'SkyMed' Season 4 Takes Flight May 21 on Paramount+ Globally

SKYMED SEASON 4 TAKES FLIGHT MAY 21 ON PARAMOUNT+

New Crew. New Chaos. The Same Unforgiving Terrain.

Season 4 Key Art and Trailer Debut

Acclaimed actress Lauren Lee Smith joins the returning ensemble alongside a slate of new series regulars this season

The new season will stream exclusively on Paramount+ globally

Season 4 of SkyMed is produced by Piazza Entertainment in association with Paramount+ in Canada and CBS Studios

April 16, 2026 – SkyMed is cleared for takeoff. Paramount+ announced today all episodes of SkyMed Season 4 will premiere globally on May 21, bringing viewers back to the vast and unforgiving terrain of the remote Canadian North where air ambulance crews are often the only way in. For the first time, this new season of SkyMed will stream exclusively on Paramount+ in Canada.

• Not your typical medical drama, the eight-episode fourth season features daring rescues across dense wilderness, raging rapids, and isolated terrain where help is hard-to-reach.

• Filmed in North Bay, Ontario and Manitoba, this season finds the crew disrupted like never before. The arrival of new rookie pilots and medics unsettles the dynamic as leaders begin losing control, rookies push limits, and emotions override protocol.

• Returning series regulars include Natasha Calis as Hayley, Morgan Holmstrom as Crystal, Mercedes Morris as Lexi, Sydney Kuhne as Stef, and Aaron Ashmore as Wheezer.

• New this season, Lauren Lee Smith joins in a recurring role as Captain Riley - a globe-trotting pilot with a past connection to Wheezer. Additional newcomers include Shawn Ahmed as cocky Flight Nurse Zay Patel, Leishe Meyboom as spirited rookie Flight Nurse Piper Adler, Alexander Eling as charming First Officer Wyatt Ellis, and Cecilia Lee as ambitious Pilot Maya Chang.

• SkyMed Season 4 is produced by Piazza Entertainment in association with Paramount+ in Canada and CBS Studios. The series was created by Julie Puckrin and inspired by her sister and brother-in-law, who met flying air ambulances. Puckrin also serves as executive producer, along with Gillian Hormel and Vanessa Piazza. Effy Papadopoulos is producer. Co-producers are Lawren Bancroft-Wilson and Manitoba’s Bonus Production Services. SkyMed is distributed internationally by Paramount Global Content Distribution.

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation (Nasdaq: PSKY) is a leading, next‑generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. The Company's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS – America's most-watched broadcast network, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, SHOWTIME^®, Paramount+, Pluto TV, and Skydance's Animation, Film, Television, Interactive/Games, and and the newly established Paramount Sports Entertainment. For more information, please visit www.paramount.com.

About CBS Studios

CBS Studios is one of the world’s leading producers of entertainment programming, with dozens of globally popular series for broadcast and streaming.  The Studio’s expansive portfolio includes a diverse slate of commercially successful and critically acclaimed programming which includes genre-defining franchises such as NCIS and the STAR TREK universe, fan-favorite comedies such as GHOSTS, MATLOCK starring Kathy Bates, the upcoming reimagining of LITTLE HOUSE ON THE PRAIRIE for Netflix, and buzzy international co-productions such as COLIN FROM ACCOUNTS and KING & CONQUEROR.

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More Nick: Paramount Plus Expands Kids and Family Programming with New Slate of Films and Series from Nickelodeon Studios!

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Nickelodeon Kids' Choice Awards 2026 Set to Air Live Nov. 14 on Nickelodeon and CBS

Nickelodeon has announced plans to host Nickelodeon Kids' Choice Awards 2026 on Saturday, November 14! The special will simulcast live from Los Angeles on Nickelodeon and, for the first time ever, on the CBS Television Network between 8:00 - 9:30 p.m. (ET/PT).

NICKELODEON KIDS’ CHOICE AWARDS (KCAs) will air on the CBS Television Network, marking the Network’s debut telecast in its nearly 40‑year history. The event will celebrate fans’ favorites from across the worlds of film, television, music, sports and more. The special will simulcast live from Los Angeles, on CBS and Nickelodeon.

The host of KCA 2026, along with the nominations of this year's Nickelodeon slimefest will be announced in the near future.

Nickelodeon Kids' Choice Awards 2026 is produced by Done and Dusted.

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More Nick: Paramount Plus Expands Kids and Family Programming with New Slate of Films and Series from Nickelodeon Studios!

Originally published: April 15, 2026 at 23:06 BST.

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Classic Rugrats Comic Strip for April 16, 2026 | Nickelodeon

Classic Rugrats Comic Strip for April 16, 2026 | Nickelodeon

Stream the classic Rugrats series on Paramount+! Try it at ParamountPlus.com!

Rugrats, provided to Creators Syndicate by Nickelodeon, based off the popular animated television series has been created for children and family's to laugh and enjoy together.

Follow these comics and their take on real episodes of the show and their own spin on hilarious adventures.

Read more Rugrats comic strips!: https://www.creators.com/features/rugrats

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More Nick: Paramount+ Renews 'Rugrats' For Season 3!

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Fred Seibert Chronicles the Art of Nickelodeon, MTV, HA! and Frederator in New Book Series

The FredFilms Professional Library announces the release of four new paperback volumes. Edited by Fred Seibert, the creative catalyst behind the identities that defined two generations of media, this archive explores the evolution of elastic identity — a design philosophy that transitioned from the rule breaking cable giants of the 1980s to the world’s first native streaming animation brands.

Fred Seibert chronicles the art of modern branding in new book series

Drawing on original production materials, rare archival imagery and first-person essays, the series positions television as the birthplace of modern motion branding — ideas that later spread into fashion, consumer products, digital platforms and the creator economy.

The collection includes The Art of MTV, The Art of Nickelodeon, The Art of Frederator and The Art of HA!. Across the entire series, the accompanying essays provide a masterclass for design professionals on how to dismantle the “corporate eye.”

• The Art of MTV chronicles the moment branding became motion. When MTV launched in 1981, its constantly changing logo rejected fixed identities in favor of a flexible system that invited artists, animators, and musicians to reinterpret the brand continuously. The result was a new grammar of identity, one that mirrored youth culture itself and laid the groundwork for today’s dynamic and generative branding. Seibert and Alan Goodman explain the rejection of the “official color” in favor of an identity that changed almost simultaneously within a single film.

• The Art of Nickelodeon shows how that system evolved for children’s media. Nickelodeon’s shape-shifting orange mark functioned less as a logo than a declaration: this network belonged to kids. Consistency came not from rigid rules, but from attitude, anchored by Pantone 021, a fluorescent orange “not seen in nature,” specifically chosen to obliterate whatever was behind it on a television screen. The approach proved remarkably durable, influencing toys, retail and consumer products far beyond television.

• The Art of HA! chronicles the short life of a “fighting brand.” The logo was built to perform as a physical act, a sound bursting from a mouth, to mirror the kinetic, overlapping nature of comedy.

• The Art of Frederator brings the story into the internet era. Frederator’s Fredbot and shouted audio tag transformed branding into a relationship with fans. With the 2005 launch of Channel Frederator, one of the earliest video streamers, the studio anticipated today’s creator-first models by curating independent animation and cultivating a global audience long before the term “creator economy” existed. Documenting the radical pivot from linear television into the digital age, essays explore how the studio applied a “hit record” marketing mentality to the internet, replacing corporate distance with the creator-centric slogan “Frederator Loves You” and turning the Fredbot logo into a living gallery of independent art.

“What we were really designing wasn’t logos or graphics. It was a system that treated animation, branding, and storytelling as the same language,” said editor and publisher Seibert. “That idea is still shaping how brands think about tone, voice and audience today.”

Seibert is a leading independent producer and serial media entrepreneur. He served as the first creative director and co-founder of MTV: Music Television, the last president of Hanna-Barbera Cartoons, and the founder of Frederator Studios. Seibert is an AIGA Medalist, in the Animation Magazine Hall of Fame and the Emmys Gold Circle. He is the founder of FredFilms, Inc. and publisher of The FredFilms Professional Library.

Whilst each book provides a fantastic look at how some of television's most iconic creative branding was conceived, I highly recommend The Art of Nickelodeon: The Nickelodeon Logo 1984-2009: Designed by Tom Corey & Scott Nash for Fred/Alan, NY. The title is filled with information about Nickelodeon's branding along with iconic Nickelodeon logos and artwork from what many consider to be the network's "golden age." The book is available in paperback on Amazon, and as a digital preview/download on Scribd. 

The Nickelodeon logo was never the same twice. On purpose.

From 1984 to 2009, Nickelodeon’s iconic orange wordmark exploded across television screens as splats, blimps, creatures, machines, and pure visual noise. What looked like chaos was actually one of the earliest and most influential flexible identity systems in modern design.

The Art of Nickelodeon documents that experiment in full. Built around the groundbreaking logo system designed by the late Tom Corey and Scott Nash, this book assembles hundreds of on-air logo variations, broadcast frames, and rare materials from Nickelodeon’s most creative era.

For designers, it’s a masterclass in building a brand that stays recognizable while constantly changing.

For Nickelodeon fans, it’s a joyful archive of the sights, energy, and attitude that made the channel feel like it belonged to kids.

Featuring first-person essays from the creators who shaped Nickelodeon’s voice, including Seibert, Alan Goodman, Scott Webb, Scott Nash, and David Vogler, this volume captures the thinking behind a logo that refused to behave and, in doing so, changed television design forever.

This isn’t nostalgia.

It’s proof that play, when taken seriously, can shape culture.

More information and additional titles, as well as purchasing details, can be found at fredfilms.com/library.

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More Nick: Paramount Plus Expands Kids and Family Programming with New Slate of Films and Series from Nickelodeon Studios!

Original source: Animation Magazine.

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‘Avatar: Aang, The Last Airbender’ Leak Draws Ire From Animators and Artists Who Worked on the Movie

It’s been a viral week for fans of Nickelodeon's beloved animated series, Avatar: The Last Airbender, following the leak of footage from the upcoming aged-up feature film Avatar: Aang, The Last Airbender (formerly The Legend of Aang: The Last Airbender) on X on Sunday, April 12. There were reports that the full movie had been sent “accidentally” via email to an X user, who posted clips featuring the aged-up Team Avatar and the movie’s villain, voiced by Dave Bautista. This was followed by reports that the whole movie had been leaked online.

Avatar: The Last Airbender [Nickelodeon Animation Studios]

Netizens suspect that the leak was a protest against the recently merged Paramount Skydance studio’s decision to pull Aang from its theatrical release schedule, in favor of a streaming-only release on Paramount+ slated for October.

The much-anticipated animated movie was due out in theaters on October 9, 2026, but Paramount subsequently set Paramount+ as the exclusive home of Avatar Studios content, forcing The Legend of Aang: The Last Airbender and original series Avatar: Seven Havens both onto the platform.

Avatar fans who were looking forward to seeing the movie in theaters questioned the decision, which came as a surprise in the context of huge box office success for anime films last year. Demon Slayer: Infinity Castle, for example, grossed an incredible $774 million at the global box office.

The Aang leak followed leaks of Illumination/Nintendo’s recently released Super Mario Galaxy Movie and 20th Century’s Avatar: Fire & Ash on the platform using the “X Premium” feature allowing videos up to three hours long to be posted.

It also follows “leaks” of the aged-up character designs for Aang revealed in a line of Target merchandise last month.

Airbender fans have eagerly shared clips from the footage across social media, including X and TikTok, in the following days. While the movie is winning praise for its design work and cinematic animation (living up to director Lauren Montgomery’s comments that the movie “deserves to be seen on the big screen”), members of the animation community have expressed outrage at the leak, calling it disrespectful to the artists who worked on it to spoil the release — streaming or no.

Whilst Paramount Pictures and Nickelodeon haven't officially commented on the incident, posts on X from people who worked on the recently wrapped project expressed their frustration with the leak. In a thread, animator Julia Schoel (The Legend of Pipi, Moon Girl and Devil Dinosaur, Helluva Boss) wrote:

“We worked on the Aang movie for years with the expectation that we’d get to celebrate all of our hard work in theaters… just to see people unceremoniously leak the film and pass our shots around on Twitter like candy.

“I don’t like seeing people use Paramount’s awful decision to remove the movie from theaters to justify leaking it. I totally understand folks not wanting to pay for/support Paramount+, but pirating the movie after its release would have at least been better than this. This is incredibly disrespectful to all of the hard work the artists put in.”

Responding to a comment asking why pirating later would have been better, Schoel added,

“Leaking a movie before release undermines the entire effort at its most vulnerable moment. No marketing buildup, premieres, etc, which harms the film's reputation and affects future opportunities for the artists who worked on it.

“Pirating on the other hand, happens after the film has already had the chance to reach audiences through official channels, and does not harm its reputation.”

Schoel has drawn some criticism for the comments, but was backed by others, and, crucially, colleagues in the entertainment industry.

Tessa Bright, an animation director at Flying Bark — which worked on the Avatar Studios/Nickelodeon Animation project’s development — who worked on the film “in a leadership capacity,” built on this thread with the following commentary:

“Hi all, I worked on this film on a leadership capacity. I understand that we all have opinions about what happened and what you decide to do is your personal choice. But it breaks my heart to see the way some fans are treating the hard-working artists who dedicated years of their lives to bring you the best possible work they can with this film. It’s perfectly reasonable for anyone who worked on this project to be frustrated at this situation. The amount of effort and dedication it took to make this film happen speaks for itself in the final product and I'm sure a lot of you will agree. And even if you disagree with us, I hope that you can find it in yourself to still be respectful. To the fans and industry folks who have spoken out for us, thank you, you're a big reason it was all worth it.”

Another person who also worked on the movie took to social media to say the leak “feels pretty awful.” “The only reason the movie looks so good is because there was so much passion directed toward making a truly special moment for ATLA,” they added. “Please support the actual release as well so we can make more movies <3”

Based on the original Avatar: The Last Airbender series created by Michael Dante DiMartino and Bryan Konietzko, Avatar: Aang, The Last Airbender is directed by Montgomery with Steve Ahn (Voltron: Legendary Defender) and William Mata (Dora and the Fantastical Creatures) co-directing. Latifa Ouaou, Maryann Garger, Konietzko and DiMartino serve as producers. Award-winning composer Jeremy Zuckerman scored the film.

The voice cast features Eric Nam as Aang, Jessica Mattenas as Katara, Dionne Quanas as Toph, Román Zaragoza as Sokka and Steven Yeunas as Zuko, with Dave Bautista as the villain, Taika Waititi, Geraldine Viswanathan, Dee Bradley Baker, Freida Pinto and Ke Huy Quan.

Set years after the events of The Last Airbender, the film begins as Avatar Aang, the world’s last Airbender, learns of an ancient power that could save his culture from extinction. With the help of his friends, he embarks on a global quest to find it before it falls into the wrong hands and threatens to upend the peace they sacrificed everything to achieve.

Stream Avatar: The Last Airbender and The Legend of Korra on Paramount+ and Netflix! Try Paramount+ for FREE at ParamountPlus.com

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More Nick: Nickelodeon Orders 'Avatar: Seven Havens' Animated Series!

Sources: Animation Magazine (Polygon, Gizmodo, Toon Hive), IGN.

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Can They Open the Chest Before it's Destroyed? | Rock Island Mysteries FULL EPISODE | Nickelodeon UK

Can They Open the Chest Before it's Destroyed? | Rock Island Mysteries FULL EPISODE | Nickelodeon UK

All episodes of Rock Island Mysteries are available on Nickelodeon and Paramount+. In the first episode of the series, 'Happy Birthday Taylor', Taylor receives a locked chest on her 14th birthday from her Uncle Charlie, who has been missing for five years! When the chest starts ticking, Taylor and her friends realise they must find a way to open it, or the contents will be destroyed.

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