Friday, August 02, 2019

Throw Back with Cousin Skeeter's Meagan Good |

Throw Back with Cousin Skeeter's Meagan Good


Her reaction to seeing Cousin Skeeter puppet for the first time in 20 YEARS 😭

Meagan Good shares behind-the-scenes stories from Cousin Skeeter (like the time she got pulled over by Shaquille O’Neal!) on this episode of Throw Back with Nickelodeon hosted by Anthony Padilla!

Tune into Throw Back with Nickelodeon, Nickelodeon's brand-new digital series produced by Viacom Digital Studios (VDS), premiering on Facebook Watch this summer!

Watch more of your favorite shows on Nickelodeon!

Watch all your ‘80s, ‘90s, and ‘00s Nickelodeon favorites on NickRewind, your late-night destination for your favorite childhood Nickelodeon cartoons and live-action shows! NickSplat doesn't question football-shaped heads, but embrace them - along with Reptar bars, a Big Ear of Corn, orange soda, and even slime for Pete (and Pete's) sake. Make your slime-covered Nickelodeon childhood dreams come true every night on TeenNick USA, and anytime you want on NickSplat on VRV AND NOW ON Nick Pluto TV!

Like NickRewind on Facebook, subscribe to the NickRewind YouTube channel and follow NickRewind on Twitter and Instagram for exclusive digital content from all of your throwback favorites like Rugrats, Hey Arnold!, iCarly, Victorious, Kenan & Kel, CatDog, Doug, Rocko’s Modern Life, The Amanda Show, Clarissa Explains It All, The Ren & Stimpy Show, Are You Afraid of the Dark?, and so much more!

Join Nickelodeon's official I Was A Nick Kid Facebook Group!: https://www.facebook.com/groups/IWasANickKid/


More Nick: Throw Back with Ned's Declassified star Devon Werkheiser | Throw Back with Nickelodeon!
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On This Day in 2003 | My Life As A Teenage Robot Premiered on Nickelodeon

On This Day in 2003 | My Life As A Teenage Robot Premiered on Nickelodeon


🎵 Welcome to my life as a teenage robot 🎵

On this day 16 years ago, My Life As A Teenage Robot premiered on Nickelodeon!

Nicktoons Facts: My Life As A Teenage Robot was created by Rob Renzetti and premiered on August 1st, 2003. It ran for 62 episodes over three seasons, winning two Emmy awards and garnering an additional nomination for Outstanding Animated Program.

BRB gotta go prevent some hostile aliens from annihilating us all 🤖

Check out Nickelodeon's On This Day and Remember When Facebook pages to find out awesome Nick moments from every era throughout Nickelodeon history!



More Nick: Netflix to Premiere 'Invader ZIM: Enter the Florpus' on Friday, August 16th, 2019!

H/T: Special thanks to @bryce_fourn for the news!
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'All That' Sneak Peek: JoJo Siwa Performs Super Fun Rendition Of ‘BOP!’

JoJo Siwa is hitting the legendary All That stage during this Saturday's (August 3) brand-new episode of All That, and to celebrate, HollywoodLife has an unveiled a awesome preview of her exciting performance!


JoJo Siwa, 16, is performing on the all-new episode of All That and HollywoodLife is giving us a super first look at her performance. She takes the stage to perform her hit song “BOP!” and it’s a total bop. She has so much fun closing out the show with her energetic performance that will have you up and dancing almost immediately.


JoJo Siwa performs on the Aug. 3 episode of ‘All That.’

JoJo’s outfit is so bright and colorful. She rocks a sequined jumpsuit that’s pink, blue, and yellow. The 16-year-old styled her hair into her signature high ponytail and takes her look to a whole new level with amazing face paint. JoJo always has so much fun with her performances and makes it a blast for everyone watching, too.

In the Aug. 3 episode of All That, legacy cast member Kenan Thompson (Kenan & Kel, Good Burger, SNL) returns with a special delivery for the All That cast. The episode also features Marie Kiddo destroying her principal’s office, a music video about what really happens on a sick day, T@$#!eigh and Trad meet at the school dance. OG cast members Kel Mitchell and Josh Server also guest star.


JoJo Siwa with the ‘All That’ cast. (Nickelodeon)

All That is shot in front of a live studio audience. The All That reboot premiered in June 2019 with an all-new cast of 7 kids, along with original comedic sketches, new and beloved characters, and impersonations of today’s popular celebrities. Each new episode will also feature a musical performance from one of today’s top artists, and guest stars from the worlds of TV, film, comedy, and more. All That airs Saturdays at 9 p.m. on Nickelodeon.

Watch JoJo's bow-tastic performance below!:

'Henry Danger' Musical Special Posts 2-Year Ratings High for Hit Nickelodeon Series

‘Henry Danger’ Musical Special Posts 2-Year Ratings High for Nickelodeon Series

Henry Danger the Musical scores biggest delayed-viewing lift in series history


Nickelodeon’s Henry Danger musical special on Saturday, July 27 marked a two-year ratings high for the hit kids comedy series!

Henry Danger The Musical pulled in 2.2 million total viewers across its premiere and three days of delayed viewing, according to Nielsen. In the show’s target demographic of kids 6-11, the special pulled in a 6.2 rating and 902,000 viewers.

Those numbers make it the highest-rated broadcast of Henry Danger in two years. The episode’s 116% growth in delayed viewing makes it the most time-shifted episode of the series since its debut in 2014.

Henry Danger, Nick’s longest-running live-action sitcom, is the top-rated series among kids under 11. It stars Jace Norman as Henry Hart, a high school kid selected to be an apprentice to the superhero Captain Man, played by Cooper Barnes. The series also stars Riele Downs as “Charlotte Page,” Sean Ryan Fox as “Jasper Dunlop,” Ella Anderson as “Piper Hart,” Michael D. Cohen as “Schwoz Schwartz,” and Jeffrey Nicholas Brown as “Jake Hart.” The one-hour special also saw Frankie Grande reprise his guest role as the villainous Frankini - a role created based on him - in the special.



Henry Danger The Musical is written by series co-producer Samantha Martin. Christopher J. Nowak serves as showrunner and executive producer alongside Jake Farrow. Henry Danger is created by Dan Schneider and Dana Olsen.

Nickelodeon is set to air an encore sing-a-long version of the special on Saturday, Aug. 3 at 8:00 p.m. (ET/PT), with the 16 original songs from the musical, which are also available for purchase or stream. The soundtrack is distributed by AWAL/Kobalt.

More Nick: Nickelodeon USA's August 2019 Premiere Highlights!

Original source: TheWrap.
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Viacom Upfront: Viacom Sees Double-Digit Price Increases in Upfront

Advanced advertising products gain traction


Viacom completed its upfront advertising sales, getting double-digit price increases, according to sources familiar with the situation.

Despite falling ratings across the industry, Viacom was able to maintain volume levels by doubling commitments across digital social and advanced advertising products. Viacom’s Vantage, which targets ads based on data, doubled its upfront sales.

Overall, this years upfront has been strong, with most networks getting double-digit price increases on a cost-per-thousand viewers basis.

Over the past few years, Viacom was hit particularly hard by the trend away from traditional cable consumption on networks like Nickelodeon as young viewers in particular turned to digital platforms for entertainment.

Over that time, ad revenue at Viacom have been falling on a quarterly basis. But this year, the company has said it expects it ad revenue to turn positive in the second half and in the upfront that was reflected by some of the company’s strongest price increases in years.

Viacom has also been one of the leaders in pushing advanced advertising using data to better target commercials, with products including Viacom Vantage, Viacom Video and ramping up its influencer, brand content, shopper marketing and experiential capabilities.

Earlier this year Viacom acquired Pluto TV, an ad-supported free streaming television service, giving its a huge amount of over-the-top streaming ad inventory that can be targeted like digital advertising.

Viacom has been adding channels and content from its media networks to Pluto TV, including permanent channels Nick Pluto TV and Nick Jr. Pluto TV, and pop-up channels Dora TV (Dora the Explorer) and Totally Turtles (Teenage Mutant Ninja Turtles), move aimed at reaching young cord-cutters and cord-nevers. Viacom is also aggressively expanding Pluto TV's footprint globally.

Original source: Broadcasting & Cable.

From Variety:

Viacom Sees Flat Volume in TV’s Upfront Market

Viacom relied on Madison Avenue’s interest in new forms of video advertising to drive activity in the industry’s annual “upfront” market, but captured a level of advance commitments that was similar to last year’s benchmarks, a signal that the current ad market is proving more robust for broadcast TV than it is for cable.

The New York owner of Nickelodeon, Comedy Central and MTV secured a volume of advance ad commitments that was flat with last year’s, according to a person familiar with the matter, even as it saw media buyers double the commitments they made to the company’s digital and social outlets as well as to its growing advanced advertising business.

Other cable programmers have experienced similar dynamics. WarnerMedia, the owner of cable outlets like TNT, TBS and CNN, saw advertisers spend approximately the same amount on traditional linear TV as they did last year, according to a person familiar with the situation, even as they increased the emphasis they placed on new forms of content. Each year during TV’s “upfront” market, U.S. TV networks try to sell the bulk of their commercial inventory for the coming programming cycle.

The results emerge as many of the broadcast networks have seen surges in demand for their primetime schedules, with NBC seeing a volume increase of approximately 8%; CBS notching a volume increase of between 5% and 6%, and Fox capturing an increase in volume of between 8% and 9%. Disney has been taking more time to sell its inventory, according to executives familiar with negotiations, with its recent acquisition of the bulk of the former 21st Century Fox creating new complexities for its sales process.

Viacom faced some challenges in its sales process, according to people familiar with this year’s talks. Advertisers rushed to some of TV’s biggest venues for audience, ready to pay sizable price increases in exchange for getting ads in front of the medium’s bigger audiences. But recent declines in viewership – the result of audiences migrating to new streaming-video outlets – mean the cost of reaching viewers is increasing. As rates increased, advertisers had less to spend after doing business with the owners of the most successful content, and some of that dynamic has crimped cable’s ability to keep ad money flowing.

Even so, Viacom was able to secure double-digit increases in the rate it charged to reach 1,000 viewers, a measure known as a CPM that is integral to these annual discussions between Madison Avenue and TV networks. The company notches some of its highest CPM rates in over a decade, according to the person familiar with the matter.

Viacom highlighted a suite of “advanced” advertising capabilities, including the opportunity to use data to reach narrower cuts of demographic with commercial schedules. the company also spotlighted growing initiatives that make use of influencers, branded content and experiential efforts. Viacom for the first time sold advertising for its advertising supported streaming-video outlet, Pluto TV. Advertisers showed interest in the venue, particularly in some recently launched channels on the service that are based on the company’s popular cable outlets.

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From Adweek:

Viacom Finishes Upfront With Double-Digit CPM Gains as Potential CBS Merger Talks Loom

New acquisition Pluto TV helps drive advanced advertising demand

Its long-term future as a standalone company is up in the air, but Viacom has finished its upfront business, crossing the finish line with double-digit CPM (cost per thousand viewers reached) increases, according to a source close to negotiations.

The company secured its highest rate of change in CPMs in more than a decade. Volume was flat this year.

During last year’s upfront, the company secured CPM increases in the mid- to high single digits for its non-kids networks and double-digit growth among its Nickelodeon networks. It had been Viacom’s strongest upfront pricing increases in a decade.

Viacom wrapped its upfront negotiations as CBS is reportedly preparing an offer to re-merge with it, which would be the third time in the last three years that the companies have considered such a move.

Buyers were interested in Viacom’s newest upfront offering, Pluto TV, the free ad-supported streaming platform that it bought earlier this year for $340 million.

As part of the company’s advanced marketing solutions (AMS) portfolio, Pluto drove shifts to Viacom’s premium digital video inventory.

The company doubled its upfront sales year-over-year for data platform Vantage.

In April, Viacom CFO Wade Davis told Adweek that boosting Viacom’s AMS business was “at the core” of its Pluto acquisition, which will triple Viacom’s premium, full-episode addressable video supply next year.

The addition of Pluto strengthened ad sales chief Sean Moran’s “Viacom Everywhere” push this upfront, Moran told Adweek earlier this year.

“When you put together our linear offerings, our OTT offerings and Pluto, we’re able to reach over 50% of all 18-34s in the country,” said Moran, adding that Viacom’s reach extends to 80% when adding in its social capabilities via the Viacom Digital Studio and influencer marketing company WhoSay.

In the upfront, Moran also leveraged Viacom’s big purchases last year: WhoSay’s influential capabilities, experiential via VidCon—the world’s largest conference for YouTube and other online video producers—and branded programming through multichannel network AwesomenessTV.

Viacom held five separate lavish upfront events annually as recently as three years ago, but they have all been eliminated; this was the first upfront season that did not kick off with Nickelodeon’s usual event. Instead, the company has switched over to intimate dinners with agencies, during which the network presidents, CEO Bob Bakish and Moran woo buyers.

Most other networks and media companies have already completed their upfront business, including The CW, CBS, WarnerMedia, Fox and NBCUniversal.

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From MediaPost:

Viacom Upfront: Double-Digit Percentage CPMs, But Volume Flat

While deeply involved in a merger talks with CBS, Viacom has finished its TV upfront advertising deal making -- across all platforms -- posting low double-digit percentage pricing gains with flat overall upfront revenue.

According to media executives, Viacom maintained upfront dollar volume across its networks/platforms by “doubling” media agency deals across its digital, social and advanced advertising businesses.

Viacom took in 12% to 14% average gains in CPMs -- the cost per thousand viewers -- across its media networks, which includes MTV, Nickelodeon, Comedy Central, VH1, BET and Paramount Network.

For its fiscal year 2018 ending last September, Viacom posted a 4% declined ($157 million) in U.S. domestic advertising revenues to $3.6 billion, due to lower linear TV viewership.

Typically, anywhere from 65% to 75% of a TV network’s advertising inventory is sold in the upfront advertising sales period that occurs before the September-to-August TV season.

Viacom representatives had no comment regarding upfront activities.

In fiscal 2018 year, Viacom’s Advanced Marketing Solutions -- which comprises addressable ad inventory and Viacom brand solution across platforms -- pulled in more than $300 million in full-year revenues.

Deal-making for Viacom during this upfront period also included higher revenue for Advanced Marketing Solutions, influencer, branded programming, shopper and experiential campaigns.

CBS and Viacom set a August 8 deadline for their merger talks, according to reports.

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More Nick: Nickelodeon Embarks on New Direction with its Biggest, Most Wide-Ranging Content Slate Ever!
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