Saturday, July 25, 2020

'SpongeBob SquarePants' Graduates from Viral Anime Openings to a Full Episode, 'Bubble Bass Arc'

The anime openings for SpongeBob SquarePants that have been created by fan animator Narmak have gone viral time and time again on the internet, thanks in part to the stylish animation as well as taking the hilarious characters and placing them into ridiculously serious scenarios and now, fans have the chance to watch a full episode of what an anime series for SpongeBob would look like. Remaining one of the most popular, if not the most popular, animated series on Nickelodeon, the series continues to this day and has a third feature length film set to arrive in the future.

In the first episode of the "Bubble Bass Arc", we see SpongeBob attempting to get back the Krusty Krab Secret Formula, after discovering that Mr. Krabs had sent Squidward to retrieve it from the massive figure known as Bubble Bass. Of course, the anime interpretation of SpongeBob SquarePants is fit to bursting with homages to the medium of anime, as well as a number of familiar faces from the now legendary series from Nickelodeon. While we don't know if there will ever be an official SpongeBob SquarePants anime, it's not hard to imagine it would have some big shoes to fill with this amazing interpretation.


SpongeBob first premiered on Nickelodeon in 1999 and currently has over a dozen seasons to its name as well as over two hundred and fifty episodes as well. The franchise has also had two feature length films released in the forms of The SpongeBob SquarePants Movie and its sequel The SpongeBob Movie: Sponge Out Of Water. The next film of the trilogy, The SpongeBob Movie: Sponge on the Run, was originally slated to be released this year, but obviously, the film had to be delayed as a result of the COVID-19 (coronavirus) pandemic. It'll now forego a theatrical release, and bow in the U.S via premium video on demand in early 2021 and then move exclusively to CBS All Access, and on Netflix internationally.

SpongeBob has been running for over two decades, and shows no signs of ending any time soon, with new episodes being released on the regular for the series that follows the denizens of Bikini Bottom. Though we aren't sure if there will be future episodes of SpongeBob SquarePants The Anime down the road, fans will certainly be crossing their fingers that we see more from this animator in the future.

More Nick: Nickelodeon Announces Voice Cast for 'Kamp Koral: SpongeBob’s Under Years', First-Ever 'SpongeBob SquarePants' Spinoff!

Original source: ComicBook.
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Jimmy Fallon Questions President Trump’s Cognitive Abilities with Video Featuring Dora The Explorer

Dora the Explorer gets political!


Late night comedy host and political commentator Jimmy Fallon has a major question about President Donald Trump, and it is not exactly flattering.

On Friday (July 25) morning, Fallon took to Twitter to make an inquiry about the president’s intellectual abilities in a short post. The five-word caption, while brief, jumped right to the heart of Fallon’s curiosities. “Can you say, ‘cognitively there,’” the political commentator tweeted.

The post comes at the heels of a Fox News interview that the American president did with Fox News medical contributor Dr. Marc Siegel. In the exclusive, Mr. Trump explained the format of a cognitive test that he claims to have taken recently.

According to the president, he was posed a series of memory questions involving lists of words. “Person, woman, man, camera, TV,” the president recited in his interview with Dr. Siegel.

The official results of the alleged test have yet to be released to the public.

In addition to posting a question about Mr. Trump’s mental faculties, Fallon tweeted a short video parody of the president’s interview with Dr. Siegel.


The forty-one-second clip incorporates imagery from Nickelodeon's educational children’s television series Dora The Explorer.

Throughout the video, Dora encourages Mr. Trump to accurately parrot the very words that he repeats in his Fox News exclusive. “Can you say, ‘person, woman, man, camera, TV,’” the cartoon character asks.

In the clip, the president seems to engage in Dora’s activity. “Person, woman, man, camera, TV,” Mr. Trump said repeatedly. Every time Trump repeats the sequence correctly, Dora responds positively, ending by saying her famous catchphrase "we did it!"

Update - Fatima Ptacek, who voiced the Latino heroine, tweeted: "I have always been proud of the role I played sharing Spanish language, Latino culture, and problem solving skills with children while voicing Dora the Explorer (2010 - 2018), but there’s something deeply satisfying about hearing my voice in this @ProjectLincoln ad ❤️"


Nickelodeon's beloved animated preschool series Dora The Explorer aims to teach problem-solving skills and new Spanish vocabulary to young children.

For more commentary from Jimmy Fallon, you can tune into The Tonight Show weeknights on NBC.

More Nick: Press Secretary Kayeigh McEnany, Criticizing ‘Cancel’ Culture, Claims ‘Paw Patrol’ Was Canceled, But It Wasn’t!

Original source: TheThings.com.
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First Look at 'Avatar: The Last Airbender: The Shadow of Kyoshi' Cover Art

The story of Avatar Kyoshi continues! Check out the cover for Avatar: The Last Airbender: The Shadow of Kyoshi, the follow-up to F.C. Yee and Michael Dante DiMartino's New York Times bestselling Avatar: The Last Airbender: The Rise of Kyoshi, hitting shelves Tuesday, July 21, 2020! Pre-order now at https://www.abramsbooks.com!

AVATAR, THE LAST AIRBENDER: THE SHADOW OF KYOSHI (THE KYOSHI NOVELS BOOK 2)
By F. C. Yee


The epic, can’t-miss follow-up to the New York Times bestselling Avatar, The Last Airbender: The Rise of Kyoshi

Kyoshi’s place as the true Avatar has finally been cemented—but at a heavy cost. With her mentors gone, Kyoshi voyages across the Four Nations, struggling to keep the peace. But while her reputation grows, a mysterious threat emerges from the Spirit World. To stop it, Kyoshi, Rangi, and their reluctant allies must join forces before the Four Nations are destroyed irreparably. This thrilling follow-up continues Kyoshi’s journey from a girl of humble origins to the merciless pursuer of justice still feared and admired centuries after becoming the Avatar.

About The Author

Outside of writing, F. C. Yee practices capoeira, a Brazilian form of martial arts, and has a day job mostly involving spreadsheets. His debut YA novel, The Epic Crush of Genie Lo, released in August 2017 to critical acclaim. He lives and writes in Denver. The Shadow of Kyoshi was written in consultation with Michael Dante DiMartino, the co-creator, executive producer, and story editor of the animated TV series Avatar: The Last Airbender and The Legend of Korra.

Book Details

Publisher: Abrams Children's Books
Imprint: Amulet Books
Publication Date: July 21, 2020
Price: $18.99
Trim Size: 5 1⁄2 x 8 1⁄4
ISBN: 978-1-4197-3505-9
EAN: 9781419735059
Page Count: 368
Format: Hardcover
Rights: North America
Additional formats: Ebook

From Nerdist:

THE SHADOW OF KYOSHI Continues the Powerful Avatar’s Story

When Avatar: The Last Airbender introduced Avatar Kyoshi as a statue and then as a vision, fans stood up and took notice. She made an impression. The book The Rise of Kyoshi by F.C. Yee looked at the character’s origins and history. She was the longest-living Avatar and established the Kyoshi Warriors and founded the Dai Li. And now, we have the next chapter in her story with Avatar, The Last Airbender: The Shadow of Kyoshi—also by F.C. Yee. Her place as the Avatar is sturdy, but now Kyoshi is on her own. She has to protect the Four Nations from a threat emerging from the Spirit World.

Yee related to Nerdist how Kyoshi first came into his life and how he developed the character. He worked with Michael Dante DiMartino, the co-creator, executive producer, and story editor of the animated TV series on the book, too. Yee had the challenge of bringing the very visual language of bending the elements to the page, and he shared how he did so in the book. Read his thoughts below.

"Avatar quickly became one of my all-time favorite shows back when I first watched the series. Somewhere on an old lost hard drive, next to my expired Final Draft Pro license, lies my spec script for Avatar that I wrote while watching season two. While TV writing turned out not to be in the cards, the Avatar franchise stuck with me (as it’s done for so many people) even through the years where I was creatively fallow. My debut novel, The Epic Crush of Genie Lo, ended up being an action-adventure-comedy with Asian influences. That is no coincidence.
I wasn’t present for the origin of the Kyoshi novels. My publisher and Nickelodeon worked on a proposal for two books about Kyoshi before asking me if I was interested. I don’t know if Kyoshi came up because she was the next Avatar down the line that we knew very little about at the time, or because everyone involved with the proposal had exceptional taste, but there it was—a chance to write about my favorite “prequel” character for one of my favorite media franchises.

The show establishes characters and makes them iconic with such great economy. In a few short appearances, we learn Kyoshi is venerated, she is blunt and unbothered to a fault, and that she considers justice one of the highest goods. I worked on her character with those qualities as a destination and tried to figure out what changes to get there would be interesting to read about. That need for a character arc is very much the origin of her tragic backstory. Someone as hard as Kyoshi is as an adult probably went through some rough times when they were younger.

On panels I often talk about the difficulty of capturing the movement and energy of bending in prose but describing Kyoshi’s bending was a story challenge as well. In the show we see her perform some of the most spectacular in-universe feats. Someone that powerful is rarely going to be in personal narrative danger, plus we all know she lives the longest life in the entire setting. The way I approached her growth in power and tried to make it interesting is split out over the course of the two books. In Rise, she has to come to grips with her desire for strength. In Shadow, she has it in spades, but how is she going to end up using it?

The other factor I tried to apply to the books was the Avatar world being a living, breathing setting that will keep on going even when the protagonists are absent. The precedent is set in the opening credits of the show, and I think this is one of the things that has kept Avatar so relevant to its fans over time. In so many cases in fiction, it feels like the surroundings vanish when the main character isn’t there to observe them. The depth of Avatar’s world building and the structure of its plots renders that disappearing act impossible. If there’s anything I hope readers take away from the books, it’s that the same applies in our lives. Our world turns lack of action into a choice. It makes all of us relevant, whether we want it to or not."

Avatar, The Last Airbender: The Shadow of Kyoshi will be available on July 21. You can pre-order the book now.

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From ScreenRant:

Avatar: Kyoshi Did What Aang Refused To Do With Ozai

In the new Avatar prequel novel The Shadow of Kyoshi, the titular heroine is forced to do something that Aang would not on Avatar: The Last Airbender.

WARNING: Spoilers for The Shadow of Kyoshi


In the climactic battle of The Shadow of Kyoshi, the title character makes a decision to do something that Aang pulled himself back from in the finale of Avatar: The Last Airbender. The second of F.C. Yee's Avatar prequel novels, following 2019's The Rise of Kyoshi, The Shadow of Kyoshi sees its heroine placed into many challenging and even emotionally difficult situations. However, the book's ending pushes her to make a bitter choice to save the day.

In Avatar's series finale, Aang finds himself confronted with the possibility of having to kill Fire Lord Ozai in order to end the Fire Nation's conquest of the world once and for all. With Aang having been brought up as a peaceful Southern Air Temple monk, the great value he places on all life leaves him in a deep philosophical and spiritual crisis. Though he comes close to slaying Ozai when they finally face-off, with Aang's past lives ready for him to do so while he is in the Avatar State, Aang ultimately pulls back and instead uses Energybending, an ability earlier granted to him by a Lion Turtle, to render Ozai incapable of Firebending.

Kyoshi faces a similar and arguably far more emotional dilemma in her final confrontation with Yun. Having emerged from the Spirit World with the power of Father Glowworm, Yun had previously been mistakenly identified as the new Avatar before it was correctly determined to be Kyoshi. With Yun now intent on wreaking bloody vengeance on the world after the cruel rejection he was subject to, Kyoshi and Rangi do their best to hold their own against Yun, with Rangi being stabbed in the back by Yun during the battle. As Kyoshi holds her in her arms, she mournfully apologizes for Yun's life being ruined when Kyoshi "stole your Avatarhood". This causes Yun to lower his guard and approach her, with Kyoshi also apologizing for telling him that he needed to be able to live with his pain, "Because you won't." Kyoshi then finally uses icebending to freeze Yun's heart and lungs, ending his rampage, and with it, his life.

The Shadow of Kyoshi's ending is a clear inversion of Aang sparing Ozai in Avatar's finale, and shows that unlike Aang, Kyoshi, however reluctantly, was willing to use lethal force as the Avatar. Of course, this doesn't place Aang on a pedestal or make Kyoshi into a lesser Avatar. Aang had the benefit of being able to remove Ozai's Firebending from him, an ability that Kyoshi lacked, while it is also clear that Yun was not only now powerful enough to stand his ground against the Avatar, but too consumed with rage to be reasoned with. Under the circumstances, Kyoshi simply had no other option.

Fortunately, Rangi is healed from the near-mortal wound that Yun had inflicted upon her, while Kyoshi pays her respects to Yun at his grave, heartbroken that she could not save him from himself. Ultimately, the ending of Avatar: The Last Airbender is given a dark mirror in The Shadow of Kyoshi. Despite doing everything in her power to pull Yun back from the abyss he'd fallen into, Kyoshi was forced to make the one choice that Aang could not bring himself to.

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From ComicBook:

Avatar Reveals a Major Difference Between Aang and Kyoshi in New Book

Netflix has helped in bringing back the hype when it comes to the likes of Avatar The Last Airbender and its sequel, the Legend of Korra, placing both series onto the streaming service, but one story you won't find on the platform is the current prequel novel known as the Shadow of Kyoshi, which is a novel that shows us the main difference between Aang and his predecessor in Kyoshi. Kyoshi was one of the earlier Avatars, having grown up in the world of the Earth Kingdom but clearly having a much bigger "killer instinct" than either Aang or Korra.

In the novel of Shadow of Kyoshi, the second book that follows the story of the Earth Kingdom Avatar, Kyoshi is attempting to battle against the threat of Yun, a bender who believes that the current Avatar had stolen the power that was rightfully his. Throughout the story, Kyoshi is left wondering what she should do, placed into a very similar situation as Aang was battling against the lord of the Fire Nation, Ozai, but unlike the young protagonist of the Nickelodeon series, the Earth Bender wasn't afraid to unleash her power in a terrifying way.

With Kyoshi making up her mind as to how to end the battle, she uses water bending to freeze Yun's lungs and heart, putting an end to his threat to the world at large. Unlike Aang who had decided to take Ozai's ability to bend and place him into prison for the rest of his life, Kyoshi had not mastered that ability and had instead decided to put an end to Yun permanently in a terrible way.

Kyoshi and Aang have met a number of times throughout the animated series of Avatar The Last Airbender, with the young protagonist normally visiting her spirit and asking her for advice on some of the major issues that were facing both himself and the world at large. When Aang was debating what to do about the Fire Lord Ozai, Kyoshi informed him that the "right choice" was to kill the head of the Fire Nation in order to save the world and put a stop to his reign of terror.

What do you think of the major difference between Aang and Kyoshi in the world of Avatar The Last Airbender? Feel free to let us know in the comments [...]!

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More Nick: Netflix to Host Open Casting Call for Live-Action 'Avatar: The Last Airbender' Series!

Originally published: Sunday, January 26, 2020.
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ViacomCBS Consumer Products LatAm Appoints Mon Entertainment as Licensing Agent for Colombia and Ecuador

ViacomCBS Networks Consumer Products Latin America (Latinoamérica) has appointed Mon Entertainment as its licensing agent for Colombia and Ecuador. Under the agreement, Mon will build and manage the ViacomCBS portfolio of brands, including SpongeBob SquarePants, Garfield, PAW Patrol, Blue’s Clues and You!, Baby Shark, Bala, MTV and South Park. It will also promote and expand VCN's existing licensing and merchandising business in these markets.


From Contenidos.News:

VIACOMCBS ELIGE A MON ENTERTAINMENT COMO REPRESENTANTE DE LICENCIAS EN COLOMBIA Y ECUADOR

La alianza incluye a las reconocidas marcas 'Bob Esponja Pantalones Cuadrados', 'Paw Patrol', '¡Pistas de Blue y Tú!', 'Garfield', 'Baby Shark', 'Bala', 'MTV' y 'South Park', entre otros.

ViacomCBS Consumer Products Latinoamérica anunció a Mon Entertainment como su representante de licencias para Colombia y Ecuador.

Según los términos del acuerdo, Mon Entertainment será responsable de construir y administrar la cartera de marcas y propiedades de Viacom Media Networks, la cual incluye a 'Bob Esponja Pantalones Cuadrados', 'Paw Patrol', '¡Pistas de Blue y Tú!', 'Garfield', 'Baby Shark', 'Bala', 'MTV' y 'South Park', entre otros.

Además, Mon Entertainment también se encargará de promover y expandir aún más el negocio de licencias y comercialización existente de Viacom Media Networks en estos mercados.

###

From TV LATINA:

ViacomCBS Consumer Products anuncia nuevo representante de ventas

ViacomCBS Consumer Products Latinoamérica anuncia a Mon Entertainment, Inc. como su representante de licencias para Colombia y Ecuador.

Según los términos de dicho acuerdo, Mon Entertainment, Inc. será responsable de construir y administrar la cartera de marcas y propiedades de VMN, la cual incluye a Bob Esponja Pantalones Cuadrados, Paw Patrol, ¡Pistas de Blue y Tú!, Garfield, Baby Shark, Bala, MTV, South Park, entre otros.

Además, Mon Entertainment también se encargará de promover y expandir aún más el negocio de licencias y comercialización existente de VMN en estos mercados.

###

From ttvnews:

ViacomCBS tiene nuevo representante de licencias en Colombia y Ecuador

ViacomCBS Consumer Products Latinoamérica cerró un acuerdo con Mon Entertainment, Inc. para convertirlo en su representante de licencias para Colombia y Ecuador.

ViacomCBS Consumer Products Latinoamérica anunció a Mon Entertainment, Inc. como su representante de licencias para Colombia y Ecuador.


Según los términos del acuerdo, Mon Entertainment, Inc. será responsable de construir y administrar la cartera de marcas y propiedades de VMN, la cual incluye a Bob Esponja pantalones cuadrados, Paw Patrol, ¡Pistas de Blue y Tú!, Garfield, Baby Shark, Bala, MTV y South Park, entre otros.

Además, Mon Entertainment también se encargará de promover y expandir aún más el negocio de licencias y comercialización existente de VMN en estos mercados.

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From The Daily Television LLC:

ViacomCBS Consumer Products tiene nueva representación en Colombia y Ecuador

ViacomCBS Consumer Products Latin America hizo oficial en las últimas horas una nueva representación de licencias en Colombia y Ecuador. Se trata de Mon Entertainment, Inc., responsable a partir de ahora de construir y administrar la cartera de marcas y propiedades de VMN, que incluye a Bob Esponja Pantalones Cuadrados, Paw Patrol, ¡Pistas de Blue y Tú!, Garfield, Baby Shark, Bala, MTV, South Park, entre otros.

La empresa designada también se encargará de promover y expandir aún más el negocio de licencias y comercialización existente de VMN en estos mercados.

El área de Consumer Products de ViacomCBS (VCP) supervisa todas las licencias y la comercialización de ViacomCBS Inc. Sus propiedades abarcan animación, acción en vivo, preescolar, jóvenes y adultos.

Impulsado por marcas de consumo icónicas, la cartera de VCP incluye una importante variedad de brands y contenido de BET, CBS (incluidos CBS Television Studios y CBS Television Distribution), Comedy Central, MTV, Nickelodeon, Paramount Pictures y Showtime.

Además, VCP supervisa el negocio en línea directo al consumidor para los productos de programación de CBS y Showtime, así como los sitios web de comercio electrónico de marca independiente para Star Trek, SpongeBob, South Park y MTV.

###

From Grupo Isos:

ViacomCBS Consumer Products Latinoamérica anuncia nuevo representantes para Colombia y Ecuador

Mon Entertainment, Inc., nuevo representante de licencias para Colombia y Ecuador, se encargará de construir y administrar la cartera de marcas de la compañía en estos mercados

ViacomCBS Consumer Products Latinoamérica anuncia a Mon Entertainment, Inc. como su representante de licencias para Colombia y Ecuador.

Según los términos del acuerdo, Mon Entertainment, Inc. será responsable de construir y administrar la cartera de marcas y propiedades de VMN, la cual incluye a Bob Esponja Pantalones Cuadrados, Paw Patrol, ¡Pistas de Blue y Tú!, Garfield, Baby Shark, Bala, MTV, South Park, entre otros. Además, Mon Entertainment también se encargará de promover y expandir aún más el negocio de licencias y comercialización existente de VMN en estos mercados.

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From Tecnogus:

ViacomCBS Consumer Products Latinoamérica anuncia nuevo representante de licencias para Colombia y Ecuador

ViacomCBS Consumer Products Latinoamérica anuncia a Mon Entertainment, Inc. como su representante de licencias para Colombia y Ecuador.

Según los términos de dicho acuerdo, Mon Entertainment, Inc. será responsable de construir y administrar la cartera de marcas y propiedades de VMN, la cual incluye a Bob Esponja Pantalones Cuadrados, Paw Patrol, ¡Pistas de Blue y Tú!, Garfield, Baby Shark, Bala, MTV, South Park, entre otros. Además, Mon Entertainment también se encargará de promover y expandir aún más el negocio de licencias y comercialización existente de VMN en estos mercados.

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More Nick: Viacom International Studios Americas to Produce 'Planeta Marcia', a New Out-Of-This World Scripted Series for Nickelodeon!

Original source: Kidscreen.
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Netflix Cancels 'Greenhouse Academy'

After a successful four-season run, Netflix hit teen drama series Greenhouse Academy will not be returning with season five. The news was announced by Giora Chamizer, the creator of Greenhouse Academy on her official Instagram Stories.


Based on Nickelodeon Israel's hit series The Greenhouse, Greenhouse Academy was one of the most-watched and liked series on Netflix.

Chamizer’s Instagram story read, “I wish I had good news to tell you, but I really don’t. I am sorry to tell you that Netflix has discontinued our show. The entire cast was so ready to shoot two more seasons this coming fall, so this came as a shock to all of us. We still don’t really understand why such an inexpensive show, with so many fans, got terminated.

“I’d still like to thank Netflix for giving us a chance of a lifetime to bring our show to millions of fans all over the world. I hope that we can someday find a way to shoot and air those final two seasons. You all deserve to see how our story really ends. In the meantime we send our love to all of you who fell in love with our little show.” added the creator.

In Greenhouse Academy, at a private boarding school for gifted future leaders, mysterious events draw kids from both competing houses into a secret investigation. They uncover a deadly plot to destroy the planet. Only by joining forces and working together will they be able to save the world.

Greenhouse Academy is a Netflix original series based on the Israeli tween-drama The Greenhouse, which ran on Nickelodeon Israel. Both versions were created by Giora Chamizer and produced by Nutz Productions, a subsidiary of Ananey Communications. The series ran for 40 22-minute episodes of four seasons. The first season of the series was released back in 2017, followed by second in 2018, third in 2019, and the final season early this year in March.

Greenhouse Academy starred Ariel Mortman as Hayley Woods, Finn Roberts as Alex Woods, BJ Mitchell as Parker Grant, Chris O'Neal (How To Rock, Swindle, You Gotta See This) as Daniel Hayward, Benjamin Papac as Max Miller, Cinthya Carmona as Sophie Cardona, Dallas Hart as Leo Cruz, Dana Melanie as Emma Geller, Danika Yarosh as Brooke Osmond, Ishai Golan as Carter Woods, Jessica Amlee as Jackie Sanders, Nadine Ellis as Judy Hayward, Parker Stevenson as Louis Osmond, Rafael Cebrian as Enzo, and Reina Hardesty as Aspen Fairchild.

Giora Chamizer is responsible for some of the most successful young-adult TV Dramas in Israel. He has created and written several hit teen dramas, among them the popular show Ha-Hamama (The Greenhouse). The series, produced by Nutz Productions and aired on Nickelodeon Israel, was voted best teen show by the Israeli Academy of Film and Television. Netflix later remade it under the title The Greenhouse Academy, with Chamizer acting as the series' showrunner and Nutz Productions producing all seasons in Israel. The American adaptation was launched successfully in over 190 countries. Chamizer is also responsible for The Hood, which debuted on Nickelodeon in Israel and has also been sold to the Portuguese RTP2 channel, which premiered the series in 2016 under the title O Bairro. Chamizer is currently filming Sky for TeenNick Israel.

More Nick: Viacom International Studios to Take Raft of New Titles to New Markets!

Original source: koimoi.com.
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