Wednesday, March 11, 2015

Variety Unveils Nickelodeon Center Fold In Current Issue; Matt Layzell Honored At "10 Animators To Watch" Event

To celebrate Variety's first-ever "10 Animators to Watch" event presented by Variety and Nickelodeon, which Variety and Nickelodeon held at a special event on Tuesday 10th March 2015 at Siren Studios in Hollywood, California, the current issue of Variety features a phenomenal NickToons center spread, featuring a montage of characters from some of Nickelodeon's past, present and future animated series, from classic hits "Rugrats" and "The Ren & Stimpy Show" to current hits "SpongeBob SquarePants", "Sanjay and Craig", "Teenage Mutant Ninja Turtles" and "Breadwinners", to upcoming animated shows "Harvey Beaks", premiering 3/29, "Pig Goat Banana Cricket" and "The Loud House"!:



Pictured shows: "The Legend of Korra", "The Fairly OddParents", "Rugrats", "The Ren & Stimpy Show", "Dora the Explorer", "SpongeBob SquarePants", "Sanjay and Craig", "Teenage Mutant Ninja Turtles", "Breadwinners", "Hey Arnold!", "Blue's Clues", "Harvey Beaks", "Pig Goat Banana Cricket", "The Loud House" and "Aaahh!!! Real Monsters". Photo: The official Nickelodeon Animation Studio Twitter page, @NickAnimation.

At the "10 Animators to Watch" event, Nickelodeon also unveiled that they are planning to unite the entire Nickelodeon family in a single state-of-the-art facility called "Nickelodeon Studios" which will open in Burbank, California in 2016, just in time for Nickelodeon Animation's 25th anniversary, and that they're currently developing "Moosebox", a animated short created by Mike Scott from South Africa's Triggerfish Animation Studios that was a finalist in Nickelodeon's 2013 Global Animated Shorts Programme, into a series!

Nickelodeon also announced that they have partnered with Get Schooled, a national non-profit co-founded by the Bill & Melinda Gates Foundation and Viacom, to award one skilled and innovative animator with a $25,000 scholarship by creating an original animated short! The partnership marks the first-ever animation scholarship program between the two organizations, which will help elevate and support the brightest up and coming animators by giving an opportunity to submit their story.

As part of their "10 Animators to Watch" event, Variety and Nickelodeon honored three animation bussiness veterans and a new class of rising talents, including Nickelodeon's very own Matt Layzell, a supervising director on "Sanjay and Craig", who was honored at the event with his brother, Paul Layzell!
Variety, Nickelodeon Fete Lasseter, Catmull, Lamb and 10 Animators to Watch



Class of 2015: Variety 10 Animators to Watch presented by Nickelodeon Animation. Photo: @Variety

The animation industry turned out to honor three biz veterans and a new class of rising talents at Variety's inaugural 10 Animators to Watch event Tuesday at Siren Studios in Hollywood, presented by Variety and Nickelodeon.

Disney-Pixar's John Lasseter and Ed Catmull were hailed for Creative Impact in Animation, while Cal State Fullerton's Dana Lamb was named Animation Educator of the Year for his work developing the animation program at the school.

Lasseter was thrilled that the event was putting the spotlight on animation because so many people are part of the process. "Animation is the most collaborative artform there is on the planet. By nature of the way you create these movies, you have to collaborate. And collaboration is where real genius happens. That's what's awesome about animation," he said.

Catmull offered this advice to those looking to get into the animation business: "It's not about learning to use tools. What makes me nervous about some programs is that they teach people how to be tool-based. It's really about recognizing the value of observation, thinking about that and using that to add something new to whatever it is you're working on."

PHOTOS: 10 Animators to Watch Gallery

Variety's 10 Animators to watch — Phil Bourassa, Warner Bros. Animation; Disney's Lorelay Bove & Brittney Lee; Paramount Animation's Dylan Brown; Nick Bruno of Blue Sky; Pixar's Josh Cooley; Thomas Grummt of DreamWorks Animation; Illumination's Miguel Jiron; the Layzell Brothers: Matt, who works at Nickelodeon, and Paul, a freelance illustrator; Disney Channel's Daron Nefcy; and Oscar-nommed stop-motion animator Timothy Reckart, who is developing a CG feature at Sony Pictures Animation — offered their own words of inspiration to aspiring animators.

Said Bove: "Enjoy what you're doing, have fun with it and draw. Draw a lot." Bove's partner at Disney, Lee, pointed out that there are more avenues than ever to gain an entree into animation. "Don't be discouraged if your first plan to get into the industry doesn't work. Try as many things as you can. It will lead you somewhere," she said.

Grummt, a lead animator on "How to Train Your Dragon 2," said: "Do as much as much animation as you can. That's the only way to learn. It'll be faster if you have people who can teach you things and can mentor you. But the only way you can get somewhere is by doing a lot of work."

Bourassa, who works in WB's DC superhero world, urged young animators to make drawing a top priority. "If you're a kid and you're still in school, school is important. And family. But then drawing has to be right up there. Obsession might not be the right word for it, but you have to train for it the way an athlete has to train for a sport."

Pixar's Cooley said to "Do what you love. I've been with Pixar for 11 years now and I still get as excited as Day One because I love telling stories and making up stuff and I can do it every day. I feel very lucky I get to do that."

Brown was at Pixar for 18 years before moving on to co-direct Paramount's first all-CG animated feature. He offered this advice: "Always be true to yourself and work with the best people you can possibly work with and learn what you can from them."

Reckart, whose stop-motion short "Head Over Heels" was Oscar-nommed, echoed Lasseter's words about collaboration: "My start really benefitted from collaborating with other people who were super talented. To me that was the major benefit of going to film school. Without them, I don't think I would have made 'Head Over Heels' and without 'Head Over Heels,' I don't think I'd be where I am now."

Illumination's Jiron pointed out that there are so many new venues for animation. "It's never been easier to create your own thing," he said. "I know so many people who are just going into school now who have already created shorts, which is incredible."

Bruno, who is working on Blue Sky's "Peanuts" movie due out this fall, says don't give up. "Keep drawing, have fun, and keep dreaming. It will happen."

Nefcy, whose series "Star Vs. the Forces of Evil" just got picked up for a second season on the Disney Channel, advised "Keep making stuff. CalArts made us make a film every year and now anyone can do that anywhere. The technology's there. It's never going to be good the first time, then it gets better the second time, and you keep getting better."

Nickelodeon's Matt Layzell, whose brother and fellow honoree Paul couldn't make the trip from the U.K. for the event, said "Work hard and, no matter what job you get, do the best you can and the rest will follow."

Presiding over the presentation of the awards were Variety Vice President and Executive Editor Steven Gaydos and Russell Hicks, president, content development and production at Nickelodeon.

Hicks also announced the establishment of a $25,000 animation scholarship by Nickelodeon in partnership with the Bill & Melinda Gates Foundation and Viacom.

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Jenna Boyd Talks About How Nickelodeon Is Searching The Internet For The Next Generation Of Animation Talent

Variety has unveiled a article which features a exclusive interview with Jenna Boyd, Nickelodeon's Senior Vice President (SVP) of animation development! In the interview, Jenna talks about how Nickelodeon is searching the internet for the next generation of animation talent. Jenna also reveals that Nickelodeon is currently developing "Moosebox", a animated short created by Mike Scott from South Africa's Triggerfish Animation Studios that was a finalist in Nickelodeon's 2013 Global Animated Shorts Programme, into a series!


Variety's article also features a interview with Nickelodeon veteran Fred Seibert, the founder and CEO of Frederator Networks ("The Fairly Oddparents", "ChalkZone", "My Life as a Teenage Robot", "Fanboy & Chum Chum", "Random! Cartoons", "Oh Yeah!Cartoons"):
Internet Serves as Spawning Ground for Emerging Animators

Not long ago, the main road to animation careers ran through art schools, and while many young animators still follow that path, other avenues are emerging.

Just ask Jenna Boyd, Nickelodeon’s senior VP of development. “The Internet has connected animators and artists around the world through Tumblr, Vimeo, YouTube, web comics and other social media channels,” she says.

Nick’s response: “We have a scout who scours the Internet to find talent. You have to do that. It’s the new normal.”

Nickelodeon shows like C.H. Greenblatt’s “Harvey Beaks” and Chris Savino’s “Loud House” reflect the new paradigm. By casting a wide net online, Greenblatt found talents like Monica Ray and Hannah Ayoubi; both are now developing Nick shows.

“There are lots of stories by female creators we haven’t seen before,” says Boyd. “Chris found a woman named Violaine Briat on Tumblr who’s a French citizen living in Japan. We’re working on bringing her to Nick.”

Nickelodeon also discovers talent online through its Global Shorts program, notes Boyd. “We’ve gotten over 1,000 pitches. Many people around the world submit ideas this way. We discovered a guy in South Africa (Mike Scott) who animated a short called ‘Moose Box’ that we’re developing into a series. Technology enables him to make his own animation, though it takes a larger studio infrastructure to scale something up to be a series.”

MooseBox from Nickelodeon International on Vimeo.

'MooseBox', created by Mike Scott and produced at Triggerfish Animation Studios for the Nickelodeon International Animated Shorts Program 2013-14.

Given the explosion of animation online, it’s not surprising that TV veterans like Frederator Studios’ Fred Seibert (“The Fairly OddParents,” “Adventure Time”) are focused on building Internet hubs where new artists can be seen.

“When I started getting engaged with the Internet 10 years ago, we sent out an email saying we were starting a channel on iTunes,” Seibert recalls. “Within a week, we got 1,000 short films. Our business is based on the talent we can meet. It’s a volume game: the more talent you meet, the more likely you’ll bump into someone brilliant.”

Today, Seibert has several online channels that showcase a worldwide network of animators, including the popular YouTube channel Cartoon Hangover.

“This channel has almost a million and a half subscribers,” he says. One breakout star is Natasha Allegri, who created “Bee & PuppyCat,” a show that has attracted funding from both YouTube and thousands of fans via Kickstarter. Seibert describes the broad reach of this young animator quite simply: “ ‘Bee & PuppyCat’ is being watched over Google Hangouts by young people in El Salvador.”

It’s estimated that a billion people watch YouTube every month — only one indication that the Web reps more than just a place where animators can be discovered. It’s also a destination for independently minded artists.

One example: Jacob Streilein, who was a star student at CalArts until last year. Instead of accepting a job from major studios, he chose Jib Jab — best known for its online animations skewering politicians. “It’s more appealing to have the opportunity to jump around and work on a combination of projects, where I can design, animate and direct,” he says. “At bigger studios you typically do just one thing.”

Streilein expects to pursue his own animation, examples of which can be seen on Vimeo. That’s a mind-set that could typify many artists in the Internet age.

Young animators who view the web as a place to shine need look no further than the success of the indie stop-motion animator with the moniker PES. Recognized for his Oscar-nominated short “Fresh Guacamole,” he says artists can make money on YouTube via ad revenue sharing: “A highly desirable piece of content can bring in money in different ways.”

PES’ latest, “Submarine Sandwich,” attracted 3.5 million views in two-and-a-half months. He funded it through a Nikon sponsorship and a Kickstarter campaign that raised $50,000 in four days.

While it’s not an easy path to success, PES thinks the web’s appeal is growing because the exposure can be so wide. “There are kids who’ve chosen to release films on the Vine platform. They could be 16 years old and have more distribution than the New York Times.”

Siebert agrees. “Every shift in technology and distribution unleashes the forces of creative people in ways that we couldn’t imagine before.”

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Tuesday, March 10, 2015

Nickelodeon To Open State-Of-The-Art Production Facility In 2016

Variety is reporting the very exciting news in the following article that Nickelodeon is planning to unite the entire Nickelodeon family in a single facility called "Nickelodeon Studios" opening in Burbank, California in 2016!:
Nickelodeon Animation Builds New Facility Just in Time for 25th Anniversary


Nickelodeon Animation Studio has big plans for the future.

With 31 titles currently in production, including live action, movies and shorts, spread out across various L.A. areas from Glendale to Santa Monica, the company aims to unite the entire Nick family in a single facility opening in Burbank next year. And the studio hopes the new state-of-the-art five-story glass structure will become a hub for the entire animation industry.

“This will be the first time all our creative teams are actually together,” says Russell Hicks, Nickelodeon’s president of content development and production. “Currently, ‘Teenage Mutant Ninja Turtles’ is being done in Glendale, ‘Dora the Explorer’ in downtown Burbank and ‘SpongeBob’ is housed at the animation studio. It will be the first time these major brands and creative hubs come together under one roof. I think it’s going to create a very exciting time and help next generation of creativity.”

Since the new site will house both live action and toon productions, the studio will also officially change its name from Nickelodeon Animation Studio to simply Nickelodeon Studios.

The opening coincides with Nickelodeon Animation’s 25th anniversary in 2016 — its three original series, “Rugrats,” “Doug” and “Ren & Stimpy” bowed in 1991 — and one of the goals for the new facility is to draw upon that history.

“We will tell our story throughout the whole building,” Hicks says. “When you walk in you’ll see the first creators. Our philosophy is creator-driven content, they are the ones who have a vision and we wrap a studio around them to support that vision.”

The creative campus is designed as an open and inviting space where employees feel the freedom and inspiration of an artists’ retreat. Among the perks: an on-site restaurant and coffee shop, a central courtyard with designated lecture space and a music room.

A Nickelodeon Studios app will include a rundown of events for the day including guest speakers, tours and screenings, and allow for easy communication and scheduling across all departments. Noting that he’s observed that creative ideas spring more frequently from casual interactions than forced meetings, Hicks wants to seize the opportunity for greater collaboration and mobility between Nick’s various production arms.

“We’ve had a lot of success with people going into live action from animation and vice versa,” he says. “We just want to increase that. And increase our student outreach to our internships. To be housed in one area of Los Angeles is the ultimate goal.”

More than just a base for Nickelodeon, Hicks vows to open the studio up to the community with tours and programs targeted at aspiring animators, aficionados of the form and industry pros.

“We want to be a hub of the animation community in California, with lecture series and open houses,” he says. “No matter where you’re from, you can come to Nickelodeon and see a lecture series from one of the greats talking about what they’re doing.”

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Nick Jr. Asia To Premiere "Dora and Friends: Into the City!" In March 2015

Original Viacom International Media Networks (VIMN) Asia Press Release via VIMN Asia's official Pressroom:

NICK JR. TAKES THE WORLD'S MOST LOVED EXPLORER, DORA, ON HER GREATEST ADVENTURE YET WITH THE NEW PRE-SCHOOL SERIES "DORA AND FRIENDS: INTO THE CITY!"

Premieres in Asia on Monday, 16 March at 8.45am (HK/SG), 9am (TH/WIB), 10am (MY) and Monday, 30 March at 11.30am (PH) on Nickelodeon, and Monday, 23 March at 10.35am (TH/WIB) and 11.35am (HK/MY/PH/SG) on Nick Jr.

Tweet it: .@nickjr's global phenomenon, Dora embarks on her greatest expedition yet in new pre-school series "Dora and Friends: Into the City!"


SINGAPORE, 27 FEBRUARY 2015 - Nick Jr.'s global phenomenon, Dora embarks on her greatest expedition yet, with new animated pre-school series Dora and Friends: Into the City! Premiering in Asia on Monday, 16 March at 8.45am (HK/SG), 9am (TH/WIB), 10am (MY) and Monday, 30 March at 11.30am (PH) on Nickelodeon, and Monday, 23 March at 10.35am (TH/WIB) and 11.35am (HK/MY/PH/SG) on Nick Jr., the half hour series centres around Dora and her new group of friends living in a city, attending school and setting out on new adventures that service the community.

Developed with the support of educational experts, the show is based on a new, interactive curriculum that focuses on community service, problem solving, emotional skills, language and culture. Created by original Dora the Explorer creators, Chris Gifford and Valerie Walsh Valdes (Dora the Explorer, Go, Diego, Go!), Dora and Friends: Into the City! will air weekdays at 8.45am (HK/SG), 9am (TH/WIB), 10am (MY) and 11.30am on Nickelodeon, and 9.15am (TH/WIB) and 10.15am (HK/MY/PH/SG) on Nick Jr. after the premiere. The Dora the Explorer series, which after 15 years remains one of the most-watched shows on Nick Jr., will also continue to air on the channel.

"Dora and Friends: Into the City! expands on Dora's legacy of being a compassionate leader, friend and role model, in a setting where she can have dynamic peer relationships and experience the world around her in new and exciting ways," said Teri Weiss, Executive Vice President, Nickelodeon Pre-school. "Pre-schoolers will explore with their favourite pal Dora and her new friends while developing interpersonal skills and a sense of community that will help them navigate new social situations like starting school and making friends. And, of course, learning Spanish along the way."

Set in the fictional city of Playa Verde, Dora and her friends set off on magical and real-life adventures. During each expedition, Dora uses Map App on her smartphone and her magical charm bracelet to navigate the city and overcome obstacles. Dora continues to be a good friend, leader, and problem-solver with a group of new friends – Kate, Naiya, Emma, Alana and Pablo – who share her passion for learning and exploring.

Dora's new friends are:

* Kate – an avid reader who is dramatic and artistic

* Naiya – an intellectual who excels at maths and science

* Emma – an accomplished musician with a drive to be the best

* Alana – an athletic, confident soccer player and animal lover

* Pablo – a smart, playful, energetic athlete and explorer

[...]

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About Nick Jr.

Nick Jr. is "the Smart Place to Play," giving kids and parents what they want – educational and entertaining content with great stories and characters that empower kids to learn while they play. The educational curriculum is in everything Nick Jr. does – the shows, packaging and promos – delivered by all the Nick Jr. characters kids know and love. The award-winning and exclusive international properties including Dora the Explorer, Team Umizoomi, Bubble Guppies and Tickety Toc are designed to engage and encourage early childhood development. For more information about Nick Jr. in Asia, visit www.nickjr.asia.

Contact

[...]

Twitter: @VIMNAsia_PR

ABOUT VIMN ASIA PRESS

Viacom International Media Networks (VIMN), a unit of Viacom Inc. (NASDAQ: VIA, VIAB), is comprised of many of the world's most popular multimedia entertainment brands, including MTV, MTV LIVE HD, Nickelodeon, Nick Jr., Comedy Central, Paramount Channel, and more. Viacom brands are seen globally in more than 3.2 billion households in approximately 170 territories and 37 languages via more than 200 locally programmed and operated TV channels and more than 550 digital media and mobile TV properties. Keep up with VIMN news by visiting the VIMN PR Twitter feed at www.twitter.com/VIMN_PR. For more information about Viacom and its businesses, visit www.viacom.com, the Viacom blog at blog.viacom.com and Twitter feed at www.twitter.com/Viacom.

Nickelodeon Announces First-Ever Animation Scholarship Program In Partnership With Get Schooled To Award One Talented Young Animator A $25,000 Scholarship

Original Nickelodeon Press Release via NickPress.com:

NICKELODEON ANNOUNCES FIRST-EVER ANIMATION SCHOLARSHIP PROGRAM IN PARTNERSHIP WITH GET SCHOOLED TO AWARD ONE TALENETD YOUNG ANIMATOR A $25,000 SCHOLARSHIP

Global Animation Scholarship Program Opens This Spring for Young Storytellers


Los Angeles, Calif.,-(March 10, 2015)- Nickelodeon has partnered with Get Schooled, a national non-profit co-founded by the Bill & Melinda Gates Foundation and Viacom, to award one skilled and innovative animator with a $25,000 scholarship by creating an original animated short. This partnership marks the first-ever animation scholarship program between the two organizations, which will help elevate and support the brightest up and coming animators by giving an opportunity to submit their story.

"With a rich history of championing artist-driven shows and shorts, Nickelodeon is on a mission to bring these ever-growing, young animators to the forefront," said Russell Hicks, President, Content Development and Production, Nickelodeon. "By partnering with Get Schooled, we are able to discover the next generation of storytellers and provide an animation scholarship for a deserving student, which is really rewarding."

"Get Schooled believes passionately in the power of education to unleash the potential of a young person," said Marie Groark, Executive Director of Get Schooled. "We are excited to partner with Nickelodeon on this incredible opportunity to find, recognize and support one of the world's best young creative minds in animation."

The scholarship opportunity will be available for 17 to 24-years-olds, in which applicants will be required to submit an animated short in any format. Realizing that talent is found across all age ranges and in all corners of the globe, 13 to 16-years-olds will be invited to submit a theme-based looping animation for the chance to win prizes, such as a tablet with animation software.

More information about the scholarship can be found at www.getschooled.com. Full guidelines will be available in April at Get Schooled and the winners will be announced summer 2015.

About Get Schooled

Get Schooled, a non-profit launched in 2010 by Viacom and the Bill & Melinda Gates Foundation, with the belief that students themselves have the power to improve their future if given the right information and motivation. Get Schooled works with 2,000 high schools across the United States and draws 1.8 million students to its website annually.

About Nickelodeon

Nickelodeon, now in its 35th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, online, recreation, books and feature films. Nickelodeon's U.S. television network is seen in more than 100 million households and has been the number-one-rated basic cable network for 20 consecutive years. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc. (NASDAQ: VIA, VIA.B).

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