The global kids’ TV industry “is on its knees” because of the defection of children to online platforms and the resulting impact on traditional television, according to director of BBC Children’s and Education Patricia Hidalgo.
Louise Bucknole, GM of kids and family at Paramount UK & Ireland
Hidalgo was featured on BBC Radio 4’s Today programme this week where she spoke to former children’s TV presenter Baroness Floella Benjamin (Playskool) about the the lack of public service and locally-relevant content young audiences are finding on streaming platforms.
The executive said the BBC has not stopped making “valuable children’s content at scale,” that is both “very British” and culturally relevant, but noted that “it is mostly only public service broadcasters and mostly the BBC that is able to continue to provide this content.”
“Streaming services don’t feel they need to invest in content for children in local markets to attract them to their platforms. They will invest in content that is local but mostly for the adult population of that country,” she said.
Hidalgo added that her “number one wish” would be an improved tax incentive for the creation of culturally-relevant programming for children, to encourage content makers and platforms to consider public service values.
“I always believe the way to make people do what’s right is to positively incentivise them to do what’s right,” she said. “If we could have some sort of increased tax incentive that was specifically targeted to creating culturally relevant content for children in the UK, that would go a long way.”
Speaking alongside Hidalgo was Louise Bucknole, general manager of kids and family at Paramount UK & Ireland, who heads commissioning at Channel 5’s preschool block Milkshake! and Nickelodeon.
Praising the now-defunct Young Audiences Content Fund, which funded 13 productions at Channel 5 between 2019 and 2022, Bucknole said a new contestable fund or pool of money via private-public funding would help to support the continuing creation of public service programming in the UK.
The exec noted that while she is still commissioning content, commissions are not at the same level as they were due to funding challenges. “What we’re having to do, particularly with live-action series, is we’re having to fully fund. So, we’re not going to make as many [shows] because we have a limit on our budgets,” she said.
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Classic Rugrats Comic Strip for January 2, 2025 | Nickelodeon
Stream the classic Rugrats series on Paramount+! Try it FREE at ParamountPlus.com!
Rugrats, provided to Creators Syndicate by Nickelodeon, based off the popular animated television series has been created for children and family's to laugh and enjoy together.
Follow these comics and their take on real episodes of the show and their own spin on hilarious adventures.
Nick Jr. Israel (讬ִ砖ְׂ专ָ讗ֵ诇) will premiere 讗讬诪讜谞讬拽讬, a brand new health and fitness-themed series for preschoolers hosted by Royi Higashi on Sunday 22nd December 2024! In each episode, Royi will take viewers at home and the kids on-screen through a fun fitness workout, accompanied by entertaining songs. To celebrate, Nickelodeon will host a special premiere event on Wednesday 18th December 2024, which will include the screening of two episodes on the big screen, along with a meet and greet with Royi after the show.
LOS ANGELES, Dec. 9, 2024 – Today, the Golden Globes® announced the nominees for the 82ND ANNUAL GOLDEN GLOBES®, which will air live on Sunday, Jan. 5, 2025 (8:00-11:00 PM, live ET/5:00-8:00 PM, live PT) on CBS and stream on Paramount+ in the U.S. (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).* Mindy Kaling and Morris Chestnut presented nominees for each of the 27 award categories at a press conference at the Beverly Hilton.
The Golden Globes, often referred to as “Hollywood’s Party of the Year®,” is the largest awards show in the world to celebrate the best of both film and television. Multi-Emmy Award®-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment (WCE) will return as executive producing showrunners for the 82ND ANNUAL GOLDEN GLOBES. Dick Clark Productions will plan, host and produce the 82ND ANNUAL GOLDEN GLOBES, which has been viewed in more than 185 countries and territories worldwide. This year’s votes were tabulated by KPMG, the U.S. audit, tax, and advisory firm.
Following is the complete list of Nominees for the 82ND ANNUAL GOLDEN GLOBES:
BEST MOTION PICTURE – DRAMA
THE BRUTALIST (A24)
A COMPLETE UNKNOWN (Searchlight Pictures)
CONCLAVE (Focus Features)
DUNE: PART TWO (Warner Bros. Pictures)
NICKEL BOYS (Orion Pictures / Amazon MGM Studios)
SEPTEMBER 5 (Paramount Pictures)
BEST MOTION PICTURE – MUSICAL OR COMEDY
ANORA (NEON)
CHALLENGERS (Amazon MGM Studios)
EMILIA P脡REZ (Netflix)
A REAL PAIN (Searchlight Pictures)
THE SUBSTANCE (MUBI)
WICKED (Universal Pictures)
BEST MOTION PICTURE – ANIMATED
FLOW (Sideshow / Janus Films)
INSIDE OUT 2 (Walt Disney Studios Motion Pictures)
MEMOIR OF A SNAIL (IFC Films)
MOANA 2 (Walt Disney Studios Motion Pictures)
WALLACE & GROMIT: VENGEANCE MOST FOWL (Netflix)
THE WILD ROBOT (Universal Pictures)
CINEMATIC AND BOX OFFICE ACHIEVEMENT
ALIEN: ROMULUS (Walt Disney Studios Motion Pictures)
BEETLEJUICE BEETLEJUICE (Warner Bros. Pictures)
DEADPOOL & WOLVERINE (Walt Disney Studios Motion Pictures)
GLADIATOR II (Paramount Pictures)
INSIDE OUT 2 (Walt Disney Studios Motion Pictures)
TWISTERS (Universal Pictures)
WICKED (Universal Pictures)
THE WILD ROBOT (Universal Pictures)
BEST MOTION PICTURE – NON-ENGLISH LANGUAGE
ALL WE IMAGINE AS LIGHT (Sideshow / Janus Films) - USA / FRANCE / INDIA
EMILIA P脡REZ (Netflix) - FRANCE
THE GIRL WITH THE NEEDLE (MUBI) - POLAND / SWEDEN / DENMARK
I’M STILL HERE (Sony Pictures Classics) - BRAZIL
THE SEED OF THE SACRED FIG (NEON) - USA / GERMANY
VERMIGLIO (Sideshow / Janus Films) - ITALY
BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – DRAMA
PAMELA ANDERSON (THE LAST SHOWGIRL)
ANGELINA JOLIE (MARIA)
NICOLE KIDMAN (BABYGIRL)
TILDA SWINTON (THE ROOM NEXT DOOR)
FERNANDA TORRES (I’M STILL HERE)
KATE WINSLET (LEE)
BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – DRAMA
ADRIEN BRODY (THE BRUTALIST)
TIMOTH脡E CHALAMET (A COMPLETE UNKNOWN)
DANIEL CRAIG (QUEER)
COLMAN DOMINGO (SING SING)
RALPH FIENNES (CONCLAVE)
SEBASTIAN STAN (THE APPRENTICE)
BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
AMY ADAMS (NIGHTBITCH)
CYNTHIA ERIVO (WICKED)
KARLA SOF脥A GASC脫N (EMILIA P脡REZ)
MIKEY MADISON (ANORA)
DEMI MOORE (THE SUBSTANCE)
ZENDAYA (CHALLENGERS)
BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
JESSE EISENBERG (A REAL PAIN)
HUGH GRANT (HERETIC)
GABRIEL LABELLE (SATURDAY NIGHT)
JESSE PLEMONS (KINDS OF KINDNESS)
GLEN POWELL (HIT MAN)
SEBASTIAN STAN (A DIFFERENT MAN)
BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
SELENA GOMEZ (EMILIA P脡REZ)
ARIANA GRANDE (WICKED)
FELICITY JONES (THE BRUTALIST)
MARGARET QUALLEY (THE SUBSTANCE)
ISABELLA ROSSELLINI (CONCLAVE)
ZOE SALDA脩A (EMILIA P脡REZ)
BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
YURA BORISOV (ANORA)
KIERAN CULKIN (A REAL PAIN)
EDWARD NORTON (A COMPLETE UNKNOWN)
GUY PEARCE (THE BRUTALIST)
JEREMY STRONG (THE APPRENTICE)
DENZEL WASHINGTON (GLADIATOR II)
BEST DIRECTOR – MOTION PICTURE
JACQUES AUDIARD (EMILIA P脡REZ)
SEAN BAKER (ANORA)
EDWARD BERGER (CONCLAVE)
BRADY CORBET (THE BRUTALIST)
CORALIE FARGEAT (THE SUBSTANCE)
PAYAL KAPADIA (ALL WE IMAGINE AS LIGHT)
BEST SCREENPLAY – MOTION PICTURE
JACQUES AUDIARD (EMILIA P脡REZ)
SEAN BAKER (ANORA)
BRADY CORBET, MONA FASTVOLD (THE BRUTALIST)
JESSE EISENBERG (A REAL PAIN)
CORALIE FARGEAT (THE SUBSTANCE)
PETER STRAUGHAN (CONCLAVE)
BEST ORIGINAL SCORE – MOTION PICTURE
VOLKER BERTELMANN (CONCLAVE)
DANIEL BLUMBERG (THE BRUTALIST)
KRIS BOWERS (THE WILD ROBOT)
CL脡MENT DUCOL, CAMILLE (EMILIA P脡REZ)
TRENT REZNOR, ATTICUS ROSS (CHALLENGERS)
HANS ZIMMER (DUNE: PART TWO)
BEST ORIGINAL SONG – MOTION PICTURE
“BEAUTIFUL THAT WAY” –– THE LAST SHOWGIRL
Music & Lyrics by: Andrew Wyatt, Miley Cyrus, Lykke Zachrisson
“COMPRESS / REPRESS” –– CHALLENGERS
Music & Lyrics by: Trent Reznor, Atticus Ross, Luca Guadagnino
“EL MAL” –– EMILIA P脡REZ
Music & Lyrics by: Cl茅ment Ducol, Camille, Jacques Audiard
“FORBIDDEN ROAD” –– BETTER MAN
Music & Lyrics by: Robbie Williams, Freddy Wexler, Sacha Skarbek
“KISS THE SKY” –– THE WILD ROBOT
Music & Lyrics by: Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
“MI CAMINO” –– EMILIA P脡REZ
Music & Lyrics by: Cl茅ment Ducol, Camille
BEST TELEVISION SERIES – DRAMA
THE DAY OF THE JACKAL (PEACOCK)
THE DIPLOMAT (NETFLIX)
MR. & MRS. SMITH (PRIME VIDEO)
SH艑GUN (FX/HULU)
SLOW HORSES (APPLE TV+)
SQUID GAME (NETFLIX)
BEST TELEVISION SERIES – MUSICAL OR COMEDY
ABBOTT ELEMENTARY (ABC)
THE BEAR (FX/HULU)
THE GENTLEMEN (NETFLIX)
HACKS (HBO | MAX)
NOBODY WANTS THIS (NETFLIX)
ONLY MURDERS IN THE BUILDING (HULU)
BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION
BABY REINDEER (NETFLIX)
DISCLAIMER (APPLE TV+)
MONSTERS: THE LYLE AND ERIK MENENDEZ STORY (NETFLIX)
THE PENGUIN (HBO | MAX)
RIPLEY (NETFLIX)
TRUE DETECTIVE: NIGHT COUNTRY (HBO | MAX)
BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – DRAMA
KATHY BATES (MATLOCK)
EMMA D’ARCY (HOUSE OF THE DRAGON)
MAYA ERSKINE (MR. & MRS. SMITH)
KEIRA KNIGHTLEY (BLACK DOVES)
KERI RUSSELL (THE DIPLOMAT)
ANNA SAWAI (SH艑GUN)
BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – DRAMA
DONALD GLOVER (MR. & MRS. SMITH)
JAKE GYLLENHAAL (PRESUMED INNOCENT)
GARY OLDMAN (SLOW HORSES)
EDDIE REDMAYNE (THE DAY OF THE JACKAL)
HIROYUKI SANADA (SH艑GUN)
BILLY BOB THORNTON (LANDMAN)
BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
KRISTEN BELL (NOBODY WANTS THIS)
QUINTA BRUNSON (ABBOTT ELEMENTARY)
AYO EDEBIRI (THE BEAR)
SELENA GOMEZ (ONLY MURDERS IN THE BUILDING)
KATHRYN HAHN (AGATHA ALL ALONG)
JEAN SMART (HACKS)
BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
ADAM BRODY (NOBODY WANTS THIS)
TED DANSON (A MAN ON THE INSIDE)
STEVE MARTIN (ONLY MURDERS IN THE BUILDING)
JASON SEGEL (SHRINKING)
MARTIN SHORT (ONLY MURDERS IN THE BUILDING)
JEREMY ALLEN WHITE (THE BEAR)
BEST PERFORMANCE BY A FEMALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
CATE BLANCHETT (DISCLAIMER)
JODIE FOSTER (TRUE DETECTIVE: NIGHT COUNTRY)
CRISTIN MILIOTI (THE PENGUIN)
SOF脥A VERGARA (GRISELDA)
NAOMI WATTS (FEUD: CAPOTE VS. THE SWANS)
KATE WINSLET (THE REGIME)
BEST PERFORMANCE BY A MALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
COLIN FARRELL (THE PENGUIN)
RICHARD GADD (BABY REINDEER)
KEVIN KLINE (DISCLAIMER)
COOPER KOCH (MONSTERS: THE LYLE AND ERIK MENENDEZ STORY)
EWAN MCGREGOR (A GENTLEMAN IN MOSCOW)
ANDREW SCOTT (RIPLEY)
BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
LIZA COL脫N-ZAYAS (THE BEAR)
HANNAH EINBINDER (HACKS)
DAKOTA FANNING (RIPLEY)
JESSICA GUNNING (BABY REINDEER)
ALLISON JANNEY (THE DIPLOMAT)
KALI REIS (TRUE DETECTIVE: NIGHT COUNTRY)
BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
TADANOBU ASANO (SH艑GUN)
JAVIER BARDEM (MONSTERS: THE LYLE AND ERIK MENENDEZ STORY)
HARRISON FORD (SHRINKING)
JACK LOWDEN (SLOW HORSES)
DIEGO LUNA (LA M脕QUINA)
EBON MOSS-BACHRACH (THE BEAR)
BEST PERFORMANCE IN STAND-UP COMEDY ON TELEVISION
JAMIE FOXX (JAMIE FOXX: WHAT HAD HAPPENED WAS)
NIKKI GLASER (NIKKI GLASER: SOMEDAY YOU’LL DIE)
SETH MEYERS (SETH MEYERS: DAD MAN WALKING)
ADAM SANDLER (ADAM SANDLER: LOVE YOU)
ALI WONG (ALI WONG: SINGLE LADY)
RAMY YOUSSEF (RAMY YOUSSEF: MORE FEELINGS)
*Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.
This year, the Golden Globes teamed up with X to create a special badge that nominees can add to their X profiles, identifying the recognition they’re receiving for their remarkable contributions to film and television.
About Golden Globes®
As a premier entertainment awards show since 1944, the annual Golden Globes has honored achievements in both television and film. Over the last three decades, the Golden Globes has enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities. Dick Clark Productions is the owner and producer of the Golden Globes. For more information on the Golden Globe Awards, please visit www.GoldenGlobes.com and follow us on X, Instagram, Facebook, and in Spanish on X and Facebook.
About Dick Clark Productions
Dick Clark Productions (DCP) is the world's largest producer and proprietor of televised live event entertainment programming including the "Academy of Country Music Awards," "American Music Awards," "Billboard Music Awards," "Dick Clark's New Year's Rockin' Eve with Ryan Seacrest," “Golden Globes,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world's most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is owned by Penske Media Corporation, in a subsidiary joint venture between Penske Media and Eldridge. Dick Clark Productions is a Penske Media company. For more information, please visit www.DickClark.com.
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About KPMG LLP
KPMG LLP is the US firm of the KPMG global organization of independent professional services firms providing Audit, Tax and Advisory services. The KPMG global organization operates in 143 countries and territories and has more than 273,000 partners and employees working in member firms around the world. Each KPMG firm is a legally distinct and separate entity and describes itself as such. For more detail about our structure, please visit home.kpmg/governance.