OFFICIAL TRAILER UNVEILS AN EPIC RETURN TO THE FOUR NATIONS,
FEATURING THE VOICES OF ERIC NAM AND DAVE BAUTISTA
AVATAR AANG: THE LAST AIRBENDER IS HEADING TO SAN DIEGO FOR
COMIC-CON® INTERNATIONAL FOR A HALL H PANEL AND FAN SCREENING
Courtesy of Paramount+
July 7, 2026 – Hang on to your cabbages for the Avatar’s return! Avatar Aang: The Last Airbender premieres globally on Paramount+ on Saturday, July 25, with the official trailer out now.
The new film, based on the animated series created by Michael Dante DiMartino and Bryan Konietzko, sees Avatar Aang, the world's last Airbender, learn of an ancient power that could save his culture from extinction. With the help of his friends, he embarks on a global quest to find it before it falls into the wrong hands and threatens to upend the peace they sacrificed everything to achieve.
The new original film stars Eric Nam (“Aang”), Dave Bautista (“Tagah”), Jessica Matten (“Katara”), Román Zaragoza (“Sokka”), Steven Yeun (“Zuko”) and Dionne Quan (“Toph”), alongside Freida Pinto, Ke Huy Quan, Taika Waititi, Geraldine Viswanathan, Ronny Chieng, and Ken Jeong. Dee Bradley Baker reprises his roles as Aang’s beloved pets, Appa and Momo.
Fans can get ready for premiere day as Avatar Aang: The Last Airbender heads to San Diego for Comic-Con® International.
Thursday, July 23 | 1:00-2:00pm, Hall H | Avatar Aang: The Last Airbender
The ultimate return to the Four Nations arrives in Hall H! Join the voice actors and creative team behind Avatar Aang: The Last Airbender for an in-depth conversation about the making of the upcoming Paramount+ film, and what’s next in the Avatar universe. Expect exclusive sneak peeks and unforgettable insights into Aang's next epic journey.
Friday, July 24 | 7:00-9:20pm, Ballroom 20 | Avatar Aang: The Last Airbender - Fan Screening
Enjoy an exclusive screening of Avatar Aang: The Last Airbender before it premieres on Paramount+. In this new story in the Avatar universe, journey alongside Aang and his friends as they race against time to secure an ancient power before it falls into the wrong hands, threatening to upend the peace they sacrificed everything to achieve.
Wednesday July 22 - Sunday, July 26 | Booth #3529
Avatar fans can also visit the Press Play Arcade, Paramount+’s official booth on the convention floor. The booth will feature an array of arcade-style games themed to select Paramount+ Originals, including an Avatar “Cabbage Cart Madness” game. A Comic-Con® International badge is required for entry. Booth #3529.
Avatar Aang: The Last Airbender was directed by Lauren Montgomery and co-directed by Steve Ahn and William Mata. Producers include Latifa Ouaou, Maryann Garger, Bryan Konietzko, Michael Dante DiMartino. The screenplay was written by Tim Hedrick and Christopher Yost, with the story by Bryan Konietzko, Michael Dante DiMartino, Tim Hedrick and Kenneth Lin.
(L-R): Dionne Quan voices Toph, Jessica Matten voices Katara, Román Zaragoza voices Sokka, Eric Nam voices Aang, Dee Bradley Baker voices Momo, and Steven Yeun voices Sokka in Avatar Aang: The Last Airbender, streaming on Paramount+, 2026. Photo Credit: Paramount+
Eric Nam voices Aang in Avatar Aang: The Last Airbender, streaming on Paramount+, 2026. Photo Credit: Paramount+
Courtesy of Paramount+
(L-R): Steven Yeun voices Zuko, Román Zaragoza voices Sokka, Jessica Matten voices Katara, Dionne Quan voices Toph, and Dee Bradley Baker voices Appa in Avatar Aang: The Last Airbender, streaming on Paramount+, 2026. Photo Credit: Paramount+
Jessica Matten voices Katara in Avatar Aang: The Last Airbender, streaming on Paramount+, 2026. Photo Credit: Paramount+
Courtesy of Paramount+
Steven Yeun voices Zuko in Avatar Aang: The Last Airbender, streaming on Paramount+, 2026. Photo Credit: Paramount+
Courtesy of Paramount+
Román Zaragoza voices Sokka in Avatar Aang: The Last Airbender, streaming on Paramount+, 2026. Photo Credit: Paramount+
Courtesy of Paramount+
Courtesy of Paramount+
Dionne Quan voices Toph in Avatar Aang: The Last Airbender, streaming on Paramount+, 2026. Photo Credit: Paramount+
Courtesy of Paramount+
Courtesy of Paramount+
Courtesy of Paramount+
@AvatarLegends @ParamountPlus
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About Paramount, a Skydance Corporation
Paramount, a Skydance Corporation (Nasdaq: PSKY) is a leading, next‑generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. The Company's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, SHOWTIME®, Paramount+, Pluto TV, Skydance Animation, Film, Television, and Interactive/Games, and the newly established Paramount Sports Entertainment. For more information, please visit www.paramount.com.
Classic Rugrats Comic Strip for July 8, 2026 | Nickelodeon
Stream the classic Rugrats series on Paramount+! Try it at ParamountPlus.com!
Rugrats, provided to Creators Syndicate by Nickelodeon, based off the popular animated television series has been created for children and family's to laugh and enjoy together.
Follow these comics and their take on real episodes of the show and their own spin on hilarious adventures.
The Avatar team talks aging up the Aang Gang, the leak, and creating a hybrid sequel/prequel.
Momo (Dee Bradley Baker) and Avatar Aang (Erin Nam) in ‘Avatar Aang: The Last Airbender’ official first look. Credit: Paramount+
Creators Michael Dante DiMartino and Bryan Konietzko join director Lauren Montgomery for their first interview on the animated Aang movie.
The trio discusses revisiting the main characters as adults, the “devastating” leak, and this new era for Avatar.
“There is no other film like this in the American animation industry,” Konietzko told EW.
Team Avatar is ready to talk about what they’ve been working on for the past five years, even if it’s not under the most ideal of circumstances.
In 2021, the Paramount-owned Nickelodeon announced the launch of Avatar Studios, a new division dedicated to expanding the beloved animated universe created by Michael Dante DiMartino and Bryan Konietzko through Avatar: The Last Airbender and The Legend of Korra. In a world full of benders, each with the ability to harness one of the four natural elements, the Avatar — reincarnated each generation — comes with the power to master them all and maintain harmony.
Directed by a veteran of the franchise, Lauren Montgomery, this first feature-length film revisits the main characters of the original series now as adults.
“It’s always a challenge to write a sequel. A prequel is an even bigger challenge,” Konietzko tells Entertainment Weekly. “And a ‘se-prequel’ or whatever we’re gonna call it, this other third type is maybe the most challenging.”
Toph, Sokka, Momo, Aang, Katara, and Zuko in ‘Avatar Aang: The Last Airbender’. | Paramount+
More plainly, DiMartino says they were simultaneously making a sequel to Avatar: The Last Airbender and a prequel to The Legend of Korra.
“The story we told in the series had a very decisive ending,” he notes. “We didn’t wanna retread stuff. We had told a bunch of stories in the comics. We weren’t really looking to adapt any of those stories exactly, but we had ideas of how the world had developed.”
As seen in Paramount+'s first-look, it’s been roughly 10 years since Avatar Aang (Eric Nam), waterbender Katara (Jessica Matten), boomerang-throwing Sokka (Román Zaragoza), Prince-turned-Fire-Lord Zuko (Steven Yeun), and earthbender Toph Beifong (Dionne Quan) united to end the Fire Nation war and usher in a new era of peace in the original show’s finale of 2008.
We call this the official first look due to recent developments. An anonymous hacker leaked the entire 90-minute film online back in April, and now a 26-year-old man in Singapore has been arrested for the incident, according to the country’s major paper The Strait Times. The leak spread rapidly as fans eagerly devoured the new chapter of the Avatar cycle, but for the creators, it came as a “devastating” blow, according to Montgomery.
“It was a dark day when we found out that that had occurred,” DiMartino says. “We were all pretty disappointed and frustrated and all the emotions. It’s just one of those unfortunate things that occur in your careers, in your life. I’ve been through a lot of them in various ways in my life, so it’s always a setback and disappointing.”
The leak came after the film, once meant for a theatrical release, shifted to a streaming rollout on Paramount+.
“We were trying to be like, ‘Let’s make the best of this new situation, let’s adapt to that,’ and then it got stolen, which was just very unceremonious and abrupt and a bit rude,” Konietzko says.
Now that it’s been some months, there’s a silver lining.
“At least for me, now that the film is ready to finally be out officially in the world, the excitement’s back,” DiMartino continues. “And I’m excited for everybody to finally see it in their homes, wherever they’re watching, with their friends. Hopefully people can recreate some kind of community experience because the big part about Avatar is the community.”
Avatar Aang: The Last Airbender will now arrive on Paramount+ much sooner than expected on July 25, as confirmed by the first trailer. The film will stream globally on the streaming service.
“You can’t sweat what you can’t control, and we had no control over that. It happened to us,” Montgomery says of the leak. “So I think the only thing we can really take away from it is we know that we made a movie that we really love and we really believe in and it will speak for itself.”
Team Avatar as adults
According to DiMartino, when given the prospect of making an Avatar movie, one of their first decisions was to age up the Aang Gang.
“Lots of things changed along the way,” he adds, “but for it to feel different and a little more mature and grown up, aging up the characters made sense.”
Momo, Aang, and Katara in ‘Avatar Aang: The Last Airbender’. | Paramount+
A decade after the end of the 100-year war, the world is starting to heal. Team Avatar constructed Republic City, a main setting in Korra and the capital city of the newly founded United Republic of Nations, designed to promote unity amongst all four regions.
Aang is now around 25 years old and “at this precipice between adolescence and adulthood,” per Konietzko. “He’s hot, he’s tall and ripped, broad shouldered, and he looks great, but he’s not quite the adult Avatar that he needs to be yet. So this film is really trying to dive into that.”
Figuring out who these characters were a decade later wasn’t the most daunting task.
As Montgomery puts it, “The series had done such a great job of establishing who these characters are. We weren’t going to pull any crazy, ‘Then now they’re different.’”
The bigger challenge was fitting everything into an 85-minute film.
“We couldn’t perfectly service every character to the maximum,” she says. “We really had to make sure that we serviced the story about Aang.”
Much of that narrative revolves are Aang’s unresolved trauma. Growing up among the Air Nomads, Aang fled as a child when he realized he was the Avatar. Frozen in ice for a century, he awoke to find all the airbenders were wiped out by the Fire Nation’s campaign for world domination. No one, Konietzko says, could ever finish processing that.
Katara (Jessica Matten) in ‘Avatar Aang: The Last Airbender’. | Paramount+
“This pacifist trickster, good-natured monk, we saw him rage out and make some mistakes in the original series,” the animator reflects. “But here, he has so much unresolved survivor’s guilt and trauma from this genocide that wiped out his people that it does actually push him in a direction that isn’t quite good, or it makes him make some hasty choices that maybe aren’t the best for his partner and his friends and himself and the world.”
These feelings come to the forefront when Aang discovers a frozen Airbender at the top of a mountain, just as Katara and Sokka discovered him encased in ice all those years ago. Dave Bautista (Guardians of the Galaxy) voices said bender, Tagah, who may have a means of reconstituting their people. As the trailer teases, he’s not entirely benevolent.
“He’s designed to be a bit mysterious,” DiMartino describes. “It is this story about not just a friendship or a brotherhood [with] these two guys who are now the sole survivors of this culture and trying to bring it back, but realizing you’re from a totally different time... The film’s a lot about unpacking their different points of views and philosophies on what it means to be an Airbender.”
“We had more time, we had more money, we had more resources”
Aang meets a new Avatar in ‘Avatar Aang: The Last Airbender’. | Paramount+
It’s not just the characters that have a new look. The film itself takes on a new animation style, one more closely aligned to the anime influences of the original series.
“The guys really set up the anime inspiration with Avatar: The Last Airbender, leveled it up for Korra, and this really was just the next level up,” Montgomery says. “We had more time, we had more money, we had more resources. It’s what we could do if we had this budget for everything, but we don’t. So you do the best you can.”
The team credits production designer Jake Panian (Spider-Man: Across the Spider-Verse), as well as returning character designer Ki Hyun Ryu. They partnered with South Korean animation house Studio Mir, which worked on Korra, and Australia’s Flying Bark Productions.
“Early on before I was involved, there were wants or desires for CG, because the thought is every movie is CG,” the director says. “But I know Mike and Brian pushed back pretty hard on that because Avatar’s soul has always lived and breathed in this very beautiful hand-drawn art form.”
“No one ever said we had to do 3-D. It was just this assumption,” Konietzko clarifies. “Even us in the Avatar world, we just assumed now [that] we’re doing a feature, we have to do CG characters.” He points to projects like Netflix’s Arcane series and Sony’s Spider-Verse movies that utilized the style well, but they inevitably came back to the origin of Avatar as “a love letter to Japanese anime.”
“That’s our legacy,” Konietzko continues. “Mike agreed and no one pushed back, amazingly. Now, actually executing that was very challenging. No movie’s easy. Any kind of animation’s a nightmare. But finding enough people — studios that have a staff and a pipeline, stability to take on something as big as this — is a huge challenge. But we all wanted to do what we could to help keep this art form not only alive but thriving a bit longer.”
Avatar Aang: The Last Airbender, as even the trailer suggests, was designed for the big screen, from the action to the score to the spectacle. The film was meant to have a theatrical release, though with the Hollywood merger of Skydance and Paramount, the new leadership shifted the film to streaming platform Paramount+.
Aang enters the Avatar State in ‘Avatar Aang: The Last Airbender’. | Paramount+
Many fans, to this day, have strong feelings about the move.
“We all have feelings about it,” Konietzko acknowledges. “Hollywood is changing rapidly. Even on Korra, we got caught up in it.”
The team on The Legend of Korra dealt with multiple time-slot shifts on Nickelodeon’s linear TV slate before the final seasons were released on the network’s website, nick.com.
“Then here again, we found ourselves originally on one path under one set of leadership and then that path changed,” he adds. “I think it’s just part of a broader thing that all studios and a lot of our friends and colleagues are also dealing with on other projects.”
Paramount+, he says, is still supporting the film as the streaming platform hopes to be the go-to destination for all things Avatar, including the upcoming Avatar: Seven Havens, the next sequel TV series to follow The Last Airbender and Korra.
“I think if we had just been kicked to the curb and felt like no one cared about us anymore, it would be harder to deal with,” Konietzko says, “but they are really excited not only for this but for Seven Havens — and for the other projects that we’re working on.”
Those attending Comic-Con International in San Diego at the end of the month will have a special opportunity to see Avatar Aang in a theater setting. In addition to a July 23 panel in Hall H, a fan screening will take place on July 24 in Ballroom 20. (DiMartino jokes, “We finally made it to Hall H for our panel. We just had to have a film stolen to get in there.”)
“It’s always fun to watch something surrounded by a first-time audience and especially if that first-time audience is fans who, ultimately, are excited for the thing you’re making,” Montgomery comments. “So I will for sure be there.”
The sting of these recent developments clearly lingers, but for the first time since the leak, the filmmakers, much like their characters, reclaimed their hope and optimism. Should enough people watch The Avatar Aang: The Last Airbender on Paramount+, DiMartino and Konietzko have multiple other ideas for Avatar Studios.
“The Aang movie was just one of a whole slate,” Konietzko says. “I’m working on another thing, which we’ll announce when the time’s right.”
If there is a net positive to the leak, it’s that those who watched it liked what they saw. That’s a testament to the artistry that went into this. (The team confirms a making-of art book is already finished and on the way. “It would be a crime not to,” Montgomery says.)
“When I saw Princess Mononoke at the Laemmle theater in L.A., it was like a religious experience for me. I came out and I said, ‘That’s what I wanna do with the rest of my life,’” Konietzko reflects. “And that led to Mike and me creating Avatar together. Now 20-plus years later, to get to make a film with a director as incredible as Lauren and a team as incredible as the one that we all assembled, it’s a dream coming true. No matter how this came out or what fate came to it through criminal actions, at the end of the day, there is no other film like this in the American animation industry.”
With Shredder #10 and TMNT #300 just weeks away, IDW has shared new art from both massive releases and teased major TMNT news set to be announced at San Diego Comic-Con 2026.
Courtesy of IDW
It’s an exciting time to be a Teenage Mutant Ninja Turtles fan. In just two weeks, Dan Watters and Giona Zefiro’s TMNT: Shredder reaches its tenth issue with what promises to be a brutal showdown for control of the Dog Star Clan. One week later, IDW Publishing celebrates an extraordinary milestone with Teenage Mutant Ninja Turtles #300, kicking off the long-awaited “The City That Never Dies” storyline and ushering in one of the biggest stories in franchise history.
As if that weren’t enough, AIPT has confirm that IDW has some major TMNT news planned for San Diego Comic-Con later this month. While we’ll have to wait a little longer to learn exactly what’s coming, it’s safe to say the Turtles won’t be slowing down after issue #300. One thing we do know, however, is that TMNT franchise writer Andrew Joustra will be attending SDCC 2026 to talk TMNT.
Shredder’s reign faces its greatest test
The reinvention of Oroku Saki under Dan Watters has been one of the most compelling ongoing stories in the TMNT universe, and TMNT: Shredder #10 appears poised to push the character to another breaking point.
According to the official solicitation for Chapter Ten: The Metal Communion:
Shredder looks to cement his grip over the Dog Star Clan with extreme prejudice. But the Earth Protection Force is closing in on Shredder… and this time its agents aren’t looking to take any prisoners.
The series has thrived on forcing Shredder into increasingly impossible situations while exploring the consequences of his attempts to forge a new empire. Artist Giona Zefiro continues to deliver some of the most kinetic action sequences in the franchise, and AIPT's look at issue #10 suggests that neither Shredder nor the E.P.F. are interested in compromise.
Check out preview art from TMNT: Shredder #10 below.
TMNT: Shredder #10
Writer: Dan Watters
Artist: Giona Zefiro
On Sale: July 15, 2026
Courtesy IDW
Courtesy IDW
Courtesy IDW
Courtesy IDW
Courtesy IDW
Courtesy IDW
300 issues have led to this
Then comes Teenage Mutant Ninja Turtles #300.
It’s difficult to overstate what this milestone represents. Since Kevin Eastman and Peter Laird first introduced the Turtles in 1984, the franchise has become one of comics’ defining properties. Now, after more than a decade of IDW’s ongoing continuity, the series reaches its 300th issue with what promises to be one of its most ambitious stories yet.
The official solicitation sets the stage:
Mutating the comics industry since their first issue debut in 1984, we are proud to shellebrate 300 issues of the Teenage Mutant Ninja Turtles mainline series.
It all began with four brothers and their master, alone against the world. A lot has changed, but the bond of Clan Hamato is, if anything, stronger than ever. They will need that strength to fight what is coming. A threat unlike anything they have ever faced before threatens to destroy the worlds of the living and the dead alike.
Forty-one years and 300 issues have led to this, one of the biggest Teenage Mutant Ninja Turtles stories yet. The City That Never Dies begins here.
Alongside the main story, Kevin Eastman and Tom Waltz will send Renet on a journey through TMNT history, featuring artwork from legendary Turtle artists Ben Bates, Eric Talbot, Chris Allan, Frank Fosco, Jim Lawson, and Dan Duncan. Fans can also look forward to new pinups from longtime TMNT architect Sophie Campbell.
AIPT has also shared a fresh look at interior pages from issue #300. While pages 8 and 9 have previously been released, AIPT has debuted pages 10 and 11, which showcase a tense sequence featuring Casey and Karai that ends on a particularly effective cliffhanger.
If these pages are any indication, The City That Never Dies is wasting no time getting readers invested.
Between Shredder #10, the launch of The City That Never Dies, and whatever IDW has planned for San Diego Comic-Con 2026, July is shaping up to be one of the biggest months for TMNT fans in years. Cowabunga, dudes!
Stream the Teenage Mutant Ninja Turtles Universe, including Mutant Mayhem on Paramount+! Try it FREE at ParamountPlus.com!
Subscribe to the Teenage Mutant Ninja Turtles OFFICIAL YouTube channel - the ultimate home for all things TMNT! Here you’ll find Leonardo, Michelangelo, Raphael, and Donatello’s best moments from all your favorite TMNT series. Join the Teenage Mutant Ninja Turtles in their fight against evil, and be the first to get notified of exclusive original content you won’t find anywhere else! https://at.nick.com/TMNTSubscribe
About NickToons Global and this guide: NickToons Global is available in Hungary, Romania, Czech Republic, Bulgaria, Poland, France, Germany, Netherlands, Belgium, Russia, Adria countries (Croatia, Serbia and Slovenia), Turkey, Arabia, France (as Nickelodeon Toon), across Asia. and more. Based on NickToons Hungary's schedule. All times CET, please check local listings for localised air times.
NickALive! has a active Mapping Planet Nickelodeon side project, which aims to detail which country gets what feed. If you can help, let me know!
--- This August, Nick Toons Global will be airing:
-- The brand new show Wylde Pak (channel premiere):
- 2026-08-10 17:15 1x01 Best Summer Ever? - series premiere
- 2026-08-11 17:15 1x02 Sad, Single, and Stranded / A Waste of a Perfect Summer Day
- 2026-08-12 17:15 1x03 Woori World / Finding FlamingoFan85
- 2026-08-13 17:15 1x07 The Boba-Get / Be Your Own Bean
- 2026-08-14 17:15 1x08 Meats of Strength / Dead Ed's
- 2026-08-17 17:15 1x04a The Three Ravens
- 2026-08-18 17:15 1x04b Left Holding the Bag
- 2026-08-19 17:15 1x09b Father, Son, And Furniture Store
- 2026-08-20 17:15 1x10a LAD
- 2026-08-21 17:15 1x10b Before 10AM
- 2026-08-24 17:15 1x06 Warriors Against the Realm / Sunganduel
- 2026-08-25 17:15 1x05 The Meatball of Canyon Valley / Sticky Fingers
- 2026-08-26 17:15 1x11 Where There's a Will, There's a Way / Lost in the Sauce
- 2026-08-27 17:15 1x13 Follow the Sprinkles / Canyon Valley V. Dirk
- 2026-08-28 17:15 1x12 Journey to the Otter Side - season one finale
"Wylde Pak" is locally titled "A Wylde-Pak bagázs" in Hungary, "Ceata Sălbatică a Familiei Wylde Pak" in Romania and "Wylde Pak - zakręcona paka" in Poland.
"The Patrick Star Show" is locally titled "Csillag Patrik műsora" in Hungary, "Un show cu Patrick Stea" in Romania, "Patrick Super Star" in France, "Patryk Rozgwiazda Show" in Poland, and "Die Patrick Star Show" in Germany, Switzerland and Austria.
- 2026-08-03 18:00 16x12 The Green Tentacle / Happy Krabby Birthday
- 2026-08-04 18:00 16x13a Karate Pals
- 2026-08-05 18:00 16x13b Karen's Klatch - season 16 finale
"SpongeBob SquarePants" is locally titled "SpongyaBob Kockanadrág" in Hungary, "SpongeBob Pantaloni Pătraţi" in Romania, "SpongeBob Schwammkopf" in Germany, Switzerland and Austria, "SpongeBob Kanciastoporty" in Poland, and "Bob l'éponge" in France.
Sweet dreams await as Nickelodeon International is set to premiere the brand new series Bedtime Stories with Ryan, the original live-action story time series from Ryan Reynolds’ Maximum Effort, across its Nickelodeon Global Unlimited feed on Monday 31st August 2026.
The newly-formed Nickelodeon Global Unlimited feed is currently available in Central and Eastern Europe (CEE), South Africa, Belgium, Denmark, Sweden, Finland and Portugal.
In the series, Ryan Reynolds reads new and classic bedtime stories as the tales magically come to life around him – creating a warm, playful and imaginative wind-down experience for kids and parents to enjoy together.
In the series premiere episode, "Goodnight &, Hello, Sharing," Ryan Reynolds reads stories to help the world fall asleep. Tonight Ryan shares some stories about sharing. (#103)
Created by Ryan Reynolds and George Dewey, the first season of Bedtime Stories With Ryan was directed by Vincent Peone and executive produced by Kelly Girth, Kevin Hill and Victoria Shamshoyan for Maximum Effort, and Pamela Duckworth and David Gandler for Fubo Studios in partnership with ArtClass and Loon Productions, music by Sleeping At Last. The series is distributed by Paramount Global Content Distribution.
Bedtime Stories with Ryan is locally titled Povești de Noapte cu Ryan in Romania and Dobranocki z Ryanem in Poland.
About Maximum Effort
Maximum Effort makes movies, TV series, content and cocktails for the personal amusement of Hollywood star Ryan Reynolds. We occasionally share them with the general public. Producers of the “Deadpool” films, “Free Guy,” “The Adam Project” and “Welcome to Wrexham.”
About Nickelodeon
Nickelodeon, now in its 47th year, is the #1 entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location-based experiences, publishing and feature films. For more information, visit http://www.nickpress.com. Nickelodeon is a division of Paramount, a Skydance Corporation (Nasdaq: PSKY).
