' Key Art
Black Bear

September 14, 2026 – Paramount+ today announced that the critically acclaimed thriller Tuner, starring Leo Woodall, Academy Award® winner Dustin Hoffman and Havana Rose Liu, will make its streaming premiere on Monday, September 21.


  • From Black Bear, Academy Award-winning director Daniel Roher makes his narrative feature debut with Tuner, a gripping thriller about Niki (Woodall), a gifted young piano tuner whose heightened sense of hearing leads him to discover an unexpected aptitude for cracking safes — turning his carefully ordered life upside down.
  • With his once-promising musical career behind him, Niki works across New York alongside his mentor Harry Horowitz (Hoffman), tuning pianos and encountering a colorful range of clients. When criminals discover that Niki’s extraordinary ear is as useful for opening safes as it is for tuning Steinways, he is pulled into an increasingly dangerous world of high-stakes theft.
  • At the same time, Niki forms an unexpected connection with composition student Ruthie (Liu), but his growing involvement in safecracking threatens their budding romance. Blending romance and drama with the taut suspense of a heist thriller, Tuner also stars Tony Award® winner Tovah Feldshuh, Jean Reno and Lior Raz.
  • Tuner has earned critical acclaim and is among the rare titles that played at Telluride Film Festival, Toronto International Film Festival, Sundance Film Festival, and the BFI London Film Festival. The Daily Beast called it “the biggest surprise of the summer,” Collider naming it “one of 2026’s highest-rated crime thrillers,” and RogerEbert.com praising it as “a sharp, engaging thriller with a novel premise.” The film is also Certified Fresh on Rotten Tomatoes.
  • Directed by Daniel Roher and written by Roher & Robert Ramsey, Tuner is produced by JoAnne Sellar, Lila Yacoub, Teddy Schwarzman and Michael Heimler.

Tuner
Black Bear

'Tuner' Key Art/Poster
Black Bear

About Paramount+:
Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

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Official Paramount+ press release courtesy of TheFutonCritic.com.

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Saturday, September 05, 2026

Paramount+ Announces Upcoming Slate of Licensed Documentary Films

PARAMOUNT+ ANNOUNCES UPCOMING SLATE OF LICENSED DOCUMENTARY FILMS

Acclaimed, Timely, and Culture‑Shaping Documentaries Coming to Paramount+

Cookie Queens / The Road Between Us: The Ultimate Rescue / Hanging By a Wire
Paramount+

 /  / 
September 2, 2026 – Paramount+ today announced a diverse slate of licensed documentary films set to premiere on the streaming service later this year and early 2027, featuring projects from acclaimed storytellers and filmmakers including Lawrence Bender, Mohammed Ali Naqvi, Alysa Nahmias, Prince Harry, Duke of Sussex, and Meghan, Duchess of Sussex. Ranging from the fierce ambition of young entrepreneurs to acts of profound courage under fire to a real-time fight for survival, the slate brings audiences some of the year's most acclaimed documentary storytelling.

  • The Road Between Us: The Ultimate Rescue (Documentary Film, winner of the 2025 TIFF People’s Choice Award for Best Documentary) Grandfather and retired Israeli general Noam Tibon undertakes a harrowing rescue mission to save his family as Hamas terrorists invade their home during the October 7, 2023 massacre. A powerful, deeply personal account of courage and survival set against a historic global event. Directed and produced by Barry Avrich (Made You Look: A True Story About Fake Art), produced by Mark Selby (Oscar Peterson: Black + White) and executive produced by Lawrence Bender (Pulp Fiction, Good Will Hunting). (Streaming Premiere September 29)
  • Hanging By a Wire (Documentary Film) When a cable car malfunctions high in the mountains, eight passengers—including six students—are left suspended above a vast valley as time runs out. As structural failure looms, rescue teams race against the clock in a tense, real‑time survival story. Directed by Mohammed Ali Naqvi (Netflix’s Turning Point, Showtime’s Shame), produced by Naqvi and Bilal Sami, EverWonder Studio, Universal Pictures Content Group, Mindhouse, 64th Street Media, and executive produced by Ian Orefice, Amanda Spain, Jon Adler, Bonnie McGrath, Aloke Devichand, Arron Fellows, Helen Parker, Davis Guggenheim and Rahdi Taylor. The documentary thriller had its world premiere on day one of the Sundance Film Festival. (Streaming Premiere October 28)
  • Cookie Queens (Documentary Film, winner of the 2026 SXSW Festival Audience Award) During Girl Scout Cookie season, four driven young girls compete to become a top‑selling “Cookie Queen,” navigating ambition, friendship and the realities of an $800 million business where innocence and enterprise collide. Directed by Alysa Nahmias (Art & Krimes by Krimes), produced by Michael Dweck, Gregory Kershaw, Alysa Nahmias, Jennifer Sims, in association with Archewell Productions, Good Gravy Films, and the Artemis Rising Foundation. Distributed by Roadside Attractions. The documentary had its world premiere at the 2026 Sundance Film Festival. (Streaming Premiere January 6, 2027)

This licensed documentary slate arrives at a prolific moment for Paramount+, whose recent greenlights span star-studded prestige dramas like Ascent starring Viola Davis, Trauma with Richard Madden, Laird starring Kenneth Branagh and Fear Not starring Anne Hathaway.

'The Road Between Us: The Ultimate Rescue' Key Art/Poster
The Road Between Us: The Ultimate Rescue | Photo Credit: Menemsha Films/Courtesy Paramount+

'Hanging By a Wire' Key Art/Poster
Hanging By a Wire | Photo Credit:  Mindhouse Productions, Everwonder Studio, Universal Pictures Content Group/Courtesy Paramount+

'Cookie Queens' Key Art/Poster
Cookie Queens | Photo Credit: AJNA Films, Beautiful Stories/Courtesy Paramount+

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About Paramount+:

Paramount+ is the global flagship streaming home of premium original series and entertainment from some of the most enduring brands in television to subscribers around the world. Drawing on decades of beloved IP, Paramount+ also features a diverse offering of live sports, feature films, news and series from across the Paramount portfolio including CBS hits like Marshals and Tracker, all BET Original Series, the Avatar animated universe from Nickelodeon and more. It is a key pillar of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), whose portfolio spans Paramount Pictures, Pluto TV, and Skydance Animation, Games and Sports divisions. For more information, visit www.paramount.com.

@ParamountPlus
@PeakParamount
#ParamountPlus

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Tuesday, September 01, 2026

Pluto TV Expands Its Anime Strategy with Major Franchises, Broader English Dub Access and New Simulcast Programming

PLUTO TV EXPANDS ITS ANIME STRATEGY WITH MAJOR FRANCHISES, BROADER ENGLISH DUB ACCESS AND NEW SIMULCAST PROGRAMMING

One-Punch Man and Kenichi: The Mightiest Disciple Debut on Pluto TV with Free Streaming's Only English Dubs, Alongside New Channels and Expanded Dub Access to Fan-Favorite Anime

Anime on Pluto TV
Pluto TV

LOS ANGELES, Aug 31 — Anime is a growing part of how Pluto TV reaches adults 18-34, its fastest-growing audience, as the platform builds a more deliberate, curated free streaming experience for younger viewers. This September Pluto TV is expanding its anime offering with a new slate of titles, broader English dub access and two new linear channels, bringing some of the genre's most acclaimed and widely watched titles to a free streaming audience for the first time.

More than 45 billion minutes of anime content were streamed in the U.S. in 2025, according to Nielsen, underscoring the genre's growing place in mainstream entertainment. On Pluto TV, adults 18-34 account for nearly half of anime viewing hours, while viewers who watch anime spend nearly three times as many hours on the platform as viewers across the rest of the service.

Building on the recent arrival of English-dubbed and subtitled versions of global mega-hits Vinland Saga and Dororo, the lineup adds Inuyashiki: Last Hero and Kabaneri of the Iron Fortress, as well as One-Punch Man and Kenichi: The Mightiest Disciple, both available for the first time in free streaming with English dubs. The expansion also brings broader dub access to NARUTO, Pretty Guardian Sailor Moon, Inuyasha, Zom 100: Bucket List of the Dead and Captain Tsubasa, already popular series on the free streamer.

Two new channels are also joining the platform in September: It's Anime and Big A Anime. It's Anime features an English-dub-focused lineup spanning current series, catalog favorites and fresh simulcasts from Japan. Big A Anime features a curated lineup of acclaimed anime series and films, including Vinland Saga, Dororo and titles from the Kabaneri of the Iron Fortress franchise, alongside fan-focused programming including Anime Showdown and specials from major anime and pop culture events.

"Anime is one of the biggest genres for young audiences today, and it's only growing," said Will Gurman, SVP, Content Partnerships & Programming, Pluto TV. "Expanding dub access opens the door for viewers who might not otherwise try anime, while our deeper catalog keeps growing for the fans who've been with the genre for years. We're building a destination that works for this big and growing audience."

Pluto TV's anime offering is already anchored by some of the genre’s most recognizable and enduring franchises, including One Piece, NARUTO, Pretty Guardian Sailor Moon, Hunter x Hunter, Death Note and Yu-Gi-Oh!. Now, more than 1,300 hours of programming will add even greater depth across a range of anime subgenres. Additional titles joining the on-demand and linear channel line-up with both dubs and subs include:

  • Vampire Knight — Day and Night class coexist at Cross Academy, despite the fact the Night Class are all vampires!
  • Kabaneri of the Iron Fortress — The action series set in a world overrun by iron-plated monsters.
  • Terror in Resonance — The psychological thriller following two young men carrying out a bombing campaign across Tokyo.
  • Mononoke — The supernatural horror series known for its distinct visual style and folklore-driven mysteries.
  • Hikaru no Go — Hikaru Shindo’s life changes when ancient Go master Fujiwara-no-Sai possesses him.

The anime expansion extends a content strategy built around titles with cultural relevance and devoted fan communities, following recent series additions including X-Files, The 100, Arrow, Hart of Dixie, My Wife and Kids, Alias, Burn Notice, Jane the Virgin and Crazy Ex-Girlfriend.

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Saturday, August 29, 2026

Harry Potter: Back to Hogwarts on Nickelodeon

Go Back to Hogwarts with the Harry Potter film series, all weekend long starting Thursday, September 3 at 1:00 p.m. (ET/PT) on Nickelodeon! Rated TV-14.


Joanne K. Rowling-us is a bigot-us! Help counter the hate the creator of Harry Potter spews out by supporting your local LGBTQIA+ organizations!*

PARAMOUNT NETWORKS LAND “HARRY POTTER” IN EXCLUSIVE U.S. LINEAR LICENSING DEAL FOR WARNER BROS.’ ICONIC FILM FRANCHISE

06/25/2026

Landmark Agreement Brings “Harry Potter” and “Fantastic Beasts” Films to MTV, Nickelodeon, Nick at Nite and Paramount Network, Beginning July 3

'Harry Potter' Film Series Key Art

Paramount is bringing the world of “Harry Potter” to MTV, Nickelodeon, Nick at Nite and Paramount Network for the first time, starting Friday, July 3. The Company inked a multi-year licensing agreement with Warner Bros. Discovery, making Paramount’s family of brands the exclusive linear home of the beloved franchise spanning 11 films and nearly 40 hours of storytelling across the “Harry Potter” and “Fantastic Beasts” library.

“Expanding Paramount’s portfolio with the ‘Harry Potter’ and ‘Fantastic Beasts’ films underscores our commitment to delivering world-class franchises to the wide range of audiences our brands serve,” said Laurel Weir, head of programming and acquisitions for Paramount Media Networks and chief research and insights officer for TV Media. “As one of the most beloved and enduring franchises in entertainment, ‘Harry Potter’ continues to captivate audiences across generations, and this addition enables us to deliver the magic and adventure of these timeless stories to fans of all ages.”

The programming rollout for each network is as follows:

  • MTV: MTV will debut the franchise with a special holiday weekend event, beginning Friday, July 3 at 12:00 PM, ET/PT through Sunday, July 5, featuring a marathon of all eight films from the original “Harry Potter” series.
  • Paramount Network: Paramount Network will present a week-long event showcasing all eight “Harry Potter” and all three “Fantastic Beasts” films, with a featured movie each weeknight beginning Monday, July 13 at 6:00 PM, ET/PT, and continuing through Sunday, July 19, with weekend airings beginning at 12:00 PM, ET/PT.
  • Nickelodeon/Nick at Nite: Nick at Nite will host a week-long event showcasing all eight “Harry Potter” movies beginning Sunday, Aug. 9 at 7:00 PM, ET/PT, with each title encoring the next day on Nickelodeon. Later in the summer, as part of Warner Bros. Discovery’s annual “Back to Hogwarts” celebrations, Nickelodeon will air the “Harry Potter” films over the Labor Day holiday weekend, beginning Thursday, Sept. 3, inaugurating its own participation in the global activations.

Films Included in the Agreement

  • “Harry Potter” Films
    • HARRY POTTER AND THE SORCERER’S STONE™
    • HARRY POTTER AND THE CHAMBER OF SECRETS™
    • HARRY POTTER AND THE PRISONER OF AZKABAN™
    • HARRY POTTER AND THE GOBLET OF FIRE™
    • HARRY POTTER AND THE ORDER OF THE PHOENIX™
    • HARRY POTTER AND THE HALF-BLOOD PRINCE™
    • HARRY POTTER AND THE DEATHLY HALLOWS™ – PART 1
    • HARRY POTTER AND THE DEATHLY HALLOWS™ – PART 2

  • “Fantastic Beasts” Films
    • FANTASTIC BEASTS AND WHERE TO FIND THEM
    • FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD
    • FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE

About the “Harry Potter” Franchise

From the moment 11-year-old Harry Potter met Rubeus Hagrid, Keeper of Keys and Grounds at Hogwarts School of Witchcraft and Wizardry, his adventures have left an indelible mark on popular culture. Today, over 25 years later, the “Harry Potter” phenomenon thrives as one of the most successful and best-loved entertainment properties in history.

J.K. Rowling’s best-selling “Harry Potter” novels have been brought to life in an ever-evolving, interconnected universe that is loved by millions of fans worldwide. Eight blockbuster Warner Bros. Pictures “Harry Potter” films and three epic “Fantastic Beasts” films bring the spellbinding action to life on screen, “Harry Potter and the Cursed Child” mesmerizes on stage, and state-of-the-art video and mobile games from Portkey Games allow players to experience the wizarding world like never before. Fans can proudly showcase their passion through innovative consumer products, and thrill at spectacular location-based experiences – including five theme park lands at Universal Studios locations around the world.

This expanding portfolio of Warner Bros. Discovery-owned “Harry Potter” and “Fantastic Beasts” offerings includes ground-breaking touring experiences and events, each developed to celebrate special moments and locations that fans cherish, as well as the Platform 9 3⁄4 retail shops and iconic flagship store – Harry Potter New York. Wizards, Witches and Muggles alike can also discover something new as they explore behind-the-scenes secrets at Warner Bros. Studio Tour London – The Making of Harry Potter and Warner Bros. Studio Tour Tokyo – The Making of Harry Potter.

With a new HBO Original TV series based on the “Harry Potter” books on the way, this extended world continues to provide the community with fresh and exciting ways to interact. For its global fans, and for generations to come, it invites everyone in to find the magic for themselves.

For the latest “Harry Potter” and “Fantastic Beasts” news and features, visit www.harrypotter.com.

'Harry Potter' Film Series Key Art/Poster

'Harry Potter' Film Series Key Art

'Harry Potter' Logo

'Harry Potter' Film Series Key Art/Poster

'Fantastic Beasts and Where to Find Them' Key Art

'Fantastic Beasts: The Secrets of Dumbledore' Key Art

'Fantastic Beasts'

Fantastic Beasts'

'Fantastic Beasts: The Crimes of Grindelwald' Key Art

'Fantastic Beasts and Where to Find Them' Logo

'Fantastic Beasts: The Crimes of Grindelwald' Logo

'Fantastic Beasts: The Secrets of Dumbledore' Logo

About Warner Bros. Discovery Global Content Sales

Warner Bros. Discovery Global Content Sales (WBDGCS) is one of the leading distributors of entertainment programming in the world, bringing award-winning movies, television, animation and digital content produced by Warner Bros. Discovery to the homes and screens of millions worldwide. Licensing content from Warner Bros. Pictures, Warner Bros. Television, HBO, Discovery, Cartoon Network, TBS and more, WBDGCS brings fans of Warner Bros. Discovery’s content even more ways to watch when and how they want across streaming, video-on-demand, cable, satellite and broadcast networks, local television stations, airlines and through digital purchases. For more information: www.wbd.com.

About Paramount’s TV Media Group

MTV, Paramount Network, Nickelodeon and Nick at Nite are part of Paramount’s TV Media Group, a flagship division of Paramount, a Skydance Corporation (Nasdaq: PSKY). The Group encompasses the Company’s broadcast and cable television businesses, delivering world-class entertainment, news and sports across every platform. Its powerhouse portfolio includes CBS Television Network, CBS News, CBS Stations, CBS Sports and CBS Media Ventures, alongside a collection of iconic brands including BET, Comedy Central, MTV and Nickelodeon. The Group is also home to award-winning studios – CBS Studios, See It Now Studios, BET Studios, MTV Entertainment Studios and Nickelodeon Animation Studios – which produce original series and beloved programming that connects with audiences across platforms globally.

For more information, visit https://www.paramount.com.

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* These are the views of the editor of this blog and don't necessarily reflect the the views of Nickelodeon, Paramount Skydance Corp., or the uploader of the media displayed in this post.

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Monday, August 24, 2026

California Expected to Seek TV Channel Sales From Paramount-Warner - Report

California Attorney General Rob Bonta is expected to ask Paramount to divest some cable channels and keep its movie studio separate from Warner Bros.

Paramount Skydance Corp. x Warner Bros. Discovery

California Attorney General Rob Bonta is expected to ask Paramount PSKY to divest some cable channels and commit to keeping its movie studio separate from Warner Bros. before he signs off on the $81 billion merger, people familiar with the matter have told The Wall Street Journal.

Bonta and Paramount Chief Executive David Ellison were scheduled to meet today (Monday, August 24) to discuss potential ways to settle the antitrust lawsuit California and 11 other states filed last month to block a deal that would combine the two entertainment giants.

Lawyers from both sides met Friday (August 21), according to people familiar with the matter. The purpose of that gathering was to lay out an agenda for today’s meeting, including discussions about the cable and motion-picture business, one of the people familiar with the matter said.

However, Bonta canceled the meeting late on Sunday evening, accusing Paramount of "playing games" and leaking what was discussed at Friday's meeting into the public sphere, something Paramount denies doing, with the company saying that they "share AG Bonta’s concerns about the public discussions and misreporting that has surrounded this deal" and that they "remain hopeful and stand ready to continue good faith discussions to resolve the Attorneys General suit and move forward with our plans for increased competition and increased output to the benefit of the talent and entertainment workers."

Leading up to Monday's meeting, people close to the talks between the two sides disclosed to the WSJ that they were doubtful that significant ground would've been made at the meeting.

The lawsuit filed by the states’ attorneys general argued that the merger would create too much concentration in the markets for theatrical movies and cable TV channels. Other areas of concern include film and television production and employment.

Pressure has mounted for Bonta and Ellison to reach an accord to allow the merger to proceed. In recent days, both California Gov. Gavin Newsom and Los Angeles Mayor Karen Bass have urged the two sides to find common ground.

Ellison and Paramount face significant financial costs if the deal isn’t closed soon. The deal with Warner includes a “ticking fee” with payments to Warner shareholders of roughly $650 million a quarter starting Oct. 1 and lasting until the transaction closes. If the trial goes on as scheduled, Paramount could be responsible for more than $1 billion in such fees.

Paramount has indicated it is prepared to leave California if it can’t reach an agreement with Bonta and the other states before the ticking fee goes into effect. Tennessee is the company’s first choice for a new home, people familiar with the company’s thinking have said.

Bonta has been adamant that he will fight the deal in court unless Paramount agrees to structural remedies. Paramount has committed to making 30 theatrical releases a year when the deal closes but hasn’t shown a willingness to sell assets or agree to management structures that would limit potential cost-savings and synergies.

A sale or spinoff of even a handful of cable networks could hurt Paramount’s bottom line and make it harder to service the nearly $80 billion in debt it will be carrying once the deal closes. While the cable-network business is struggling with cord-cutting and declining ad revenue, the channels still generate significant cash.

Paramount owns and operates the Nickelodeon whilst Warner Bros. Discovery owns and operates the Cartoon Network.

Bonta also wants Warner Bros.’ movie studio to remain a stand-alone operation with little interference from Ellison, people familiar with the matter said. Taking a hands-off approach to Warner Bros. is a nonstarter for Ellison, a person familiar with his thinking said.

The Paramount-Warner deal was approved by the Justice Department in June. It has also received approvals from the European Union, U.K., China and dozens of other countries.

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H/T: Kidscreen; Additional source: Reuters.

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Sunday, August 16, 2026

Paramount Skydance Satisfies All Regulatory Conditions Under the Merger Agreement to Close Warner Bros. Discovery Acquisition, Securing Clearances In Nearly 70 Countries Worldwide

PARAMOUNT SKYDANCE SATISFIES ALL REGULATORY CONDITIONS UNDER THE MERGER AGREEMENT TO CLOSE WARNER BROS. DISCOVERY ACQUISITION, SECURING CLEARANCES IN NEARLY 70 COUNTRIES WORLDWIDE

Paramount Skydance Corporation x Warner Bros. Discovery

LOS ANGELES and NEW YORK, Aug. 14, 2026 -- Paramount Skydance Corporation (NASDAQ: PSKY) ("Paramount") has satisfied all regulatory clearances required under the merger agreement to close its proposed acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD").

The eight-month review process has spanned 68 countries worldwide, including the European Union, UK, Australia, Canada, Brazil, China, COMESA, the U.S. Department of Justice and, most recently, Mexico, which announced its clearance today. These independent regulators from across the globe applied the law and market definitions that reflect how audiences consume entertainment and how media companies compete today – and have consistently found no basis to prevent the transaction from moving forward. Paramount and WBD could and would close today and begin delivering the benefits recognized by regulators around the world, theater owners and others across the industry but for the actions of just 12 state attorneys general.

"We are grateful that competition authorities in nearly 70 jurisdictions worldwide have independently and thoroughly reviewed this transaction and reached the same conclusion: it is pro-competitive, pro-consumer and pro-worker," said David Ellison, CEO of Paramount. "Despite this overwhelming global consensus, the litigation brought by the State of California and 11 other State AGs remains the final obstacle to completing a combination that will create a stronger competitor with greater capacity to invest in premium content, support creative talent and workers, and deliver more high-quality entertainment to audiences."  

Paramount urges these 12 State AGs to engage with us in good faith, as we have repeatedly sought to do, to resolve this litigation and clear the way to bring these two companies together.

"While we remain confident that the law and the facts are on our side, we have offered commitments and concessions and remain open to working constructively with the State AGs to find a path forward in the interest of our employees and the creative community in California and across the world – just as we have with the regulators in 68 countries worldwide," said Ellison.  

Rather than support a stronger Hollywood and deliver tangible commitments to invest in for the benefit of labor, talent and other industry participants, the current path the 12 State AGs are on inflicts harm without benefit to their own constituents. The unwarranted eight-plus month additional delay for a trial beyond the engagement of the last 9 months will impose needless costs from penalty fees, litigation expenses and business disruption. As a business with many stakeholders, including pension and state retirement funds, Paramount is required to consider how it can absorb the unnecessary additional financial costs while preserving the longer-term strength of the combined company. The better path would be to resolve this through a settlement that would serve the interests of workers, consumers and the consumers in each of the 12 states.

Across jurisdictions, antitrust regulators examining the same competitive dynamics have reached findings that directly contradict the states AGs' core theories about competition in theatrical film distribution, the range of studios competing in film production, and the competitive pressure facing linear television. What regulators have found:

Competition Overall

THEME: The unanimous clearance of the transaction by competition authorities around the world confirms that the combination of Paramount and WBD does not pose a threat to competition.

  • UK Competition and Markets Authority (CMA): The transaction "does not give rise to a realistic prospect of a substantial lessening of competition."

Cable Networks

THEME: As the European Commission, U.S. Department of Justice and others have recognized, the relevant competitive landscape today is not cable-vs-cable, as the 12 State AGs contend, but cable competing directly with streaming and other platforms for audiences.

  • European Commission: "Streaming platforms offering children's content will continue to act as a competitive constraint on the merged entity's TV channels" – rejecting a cable-only competitive landscape.
  • U.S. DOJ: Streaming services "compete aggressively" and place "increasing competitive pressure on legacy linear and broadcast networks."

Theatrical Film Distribution

THEME: Regulators worldwide recognize theatrical film as a broad, dynamic and hit-driven market in which films compete based on their ability to attract audiences – not whether they fall within an artificially narrow "top-grossing" category.

  • Australian Competition and Consumer Commission (ACCC): The transaction is "unlikely to have the effect of substantially lessening competition," with the merged company "constrained by other film studios," including Disney, Sony, Universal, Amazon MGM, StudioCanal, and numerous independent providers.
  • Brazil's CADE: Treated film distribution as "a single relevant market, without additional segmentation" – unlike the 12 State AGs' narrower "top-grossing" theatrical market.
  • COMESA – Eastern & Southern Africa: Described the theatrical film market as "highly competitive, dynamic, and hit-driven," citing the "presence of numerous competitors."

Film Output & Quality

THEME: Regulators found no basis for claims that the transaction will reduce film output or quality – a conclusion further reinforced by Paramount's commitment to release at least 30 high-quality films annually across the combined company.

  • Contrary to the 12 State AGs' claim of "higher prices, lower quality, and less content," the ACCC found the merged company "would still be incentivised to produce and supply a similar number of films, and films of similar quality."

Across markets and continents, independent competition authorities scrutinized every major facet of the transaction – including theatrical distribution, film production, streaming and content licensing – and consistently found robust competition, directly contradicting the artificially narrow market definitions relied on by the state attorneys general.

The judgment of 68 jurisdictions cannot simply be dismissed. Their conclusion is clear: this transaction is lawful, pro-competitive and raises no antitrust concerns. The lawsuit brought by just 12 of 50 State AGs stands alone – contrary to the global regulatory consensus, the facts, the law and sound economic analysis. While we are prepared to make our case at trial, the delay occasioned by this lawsuit is inflicting harm not merely on the two companies involved, but on the broader industry and, ultimately, the very constituents these 12 State AGs represent.

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation is a next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. Paramount's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment.

PSKY-IR

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" regarding the merger. The reader is cautioned not to rely on these forward-looking statements. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of Paramount or WBD. Risks and uncertainties include, but are not limited to:  the risk that the closing conditions for the merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of Paramount or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the merger, if completed, may not be realized or may take longer to realize than expected; risks related to Paramount's streaming business; the adverse impact on Paramount's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to Paramount's decisions to invest in new businesses, products, services and technologies, and the evolution of Paramount's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of Paramount's content; damage to Paramount's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining Paramount's intellectual property rights; domestic and global political, economic and regulatory factors affecting Paramount's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to Paramount's operations as a result of labor disputes; risks and costs associated with the integration of, and Paramount's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of Paramount's Class B common stock; the effect Paramount's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in Paramount, including that Paramount's stockholders may not realize any change of control premium on shares of Paramount's Class B common stock and that Paramount may become subject to the control of a presently unknown third party; risks associated with Paramount's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of Paramount's Class B common stock; risks that anti-takeover provisions in Paramount's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against Paramount's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to Paramount; risks associated with Paramount's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; disruptions the merger may cause to Paramount's and WBD's business and commercial relationships; the negative impact that a failure to consummate the merger could have on Paramount's business, financial condition, results of operations and stock price; the risk that the merger may be prevented or delayed or the anticipated benefits reduced if Paramount does not obtain certain regulatory approvals; the risk that the Merger Agreement may be terminated in accordance with its terms, including if any conditions to the closing of the merger are not satisfied; the risk that litigation relating to the merger could prevent or further delay the closing of the merger or result in the payment of damages after closing; challenges realizing synergies and other anticipated benefits expected from the merger, including integrating WBD's business successfully; risks to Paramount's business, financial condition or results of operations as a result of the incurrence of substantial costs and indebtedness in connection with the merger; and risks of reduced ownership and economic interest by Paramount's existing stockholders as a result of the merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of Paramount and WBD can be found in Paramount's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, Paramount's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, and Paramount's Form 10-Q for the quarterly period ended June 30, 2026, filed with the SEC on August 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and Paramount's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at www.sec.gov, ir.wbd.com or on request from Paramount or WBD. Paramount undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law.

###

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Official Paramount Skydance Corporation press release courtesy of PR Newswire.

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Saturday, August 15, 2026

Hamnet | Official Trailer | SkyShowtime

Hamnet | Official Trailer | SkyShowtime


Two-time Golden Globe® winner Hamnet to premiere exclusively on SkyShowtime.

Focus Features' multi-award-winning movie Hamnet, which picked up two Golden Globe Awards for Best Motion Picture - Drama and earned Buckley an Academy Award for Best Actress, will be available to stream exclusively on SkyShowtime from Monday 24 August in select markets.

Featuring Academy Award winner Jessie Buckley’s acclaimed performance, alongside Academy Award nominee Paul Mescal, the intimate look at the story behind Shakespeare’s most famous work has captured the hearts of audiences globally.

Get SkyShowtime: https://www.skyshowtime.com

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Can't get enough? Neither can we!  Check out the below for more information:
Follow SkyShowtime on LinkedIn: https://www.linkedin.com/company/skyshowtime
Follow SkyShowtime on X (Formerly known as Twitter): https://twitter.com/SkyShowtime

It’s time…It’s #skyshowtime

About SkyShowtime:
SkyShowtime is an exciting new streaming service, packed with iconic entertainment the world can’t wait to watch. For the first time, incredible content from Universal Pictures, Paramount Pictures, Nickelodeon, DreamWorks Animation, Paramount+, SHOWTIME®, Sky Studios and Peacock, will be streaming all in one place. We’re ready…are you?


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Friday, August 07, 2026

Paramount-Warner Bros. Merger Gets Green Light From U.K. Government

The U.K. has cleared Paramount Skydance’s $111 ⁠billion acquisition of Warner Bros. on both competition and ⁠public interest grounds after Paramount beefed up promises ​about ​programming ⁠and news provision in the country.

Paramount x Warner Bros. Discover

In a statement, the U.K.’s Department of Culture, Media and Sport said, “Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the U.K. which necessitate their further intervention.”

Among the areas that the CMA looked at were theatrical film distribution, linear children’s TV channels and the supply of subscription VOD services.

The DCMS added that Lisa Nandy, the Culture Secretary, had decided “not to issue a Public Interest Intervention Notice on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the U.K.; the continuation of their distinct editorial identities; and, the distinct editorial identities of key U.K. news programs.”

The U.K. government received the following assurances from Paramount:

  • Media and streaming services: “Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the U.K., and Paramount has made a commitment that they shall retain their distinct editorial identity.”
  • Children’s programming: “Paramount has promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original U.K. children’s content.”
  • News plurality and editorial independence: “Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the U.K. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.”
  • Channel 5 and U.K. investment: “Paramount has committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB license obligations. Channel 5’s commissioning strategy will remain focused on the U.K., with Paramount committing more funding to support high-quality news, original children’s programming and drama.”

Reacting to the U.K. decision, Paramount placed it in the context of its antitrust showdown in March 2027 against California attorney general Rob Bonta and his coalition of 11 other state AGs. “These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the U.S. state AGs in their antitrust complaint in California,” a Paramount spokesperson said.

Below is the official statement issued by the U.K.’s Department of Culture, Media and Sport:

Public statement- Proposed acquisition of Warner Bros Discovery by Paramount: decision of no intervention on Public Interest Intervention or Foreign State Influence grounds

The Culture Secretary has decided not to intervene on the basis of assurances and legally-binding commitments she has secured from Paramount.

From: Department for Digital, Culture, Media and Sport and Department for Culture, Media and Sport
Published: 6 August 2026

Details

Public statement

On 30 June 2026, DCMS wrote to Paramount and Warner Bros Discovery on behalf of the Culture Secretary informing them, under the Enterprise Act public interest regime, that she was minded to intervene in the proposed merger between the two companies on the basis that the merger may impact on media plurality in the UK, including in relation to children’s programming, editorial independence and news media. The Secretary of State also issued a Written Ministerial Statement to this effect in Parliament. Both the “minded to” letter and the parliamentary statement were clear about the Secretary of State’s concerns in relation to this proposed transaction. 

The parties were given the opportunity to make representations to the Secretary of State by 6 July in response to her concerns. Paramount put forward a set of assurances seeking to address the issues raised by the Secretary of State. These assurances included a range of commitments on future investment in the UK, maintaining the distinct editorial identities of key services and the editorial independence of news. Following further discussions with DCMS officials, Paramount offered to strengthen those assurances and turn them into legally-binding commitments by way of a ‘deed of undertaking’ made in the Secretary of State’s favour.

Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the UK which necessitate their further intervention.

In parallel, after careful consideration, the Secretary of State has decided not to issue a Public Interest Intervention Notice (PIIN) on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the UK; the continuation of their distinct editorial identities; and, the distinct editorial identities of key UK news programmes.

Paramount has committed to providing the Secretary of State with annual statements of compliance with the undertakings in the deed and DCMS will closely monitor their implementation. In the circumstances, she has decided to accept the deed and has informed the parties of her decision. She will update Parliament of her decisions formally when it returns from Summer Recess in September.

The Secretary of State has taken this decision based on the specific powers she currently has available to her under the Enterprise Act, which only relate to matters concerning UK broadcasting and news media landscape. As set out in the “Watch this Space” Green Paper published on 23 June, the media sector is undergoing a profound and rapid transformation. The Secretary of State believes it is of the utmost importance to protect plurality, diversity and distinct British voices across our wider creative industries, including film, and shares the concerns about the impact consolidation could have on the UK’s creative industries.

She will be meeting with Paramount in the coming weeks with a view to seek assurances about the impact of this proposed deal on the wider creative industries. Beyond this the Secretary of State is also considering all avenues - ranging from changes to existing powers to further legislation should it be necessary - to ensure the government has the ability to protect plurality, diversity and British content when it is under threat.

Assurances from Paramount

A copy of the letter of assurances from Paramount and the Deed can be found on GOV.UK.. The main assurances are:

  • Media and streaming services: The assurances offered by Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the UK, and Paramount has made a commitment that they shall retain their distinct editorial identity.
  • Children’s programming: Paramount has also promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original UK children’s content.
  • News plurality and editorial independence: Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the UK. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.
  • Channel 5 and UK Investment: Paramount has also committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB licence obligations. Channel 5’s commissioning strategy will remain focussed on the UK, with Paramount committing more funding to support high-quality news, original children’s programming and drama.

Video-on-demand services

The Secretary of State’s Written Ministerial Statement noted that should she decide to intervene in this case, she would bring forward secondary legislation to amend the plurality of control public interest consideration set out in the Enterprise Act, to enable Ofcom to examine the impact of the proposed acquisition on video-on-demand services. While DCMS will no longer be bringing forward secondary legislation in relation to this specific merger, the Secretary of State may do so in future, given the role on-demand viewing now plays in the market.  

Foreign state influence regime

Having considered the proposed merger under the statutory Foreign State Influence regime, the Secretary of State has concluded that she does not have reasonable grounds to suspect that her duty to issue a Foreign State Intervention Notice has arisen. She is therefore currently not minded to intervene in this case. The Secretary of State will reassess the position if any new information comes to light suggesting otherwise.

Notes to editors

How long do Paramount’s commitments last?

The commitments in the deed are to come into effect on the date on which the transaction completes, and to remain effective for a period of five years. Commitments relating to Channel 5 will remain in effect until 31 December 2034, when Channel 5’s current public service broadcasting licence ends.

What about film and cinema?

Under the Enterprise Act 2002, the Secretary of State’s role in this merger process is strictly defined. Her powers of intervention are limited specifically to Public Interest considerations, which focus on issues such as media plurality and editorial independence. Issues relating to the effect of the merger on film and cinema are for the CMA to examine, as the responsible body for assessing the competition aspects of the merger.

--Ends--

Below is Paramount Skydance Corporation's official press release announcing the news, courtesy of PR Newswire:

UK COMPETITION AND MARKETS AUTHORITY APPROVES PARAMOUNT SKYDANCE CORPORATION ACQUISITION OF WARNER BROS. DISCOVERY

LOS ANGELES and NEW YORK, Aug. 6, 2026 /PRNewswire/ -- The United Kingdom Competition and Markets Authority has today formally cleared the acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD") by Paramount Skydance Corporation (NASDAQ: PSKY) ("Paramount"), representing an important milestone in completing the transaction.

Paramount is grateful to the CMA for its constructive engagement and its review of the transaction.

Separately, Paramount has entered into a deed of covenant and undertaking with the UK Department for Digital, Culture, Media and Sport. Paramount welcomed the opportunity to engage with DCMS and is pleased to have agreed on a path forward.

Paramount has already received competition clearances from antitrust and competition authorities in: the United States, Australia, Brazil, Canada, China, Kuwait, Montenegro, New Zealand, North Macedonia, Saudi Arabia, Serbia, South Africa, South Korea, Ukraine, and by the European Commission, and the COMESA Competition Commission.

Additionally, Paramount has received foreign direct investment clearances in Australia, Belgium, Czechia, Germany, France, Italy, New Zealand, Romania, Spain, and Slovenia. The transaction was also unconditionally approved by European Commission under its Foreign Subsidies Regulation regime and by the Austrian Federal Competition Authority under its media merger control regime.

With the clearance from the Competition and Markets Authority, bodies and governments representing 66 jurisdictions have either cleared the transaction or chosen not to challenge it on competition and/or foreign direct investment grounds.

These clearances recognize that the combination of Paramount and WBD will enhance consumer choice and enable a creative-first company to invest in more projects and bring stories to audiences worldwide. It will create a scaled media and entertainment company capable of competing with the tech companies that have come to dominate the industry, strengthening the media ecosystem and creating more opportunities for creatives both in front of and behind the camera.

As we have noted, this transaction does not raise antitrust concerns in any market. Today's clearance by the CMA further reinforces that. Similar to the European Commission, which cleared the transaction on 22 July 2026 after months of careful review, the conclusions reached by the CMA directly refute the assumptions that underpin the US state AGs' complaint seeking to block the transaction, despite federal approval. When considering theatrical film distribution, the CMA concluded that the merged entity "would continue to face competition from these three major studios and a range of other smaller studios." At several points, the CMA review considered how other forms of content distribution directly compete with SVOD.  Moreover, in its assessment of linear cable and in particular children's TV channels, the CMA highlighted the competitive constraint from free-to-air channels and children's content available via SVOD, and in relation to the supply of SVOD services, the constraint imposed by broadcast video on demand services and other SVOD suppliers. These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the US state AGs in their antitrust complaint in California. 

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation is a next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. Paramount's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment.

PSKY-IR

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" regarding the merger. The reader is cautioned not to rely on these forward-looking statements. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of Paramount or WBD. Risks and uncertainties include, but are not limited to:  the risk that the closing conditions for the merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of Paramount or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the merger, if completed, may not be realized or may take longer to realize than expected; risks related to Paramount's streaming business; the adverse impact on Paramount's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to Paramount's decisions to invest in new businesses, products, services and technologies, and the evolution of Paramount's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of Paramount's content; damage to Paramount's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining Paramount's intellectual property rights; domestic and global political, economic and regulatory factors affecting Paramount's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to Paramount's operations as a result of labor disputes; risks and costs associated with the integration of, and Paramount's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of Paramount's Class B common stock; the effect Paramount's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in Paramount, including that Paramount's stockholders may not realize any change of control premium on shares of Paramount's Class B common stock and that Paramount may become subject to the control of a presently unknown third party; risks associated with Paramount's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of Paramount's Class B common stock; risks that anti-takeover provisions in Paramount's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against Paramount's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to Paramount; risks associated with Paramount's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; disruptions the merger may cause to Paramount's and WBD's business and commercial relationships; the negative impact that a failure to consummate the merger could have on Paramount's business, financial condition, results of operations and stock price; the risk that the merger may be prevented or delayed or the anticipated benefits reduced if Paramount does not obtain certain regulatory approvals; the risk that the Merger Agreement may be terminated in accordance with its terms, including if any conditions to the closing of the merger are not satisfied; the risk that litigation relating to the merger could prevent or further delay the closing of the merger or result in the payment of damages after closing; challenges realizing synergies and other anticipated benefits expected from the merger, including integrating WBD's business successfully; risks to Paramount's business, financial condition or results of operations as a result of the incurrence of substantial costs and indebtedness in connection with the merger; and risks of reduced ownership and economic interest by Paramount's existing stockholders as a result of the merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of Paramount and WBD can be found in Paramount's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, Paramount's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, and Paramount's Form 10-Q for the quarterly period ended June 30, 2026, filed with the SEC on August 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and Paramount's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at www.sec.gov, ir.wbd.com or on request from Paramount or WBD. Paramount undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law.

###

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Source: Variety; H/T: Special thanks to RegularCapital for the news!

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