Wednesday, January 26, 2022

How to Watch '1883' for FREE on Paramount Plus

Join the Dutton family in their journey out west in 1883, streaming now exclusively on Paramount+! Try it FREE at ParamountPlus.com!


1883, a Yellowstone origin story, is a stark retelling of Western expansion and an intense study of one family fleeing poverty to seek a better future in America’s promised land: Montana.

Check out buzz for the new original series!:

- "An Exciting New Chapter Of The Yellowstone Franchise" – Variety
 
- "Gritty... beautiful and brilliant" – Chicago Sun-Times

Watch the trailer below:



Originally published: December 21, 2021.

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How to Stream 'The Envoys' for FREE on Paramount Plus

The truth always comes to light. The new series The Envoys is now streaming exclusively on Paramount+. Try it FREE at ParamountPlus.com!


Two officials of the Vatican, whose job it is to verify miracles attributed to saints, are sent to a town in Mexico to witness the supposed healings of a priest that mysteriously disappears in the middle of their investigation. Meanwhile, a psychiatric colony on the outskirts of the town seems to hide more than one secret related to the healer and his disappearance.
 
Miguel Angel Silvestre and Luis Gerardo Méndez star in the new Spanish-speaking series, now streaming exclusively on Paramount+. Try it FREE!


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Nickelodeon Hotels & Resorts Riviera Maya Named One of the Best All-Inclusive Resorts in Mexico, U.S. and the Caribbean for Family Travel in 2022

Nick News Brief: Family Vacationist has named the newly opened Nickelodeon Hotels & Resorts Riviera Maya in Mexico as one of the best all-inclusive resorts in Mexico, the United States and the Caribbean for family travel in 2022!



Nickelodeon Hotels y Margaritaville Island, entre los preferidos para unas vacaciones en familia

Tendencias lunes 24 de enero de 2022 -

Nickelodeon Hotels & Resorts Riviera Maya y Margaritaville Island Reserve Riviera Cancún fueron seleccionados entre los mejores resorts todo incluido de México, Estados Unidos y el Caribe para viajar en familia en este 2022. 

El sitio de viajes Family Vacationist ubicó al hotel de Bob Esponja en la lista de los 10 mejores resorts y destinos más seguros para viajar con niños en este año y entre los 11 mejores todo incluido para familias en México, reconocimiento que compartió con Margaritaville Island Reserve Riviera Cancún. 

El sitio de viajes mencionó que en este 2022 se podrían alcanzar los niveles de viajes previos a la pandemia, especialmente en lugares de vacaciones familiares donde se disfruta de distanciamiento social y actividades al aire libre. 

“Los viajes se están recuperando a lo grande en Estados Unidos. Los niños de 5 años en adelante ahora son elegibles para ser vacunados, lo que alivia la ansiedad de los padres y después de muchos meses de confinamiento hay un gran deseo de salir y ver el mundo”, comentó. 

La publicación digital destacó que Nickelodeon Hotels & Resorts Riviera Maya es el resort de playa todo incluido de ensueño para todos los pequeños. Un complejo frente al mar que tiene su propia playa privada, entretenimiento interactivo con personajes del universo Nickelodeon.

“Con protocolos de limpieza mejorados y las medidas de distanciamiento social dan la confianza de que la salud y la seguridad se toman en serio”, señaló la publicación. 

En cuanto al Margaritaville Island Reserve Riviera Cancún, Family Vacationist resaltó que combina todas las comodidades de un resort todo incluido de clase mundial con el famoso ambiente relajado de Margaritaville y cuenta entre sus atractivos el Parakeets Kid's Club, con increíbles actividades para niños de entre cuatro a 12 años de edad, que incluyen clases de cocina, experimentos de laboratorio locos, fabricación de piñatas, baile, fiestas de pijamas y noches de cine. 

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Finalmente, Karisma Hotels & Resorts puntualizó que para garantizar la bioseguridad y el bienestar de sus huéspedes creó un programa integral llamado Karisma Peace of Mind que incluye estrictos protocolos de salud e higiene entre su personal e instalaciones. 

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Originally published: January 26, 2022.

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Nick News | COVID-19 Boosters For Teens | Nickelodeon

Have questions about the COVID-19 booster shots for teens? Nick News breaks it down!


For more information and resources, visit NickHelps.com.


How Sesame Street Is Handling the Pandemic

Kids’ media have achieved a level of clarity and directness in their pandemic coverage that can be hard to find in outlets geared toward older audiences.

When the CDC recommended COVID-19 vaccines for 5-to-11-year-olds in early November, adult publications rushed to explain what the move meant for families, schools, and the pandemic at large. While most of the media competed for grown-up attention, a different network of sources targeted the group most affected by the news—but first, it had to explain what a vaccine is.

The children’s-news landscape is a strange one, melding education and entertainment to explain complex, adult topics to developing minds with short attention spans. Many outlets are connected with adult publications, such as The New York Times and Time, but certain children’s shows, such as Sesame Street, have also forayed into the news business. And while some have been around for years, others, including NBC’s Nightly News: Kids Edition and a rebooted Nick News, have popped up more recently, aiming to help young ones navigate this particularly stressful news moment.

Indeed, it’s hard to imagine a more difficult time to explain the news to kids. Communicating about the pandemic with adults is challenging enough—many sources face (often reasonable) criticism for offering confusing guidance, instilling fear, and deepening a partisan divide. Those targeting kids must avoid all of those traps while also catering to the ways young brains process information. For one, we gain the ability to think abstractly as we age; in our childhood, we need concrete explanations, Abigail Gewirtz, a psychology professor at Arizona State University, told me. Children may get scared more easily, so kids’ news outlets tend to try not to induce too much fear, Gewirtz said. Editors also need to consider kids’ reading level (if they can read at all) and the depth of their knowledge of a topic (likely, not much). On top of all this, producers still must grab their audience’s attention, just like they would an adult’s, by keeping coverage focused on what children are actually interested in and being careful to not alienate them by talking down.

Despite these hurdles, or perhaps because of them, ​​kids’ media have achieved a level of clarity and directness in their pandemic coverage that can be hard to find in outlets geared toward older audiences. Articles are straightforward because they have to be; it’s the only way kids will understand them. They’re also heavy on context, making few assumptions about what the audience already knows. And though they’re mostly neutral in their tone, many will also acknowledge children’s feelings and soothe them where they can.

When I asked editors and producers about their goals for coverage, they all pointed to knowledge and a sense of comfort for kids. Those at Nick News and Time for Kids told me that their aim was to share information, not to convince. Many of the experts interviewed certainly encouraged vaccination, but those editors were keenly aware that the audience being addressed had little real agency to affect the course of the pandemic or to change vaccination rates. “We neither wanted to scare children who weren’t going to have [the vaccine], nor did we want to encourage children to say that they needed to have it. That’s just not our place,” Time for Kids’ editor in chief, Andrea Delbanco, told me.

Instead, Delbanco and many of the others I interviewed aimed to provide kids with a reliable source of information that they could learn from directly. Many efforts to educate children on the vaccine have shared the same basic format—soliciting questions from children and getting answers from experts, including acting FDA Commissioner Janet Woodcock, United States Surgeon General Vivek Murthy, and CDC Director Rochelle Walensky. Stories and segments often start with the basics about what vaccines do and later address practical behavior considerations: “My mask makes me hot. Do I still have to wear one?” one child asked Murthy on Nick News. “Will it hurt?” another asked of the vaccine on a Sesame Street special that aired on CNN. The uniformity may seem surprising, but those I spoke with told me that the approach felt obvious. “It just was a no-brainer to have kids ask the questions, not for adults to formulate it: ‘Well, what little Timmy meant to say was …’” Magalie Laguerre-Wilkinson, the executive producer of Nick News and the vice president of news planning for Nickelodeon, told me. “It was more like, ‘Look, I’ve got my birthday in July, and I want to have a party. Can I?’ So that’s about as direct as it will get from a child.”

This level of bluntness is both necessary for children’s understanding and one of the most refreshing parts of kids’ media. “Asking people to presuppose that you have no context or background knowledge to build upon gets a really different answer than one often gets when people are trying to spin an answer for adults,” Delbanco explained. “You really get right to the heart of certain things.” And this approach doesn’t preclude complexity, either. Although the interviews tend to start with quite simple questions (one kid reporter at Time for Kids asked Murthy to explain the difference between himself and Anthony Fauci), they build to surprising levels of nuance. Time for Kids tackled the difference between the FDA’s and the CDC’s role in vaccine approval, for instance, while CNN and Sesame Street addressed the safety of having playdates with unvaccinated friends. “The difference is the level at which [the experts are] speaking, not the information they’re conveying,” Delbanco said.

Communicating at the appropriate level can be as simple as working an analogy into an explanation, Sandra Calvert, the director of the Children’s Digital Media Center at Georgetown University, told me. For example, in the Sesame Street–and–CNN special, when explaining why the vaccine needed to be administered in two doses, CNN’s chief medical correspondent, Sanjay Gupta, pulled out an umbrella. He held it over his head only partially opened to demonstrate the protection that the first shot provided, then fully unfurled it to represent the much greater immunity conferred after dose two.

While the communication style may be different, kids’ media outlets share similar concerns as those reporting for adults. Laguerre-Wilkinson said that she relied on the same news judgment she used when working as a journalist for older audiences. She focuses on hitting major news moments and fact-checking misconceptions—because it’s not like young children can properly vet their sources. But she also considers children’s specific news needs, which can be different from what’s best for adults. For example, both Laguerre-Wilkinson and Delbanco told me that they worried about oversaturating kids with pandemic stories and re-creating the adult phenomenon of news fatigue in this younger age bracket. Laguerre-Wilkinson hoped that the short length of the programs she produced—most are about 60 seconds and air during commercial breaks between shows—would fight against this danger. Delbanco told me she has held her team back from writing too much about the pandemic. For example, though they did cover major adult-vaccine approvals, they steered clear of debates about vaccine mandates for adults.

Having a light touch can help with another major concern in kids’ news: scaring the audience. The psychologists I spoke with emphasized both that children might become afraid more easily than adults and that fear is not conducive to learning. Calvert described an ideal manner of communication that was “factual without being overly emotional, without being scary”—an attitude that matched the calm and mild-mannered smiles of the experts on the kids’ programs I watched. “COVID has just really freaked the hell out of a lot of people and killed a lot of people. But these are not terms that we ever use when talking about this,” Laguerre-Wilkinson told me. She described poring over each Nick News Break with a group of colleagues to identify moments with the potential to drive fear. “This word here is just a no-no; maybe we can tame this down a little bit,” they would say. Similarly, when Sesame Street covered the Muppets’ worries about the pandemic, the adults often avoided using specific emotion words such as fear, simply referring to “big feelings.” Hearing that figures such as Big Bird are getting their shots could provide a sense of comfort, Calvert said. Children can have parasocial relationships with fictional characters, and Big Bird is a role model for many of them. “If Big Bird does it, it will be okay; I will be okay,” the thinking can go, she told me.

Indeed, many children are scared of needles and don’t like getting shots—but going in with an understanding of the science and the purpose of vaccines can make the process easier, parents told me. Camille Mackler, the executive director of the Immigrant Advocates Response Collaborative, based in New York, shared that her daughter, who has a deep phobia of needles, took comfort in a song about vaccination in an old Sid the Science Kid episode about getting the flu shot. “It might hurt a little bit / just a little bit / but it’s gonna help a whole lot,” her daughter sang as they drove to the clinic and waited in line. “It was something to tell herself and say and focus on, but it also put into context why we were doing this,” Mackler told me. Phil McGonigle, a start-up account executive who lives in Long Island, had a similar experience with his 6-year-old son. The Sesame Street–and–CNN town hall declared that kids who got vaccinated were rather like superheroes for their kindness in helping those around them, and his son held on to that reassurance. When he went to get his shots, he wore a Captain America cape, which helped him feel more confident as he faced a reality that can feel scary for us all.

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Originally published: January 09, 2022.

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January 2022 on Nickelodeon and Nick Jr. in Latin America and Brazil

Below are Nickelodeon's January 2022 programming highlights for Nickelodeon and Nick Jr. channels in Latin America (Latinoamérica) and Brazil (Brasil), courtesy of El Bazar del Espectáculo. Article en Español:


Programación Nickelodeon y Nick Jr Enero 2022: Estrenos destacados

Bienvenidos a la metrópolis de la diversión...

NICK PARADE!

GRANDES ESTRENOS EN
NICKELODEON Y NICK JR. LATINOAMÉRICA

Únete a Bob, Patricio, Pony, Annie, Dorg, Lincoln, Annie, Clyde, Ronnie Ann, Parker, Angus y más para las mayores celebraciones del ¡Nick, Nick, Nick, NICK PARADE! con montones de nuevos episodios de Los Casagrande, The Loud House, LEGO City Adventures; nuevos programas como Drama Club, una comedia al estilo de un falso documental sobre el funcionamiento interno de un club de teatro de la escuela secundaria; Middlemost Post, Parker y Angus viajarán por el Monte Middlemost para entregar el correo, mientras conocen a algunas personas excepcionalmente extravagantes y peculiares en el camino. ¿Están listos, chicos?

Bob Esponja será el anfitrión de la edición interactiva de NickMaster Marina. Además, en enero FRIDAY NIGHT DESTINATION con nuevos episodios de Side Hustle, Young Dylan & Drama Club, especiales como Nick Parade, Loud House y Casagrandes Vacation, Bikini Bottom Take Over, Thunder-Noon's y para los más pequeños en Nick Jr. nuevos episodios de Paw Patrol, incluyendo el especial Paw Patroller 2.0, Garden AcademySantiago de los Mares y Bubble Guppies.

DRAMA CLUB
Gran Estreno
Viernes, 7 de enero (un episodio nuevo cada viernes) a las 7 pm Colombia / 8 pm Venezuela / 9 pm México y Chile / 9:30 pm Brasil / 12 pm Argentina

Sigue a un grupo de estudiantes de secundaria mientras se pone al descubierto el funcionamiento interno del olvidado Drama Club de su escuela.

MIDDLEMOST AVENTURA POSTAL
Gran Estreno
Lunes, 10 de enero (de lunes a viernes) a las 4 pm México y Brasil / 8 pm Colombia / 9 pm Argentina, Venezuela y Chile

Cuando una nube de lluvia reformada se une a un cartero náufrago y a una morsa mágica, los tres forman el Middlemost Post, el servicio postal más disparatado y adorable del Monte Middlemost.

LOS CASAGRANDE Y THE LOUD HOUSE
Nuevos Episodios
Lunes, 17 de enero (de lunes a viernes) a las 3 pm Colombia / 5 pm Chile /6 pm Venezuela / 7 pm México y Brasil  / 7:30 pm Argentina

Toda la semana con Lincoln y Ronnie Anne con estrenos consecutivos.

SIDE HUSTLE
Temporada 2
Friday Night Destination con Nuevos Episodios
Viernes, 7 de diciembre (un episodio nuevo cada viernes) a las 6 pm Colombia / 7 pm Venezuela / 8 pm Chile /  8:30 pm Brasil / 11 pm Argentina

Esta nueva temporada es todo sobre los movimientos y la actitud; únete a las mejores amigas, Lex, y Presley, para conseguir el trabajo de sus vidas.

TYLER PERRY'S YOUNG DYLAN
Temporada 2
Friday Night Destination con Nuevos Episodios
Viernes, 7 de diciembre (un episodio nuevo cada viernes) a las 6:30 pm Colombia / 7:30 pm Venezuela / 8:30 pm Chile / 9 pm Brasil / 11:30 pm Argentina

Dylan vuelve a Chicago con su madre cuando un cambio de planes le hace cuestionar su relación y hace que la familia Wilson le ayude a superar esta última crisis.

Especial
Viernes, 21 de enero a las 7:30 pm Colombia / 8:30 pm Argentina y Venezuela / 8:30 pm Argentina / 9:30 pm Chile / 10 pm México

En enero un nuevo episodio del programa Nick Night conducido por Luis de la Rosa presentando a Manuel Turizo.

NICK PARADE
Especial
De lunes a viernes, durante todo el mes a las 4:30 pm México y Brasil / 5 pm Colombia y Argentina / 6 pm Venezuela / 7 pm Chile

Bienvenidos a la metrópolis de la diversión... ¡NICK PARADE! Únete a Bob, Patricio, Pony, Dorg, Lincoln, Annie, Clyde, Ronnie Ann, Parker, Angus y más para las mayores celebraciones en el ¡Nick, Nick, Nick, NICK PARADE!

NICKELODEON MASTER GAME "EDICION MARINA"
Juego Interactivo
De lunes a viernes a las 3 pm México y Brasil / 4 pm Colombia / 5 pm Venezuela / 6 pm Argentina y Chile

En enero, Nick Master, el juego interactivo que invita a los niños a jugar en casa respondiendo a las preguntas, vuelve de lunes a viernes en "Edición Marina". Así que prepárate para saber todo sobre Fondo de Bikini.

ESPECIALES SECRETOS "GOLDEN EGGS"
Cortos
A partir de enero (en todas las emisiones) durante el Show de Patricio Estrella y Kamp Koral

Continúan las intervenciones gráficas sorpresa que develan un premio especial para la audiencia durante la programación.

NICK JR.

GARDEN ACADEMY
Nuevos Episodios Temporada 3
Viernes, 7 de enero (un episodio nuevo cada viernes) a las 2 pm México / 3 pm Colombia

Margarita, Col, Rose y Monti vuelven a las clases de Garden Academy. Juntos, seguirán aprendiendo a cocinar, cantar, bailar, pintar y compartir un montón de nuevas experiencias.

PAW PATROL TEMPORADA 8 Y EL ESPECIAL PAW PATROLLER 2.0
Nuvos Episodios y Especial
Lunes, 10 de enero (de lunes a viernes) a las 12 pm México / 1 pm Colombia / 3:30 pm Brasil

Prepárate para brillar en nuevas aventuras legendarias y aprende a hacer grandes rescates con el nuevo y gran PAW Patroller!

SANTIAGO DE LOS MARES
Nuevos Episodios
Sábado, 15 de enero (un episodio nuevo cada semana) a las 9 am México / 10 am Colombia / 2:30 pm Brasil
Repeticiones los domingos 2 pm México / 7:30 am Brasil

Santiago Montes, un pirata valiente, de buen corazón, y su tripulación se embarcarán en nuevos rescates, descubrirán tesoros ocultos y mantendrán a salvo la alta mar del Caribe.

GRAN SEMANA DE BABY SHARK CON LOS NUEVOS EPISODIOS DE BUBBLE GUPPIES
Lunes, 17 de enero (de lunes aviernes) a las 9:30 am y 5:00 pm México / 10:30 am y 6 pm Colombia / 10:30 pm Brasil

Este mes de enero es la gran semana de Baby Shark, toda una semana de aventuras y vídeos musicales con Baby Shark y nuevos episodios de Bubble Guppies.

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