Saturday, August 02, 2025

'Big Brother' Watched by Nearly 26 Million Unique Viewers

“BIG BROTHER” WATCHED BY NEARLY 26 MILLION UNIQUE VIEWERS

Premiere Week Multiplatform Viewership Up +11% Year Over Year

'Big Brother' Key Art

“Big Brother” Multiplatform Viewership Highlights:

  • BIG BROTHER season 27 season to date has reached nearly 26 million unique viewers across broadcast on CBS and streaming on Paramount+.
  • Premiere week (episodes airing July 10 and 13) L+7 multiplatform viewership is averaging 4.9 million, up +11% from last summer premiere week.
    • Paramount+ streaming alone is up +9%.
  • Through its first two weeks (episodes airing July 10, 13, 16, 17, 20), season-to-date multiplatform viewership is averaging 4.8 million, up +9% from last summer’s first two weeks.
  • BIG BROTHER is the #2 summer broadcast show.
  • BIG BROTHER is the #6 summer series across ALL broadcast and SVOD.
  • On Paramount+ BIG BROTHER ranks as the #1 unscripted program and #7 program overall in reach and total time spent since its July 10 premiere. 

Source: Nielsen Reach data based on S27 Linear + Streaming 07/10/25-07/27/25, 1+ Minute Reach, Most Current. Nielsen Panel Only Live+7, 07/10/25-07/20/25 vs. 07/17/24-07/28/24. Streaming data from Nielsen SCR based on Flight Start Date +7 Days of Viewing. Streaming data for 7/28/24 is missing in Nielsen’s SCR.

Internal Streaming Data based on Super Service Dashboard 07/10/25-07/30/25 ranked on reach and total hours.

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Are You Ready Kids? From a Pineapple Under the Sea to Your Mailbox, USPS Issue 'SpongeBob' Stamps

Are You Ready Kids? From a Pineapple Under the Sea to Your Mailbox

Stamps celebrating ‘SpongeBob SquarePants’ debut in Times Square

Aug. 1, 2025

The pane of 16 stamps include two yellow stamps featuring SpongeBob’s face. A third stamp includes the characters Sandy Cheeks, Patrick Star, Plankton, Mr. Krabs, SpongeBob, Gary, and Squidward Tentacles. The fourth stamp shows SpongeBob and Patrick.
The pane of 16 stamps include two yellow stamps featuring SpongeBob’s face. A third stamp includes the characters Sandy Cheeks, Patrick Star, Plankton, Mr. Krabs, SpongeBob, Gary, and Squidward Tentacles. The fourth stamp shows SpongeBob and Patrick.

NEW YORK — The U.S. Postal Service today issued stamps celebrating Nickelodeon’s animated children’s television show “SpongeBob SquarePants” in New York City’s Times Square.

Greg Breeding, an art director for USPS who designed the stamps using artwork provided by Nickelodeon, signed autographs for customers purchasing the stamps.

Since its debut on July 17, 1999, Nickelodeon’s “SpongeBob SquarePants” animated children’s show has struck a chord with audiences of all ages. Its colorful characters, zany humor and memorable catchphrases have captured the hearts of both children and adults. The show's unique blend of humor, wit and absurdity has made it one of the most watched cartoons in history.

The roots of “SpongeBob SquarePants” can be traced to Stephen Hillenburg, a marine biologist and animator love of marine life whose scientific and artistic passions converged to create the underwater world of Bikini Bottom. His initial idea came in the form of an educational comic book he created while working at a marine sciences center in Southern California. “The Intertidal Zone” featured anthropomorphic sea creatures, including a sponge, living in an underwater town. This concept later served as the foundation for the show's unique setting and characters.

“SpongeBob SquarePants” quickly became a hit, leaving an indelible mark on popular culture. In addition to its many catchphrases and memorable moments, the show's merchandise became a staple of the early 2000s. From action figures and clothing to video games and lunchboxes, “SpongeBob SquarePants” merchandise flooded the market, solidifying the show's status as a cultural fixture. In 2004, the show made the leap to the big screen with “The SpongeBob SquarePants Movie,” which received critical acclaim, furthering the franchise’s success.


Over the years, the show continued to evolve while staying true to its core charm. It expanded its universe with the introduction of new characters and explored different themes and storylines, while maintaining its creative energy and resonating with audiences. Movie sequels followed, including “The SpongeBob Movie: Sponge Out of Water” (2015) and “The SpongeBob Movie: Sponge on the Run” (2020), with a fourth theatrical release, “The SpongeBob Movie: Search for SquarePants,” slated to hit theaters later this year.

The Postal Service’s stamp program strives to appeal to a wide audience, both young and old, and is excited to bring these fun stamps to the American public. SpongeBob is widely considered nostalgic for many viewers evoking positive memories and feelings. USPS anticipates these stamps will provide the same positive feeling for senders and receivers alike.

The Forever stamps are available at Post Office locations nationwide and online at usps.com/shopstamps.

News about the stamp is being shared on social media using #SpongeBobSquarePantsStamps.

Stamp design

This pane consists of 16 stamps featuring four designs, two blue and two yellow. One blue stamp features a host of Bikini Bottom residents, including (from left) Sandy Cheeks, a science-loving squirrel who lives in an underwater dome; SpongeBob’s goofy best friend, Patrick Star; the nefarious Plankton; the greedy Mr. Krabs, owner of the Krusty Krab restaurant; SpongeBob; SpongeBob’s pet snail, Gary; and his grumpy neighbor and co-worker, Squidward Tentacles.

The other blue stamp features SpongeBob and Patrick frolicking on the sandy ocean floor. On each blue stamp, the name “SpongeBob” is written in all capitals across the top. The words “Forever” and “USA” appear on the left or right edge of the frame and along the bottom.

The two yellow stamps feature closeups of SpongeBob’s goofy smiling face. The words “USA Forever” appear along the bottom edge.

The selvage includes the title “SpongeBob SquarePants” in cartoonish, yellow-and-white, hand-drawn lettering over a blue background stamped with “Tiki” flowers. Both the lettering and graphics are typical of artwork from the show.

Greg Breeding, an art director for USPS, designed the stamps using artwork provided by Nickelodeon.

SpongeBob SquarePants stamps are being issued as Forever stamps and will always be equal in value to the current First-Class Mail 1-ounce rate.

A video about the stamps will be posted after today’s event on the Postal Service’s Facebook page at facebook.com/USPS and on X, formerly known as Twitter, at x.com/usps.

Postal products

Customers may purchase stamps and other philatelic products through the Postal Store at usps.com/shopstamps, by calling 844-737-7826, by mail through USA Philatelic or at Post Office locations nationwide. For officially licensed stamp products, shop the USPS Officially Licensed Collection on Amazon. Additional information on stamps, first-day-of-issue ceremonies and stamp-inspired products can be found at StampsForever.com.

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The United States Postal Service is an independent federal establishment, mandated to be self-financing and to serve every American community through the affordable, reliable and secure delivery of mail and packages to nearly 169 million addresses six and often seven days a week. Overseen by a bipartisan Board of Governors, the Postal Service is implementing a 10-year transformation plan, Delivering for America, to modernize the postal network, restore long-term financial sustainability, dramatically improve service across all mail and shipping categories, and maintain the organization as one of America’s most valued and trusted brands.

The Postal Service generally receives no tax dollars for operating expenses and relies on the sale of postage, products and services to fund its operations.

For USPS media resources, including broadcast-quality video and audio and photo stills, visit the USPS Newsroom. Follow us on X, formerly known as Twitter; Facebook; Instagram; Pinterest; Threads and LinkedIn. Subscribe to the USPS YouTube Channel. For more information about the Postal Service, visit usps.com and facts.usps.com.

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Watch the SpongeBob SquarePants Universe, including Kamp Koral: SpongeBob's Under Years and The Patrick Star Show on Nickelodeon and Paramount+! Try it FREE at ParamountPlus.com.



Listen to The SpongeBob Musical here!

CALLING ALL GOOFY GOOBERS! (ROCK!) Are ya ready for a deep dive into the world of SpongeBob SquarePants? The SpongeBob YouTube channel is THE PLACE for all fan-favorite SpongeBob moments! Subscribe now at https://www.youtube.com/SpongeBobOfficial!


H/T: Morningstar; Lead image: PR Newswire.

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Friday, August 01, 2025

Classic Rugrats Comic Strip for August 1, 2025 | Nickelodeon

Classic Rugrats Comic Strip for August 1, 2025 | Nickelodeon

Classic Rugrats Comic Strip for August 1, 2025 | Nickelodeon

Stream the classic Rugrats series on Paramount+! Try it FREE at ParamountPlus.com!

Rugrats, provided to Creators Syndicate by Nickelodeon, based off the popular animated television series has been created for children and family's to laugh and enjoy together.

Follow these comics and their take on real episodes of the show and their own spin on hilarious adventures.

Read more Rugrats comic strips!: https://www.creators.com/features/rugrats

More Nick: Paramount+ Renews 'Rugrats' For Season 3!

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Paramount+ to Premiere 'Tulsa King' Season Three on September 21

PARAMOUNT+ ANNOUNCES TULSA KING SEASON THREE WILL PREMIERE ON SEPTEMBER 21, STARRING OSCAR® NOMINEE SYLVESTER STALLONE

First-Look Images from the New Season Also Released

Executive Produced by Taylor Sheridan; Produced by MTV Entertainment Studios and 101 Studios

Sylvester Stallone as Dwight Manfredi
Sylvester Stallone as Dwight Manfredi | Atsushi Nishijima/Paramount+

July 31, 2025 – Paramount+ today announced that the hit original series TULSA KING, starring Oscar® nominee Sylvester Stallone, will return for its third season on Sunday, September 21.

TULSA KING was the number one global Paramount+ Original Series in 2024 and ranked among the top ten original series across all subscription video-on-demand (SVOD) platforms in the fourth quarter.

The season two premiere of TULSA KING drew 21.1 million global viewers, making it Paramount+'s most-watched global premiere to date. Additionally, season two drove 159 million views, a +894% increase over the previous season, and 6.1 million social media engagements, a +553% surge over the same period.

Samuel L. Jackson as Russell Lee Washington Jr.
Samuel L. Jackson as Russell Lee Washington Jr. | Brian Douglas/Paramount+.

TULSA KING stars Sylvester Stallone, Martin Starr, Jay Will, Annabella Sciorra, Neal McDonough, Robert Patrick, Beau Knapp, Bella Heathcote, Chris Caldovino, McKenna Quigley Harrington, Mike "Cash Flo" Walden, Kevin Pollak, Vincent Piazza, Frank Grillo, Michael Beach and James Russo, with Garrett Hedlund and Dana Delany. Oscar nominee Samuel L. Jackson will also appear in season three as Russell Lee Washington Jr. before moving from Tulsa to New Orleans as the lead in the recently greenlit TULSA KING spinoff, NOLA KING.

In season three, as Dwight’s empire expands, so do his enemies and the risks to his crew. Now, he faces his most dangerous adversaries in Tulsa yet: the Dunmires, a powerful old-money family that doesn’t play by old-world rules, forcing Dwight to fight for everything he’s built and protect his family.

Produced by MTV Entertainment Studios and 101 Studios, TULSA KING is executive produced by Taylor Sheridan, Sylvester Stallone, Dave Erickson, David C. Glasser, Ron Burkle, David Hutkin, Bob Yari, Braden Aftergood, Jim McKay, Sheri Elwood, Ildy Modrovich and Keith Cox. Erickson also serves as showrunner. The series is distributed by Paramount Global Content Distribution. The first and second seasons of TULSA KING are available to binge exclusively on Paramount+.  For a free trial, visit ParamountPlus.com.

Dana Delany as Margaret
Dana Delany as Margaret. | Brian Douglas/Paramount+.

Martin Starr as Bodhi and Garrett Hedlund as Mitch
Martin Starr as Bodhi and Garrett Hedlund as Mitch | Steve Swisher/Paramount+.

Jay Will as Tyson, Sylvester Stallone as Dwight Manfredi and Mike Walden as Bigfoot
Jay Will as Tyson, Sylvester Stallone as Dwight Manfredi and Mike Walden as Bigfoot. | Brian Douglas/Paramount+.

Annabella Sciorra as Joanne
Annabella Sciorra as Joanne. | Brian Douglas/Paramount+.

Kevin Pollak as Special Agent Musso
Kevin Pollak as Special Agent Musso. | Brian Douglas/Paramount+.

Jay Will as Tyson, Chris Caldovino as Goodie and McKenna Quigley Harrington as Grace
Jay Will as Tyson, Chris Caldovino as Goodie and McKenna Quigley Harrington as Grace.
Brian Douglas/Paramount+.

Source: Top 10 streaming ranks based on Nielsen, Q4-24, P2+ mins, excl. movies; Internal streaming data, Tulsa King S2 global streaming AMA for premiere episode including co-view for CTV viewing (90 Days, 9/15/24-12/13/24); P+ Originals premiere rank based on day one, Active Sub HHs as of 9/15/24. Social- Sprinklr (9/15-11/23/24).

***

About Paramount+

Paramount+, part of Paramount’s (Nasdaq: PARA, PARAA) global portfolio of multimedia entertainment and news brands, is a direct-to-consumer digital subscription video on-demand and live streaming service, combining live sports, breaking news and A Mountain of Entertainment™. The streaming service features an expansive library of original series, hit shows and popular movies across every genre from world-renowned brands and production studios, including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel. Paramount+ Premium, the service's cornerstone plan, is also home to SHOWTIME® content, including scripted hits and critically acclaimed nonfiction projects and films. This premium plan includes unmatched events and sports programming through the local live CBS stream, including golf, basketball and more. All Paramount+ subscribers have streaming access to CBS News Network for 24/7 news and CBS Sports HQ for sports news and analysis.

For more information about Paramount+, please visit www.paramountplus.com and follow @ParamountPlus on social media.

About SHOWTIME/MTV Entertainment Studios & Paramount Media Networks

SHOWTIME/MTV Entertainment Studios & Paramount Media Networks is a global network of media assets that reaches over one billion people in more than 180 countries featuring some of the most iconic brands in entertainment including SHOWTIME®, MTV, Comedy Central and Paramount Network among others – and, its Studios arm which produces 120+ series annually, including some of today’s biggest hits such as Yellowstone, YELLOWJACKETS, Emily in Paris, 1883, 1923, GEORGE & TAMMY, South Park, TULSA KING, Rupaul’s Drag Race, The Challenge and Jersey Shore, to name a few.

@ParamountPlus
@PeakParamount
#ParamountPlus

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Stream a Mountain of Entertainment, including your Nickelodeon favorites on Paramount+! Try it FREE at ParamountPlus.com!


Originally published: August 01, 2025.

Imagery courtesy of Deadline.

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Paramount Global Reports Second Quarter 2025 Earnings Results

Paramount Global (NASDAQ: PARA, PARAA) today (July 31) announced financial results for the second quarter ended June 30, 2025. The full press release, along with other earnings materials, can be viewed on the Paramount Investors homepage at ir.paramount.com. An audio replay of Paramount Global's 2Q25 earnings call will be available beginning at 7:30 p.m. (ET) on July 31 in the Events and Webcasts section of Paramount's Investors homepage, and at 866-813-9403 (domestic) or 929-458-6194 (international) using access code 801358. To automatically receive Paramount's latest financial news by email, please visit the Investors homepage and subscribe to email alerts.

Paramount Global Logo

PARAMOUNT REPORTS Q2 2025 EARNINGS RESULTS

Continued Progress Transforming to a Streaming First Company with DTC Revenue Growth Outpacing Linear Declines

▪ Total Company Revenue Grew 1% Year-over-Year

▪ Affiliate & Subscription Revenue Growth Accelerated to 5%, Driven by Strong Growth in Paramount+ Subscription Revenue

▪ Generated $159 million of Net Operating Cash Flow and $114 million of Free Cash Flow

DTC Continued Strong Momentum Driven by Consistent Performance at Paramount+

▪ DTC Revenue Growth Continued to Accelerate to 15%–Driven by Paramount+ with Total Revenue up 23% Year-over-Year, and Strong Subscription Revenue Growth of 24%

▪ DTC Generated $157 million in Adjusted OIBDA, an Improvement of $131 million Year-over-Year

▪ Paramount+ Saw Continued Improvement in Watch Time and Churn–For the 3rd Consecutive Quarter, Watch Time per Subscriber Increased Year-over-Year, Up 11% in Q2–Churn Improved 70 bps, Achieving a Record Low

Powerful Slate of Hit TV Series, Films & Sports Fueled Strong Content Performance

▪ Paramount+ Scores Again with the Most Top 10 SVOD Originals for First Half of 2025, behind only the Market Leader

▪ CBS Again was the Most Watched Broadcast Network in Primetime for the 17th Consecutive Season

▪ Franchise Record Achieved for Paramount Pictures’ Mission: Impossible — The Final Reckoning with Biggest Global Opening

Skydance Transactions Expected to Close on August 7, 2025

STATEMENT FROM SHARI REDSTONE, NON-EXECUTIVE CHAIR

"Over many years, Paramount established itself as an enduring industry leader in media, news, and entertainment. Despite an increasingly challenging environment, the talented co-CEOs and teams across the Company have continued to strengthen and grow the business. As a testament to their success and driven by the power of exceptional content, we have seen the impressive growth of Paramount+, the ongoing leadership of CBS, and the continued stream of franchise growth at Paramount Pictures. At the same time, substantial progress has been made in streamlining the Company’s cost structure. I am proud that when the Skydance transactions close we will be turning over a healthy business with a strong foundation for long-term growth and value creation. I will be forever grateful to the people of the Company and the shareholders who have supported us"

STATEMENT FROM GEORGE CHEEKS, CHRIS McCARTHY AND BRIAN ROBBINS, CO-CEOs

"Our goal when we became co-CEOs was to transform Paramount into a streaming first company and today we are substantially better positioned with streaming revenue growth outpacing linear declines, driven by exceptional performance at Paramount+. We saw the largest viewership growth among all subscription services in the US, up 26% vs. the first half of 2024, driven by continued strong content at 
Paramount+ where we again had the most Top 10 SVOD Originals, behind only the market leader, and churn achieved a record low. CBS content drove nearly half of all viewing on Paramount+ and ranked as the most watched broadcast network for the 17th consecutive season. These impressive results are thanks to our talented teams and creative partners for whom we are very grateful for their continued creativity, dedication and hard work."

DIRECT-TO-CONSUMER

OVERVIEW

Demonstrating the strength of our differentiated strategy of delivering fewer, bigger, breakthrough hits, DTC delivered another quarter of notable revenue growth and improved profitability. Year-to-date in the U.S., Paramount+ had the most top 10 SVOD Originals, behind only the market leader, thanks to the enduring success of Landman and 1923. In Q2, MobLand became the #2 Original Series ever on Paramount+ with more than 26 million global viewers for its premiere episode, ranking among the Top 
10 SVOD Original Series for eight consecutive weeks. On the Paramount+ Premium tier, The Chi returned for its seventh season, scoring 2 million cross-platform viewers for its premiere, the most-streamed premiere in series history. Pluto TV delivered its highest consumption by total hours both domestically and globally and reaches more countries than any other FAST service.

Q2 FINANCIALS

▪ DTC revenue increased 15% year-over-year.

  – DTC subscription revenue grew 22%, driven by subscriber growth and pricing increases for Paramount+.

  – DTC advertising revenue decreased 4%, reflecting the impact of lower CPMs and growing Connected TV supply.

   ◦ Global viewing hours increased 29% year-over-year across Paramount+ and Pluto TV.

  – Paramount+ revenue grew 23%, driven by year-over-year subscriber growth, pricing increases, and improvements in churn.

    ◦ As of June 30, 2025, Paramount+ reached 77.7 million subscribers, a decrease of 1.3 million in the quarter, primarily reflecting the expiration of an international hard bundle deal.

    ◦ Global ARPU grew 9% year-over-year.

    ◦ Global watch time per subscriber increased 11% year-over-year.

▪ DTC adjusted OIBDA improved $131 million year-over-year, reflecting the revenue growth, partially offset by higher costs. 

TV MEDIA

OVERVIEW

CBS secured its leadership position as the most watched broadcast network in primetime for the 17th consecutive season, the longest winning streak on record. The network had 14 of the top 20 series, more than all other networks combined, led by Tracker, the #1 series, and Matlock, the #1 new series. Our live sports portfolio continued to deliver audiences at scale, as evidenced by the NCAA Men’s Basketball Championship, which featured the most watched Final Four in eight years and most watched Championship Final in six years, as well as CBS Sports’ golf coverage, which is up 13% year-over-year, its best performance in seven years. The Daily Show ranked as the #1 Late Night program on Mondays across all TV.

Q2 FINANCIALS

▪ TV Media revenue decreased 6% to $4.0 billion.

  –Advertising revenue decreased 4%.

  –Affiliate and subscription revenue decreased 7%, reflecting linear subscriber declines.

  –Licensing and other revenue decreased 9%, primarily from the timing of content produced for third parties.

▪ TV Media adjusted OIBDA decreased 15%, reflecting the lower revenue, partially offset by lower costs. 


FILMED ENTERTAINMENT

OVERVIEW

Paramount Pictures’ franchise-focused strategy drove another quarter of revenue growth, bolstered by the global premiere of Mission: Impossible – The Final Reckoning, which set a franchise record for the biggest global opening in theaters. The final installment in the powerhouse franchise has earned over $590 million at the global box office to-date and will drive further value for the Mission: Impossible catalogue and Paramount’s library of iconic and timeless IP.

Q2 FINANCIALS

▪ Filmed Entertainment revenue increased 2% to $690 million.

 – Theatrical revenue increased 84% to $254 million, reflecting the second quarter release of Mission: Impossible – The Final Reckoning.

  – Licensing and other revenue decreased 19%, driven primarily by lower licensing of animated content.

▪ Filmed Entertainment adjusted OIBDA decreased $30 million, primarily reflecting lower profits from licensing.

SKYDANCE TRANSACTIONS

All regulatory approvals for the Skydance Transactions (the “Transactions”) have been satisfied. The Transactions are anticipated to close on August 7, 2025, subject to customary closing conditions.

ABOUT PARAMOUNT

Paramount (NASDAQ: PARA; PARAA) is a leading global media, streaming and entertainment company that creates premium content and experiences for audiences worldwide. Driven by iconic consumer brands, its portfolio includes CBS, Paramount Pictures, Nickelodeon, MTV, Comedy Central, BET, Paramount+ and Pluto TV. The company holds one of the industry’s most extensive libraries of TV and film titles. In addition to offering innovative streaming services and digital video products, Paramount provides powerful capabilities in production, distribution and advertising solutions.

For more information about Paramount, please visit www.paramount.com and follow @ParamountCo on social platforms. PARA-IR

CAUTIONARY NOTE CONCERNING FORWARD-LOOKING STATEMENTS

This communication contains both historical and forward-looking statements, including statements related to our future results, performance and achievements. All statements that are not statements of historical fact are, or may be deemed to be, forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. Similarly, statements that describe our objectives, plans or goals are or may be forward-looking statements. These forward-looking statements reflect our current expectations concerning future results and events; generally can be identified by the use of statements that include phrases such as “believe,” “expect,” “anticipate,” “intend,” “plan,” “foresee,” “likely,” “will,” “may,” “could,” “estimate” or other similar words or phrases; and involve known and unknown risks, uncertainties and other factors that are difficult to predict and which may cause our actual results, performance or achievements to be different from any future results, performance or achievements expressed or implied by these statements. These risks, uncertainties and other factors include, among others: risks related to our streaming business; the adverse impact on our advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries, including cost increases; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to our decisions to make investments in new businesses, products, services and technologies, and the evolution of our business strategy; the potential for loss of carriage or other reduction in or the impact of negotiations for the distribution of our content; damage to our reputation or brands; losses due to asset impairment charges for goodwill, intangible assets, FCC licenses and content; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; content infringement; domestic and global political, economic and regulatory factors affecting our businesses generally, including tariffs and other changes in trade policies; the inability to hire or retain key employees or secure creative talent; disruptions to our operations as a result of labor disputes; challenges realizing synergies and other anticipated benefits expected from the Transactions, including integrating the Companyʼs and Skydanceʼs businesses successfully; the dilution to the earnings per share of New Paramount which may negatively affect the price of New Paramount Class B Common Stock; any negative effects following the completion of the Transactions on the market price of New Paramount Class B Common Stock; the uncertainty of the Companyʼs stockholders with respect to the value of the stock consideration they will receive; the risks that holders of our Class B Common Stock may not receive all merger consideration in the form they elect; the reduced ownership and economic interest of our existing stockholders in New Paramount; the cutbacks the PIPE Transaction is subject to in the event that stock elections exceed specified thresholds; the risks that the Transactions may be prevented or delayed or the anticipated benefits of the Transactions could be reduced if we do not obtain certain regulatory approvals; the conditions to the closing to which the Transactions are subject; our and New Paramountʼs continued incurrence of significant transaction and merger-related transaction costs in connection with the Transactions; business uncertainties, including the effect of the Transactions on the Companyʼs employees, commercial partners, clients and customers, and contractual restrictions while the Transactions are pending; the Transaction Agreementʼs limitation on our ability to pursue alternatives to the Transactions; tax consequences of the Transactions that may adversely affect holders of our Common Stock; the imposition of a new U.S. federal excise tax on us or on New Paramount in connection with redemptions by us or New Paramount of our respective shares; interests of our executive officers, directors and affiliates of Paramount that are different from, or in addition to, the rights of our stockholders; risks related to a failure to complete the Transactions which could negatively impact our businesses or financial results and the stock price of our Common Stock; lawsuits relating to the Transactions potentially preventing or delaying the closing of the Transactions and/or resulting in substantial costs; the waiver of one or more of the conditions to closing without re-obtaining stockholder approval; difficulties retaining, motivating and recruiting executives and other key employees before and following the completion of the Transactions in light of uncertainty regarding the Transactions; the Transactions triggering change of control or other provisions in certain agreements which may allow third parties to terminate or alter existing contracts or relationships; our stockholders not being entitled to appraisal rights in connection with the Transactions; changes and uncertainties with respect to taxes in the jurisdictions in which New Paramount will operate which may have an adverse effect on New Paramountʼs business; volatility in the prices of our Common Stock; potential conflicts of interest arising from our ownership structure with a controlling stockholder; and other factors described in our news releases and filings with the Securities and Exchange Commission, including but not limited to our most recent Annual Report on Form 10-K and reports on Form 10-Q and Form 8-K. There may be additional risks, uncertainties and factors that we do not currently view as material or that are not necessarily known. The forward-looking statements included in this communication are made only as of the date of this report, and we do not undertake any obligation to publicly update any forward-looking statements to reflect subsequent events or circumstances.
 
***

Following the Paramount-Skydance merger, the new company is expected to be named Paramount Skydance Corp., and will use PSky on stock tickers.