VIS UNVEILS BLACK NARRATIVES, A DEDICATED WRITING ROOM FOR DIVERSE CONTENT CREATION
A TEAM OF BLACK SCREENWRITERS BASED IN BRAZIL TO DEVELOP AN INCLUSIVE MULTIETHNIC REPRESENTATION IN CONTENT
MIAMI – MAY 12, 2021 – VIS, a division of ViacomCBS, announced today the launch of Narrativas Negras (Black Narratives), a writing room of Black writers dedicated to developing representative and inclusive content for Viacom International Studios. The talented team of authors based in Brazil will be led by Marton Olympio and includes the collaboration of Renata Diniz, Eliana Alves Cruz, Estevão Ribeiro, and Lidiane Oliveira. Together they will develop projects in different genres to include series, fiction, and films. In addition, they will serve as diversity and inclusion consultants, providing valuable insights that align with the market's evolving demands.
Last November, ViacomCBS International Studios announced that 25% of its budget in Latin America
would be invested in creating and developing BIPOC (black, indigenous, and person of color) content.
"For us to be successful, it's important that the content we develop speaks to and attracts the different viewers that are out there. We especially want to raise those voices and highlight stories that are not well represented in media," said Federico Cuervo, SVP, Head of VIS Americas. "Black Narratives is an important first step; however, it only marks the beginning of our efforts to create more diverse content that represents cultures worldwide. This initiative is starting in Brazil but will be replicated in other regions to enrich our product offering with different perspectives that identify with other ethnicities and groups."
"Writers are storytellers," said Marton Olympio, Director of Narrativas Negras. "We are extremely excited to be a part of this project and be able to share our stories, important stories that need to be told, all over the world."
In Brazil, VIS also participates in different festivals and local talent gatherings to develop new stories that elevate the value of diversity and inclusion.
In Latin America and around the world, ViacomCBS is committed to having a diverse workforce both in front of and behind the camera that reflects the communities where their people live and work and the audiences. ViacomCBS is also dedicated to creating an inclusive and equitable work environment where all employees can feel valued and heard and encouraged to do their best every day.
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| Eliana Alves Cruz |
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| Estevão Ribeiro |
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| Federico Cuervo |
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| Lidiane Oliveira |
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| Marton Olympio |
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| Renata Diniz |
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About ViacomCBS International Studios
Introduced in 2018, ViacomCBS International Studios is a division of ViacomCBS Networks International that includes production of content for ViacomCBS brands and platforms, including Paramount+, Nickelodeon, MTV, Smithsonian Channel, Comedy Central, Channel 5, Network 10, VIS, Telefe, Ananey and Porta Dos Fundos and for third parties, as well as sales and distribution of original productions, co-productions, formats sold for local adaptations and ready-made content. In 2020, VIS KIDS launched to further the expansion of the studio's global kids content pipeline. The content that ViacomCBS International Studios produces covers all genres, from pre-school to young adult and live action and animation, as well as soap operas, dramas, short and long-form comedy formats and feature film productions.
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Creating a Space for Black Stories at ViacomCBS
The head writer of ViacomCBS International Studios' Narrativas Negras, an all-Black writers room in Brazil, introduces the team creating more inclusive content for the studio.
In Brazil, telenovelas and soap operas dominate pop culture. But more times than not, when you see a Black person on screen, they’re playing a maid, a chauffeur, or busboy. And they’re given few, if any, lines.
As head writer for Narrativas Negras (Black Narratives), an all-Black writers room and diversity and inclusion consultancy group within ViacomCBS International Studios (VIS), it’s my hope that we’ll start a conversation around the importance of diversity in Brazilian entertainment. I want to help to combat the lack of representation of Black culture on and offscreen, by developing and producing representative and inclusive content in a variety of genres across film and TV.
We’re a writers’ room on paper, but I like to refer to us as an “idea engine.” We come up with the concept, and VIS takes that concept into further development and production. The project is part of VIS’ commitment to devoting 25 percent of its yearly Latin American budget to the creation and development of “Black, indigenous and person of color” (BIPOC) content.
When VIS tasked me with building the team, the most important factor for me was making sure that we were all different. We’re diverse in skin tone, upbringing, and the type of writing we do. (Though, like many Black Brazilian writers, the six of us are used to being the only Black person in mostly white writers’ rooms.) They’re fantastic, hardworking, and brilliant writers who all bring something different to the room. Renata Diniz is an actress, Eliana Alves Cruz writes novels, and Estevão Ribeiro creates comic books. It makes the stories we come up with richer and fresher.
We all grew up watching American cinema. Compared to Brazil, representation of BIPOC people was better in Hollywood—albeit not much better. Still, it opened our eyes to the possibility of seeing ourselves represented on screen.
We live in different cities, but we meet as a group every single morning over Zoom to brainstorm potential plotlines, conflicts, characters, among other story elements. Then, we proceed with one idea we all agree on and dive deeper by asking ourselves a range of questions: What does this world look like? How does this character speak? Where is the point of tension?
We then decide on a final synopsis to pitch to the production team at VIS. Thus far, VIS has greenlit two of our ideas for production, and we have three others that we’re perfecting ahead of our next pitch.
As the current writing team gets pulled into other projects, we will add new writers in their absence, so that our ideas remain fresh and ever-changing.
A Team Committed to Crafting New Narratives
Renata Diniz
Credits: Amani's Veil
What’s the most influential TV show you watched growing up? I was very fond of TV Globo’s TV Colosso and TV Cultura’s Castelo Ra-Tim-Bum.
What’s your advice to writers of color who are trying to break in the industry? Write to have something to show. In addition, look for different writer’s groups and events that focus on scriptwriting.
What do you think is most important to consider when it comes to creating diverse, inclusive TV/film content? There’s a thirst and hunger for Black stories in genres other than comedy and drama. Whether in sci-fi or fantasy, westerns or horror, there are gaps that need to be filled.
Eliana Alves Cruz
Credits: Água de Barrela, O crime do Cais do Valongo, Nada digo de ti, que em ti não vejaz
What’s the most influential TV show you watched growing up? Mostly soap operas.
What’s your advice to writers of color who are trying to break in the industry? Write as much as you can, even without having a project in mind. Writing is like any other activity—it takes practice.
What do you think is most important to consider when it comes to creating diverse, inclusive TV/film content? Empathy is a must. If you’re not looking at the world from different perspectives, it’s impossible to reflect our diverse reality. It’s also essential to try and shed the stereotypes you might have absorbed while watching TV and film, or even while reading books.
Natalia Oliveira
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| Natalia Oliveira |
What’s the most influential TV show you watched growing up? I remember watching most of Sistema Brasileiro de Televisão’s (SBT) telenovelas, including Chiquititas, Cumplices de um Resgate, Rebelde. In all of them, the representation was next to none. It was always embarrassing when I couldn’t “act” in a school game as the blonde character I was a fan of. And the attempts to look like her were also painful. More recently, seeing how TV Globo’s telenovela Amor de Mãe handled Black characters made me eager to collaborate on new ways to portray BIPOC people on TV. It features multiple Black people in its cast but in very stereotypical roles.
What’s your advice to writers of color worldwide trying to break in the industry? Study a lot. Also, be sure to watch diverse content as much as possible to find stories that inspire you. We grew up consuming other people's stories, especially white people’s stories.
What do you think is most important to consider when it comes to creating diverse, inclusive TV/film content? Diversity should not only be limited to race or creed. We need diversity in approach, technique, and genre. I think the best way to destroy stereotypes and stigmas is to build plurality.
Estevão Ribeiro
Credits: While He Was Dead, Passarinhos, Pequenos Heróis, Futuros Heroes
What’s the most influential TV show you watched growing up? The Fresh Prince of Bel-Air and MacGyver.
What’s your advice to writers of color worldwide trying to break in the industry? First: You are not alone. I know we all want to have a byline or be able to autograph a copy of our own works, but working in a group is the best learning experience, so get together and build each other up! Also, learn from your white peers.
What do you think is most important to consider when it comes to creating diverse, inclusive TV/film content? Hear your people, the people around you. People who like you and people who despise you. Then, see what they have in common and their differences. Write about it. Bring light and provocation. And don't run away from sensitive topics! Search, listen, write, and invite people to read.
Lidiane Oliveira
What’s the most influential TV show you watched growing up? The Fresh Prince of Bel-Air and TV Globo’s Malhação.
What’s your advice to writers of color who are trying to break in the industry? Dedicate yourself to writing, researching, and watching different formats. And make sure you’re always writing, especially about situations in your own life.
What do you think is most important to consider when it comes to creating diverse, inclusive TV/film content? We no longer need to build on the same stereotypical narratives around Black people that are already out. It is necessary to go further, dig deeper, and tell other stories.
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Originally published: Thursday, May 13, 2021.
