Wednesday, December 04, 2019

Hasbro Unveils First Power Rangers Beast Morphers Season 2 Toys

The very first toys for Hasbro’s upcoming second season of Power Rangers Beast Morphers are here!


For the first time ever, fans can check out the Beast-X King Morpher, the brand new Morpher our heroes will use to tap into the powers of Beast-X Mode, premiering on Nickelodeon in 2020. Beast-X Mode will give the Rangers an even more powerful armor to take down foes, initially being made available for the team’s core three Rangers of Devon, Ravi, and Zoey.

The Beast-X King Morpher bears a similar design to a lion, a brand new animal which will power one of the Rangers’ upcoming Zords featured on the show in 2020.

Joining the new Morpher are three new 6″ action figures: the Beast-X Red Ranger, Beast-X Blue Ranger, and Cybervillain Robo Blaze.

These 6 inch action figures will come with a signature weapon, and a special key that can be used in conjunction with the Beast-X Morpher toy sold separately.


Each of the new toys is expected to hit stores shelves in late 2019 to early 2020.

Power Rangers Beast Morphers Season 2 will feature the return of Doctor K from Power Rangers RPM, as well as a dino-themed team-up starring Austin St. John, the original Red Mighty Morphin Power Ranger. Select heroes from Power Rangers Dino Charge including Brennan Mejia, Yoshi Sudarso, and Davi Santos will also return for the dino-themed teamup.

Power Rangers Beast Morphers Season 2 will also introduce new Zords, new Megazord combinations, and new high-tech weapons.

The season will include 22 brand new episodes, including two holiday themed specials set to air around Halloween and Christmas.

Each episode will air on Nickelodeon at 8:00 a.m. ET/PT, beginning in early 2020. The season will then last the duration of the year, with an annual summer hiatus set to cover the length of the summer.

Power Rangers Beast Morphers will have 44 episodes in its entirety, and air on Nickelodeon from 2019-2020.

Fans can check out the official Power Rangers Beast Morphers synopsis below.

Set in the future, a secret agency combines a newly discovered substance called “Morph-X” with animal DNA to create the Power Rangers Beast Morphers team. The Rangers must fight off an evil sentient computer virus bent on taking over the source of all Ranger power, the Morphin Grid itself. Featuring never-before-seen leather suits and an all-new beast-themed arsenal (including dynamic new Zords), fans should get ready for a season full of secret ops and morphinominal fun.

Power Rangers Beast Morphers stars Rorrie Travis as Devon the Red Ranger, Jasmeet Baduwalia as Ravi the Blue Ranger, Jackie Scislowski as Zoey the Yellow Ranger, Abraham Rodriguez as Nate, Colby Strong as Blaze, Liana Ramirez as Roxy, Kristina Ho as Betty, and Cosme Flores as Ben.

Connect with Power Rangers: powerrangers.com | Facebook | Twitter | Instagram | YouTube

More Nick: The Mighty Morphin Power Rangers Team Up with the Teenage Mutant Ninja Turtles in New Comic Series from BOOM! Studios!

Original source: Power Rangers NOW.
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Indiana's Fort Wayne Komets to Host Nickelodeon Night Featuring PAW Patrol on Saturday, December 21st, 2019

Fort Wayne, IN - The Fort Wayne Komets will be hosting Nickelodeon Night featuring PAW Patrol at the Allen County War Memorial Coliseum in Fort Wayne, Indiana on Saturday, December 21st, 2019!


Kids can meet Marshall, Chase, Rubble and more all courtesy of TAG Art Company before the game! Plus, fans will have the chance to bid on special game-worn jerseys! Proceeds from the jersey auction will benefit local charities selected by Fort Wayne Police & Fire courtesy of The Hagerman Group!

The ice hockey game will see the Komets take on the Cincinnati Cyclones. Puck drops at 7:30 PM.

Tickets are available to purchase now, starting at $13.

Saturday, December 21st, 2019 is also Kids Seat Free Night. Receive a FREE Kids ticket with the purchase of any regular-priced adult ticket. Offer valid at the Memorial Coliseum Box Office Only.

Nickelodeon Night featuring PAW Patrol forms part of The Fort Wayne Komets' 2019-20 promotional schedule. For more information, visit https://www.komets.com/en/promotions.

More Nick: Nickelodeon to Premiere 'The Adventures of Paddington' on Monday, January 20, 2020; To Air Sneak Peek on Friday, December 20, 2019!

Original source: WANE.
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Singapore’s IMDA Partners With Viacom to Co-Fund Content

Singapore’s IMDA Partners With Viacom to Co-Fund Content


Singapore’s Infocomm Media Development Authority is teaming with Viacom International Media Networks (VIMN) and Asian streamer Hooq to fund and develop local content for distribution in Southeast Asia and India.

Both partnerships are under the aegis of the Capabilities Partnership Programme that is part of the IMDA’s ‘Made With Singapore’ initiative.

VIMN is seeking to increase its Asia-Pacific presence by collaborating with local media companies to produce digital content. The company has expressed interest to board IMDA’s Story Lab Apprenticeship Programme that will provide newly-qualified media professionals opportunities to acquire practical skills. Selected participants will go benefit from a 12-month training programme.

The Hooq collaboration will see the IMDA co-fund Singapore-driven stories produced under the Hooq Originals banner that have the potential to resonate with a wider audience in the region.

The IMDA-Hooq collaboration will see scripts from three ‘WritersLab: Script to Screen’ participants produced as pilots, that will also give the opportunity for local Singaporean production talent to hone their skills. The writing participants will benefit from masterclasses from Hooq executives and their industry partners.

In an era where streamers are reluctant to provide viewership data, Hooq will provide writers with this information from the platform. The idea is to allow them to understand how data can be used to make creative and business decisions.

The content emerging from this partnership will be available on Hooq from mid-2020.

Award-winning Singaporean filmmaker Anthony Chen’s Wet Season that opened the recently concluded Singapore International Film Festival and is currently in local cinemas, was produced in association with Hooq. The company recently inked a three-year, first-look and co-production deal with Chen. Mouly Surya’s 2018 film Marlina The Murderer In Four Acts, a Hooq co-production, was Indonesia’s entry in the erstwhile foreign language category. The company’s recent credits also include another Indonesian film, Guntur Soeharjanto’s Belok Kanan Barcelona, Indian series Bhak, and Malaysian series Babi!.

VIMN, a unit of Viacom Inc. Is composed of several global brands including Nickelodeon, MTV and Comedy Central.

Hooq is a joint venture between Singtel, Sony Pictures Television and Warner Bros, and currently operates in the Philippines, Thailand, India, Indonesia and Singapore.

More Nick: Nickelodeon and Mr. Kiasu Creator Make a Splash with SpongeBob SquarePants x Mr Kiasu Coffeetable Book Collaboration!

Original source: Variety; Additional source: The Business Times.
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The Secret to SpongeBob’s 20-Year Success? Relentless Optimism

The Secret to SpongeBob’s 20-Year Success? Relentless Optimism


Two decades after the birth of SpongeBob SquarePants, the gang’s adventures in Bikini Bottom are once again reaching new audiences through a televised special with Broadway flair.

The SpongeBob Musical: Live On Stage! debuts on Saturday, December 7, 2019 at 7:00 p.m. (ET/PT) and tells the story of SpongeBob and his friends as they navigate what could very well be the end of the world.

“We’re going to reach a whole new audience!” actor Ethan Slater, who plays SpongeBob in the SpongeBob Musical, told InsideEdition.com. “It feels really special.”

The beloved Nickelodeon show was turned into a hit Broadway musical in 2016 and went on to earn 12 Tony Award nominations — including one for Slater — before ending its run a little over a year ago. Now, the musical is getting a new life on television and the opportunity to be seen by millions who might have missed the performance at New York City’s Palace Theatre.

Most of the original Broadway cast are reprising their roles in this new reincarnation, including Danny Skinner, who plays Patrick.

“It's like a joy factory,” Skinner told InsideEdition.com of reuniting with his former castmates. “When we closed that last performance … [It was] like, ‘Oh man, I'm never going to get to be with this group of people again.’ But then this came along and it’s just the best thing.”

Gavin Lee plays a tap-dancing, clarinet-playing, show-stopping Squidward. He said the message behind the show is “very much about everyone is equal and everyone has a right to be here.”

"The Best Job in Show Business"

Tom Kenny, who voices the animated SpongeBob on TV, is also making a cameo in the live production as Patchy the Pirate.

“I have the best job in show business,” Kenny told InsideEdition.com. “I wouldn’t trade places with the biggest movie star.”

Kenny’s upbeat attitude may shed light on just what has made SpongeBob so popular for so long. The original TV show, created by animator Stephen Hillenburg, centers on its title character’s life with his pet snail in a pineapple under the sea. It premiered on Nickelodeon in May 1999 and is now the fifth-longest running American animated series.

Tom Kenny on Why We Need SpongeBob Now More Than Ever



Two decades after the birth of “SpongeBob SquarePants,” the gang’s adventures in Bikini Bottom are once again reaching new audiences through a televised special with Broadway flair. “The SpongeBob Musical: Live on Stage!” debuts on Dec. 7. The voice of SpongeBob, Tom Kenny, appears in the show as Patchy the Pirate. InsideEdition.com’s Leigh Scheps has more on why this classic cartoon is still popular 20 years later.

Hillenburg and Kenny had worked together on another hit Nickelodeon show, Rocko’s Modern Life, where Kenny had voiced Heffer.

“He and I just clicked,” Kenny said of Hillenburg. “Steve had this weird little idea about a sponge that works in a fast food restaurant and asked me if I would be interested in voicing the lead character. I loved it! I immediately told him right then and there, ‘If anybody else plays this character, if I turn on my TV and the person that's not me is doing the voice, I'll be sad for the rest of my life.’"

Kenny said that his portrayal of SpongeBob came directly from Hillenburg, including “the optimism, the humorousness, the brand of humor, the style of comedy.”

“It's one of those rare times where I could totally see the finished product the way he described it,” Kenny said.

How did Kenny find SpongeBob’s iconic voice? It was a process, he explained.

“Steve was not somebody who would put his thumb on the scale and just tell you, ‘Hey, do this. I want you to sound like this,’" Kenny said. "He described what the character's inner workings were. It sounds really pretentious when you're talking about a yellow sponge that wears a necktie, but he said, ‘He's half a child and half a grown-up. He goes to boating school and sometimes he and his best friend, Patrick, hold hands and skip around like 4-year-olds."

With that direction, Kenny crafted SpongeBob’s signature voice, which is now instantly recognizable by fans around the world.

"Eternally Relevant"

SpongeBob’s incredible positivity has also had an impact on everyone who plays him.

“What I learned from SpongeBob is to approach life with energy, optimism and just 110 percent effort,” Kenny said.

Slater, who crafted his own version of the character for Broadway, agreed.

“I feel SpongeBob is eternally relevant: the way that he’s able to see the world as its best self, no matter the circumstance," Slater said. "I think SpongeBob embodies that we can always make our worlds better."

Hillenburg passed away last November at the age of 57 after battling ALS. But his legacy continues to flourish through his characters.

In February, SpongeBob made an appearance at the Super Bowl Halftime Show after more than a million fans signed a petition to make the show’s rendition of “Sweet Victory” part of the performance. SpongeBob’s cameo came right between Maroon 5 and Travis Scott, and a video of the special moment quickly went viral.

Special edition, SpongeBob-themed Nike sneakers designed in collaboration with Brooklyn Nets star Kyrie Irving were also a huge hit. “They really went all out,” shoe reviewer Seth Fowler told InsideEdition.com. The shoes were in such high demand that they sold out immediately.

In honor of the show’s 20th anniversary this fall, fans had the chance to visit a life-size pineapple under the sea as part of an immersive experience in Los Angeles. Visitors were able to participate in a scavenger hunt, obstacle courses and photo-ops.

SpongeBob is also kicking off his third decade with a third movie. The SpongeBob Movie: Sponge on the Run includes characters voiced by Snoop Dogg, Keanu Reeves and Awkwafina in addition to all of the beloved regulars.

In so many ways, Hillenburg’s characters continue to bring so much love and comedy to so many people.

“This show shows community, friendship and how we can all work together,” Skinner said. “Bad things happen, but we have each other and we can make this the best day ever if we choose to.”

The SpongeBob Musical: Live On Stage! will air on Nickelodeon, Nicktoons and TeenNick in the U.S. and YTV in Canada simultaneously Saturday, December 7, 2019 at 7:00 p.m ET/PT. Click the following link for more details!: http://nickalive.blogspot.com/2019/11/nickelodeon-to-premiere-spongebob.html

More Nick: 'The SpongeBob Musical' National Tour Announces Cast & Dates!
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Frank Biondi Jr., Former Head of Viacom and Universal Studios, Passes Away at 74

Frank Biondi Jr., the seasoned entertainment business executive who served tenures as the CEO of Viacom, HBO and Universal Studios, died Monday of cancer. The Los Angeles Times reported he died at his home in Los Angeles. He was 74. Biondi is survived by Carol Biondi, his wife of 45 years, as well as daughters Anne Biondi Simonds and Jane Biondi Munna. R.I.P. Frank Biondi Jr. I extend my condolences to Biondi's loved ones in this difficult time.


Frank Biondi, former CEO of Viacom, smiles as he takes questions during a news conference announcing a new cable network, the Tennis Channel, in 2001. (Beth A. Keiser / Associated Press)

From The Los Angeles Times:

Frank Biondi Jr., former head of Viacom and Universal Studios, dies at 74

Frank Biondi Jr., who became one of the leading architects of the modern-day media industry while leading companies such as Viacom, Universal Studios and HBO, died early Monday.

Biondi, who was 74, died of bladder cancer at his home in Los Angeles, his daughter Jane Biondi Munna told The Times.

A highly regarded businessman, Biondi helped build HBO and Viacom into formidable entertainment companies and oversaw some of the most important media brands during the 1980s and 1990s. He also served as chairman and chief executive of Universal Studios, and held key entertainment executive roles at Sesame Workshop and Coca-Cola, when it owned Columbia Pictures.

Biondi was a sharp and low-key business executive who understood complicated finances but was also known for his calm, pleasant and straightforward demeanor, often in sharp contrast with the sometimes difficult personalities he worked for.

Hailing from suburban New Jersey, he became a star baseball player before enrolling in Princeton University, where he earned a bachelor’s degree in psychology in 1966.

Later, armed with an MBA from Harvard, he had a short career as a financial analyst on Wall Street.

But after the market hammered cable stocks in the early 1970s, he found refuge in a nonprofit called the Children’s Television Workshop, which produced such classics as “Sesame Street” and “Electric Company.”

In the mid-1970s, he was offered the job of head of movie acquisition for Home Box Office, a role he turned down. But the HBO executives were persistent and Biondi joined the budding cable network in 1978, a role he got with the help of longtime friend Michael Fuchs.

“I thought this was really a silly job, to be honest with you, because you paid $.30 - $.40 a movie,” Biondi said in an interview with the industry group now known as the Cable Center. “It sounded like an accountant’s job. So I turned him down. They were mystified. How could I do that?”

He became the president and chief executive of HBO in 1983 and helped establish the successful model of a premium subscription channel with boxing and blockbuster Hollywood movies.

“Frank is not a flamboyant person, as you know,” Fuchs once told the Associated Press. “He picks his spots and picks his words. He’s thoughtful. That puts him in the minority of high visibility entertainment executives.”

Biondi is best known for his lengthy tenure as president and CEO of Viacom, the parent company of MTV, Paramount Pictures and Nickelodeon. He joined the media giant, controlled by chairman Sumner Redstone, in 1987.

During Biondi’s run at Viacom, the firm transformed itself from a debt-heavy cable and theater company into an entertainment colossus by acquiring Paramount Communications and Blockbuster Video for a total of $18 billion.

Biondi, known for his quick mind and facility with numbers, was credited with helping Redstone quickly integrate Viacom’s divisions after the purchases of Paramount and Blockbuster, two of the biggest acquisitions in the New York company’s history. He was widely described as a calm and easygoing foil to the sharp-elbowed Redstone.

During his run, the company’s successes including the Oscar-winning film “Braveheart,” the irreverent MTV cartoon “Beavis and Butt-Head” and the TV sitcom “Fraiser.”

Redstone, however, surprised investors in 1996 when he fired Biondi, saying he wanted the company to “move faster” and that Biondi’s management approach wasn’t working. Biondi, at the time, said he disagreed with the decision but accepted it.

“Sumner came in my office about 3:30 on ... I don’t even remember what day of the week it was anymore,” Biondi recalled in the 2000 Cable Center interview. “He said, ‘I want to make a change. I always wanted to run my own company. It’s been great. I’ll be great.’”

Biondi was immediately hired by Seagram Co. scion Edgar Bronfman Jr. to lead the liquor company’s entertainment enterprise, Universal Studios, formerly known as MCA. However, the entertainment division, in which Seagram had acquired an 80% stake in 1995, was struggling with film flops and executive turmoil as the parent company tried to manage its film, TV, music and theme parks business.

Biondi was fired in 1998 amid a broader shakeup of the company by Bronfman, who was criticized for leading the entertainment division without a clear strategy. Leadership of entertainment brands, including its movie and TV studio and theme parks business, fell to Ron Meyer. Biondi, at the time, said it was clear Bronfman wanted “to run the business himself.”

Leaving Universal after just over two years in the job, Biondi exited with a hefty settlement, reportedly worth more than $25 million, from Seagram.

Since 1999, Biondi has served as senior managing director of WaterView Advisors and was on the boards of several companies, including Madison Square Garden, AMC Networks and STX Entertainment. Robert Simonds, the head of STX Entertainment, is Biondi’s son-in-law.

An avid tennis player, Biondi also helped finance the 2001 launch of the Tennis Channel, now owned by Sinclair Broadcast Group.

Biondi is survived by Carol Biondi, his wife of 45 years, as well as daughters Anne Biondi Simonds and Jane Biondi Munna.

###

From Variety:

Frank Biondi Jr., Former Viacom and Universal Studios Head, Dies at 74

Frank Biondi, former CEO of Viacom, smiles as he takes questions during a news conference announcing a new cable network, The Tennis Channel, in New York. Biondi, a lead investor in the new channel, helped announce the summer 2002 launch of the all tennis networkTV TENNIS CHANNEL, NEW YORK, USA. CREDIT: BETH A KEISER/AP/SHUTTERSTOCK

Frank Biondi Jr., the seasoned entertainment business executive who served tenures as the CEO of HBO, Viacom and Universal Studios, died Monday of cancer. The Los Angeles Times reported he died at his home in Los Angeles. He was 74.

Biondi was the consummate example of the kind of polished, Ivy League-trained business executives who rose through the ranks in the entertainment industry in the 1980s and ‘90s. He was a respected leader known as a whiz with financial data and high-level dealmaking, but he left the creative side of network and studio operations to others.

Biondi was remembered by friends and colleagues as a key player in shaping the contemporary media and entertainment industries. Robert Simonds, chairman-CEO of STX Entertainment who is married to Biondi’s daughter Anne, considered him a mentor.

“Anne and I are devastated to lose Frank so young,” Simonds said. “He was not only an icon and mentor to me, as he was to so many in our industry, he was a noble, kind and beloved father to us and an extraordinary grandfather to our children. We cherish the life and memories we shared and we will proudly carry on his legacy.”

Highly regarded as plain-spoken and gentlemanly, he was content to stay out of the direct spotlight for a decade while working for the larger-than-life Viacom mogul Sumner Redstone. He was famously fired by Redstone in January 1996 after a nine-year run as Viacom’s CEO — a move that helped cement Redstone’s reputation as a mercurial boss.

Biondi was immediately courted by Seagrams’ Edgar Bronfman Jr., then the new owner of Universal Studios. (Redstone tried unsuccessfully to block Biondi from joining the rival studio.) But barely two years later Biondi was ousted in a restructuring amid a slump at Universal and the arrival of Barry Diller as a business partner of Bronfman. After Universal, Biondi never returned to a major executive role.

In 1999, Biondi and several partners formed WaterView Advisors, an investment firm focused on media and technology companies. WaterView had a rocky run in its first few years following the initial dot-com collapse.

In January 2006, activist investor Carl Icahn enlisted Biondi as his choice to be CEO of Time Warner as Icahn waged a proxy fight to shake up the board and management of the company that was still reeling from the AOL merger debacle. Icahn’s proxy battle was settled a few months later.

He was much in demand as a director for public media and tech firms. In recent years, Biondi served on the boards of AMC Networks, Madison Square Garden Co. and ViaSat. His past board seats included Cablevision Systems Corporation, RealD, Hasbro, Yahoo! and Harrah’s Entertainment.

Biondi grew up in New Jersey, the son of a Bell Telephone executive. After graduating from Livingston High School in 1962, he earned a BA in psychology from Princeton University in 1966 and an MBA from Harvard Business School in 1968.

Biondi’s early career included serving as assistant treasurer from 1974 to 1978 at “Sesame Street” producer Children’s Television Workshop. He moved on to Time Inc. as a VP from 1978 to 1984. He took on additional duties as CEO of Time Inc.’s HBO in 1982. Two years later, Biondi exited Time Inc. after he was replaced as HBO CEO by Michael Fuchs. Biondi moved on to become CEO of Coca-Cola Television from 1985 to 1987, during the period when the soft drink giant owned Columbia Pictures.

In 1987, Biondi was recruited by Redstone to run Viacom, the home of MTV, Nickelodeon and other cable channels, which Redstone acquired the same year. Biondi was a key player five years later when Redstone battled Barry Diller for ownership of Paramount Pictures.

He married ABC research executive Carol Oughton in 1974. His other survivors include a daughter, Jane.

###

From TheWrap:

Frank Biondi Jr, Former Viacom and Universal Studios CEO, Dies at 74

Executive also served as president and CEO of HBO

Former HBO, Viacom and Universal Studios chief executive Frank Biondi Jr. has died at the age of 74.

Biondi died Monday at his home in Los Angeles following a battle with bladder cancer, his daughter told the Los Angeles Times.

As an entertainment executive in the 1980s and ’90s, Biondi helped shepherd the rise of HBO and Viacom after a brief tenure at Children’s Television Workshop serving as a producer on “Sesame Street.”

Biondi first joined HBO in 1978, later rising to president and chief executive in 1983. He was tapped by Sumner Redstone to serve as CEO of Viacom four years later and would go on to oversee the company’s acquisitions of Paramount Communications and Blockbuster Video. However, Redstone fired Biondi in 1996, publicly criticizing his management style in the process.

After his exit from Viacom, Biondi was hired to lead Universal, a job he held for two years.

In the time since, Biondi helped to launch the Tennis Channel and served on the boards of Madison Square Garden, AMC Networks and STX Entertainment.

He is survived by his wife, Carol Biondi, and daughters Anne and Jane.

###

From Variety:

Remembering Frank Biondi Jr., the Exec Who Was Viacom’s ‘Secret Weapon’

Frank Biondi Jr. was never a flashy CEO. He rarely stood in the spotlight at the media companies he led.

But Biondi, who died Nov. 25 at age 74, was a hugely influential figure for a generation of executives who worked for him at HBO, Columbia Pictures Television, Viacom and Universal Studios.

Friends and colleagues remember Biondi as a low-key manager who was buttoned up when it came to business but was never afraid to take a gamble on something that had the backing of his top lieutenants.

“He provided a lot of energy and leader­ship for Viacom at a time when we were deep in debt and we were only able to make a few bets to move ourselves forward,” says Tom Freston, a fellow former Viacom CEO and longtime head of MTV Networks.

Sherry Lansing, who headed Paramount Pictures during Biondi’s time at Viacom, recalls an executive who was equal parts brilliant and kind. “He was calm in all situations,” Lansing says. “He was calm during the bad times, and he was calm — although happy — when we would have a big hit.”

Matt Blank, former Showtime chairman-CEO, first met Biondi when they were working together at Time Inc. and HBO in the late 1970s. It was Biondi who persuaded Blank to move over to Showtime not long after Biondi was recruited by Sumner Redstone to be CEO of Viacom in 1987. “You’d be hard-pressed to find someone who helped more people and guided the careers of more executives than Frank,” Blank says.

Biondi was a quick study on any given subject, attentive and always accessible, friends and colleagues say. Those qualities made him a strong leader and counterpart to the mercurial Redstone. Biondi had a way of making executives feel that he was rooting for them.

“When you made a call to Frank, he always returned it very quickly, and he always tried to be helpful,” Blank says.

The growth of Viacom on Biondi’s watch attracted attention from the business press. The CEO wound up in the unfamiliar position of being front and center of a New Yorker profile by Ken Auletta, published in January 1995, with the headline “Redstone’s Secret Weapon.” One year later, Redstone would fire Biondi — a decision that Viacom veterans to this day believed was spurred by Redstone’s envy over the praise for Biondi in the pages of The New Yorker.

“It was obvious especially in the early days that Frank was the guy calling the shots and running the show,” Freston says. “Sumner was watching the stock price.”

Biondi was also a role model in how he conducted himself outside the office, starting with his devotion to his family and his wife of 45 years, former ABC executive Carol Oughton.

“He would leave the office at 6 o’clock,” Freston recalls. “He drove a modest car. He did not lead a fancy life in any way. For Frank, it was family first, then Viacom, and then sports. He was a hell of a tennis player.”

Biondi grew up in New Jersey, the son of a Bell Telephone executive. After graduating from Livingston High School in 1962, he earned a BA in psychology from Princeton University in 1966 and an MBA from Harvard in 1968.

His early career included serving as assistant treasurer from 1974 to 1978 at “Sesame Street” producer Children’s Television Workshop. He moved on to Time Inc. as a VP from 1978 to 1984. He took on additional duties as CEO of Time Inc.’s HBO in 1982. Biondi left to become CEO of Coca-Cola Television from 1985 to 1987, during the period when the soft drink giant owned Columbia Pictures.

By the time he landed at Viacom, Biondi had gained experience in virtually every aspect of the media business, from production and distribution to running a pay-TV startup to wheeling and dealing on high-level acquisitions.

Freston cites Biondi’s decision to give the OK to produce original animated series for MTV and Nickelodeon as an example of his leadership style. He did it because he had faith in the team leading the charge. “He believed in MTV and Nickelodeon,” Freston says. “He greenlighted the strategy that led to ‘Rugrats’ and ‘Doug’ and ‘Ren & Stimpy,’ and those animated properties went on to become some of the biggest revenue drivers for all of Viacom.”

Biondi also had a strong competitive streak. Freston recalls persuading Biondi in a three-minute phone call in 1989 to allow Viacom to announce the launch of a comedy-focused cable channel after they learned that HBO was about to announce a comedy cabler. The result, after some twists and turns, was Comedy Central, which remains one of Viacom’s biggest assets.

But at the time, there was no such strategic vision, just a desire to play spoiler to Biondi’s former employer.

“We invented the whole thing that morning,” Freston recalls. “There was no business plan. It was really just meant to foil HBO’s big announcement. The business was much more seat-of-the-pants in those days. Frank was a risk-taker despite the fact that he was also a very buttoned-up guy.”

Biondi faced his share of career ups and downs — after he was ousted at Viacom, he spent about two years as CEO of Universal Studios before the ax fell again amid a broader management shake-up. But he bore no grudges, friends say. He had no trouble keeping business and personal issues distinct in his mind.

“Frank stayed very close to some of the people he worked with over the years,” Blank says. Blank notes that he made a point of reaching out to Biondi earlier this year to get his perspective on a possible business opportunity. His counsel, as ever, was sharp and insightful. “He took great pleasure in seeing [executives] go on to have their own successes,” Blank says. “He always made you feel like you were part of the family.”

Lansing echoes that sentiment. “He was an inspiration to me in how to conduct a meaningful life,” she says. “He valued his wife and his children above all else. He rose to the very top of the entertainment industry, but he never lost sight of what was important in life.”

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Originally published: Monday, November 25, 2019.