Showing posts with label Viacom Partnerships. Show all posts
Showing posts with label Viacom Partnerships. Show all posts

Tuesday, December 09, 2025

Paramount to Shutter Nickelodeon, NickToons and Nick Jr. Channels In Ukraine on January 1, 2026

Paramount Global, in partnership with 1+1 Media, has announced that Nicktoons and Nick Jr. channels are now available to watch in Ukrainian! The Ukrainian audio tracks for both channels were launched on Thursday 7th December 2023, and are available on a wide range of platforms, including OTT, Viasat satellite packages and cable networks. To make this possible, Paramount Global has translated and dubbed over 47,000 minutes of high-quality content in collaboration with Ukrainian talent. The news follows Paramount launching a Ukrainian audio track for the Nickelodeon channel earlier this year.

Update (9/12): Paramount will reportedly shutter Nickelodeon Ukraine, along with the Nick Jr. and Nicktoons channels currently available in the country on Thursday 1st January 2026.

Kamp Koral: SpongeBob's Under Years

Wednesday, August 27, 2025

Netflix Unveils First Look at 'Emily in Paris' Season Five

OFFICIAL FIRST LOOK & DATE ANNOUNCEMENT + NEW LOCATION REVEAL

EMILY IN PARIS SEASON 5 PREMIERES DECEMBER 18TH ON NETFLIX

Lily Collins as Emily in ‘Emily in Paris’
Photo by Giulia Parmigiani

Lily Collins as Emily, Ashley Park as Mindy in ‘Emily In Paris’ Season 5
Photo by Caroline Dubois

Lily Collins as Emily in ‘Emily In Paris’ Season 5
Photo by Caroline Dubois

William Abadie as Antoine Lambert, Lucien Laviscount as Alfie in ‘Emily in Paris’ Season 5
Photo by Caroline Dubois

Lily Collins as Emily, Eugenio Franceschini as Marcello in ‘Emily In Paris’ Season 5
Photo by Caroline Dubois

Ashley Park as Mindy in ‘Emily in Paris’ Season 5
Photo by Giulia Parmigiani

Bruno Gouery as Luc, Philippine Leroy-Beaulieu as Sylvie Grateau in ‘Emily in Paris’ Season 5
Photo by Giulia Parmigiani

Bruno Gouery as Luc, Samuel Arnold as Julien in ‘Emily in Paris’ Season 5
Photo by Caroline Dubois

William Abadie as Antoine Lambert and Lucas Bravo as Gabriel in ‘Emily In Paris’
Photo by Caroline Dubois

Lily Collins as Emily, Eugenio Franceschini as Marcello in ‘Emily in Paris’ Season 5
Photo by Giulia Parmigiani

Lily Collins as Emily in ‘Emily in Paris’ Season 5
Photo by Giulia Parmigiani

Wednesday, August 20, 2025

Today, Netflix revealed first look images from the upcoming highly anticipated fifth season of Emily in Paris as well as a new location reveal this season. Emily will continue her Italian holiday living la dolce vita in Venice. All 10 episodes will premiere on December 18th on Netflix.

Creator Darren Star tells Tudum.com "This season is a Tale of Two Cities. Rome and Paris. Straddling both, Emily takes love and life to the next level."

Visit Tudum.com for more on Emily in Paris.

ABOUT EMILY IN PARIS SEASON 5

· All episodes of Emily in Paris Season 5 will premiere on December 18, 2025

· Synopsis: Now the head of Agence Grateau Rome, Emily faces professional and romantic challenges as she adapts to life in a new city. But just as everything falls into place, a work idea backfires, and the fallout cascades into heartbreak and career setbacks. Seeking stability, Emily leans into her French lifestyle, until a big secret threatens one of her closest relationships. Tackling conflict with honesty, Emily emerges with deeper connections, renewed clarity, and a readiness to embrace new possibilities.

· Creator / Executive Producer / Writer: Darren Star

· Executive Producers: Tony Hernandez, Lilly Burns, Andrew Fleming, Stephen Brown, Alison Brown, Robin Schiff, Grant Sloss, Joe Murphy

· Starring: Producer Lily Collins (Emily Cooper), Philippine Leroy-Beaulieu (Sylvie Grateau), Ashley Park (Mindy Chen), Lucas Bravo (Gabriel), Samuel Arnold (Julien), Bruno Gouery (Luc), William Abadie (Antoine Lambert), Lucien Laviscount (Alfie), Eugenio Franceschini (Marcello), Thalia Besson (Genevieve), Paul Forman (Nico), Arnaud Binard (Laurent G), Minnie Driver (Princess Jane), Bryan Greenberg (Jake), and Michèle Laroque (Yvette)

· Produced by: MTV Entertainment Studios, Darren Star Productions, and Jax Media


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Gas up your Vespa and grab your helmet: Emily Cooper’s Italian adventures are coming to Netflix Dec. 18.

Rome’s not the only new city Emily is exploring: see Emily cruising through Venice in a speedboat above. Keep reading to check out Emily living la dolce vita.

“From Parisian rooftops to Roman ruins, we can’t wait to share where Emily’s next chapter takes us,” Star says about the next chapter of the series. Cast members Collins, Philippine Leroy-Beaulieu (Sylvie Grateau), Ashley Park (Mindy Chen), Lucas Bravo (Gabriel), Samuel Arnold (Julien), Bruno Gouery (Luc), William Abadie (Antoine Lambert), Lucien Laviscount (Alfie), Eugenio Franceschini (Marcello), and Thalia Besson (Genevieve) are all returning for the new season. Additional returning cast members include Paul Forman as Nico and Arnaud Binard as Laurent G.

There are also a few actors joining Season 5: Bryan Greenberg (JunctionSuits LAHow to Make it in America) plays Jake, an American living in Paris. Michèle Laroque (Brillantissime) plays Yvette, an old friend of Sylvie’s (Emily’s boss). Academy Award–nominated actor Minnie Driver (Good Will HuntingWill & Grace, Speechless) plays Princess Jane, a friend of Sylvie’s who married into a royal family. 

Season 4 of the series saw the expat spark a romance with a handsome Italian fashion scion and then move into an Italian apartment to open a Rome office for Agence Grateau. But the locale twist doesn’t mean the name of the show is changing. “Emily’s going to have a presence in Rome,” says Star. “It doesn’t mean she’s not going to be in Paris.”

Sending Emily to Italy to open up a new office was born out of Star’s desire to “stay ahead of the audience and take them to unexpected places,” and prove “the show has the ability to have a bigger footprint.”

Emily in Paris Season 4 ranked No. 1 on the Netflix Global Top 10 when it premiered in August. It had 19.9 million views in its first four days, reaching the Top 10 in 93 countries, and has remained on the list for four consecutive weeks since.

Collins announced the Season 5 news during an appearance on Good Morning America, and tells Tudum she’s looking forward to seeing what happens between her character and new beau Marcello (Franceschini). 

“Marcello is a whole other adventure that we want for Emily because we ultimately want Emily to be able to have a better work/life balance,” she says. “We want to have Emily be able to smile without condition. We want to see her beyond her vacay mode. And he comes at that perfect time.”

Star confirms that Emily’s relationship with Marcello will be explored in Season 5, saying, “I feel like they have a real spark and a real connection and a real romantic connection. A lot of that’s going to continue to play out next season.”

Of course, Emily’s neighbor and on- and off-again boyfriend Gabriel (Bravo) had an epiphany in the final moments of Season 4 that he wants to be with Emily after all. Communication troubles might have gotten in the way of the duo embarking on a real relationship, but he’s ready to fight to be with her. “Unfortunately,” says Collins, “Gabriel has to deal with the repercussions of his choice” to end things with her.

Can Emily move on, or will she move back to the City of Lights?

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Originally published: August 27, 2025.

Sources: TheFutonCritic.comDeadline; H/T: CBR.

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Wednesday, June 04, 2025

Paramount Global Nominates Three Board Directors as Skydance Merger Awaits FCC Approval

Paramount Global nominated three new directors on Monday, June 2, seeking to boost its board strength to seven as it awaits regulatory approval for its $8.4 billion merger with Skydance Media.

Illustration shows Paramount Global and Skydance logos
Paramount Global and Skydance logos are seen in this illustration taken December 17, 2024. REUTERS/Dado Ruvic/Illustration/File Photo

Paramount nominated Mary Boies, counsel to Boies Schiller Flexner LLP, Charles Ryan, co-founder and general partner of Almaz Capital, and Roanne Sragow Licht, former justice and adjunct professor at Boston University and Roger Williams University.

U.S. President Donald Trump filed a $10 billion lawsuit against Paramount-owned CBS News in October, alleging that the network deceptively edited an interview with then-vice president and presidential candidate Kamala Harris, to "tip the scales in favor of the Democratic Party" in the election.
Trump's lawsuit is seen as a major roadblock to the Paramount-Skydance merger, according to some analysts.

The merger, which is slated to be completed by the first half of 2025, requires approval from the U.S. Federal Communications Commission (FCC), which has authority over the transaction because it needs to approve the transfer of the broadcast television licenses held by CBS.

Paramount, chaired by Shari Redstone, reportedly offered $15 million to settle the suit, however, in a letter sent on Friday, May 30 to former 60 Minutes Executive Producer Bill Owens and ex-CBS News and Stations boss Wendy McMahon, plus the Paramount Global board and the state Attorney General, the heads of the Senate Energy, Utilities & Communications Committee and the Senate Judiciary Committee in Sacramento, California, Senators Josh Becker and Thomas J. Umberg have began an investigation to see if Golden State bribery and unfair competition laws are about to be violated.

Trump raised his claim for damages to $20 billion in February.

The Wall Street Journal reported last week that the company wanted to ensure it had a full board in place in case its negotiations with Trump to settle his lawsuit fell through.

Paramount is scheduled to hold its annual stockholder meeting on Wednesday, July 2.

In additional Paramount news, in a move that blindsided many staffers, Paramount has fired its longtime media agency of record in a cost-saving move as its proposed merger with Skydance Media continues to gestate.

The abrupt change comes as Skydance and its private equity backer RedBird Capital are waiting in the wings to take control of Paramount, pending government approval of the $8 billion deal. Precisely who drove the ad agency decision is a matter of some dispute, according to sources, but Paramount’s relationship with agencies primarily resides with John Halley, president of Paramount Advertising. On the sell-side, Paramount does business with agencies across its networks and streaming services and the opportunity apparently presented itself to create more favorable economics via a buy-side shift of agencies.

WPP Media, formerly known as GroupM before a recent rebrand, had worked with Paramount Pictures for more than two decades, dating back to when the studio was part of Viacom. Three sources familiar with the situation told Deadline that the agency was dismissed and replaced by Publicis, another of the large agency players. The switch, which was not preceded by the customary review period (when an incumbent has a chance to retain the business), will result in significant cost savings and has been characterized as a business decision. Executives relayed the news selectively inside Paramount and to some people externally last Friday and word has spread quickly in subsequent days.

Total annual billings from Paramount, spanning international ads for Paramount+ (Horizon Media handles the streamer domestically) as well as global campaigns for films like the latest Mission: Impossible installment, are in the range of $600 million, according to people with knowledge of the numbers.

It wasn’t immediately clear how much of a savings would be created by the move, and sources indicated that other factors like buying and planning strategy and account personnel were also considered in terms of workflow and strategy. Feedback about WPP from a range of Paramount employees, from directors to SVPs and EVPs had been generally positive in recent months. And unlike creative marketing teams, trailer vendors or others involved in campaigns, media agencies are usually not in the direct line of fire if corporate leadership wants to respond to box office or ratings results.

Horizon’s work on domestic Paramount+ is another question, with rumors circulating that it had moved to IPG in parallel with the larger move. Those agencies did not immediately respond to Deadline’s request for comment.

Publicis also did not respond to a request for comment. Reps from Paramount Global, Paramount Advertising, Skydance and WPP Media declined to comment when contacted by Deadline.

The merger of Skydance and Paramount, which seemed a sure bet at the start of the year, has entered murkier territory thanks in large part to President Donald Trump’s animus toward CBS News.

Sentiment on the Paramount lot, Deadline has learned, has moved from the agonizingly slow crawl of the merger process and more about the abrupt changing of the guard with a longtime third-party vendor. The notion of swapping out an agency of record without warning is virtually unheard of on Madison Avenue. While clients are more antsy than ever and have jumped agencies in an effort to save money, gain efficiencies or for other reasons, the transition usually follows a more orderly and deliberate path.

Halley oversees the sell-side efforts at Paramount but also the outward promotion of the company’s films, series, streaming and other wares and its relationships with agencies. Since ascending to the No. 1 role in 2022, he has shown a willingness to buck convention, as with his conviction about ending decades of tradition by discontinuing the company’s traditional big-stage upfront presentation every spring. In place of the splashy show, the company convenes a number of smaller agency-focused dinners with talent in New York, Los Angeles and Chicago.

Skydance, along with RedBird, sealed its merger proposal with Paramount controlling shareholder National Amusements last July and remained in pole position after a 45-day “go-shop” period expired. Mindful of legal restrictions against “gun-jumping” by parties involved in corporate mergers, Skydance has maintained a fairly low profile as the review has unfolded. (CEO David Ellison, for example, was not a public presence at last month’s Cannes Film Festival despite Mission: Impossible – The Final Reckoning having its world premiere there.)

On a matter as consequential as the change of agency, sources indicated to Deadline, Skydance and RedBird could well have been consulted about the switch under the terms of the merger agreement.

The merger does not require approval from shareholders given that Shari Redstone and her family control a large majority of the company’s shares.

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Sources: ReutersDeadlineKidscreen.

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Tuesday, April 29, 2025

Paramount Ex-CEO Bob Bakish Walks Away With Almost $87M; George Cheeks, Chris McCarthy And Brian Robbins Each Net Between $19.5M And $22.2M In 2024

The three occupants of Paramount Global‘s Office of the CEO did well for themselves financially in 2024, but the biggest payday went to ex-CEO Bob Bakish.

From left, Paramount Global Co-CEOs Chris McCarthy, George Cheeks and Brian Robbins
From left, Paramount Global Co-CEOs Chris McCarthy, George Cheeks and Brian Robbins | Eric Charbonneau/Paramount via Getty Images

George Cheeks, Chris McCarthy and Brian Robbins collected $22.2 million, $19.5 million and $19.6 million, respectively, according to an SEC filing by the company on Friday, April 25. Bakish took home just shy of $87 million, including about $69 million in severance.

The compensation figures come as talks are continuing between Paramount Global and the Federal Communications Commission, which is reviewing the proposed merger of Paramount and Skydance Media. The FCC has made it plain that it wants Paramount and other media companies to roll back their Diversity, Equity and Inclusion efforts. Unwinding the DEI programs put in place across corporate America in recent years has been a major priority of President Donald Trump and appointees like FCC Chair Brendan Carr. Trump has also filed a $20 billion lawsuit in Texas against Paramount, citing CBS News and 60 Minutes, but Carr has maintained that the FCC review is separate from that case.

Bakish was removed as CEO in April 2024 and the company created the Office of the CEO after clashing with Paramount chair and controlling shareholder Shari Redstone. Cheeks, McCarthy and Robbins have continued to oversee divisions of the company in addition to fulfilling their Co-CEO duties. In the Skydance deal announced last summer, Redstone’s privately held National Amusements will be acquired by Skydance, which will then merge with all of Paramount. The companies have said the transaction would close by the first half of 2025, but that timetable has come into question in recent weeks.

The framework for Bakish’s severance payment had been disclosed, but the final number was determined based on a range of performance-based metrics. In 2023, Bakish’s total payday was $31.3 million.

Christa D’Alimonte, who departed last June as EVP and General Counsel, collected $8.9 million in 2024, including about $4 million in severance.

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Original source: Deadline.

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Paramount, FCC Start Talks Around Skydance Merger

The Federal Communications Commission (FCC) and Paramount have been in contact about steps needed for the agency to approve its sale to Skydance, Deadline has confirmed.

Paramount Water Tower
Michael Buckner/Variety

The Wall Street Journal first reported the start of discussions over how the parties might work towards a green light of the deal announced last summer that’s been parked at the watchdog agency ever since.

Not surprisingly, one initial concession by Paramount could include the company continuing to abstain from Diversity, Equity and Inclusion (DEI) efforts, a target of President Donald Trump and his appointed FCC chairman Brendan Carr.

The outreach last week is a rare sign of progress around the sale of Shari Redstone’s Paramount Global to David Ellison’s Skydance Media in a deal backed by Oracle co-founded and CEO Larry Ellison and RedBird Capital. The merger agreement was automatically extended earlier this month for another 90 days pending the regulatory review.

The FCC has sway over the transfer of broadcast licenses, which would apply here to the parent of CBS. The commission has launched investigations of Disney and NBCUniversal parent Comcast over DEI practices.

Carr told Bloomberg last month, “Any businesses that are looking for FCC approval, I would encourage them to get busy ending any sort of their invidious forms of DEI discrimination.” Paramount Global along with other media companies has walked back and recast work in Diversity, Equity & Inclusion.

The merger process has rattled CBS News, as Redstone, Paramount Global’s controlling shareholder, is said to be anxious to close the transaction. Paramount Global has had settlement talks with Trump’s legal team to resolve the president’s $20 billion lawsuit against the network over the way that 60 Minutes edited an interview with Kamala Harris. Many legal observers see the lawsuit as frivolous, but a settlement also been viewed as a way to appease the president at a time when the companies need the administration’s greenlight for the merger.

Things came to a head last week, when 60 Minutes executive producer Bill Owens resigned, citing corporate interference. Just about each week since Trump took office, the show has produced hard hitting pieces about various aspects of the administration, and the president has lashed out at the network over some of them. 60 Minutes planned another piece for Sunday, April 27 over the Trump administration cuts to the National Institutes of Health.

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Tuesday, April 08, 2025

Skydance-Paramount Merger Agreement Extended for 90 Days Whilst Awaiting FCC Approval

Skydance Media‘s $8 billion agreement to merge with Paramount Global expired on Monday, April 7 as the parties await FCC approval. Under the terms of the pact, the deadline for the agreement to close has been automatically extended for another 90 days, reports Variety.

Paramount Pictures Water Tower
Michael Buckner/Variety

If by the end of that 90-day period (Monday, July 7, 2025) the deal still hasn’t closed, it will be subject to a second 90-day extension. The automatic extensions are triggered in the event that “all of the conditions of the closing, except those relating to regulatory approvals, have been satisfied or waived,” per the companies’ deal.

On July 7, 2024, after months of on-and-off negotiations, Paramount controlling shareholder Shari Redstone clinched a deal to merge the media conglomerate with Skydance.

The SEC approved the Skydance-Paramount deal in February. That same month, the European Commission gave it the thumbs-up, noting that the transaction does not pose any significant anti-competitive concerns.

But the FCC has not yet cleared the merger. And there’s no formal date by which the FCC must issue a decision in the matter.

What’s the holdup? Some background on the situation: Prior to the 2024 election, President Trump filed a lawsuit against CBS News over a 60 Minutes interview with then VP and presidential hopeful Kamala Harris, alleged the Harris interview was deceptively edited. Trump has demanded $20 billion in damages. Last month, Paramount and CBS moved to dismiss Trump’s suit as “an affront to the First Amendment.”

Republican FCC Chairman Brendan Carr, a Trump appointee, has said Trump’s 60 Minutes lawsuit would likely will be a factor during the FCC’s review of the Skydance-Paramount merger.

And last month, Carr claimed he will block M&A deals for media companies that promote diversity, equity and inclusion programs — as he helps execute Trump’s aggressive anti-DEI agenda. Carr has directed the FCC to probe DEI practices as Disney/ABC and Comcast/NBCUniversal, claiming he is concerned the media companies are promoting “invidious forms of DEI.” Paramount, meanwhile, in February said it was changing some of its DEI programs to comply with the Trump administration’s directives.

The Skydance-Paramount deal has an enterprise value estimated at $28 billion and gives Skydance an implied valuation of $4.75 billion. Shareholders of Redstone's National Amusements, Inc. (NAI) will receive $1.75 billion and the assumption of NAI’s debt (for $2.4 billion total enterprise value) while Paramount Global Class B common shareholders will receive $15 per share. About $6 billion of the money to fund the deal is coming from the Ellison family (i.e. Oracle founder Larry Ellison) and about $2 billion is from RedBird Capital Partners.

Last October, Skydance submitted an updated filing with the FCC to reflect that David Ellison, Skydance’s CEO, will hold 100% percent of the Ellison family’s voting interests in the newly combined Skydance-Paramount and not Larry Ellison, as previous documents indicated.

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H/T: Special thanks to @KcaWomansRights for the news!

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Saturday, March 08, 2025

Judge Declines to Block Paramount-Skydance Merger, but Accelerates Investor Suit

A Delaware judge on Thursday (March 6) declined to issue an order to temporarily halt the merger between Paramount Global and Skydance Media.

Paramount Mountain

But in the ruling, Chancellor Kathaleen McCormick agreed to set a “break-neck pace” for an investor suit that seeks to block the deal in favor of a competing bid from Project Rise Partners.

A group of New York City pension funds filed the suit last month, arguing that Paramount Global had failed to get maximum value by refusing to consider the $13.5 billion bid from Project Rise. The funds argued that Paramount Global controlling owner Shari Redstone opted for the Skydance deal because it benefits her at the expense of minority shareholders.

The funds sought a temporary restraining order that would prevent the Skydance deal from going through while the suit is pending. Paramount has argued that the offer came in after the close of the “go-shop” window, and that it is contractually bound to stick with Skydance.

In her ruling on Thursday, McCormick declined to issue a TRO, but did set an accelerated schedule that would allow for a ruling on an injunction by April 7.

“This is a break-neck pace but doable,” the judge wrote. She reasoned that the pension funds had shown sufficient potential harm to warrant an expedited schedule, but not enough to get a TRO.

A rep for law firm Grant & Eisenhofer, which is representing the New York City pension funds in the case, said in a statement: “We are pleased with the Chancellor’s decision.” Paramount and Skydance declined to comment on the ruling. Reps for Project Rise Partners and the Paramount board’s special committee did not respond to requests for comment.

It is not clear when the $8 billion Skydance deal will close, as it must still get approval from the Federal Communications Commission. The current end date in the merger agreement is April 7, but that deadline could be extended assuming the FCC has yet to approve the deal.

McCormick asked Paramount to give the plaintiffs up to five days’ notice if it appears the deal will close before then, so that they can renew their request for a temporary restraining order.

The judge ordered the parties to confer on a briefing schedule. “Perhaps the parties can negotiate a more civilized schedule in the event they learn that the FCC process is not likely to conclude by April 7,” she wrote.

Shares of Paramount Global ticked up 2.2% Thursday amid a broader market decline.

Separately Thursday, Paramount and CBS filed motions to dismiss President Trump’s lawsuit over a 60 Minutes interview last year, calling the suit an “affront to the First Amendment.”

The investors in the Project Rise consortium include Daphna Edwards Ziman, president and co-chairman of film and lifestyle TV network Cinémoi, and Moses Gross, founder and CEO of real estate company ANM Group. Gross is the CEO of Malka Equities, the umbrella company that signed a $10 billion commitment on behalf of the investors.

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Originally published: March 08, 2025.

Original source: Variety; H/T: Kidscreen.

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Wednesday, January 29, 2025

Paramount Hit With Legal Letter to Consider Last-Minute $13.5 Billion Offer From Outside Investors Over Skydance Takeover Bid [UPDATED 1/29]

Here comes a plot twist: As Skydance Media and RedBird Capital Partners work to close the Larry Ellison-backed takeover of Paramount Global this spring, a consortium of investors who previously bid on the storied media conglomerate is mounting an eleventh-hour $13.5 billion offer.

Paramount Pictures Studios Water Tower
Michael Buckner/Variety

Variety has obtained a legal letter that is being sent to Paramount’s board Friday, Jan. 24, from Project Rise Partners that outlines a new bid that is higher than an all-cash offer the consortium made during the go-shop window. The group says its terms are vastly superior to the $8 billion deal from Skydance and RedBird.

The letter, prepared by the law firm Baker & Hostetler, notes that in light of “the market’s negative reaction to the Skydance transaction, PRP is now increasing its offer as follows: The offer for the B shares is $19 per share compared to $15 per share in the Skydance offer — a 75% premium and 27% more than Skydance. The PRP offer for the A shares remains the same as the Skydance offer. PRP will add $2B to the balance sheet. This is an all-cash offer with committed financing from credible investors.”

Those investors have largely remained mysterious outside of Daphna Edwards Ziman, president and co-chairman of film and lifestyle TV network Cinémoi, and Moses Gross, founder and CEO of real estate company ANM Group. (Gross is the CEO of Malka Equities, the umbrella company that signed a $10 billion commitment on behalf of the investors.) But sources say Project Rise Partners is also backed by titans of industry comparable to Larry Ellison and includes at least one of the richest men in the world and as well as a company partner that is a pioneer in the satellite industry. Ziman and Gross fronted the previous offer, which they say was never presented to the board.

Reps for Skydance and Paramount Global declined to comment. A spokesperson for the Paramount board’s special committee established to vet offers did not immediately respond to a request for comment.

A publicly traded corporation is typically legally bound to consider any legitimate offer of value that could benefit shareholders. The Project Rise investors fired off a legal letter in October 2024 claiming that Paramount’s special committee violated its fiduciary duty to shareholders by neglecting to consider the group’s previous $8.5 billion bid for the company. Project Rise Partners’ $13.5 billion offer includes $5 billion for restructuring of the debt.

According to an SEC filing, a member of Paramount’s Special Committee held a call with a Project Rise Partners representative on Aug. 15, which was inside the go-shop window. (That window closed on Aug. 21.) But the SEC filing says the two sides did not discuss terms during the call and that the group’s acquisition proposal was only submitted on Aug. 26, after the window closed.

The Baker & Hostetler letter — addressed to Paramount board members Shari Redstone, Barbara Byrne, Linda Griego, Judith McHale and Susan Schuman — states that the company’s Class B shareholders “would own 50% of the equity versus 30% in the Skydance offer. The PRP offer includes an independent board and normal corporate governance. The board committees Skydance plans to eliminate would be retained. B shareholders would receive a vote for the first time in the company’s history.”

Project Rise Partners additionally claims that it plans to grow Paramount Global’s headcount, whereas the Skydance and RedBird partners have indicated more cuts would come under a Skydance-Paramount merger.

Larry Ellison, also one of the world’s richest men, is facing regulatory hurdles with the Paramount-Skydance merger that would see his son, Skydance CEO David Ellison, running the combined media assets. President Donald Trump’s new FCC chair Brendan Carr has publicly raised concerns about the merger. The elder Ellison, founder of Oracle who has a net worth of more than $200 billion, has been a longtime supporter of Trump’s and has been shoring up his relationship with the president. He traveled to the White House on Tuesday (Jan. 21) to announce a separate AI Stargate deal that industry observers saw as part of an effort to keep the Paramount-Skydance merger on track. That prompted Elon Musk to mock Ellison on X, writing: “they don’t actually have the money” and have “well under $10B secured.” Separately, Trump has indicated that he would be open to Larry Ellison or Musk buying TikTok.

The Skydance-RedBird $8 billion deal to merge with Paramount has been controversial among shareholders, primarily because it values Skydance at roughly $4 billion. The new Project Rise Partners bid questions that valuation. “Skydance reported $25M in EBITDA in 2023, and Paramount purchased Skydance for $4.75B, or approximately 200x trailing earnings,” the Jan. 24 letter says. “There are no market benchmarks that justify the Skydance valuation, and no independent bidder would pay that price.”

Meanwhile, politicians like Rep. John Moolenaar (R-Mich.), chair of the House China Select Committee, have raised concerns about China’s role in the Skydance deal because Tencent, a company with ties to the Chinese military, will have a small stake in the media giant, whose assets include everything from CBS News to the Paramount film and TV studio and networks including Nickelodeon and MTV.

“The Board and its advisors appeared so eager to conclude a transaction with Skydance, no one appears to have fully accounted for Skydance’s foreign ownership,” the Project Rise Partners letter says. “The Pentagon recently placed Tencent on a list of firms alleged to be helping the Chinese military. Regulators will scrutinize the proposed transaction given the heightened concern over Chinese control of consumer platforms and access to personal data. If the Board and its advisors missed or ignored such a serious red flag, shareholders will naturally question the thoroughness of the Board’s due diligence. By extension, ineffective diligence might explain the unreasonable valuation paid for Skydance, the company acquiring Paramount.”

Paramount and Redstone, whose National Amusements Inc. is the controlling shareholder of Paramount, have a binding deal with Skydance Media and may only be able to back out if regulators stop the merger. A source familiar with the process told Variety that is highly unlikely. But the Baker & Hostetler letter claims that the Paramount board eliminated an option to consider superior bids from its sale process.

“In the public company context, most merger agreements include a standard fiduciary out that allows a new bidder with a superior offer to pay the breakup fee to compensate the original bidder for opportunity and other costs,” the letter says. “For unknown reasons, the Board or its legal counsel specifically excluded a fiduciary out which harms B shareholders and benefits Skydance. … Fiduciary outs enable boards to terminate a transaction agreement if a superior offer arrives before the deal is approved by the shareholders and closed. If the agreement omits such an exit clause, the Board’s decision may be deemed ‘preclusive and coercive.’ There is no discernable rationale for that unnecessary, one-way value transfer to Skydance. These ‘deal protection devices’ do not protect shareholders.”

The letter also stresses that Paramount directors have a duty of loyalty to shareholders, not to advisers or Skydance.

“Because of the Board’s decision to eliminate the fiduciary out, the outsized $400M breakup fee benefits Skydance in the case of a regulatory block but does not benefit B shareholders if there is a superior offer. After canvassing the market for over nine months, the Board concluded that Skydance was the only actionable, fully financed offer available,” the letter continues. “Paramount Directors breached their duty of loyalty by crafting a merger agreement favorable to the buyer and not the seller in this transaction.

Update (1/29) - From Deadline:

A special committee of Paramount Global’s board of directors says it is “bound” by a pending agreement to merge with Skydance Media and will not consider an 11th-hour offer from a rival bidder.

In a statement provided to Deadline, a spokesperson for the committee formed last year to evaluate opportunities and steer a merger, said investment group Project Rise Partners effectively arrived too late to the party.

“The transaction agreement between Paramount and Skydance Media enabled the Special Committee to pursue a superior proposal during the now-expired 45-day go-shop period, during which representatives of the Special Committee contacted more than 50 third parties to determine whether they had an interest in making a proposal to acquire Paramount,” the statement said. “Project Rise Partners did not make a proposal during such period, nor during the prior seven-month sale process for Paramount. It is unclear what PRP’s objectives are; however, Paramount is bound by its agreement with Skydance Media and there will not be any engagement with PRP in contravention of such agreement.”

The Paramount-Skydance deal was set last July after a months-long saga, with numerous parties looking into throwing their hat into the ring for the century-old Hollywood mainstay. Barry Diller, Sony Pictures Entertainment, private equity giant Apollo and a group of investors led by Seagram heir Edgar Bronfman Jr. were among the suitors. Skydance was able to leverage its longstanding ties with Paramount as a co-finance partner. CEO David Ellison, backed by his father, Oracle co-founder Larry Ellison, was also seen as having significant resources and passion to invest in the company’s core film, TV and streaming businesses.

After multiple offers from Skydance, the company and Paramount agreed on a two-step transaction worth about $8 billion. The dual-class structure of Paramount stock made the fine points of the deal tricky to nail down, with a number of stakeholders accusing controlling shareholder Shari Redstone of furthering her own interests at the expense of holders of Class B shares. A number of notable Class B shareholders voiced their disapproval of earlier versions of the deal, though the complaints diminished as Skydance sweetened its offer.

Lawyers for Project Rise Partners sent the committee a letter on Friday advising them that the body was obligated to consider its offer, which principals described as superior to the $8 billion Skydance deal. PRP’s offer was “increasing,” the letter said, to $19 per Class B share, compared with the $15 offered by Skydance, according to a report by Variety. (Axios last October had also reported on PRP agitating for consideration of its post-deadline bid.)

Curiously, the Friday letter also drew a contrast with Skydance in terms of staffing. It asserted that PRP (whose backers include Daphna Edwards Ziman, co-chairman of TV network Cinémoi, and real estate finance exec Moses Gross) would add to Paramount’s headcount despite the widespread cutbacks reshaping the entertainment business. (Paramount itself shed 15% of U.S.-based workers in recent months.)

Despite plans to invest significant resources from the Ellisons and minority partner RedBird Capital in bulking up Paramount’s streaming platforms and studio operations, job cuts are expected at Paramount once Skydance assumes control. Among other things, the company faces significant challenges in managing its sizable linear TV assets, and last year signaled as much to Wall Street when it took a $6 billion write down on the value of its cable networks.

When the Skydance bid was first accepted by the special committee last summer, the agreement stipulated that a 45-day “go-shop” window would enable the board to explore alternatives. As an SEC filing affirmed this month, representatives of Project Rise Partners were in contact with the special committee but their proposal did not get submitted until several days after the go-shop period expired.

The idea of a last-minute twist to the Paramount merger melodrama is migraine-inducing to some observers. “It’s just silliness,” one person familiar with the merger process said of the PRP saber-rattling. The entreaties by the investor group come as the deal is falling under fresh scrutiny from regulators at the Federal Communications Commission, which has taken issue with political coverage by Paramount’s CBS News.

FCC Chair Brendan Carr, appointed to the post by President Trump, has revived complaints of “news distortion” by CBS due to its editing of a 60 Minutes interview with former Vice President Kamala Harris. Trump also has filed a lawsuit in Texas over the Harris segment, prompting internal discussion at Paramount about ways to settle the suit in order to allow the merger to proceed to a close. Trump’s objections are creating these potential roadblocks despite the fact that Redstone and Ellison are both longtime supporters of the president, with the latter appearing last week at a White House news conference about a major new AI initiative.

Reps for Redstone, Paramount Global and Skydance declined to comment when contacted by Deadline.

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Originally published: January 25, 2025.

H/T: Special thanks to @916786wc@KcaWomansRights.

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Tuesday, January 14, 2025

Pluto TV Strikes Deal with MODUS Super Darts to Bring Live Darts for Free to International Fans

PLUTO TV STRIKES DEAL WITH MODUS SUPER DARTS TO BRING LIVE DARTS FOR FREE TO INTERNATIONAL FANS

‘MODUS Super Series Darts’ Channel Debuts on Pluto TV in the UK, Germany, Switzerland, Austria, Denmark, Norway, Sweden, Italy, France, Finland, Spain and Canada.

The channel features Around The Clock Darts Programming, Including Super Series Tournaments, 104 Live Matches Every Week, and more

MODUS Super Series Darts x Pluto TV

January 13th, 2025: Pluto TV, a global leader in free, ad-supported streaming television (FAST), and MODUS Super Series has entered a groundbreaking partnership to bring MODUS Super Series Darts on Pluto TV across multiple international markets, including exclusively in the UK, GSA and Denmark offering darts fans their favorite sports 24 hours a day, 7 days a week. Through the deal, Pluto TV is also becoming title sponsor of MODUS Super Series.

Phil Taylor
Credit: TipTopPics

With MODUS Super Series Darts, a brand-new channel dedicated to providing darts programming around the clock with 104 live matches taking place every week, darts fans can now immerse themselves in the sport like never before: the Pluto TV MODUS Super Series channel aims to deliver an unparalleled viewing experience, featuring a mix of live matches, expert analysis, and engaging behind-the-scenes content.

MODUS Super Series Darts Winner

The live tournament, which serves as the channel's centerpiece, showcases the skills of established players and emerging talent, creating thrilling moments that highlight the intensity and precision of the sport. On Saturday, January 18, the channel will feature “The Legends League Finals Night” live and for free. This special live show will be graced by legendary darts figure, Phil ‘The Power’ Taylor, who will be in the studio for the live action. The 16-time World Champion will provide analysis as other legends of darts battle out to win the Legends League.

Phil Taylor
Credit: TipTopPics

Olivier Jollet, Executive Vice President, International General Manager at Pluto TV stated: "Darts has recently captivated millions of fans worldwide, becoming a true sport phenomenon. Pluto TV's 'MODUS Super Series Darts' channel is set to elevate the experience even further. Fans can look forward to an exciting array of content, including live tournaments and exclusive behind-the-scenes footage, all available for free. The MODUS Darts Super Series is a fantastic addition to Pluto TV's lineup, showcasing our commitment to delivering diverse and engaging content that truly feeds fandoms."

180 sign | MODUS Super Series Darts x Pluto TV

"We are absolute delighted to collaborate with Pluto TV to bring a dedicated darts channel to fans," said Chris Murphy, CEO and Executive Producer, MODUS Super Series. "This partnership is a testament to the growing popularity of darts and our commitment to delivering high-quality, accessible entertainment to viewers and opportunities for players to tread a pathway to the very top. We are proud to be platformed on Pluto TV, which is easily accessible and free, and will undoubtedly bring more eyes onto darts. It is a perfect partnership with a tournament, sport and streaming television service that are experiencing rapid global growth. We are excited to provide darts content around the clock.”

Phil Taylor
Credit: TipTopPics.

END

About Pluto TV

Pluto TV, a Paramount Company, is the leading free streaming television service delivering hundreds of live linear channels and thousands of titles on-demand to a global audience. The Emmy ® award-winning service curates a diverse lineup of channels, in partnership with over 400 international media companies, offering a wide array of genres, languages and categories featuring movies, television series, sports, news, lifestyle, kids and much more. Pluto TV can be easily accessed and streamed across mobile, web and connected TV devices. Headquartered in Los Angeles, Pluto TV’s growing international footprint extends across four continents and over 35 markets.

About MODUS Super Series

The Pluto TV MODUS Super Series is a live darts tournament, featuring 104 matches a week, 50 weeks a year. Broadcast live from the MODUS Live Lounge in Portsmouth, UK, each week sees 12 darts players battling it out for the weekly title and a place at Champions Week. After 12 tournament week, each weekly winner returns to compete at Champions Week, where a series champion is crowned and collects a £25,000 first prize. In addition to the main tournament, special weeks also take place, including Women’s Week and Double Trouble. Live darts takes place Monday – Saturday, with darts content now being broadcast 24/7 on Pluto TV’s MODUS Super Series Darts Channel.

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Sunday, January 12, 2025

First Look at 'Teenage Mutant Ninja Turtles: Rooftop Mayhem' For the Nex Playground Active Gaming Console

Check out a first look at Teenage Mutant Ninja Turtles: Rooftop Mayhem, the brand new game, coming soon for the award-winning Nex Playground active gaming console!

'Teenage Mutant Ninja Turtles: Rooftop Mayhem' logo

Teenage Mutant Ninja Turtles: Rooftop Mayhem

Game facts: Up to 2 players, best for ages 6+

Alright TMNT fans — it’s almost time to start planning your pizza party.

In this brand new, active game, you and your friends can hit the rooftops of Brooklyn as your favorite heroes in a half shell.


Run through the city, jump over obstacles, and battle villains from the Mutant Mayhem universe in this endless runner-style experience.

Play as each turtle to collect XP, level up to unlock upgrades, and max out your entire squad to see how long you can run. But watch out — if you smash into obstacles or get hit by an enemy, you’ll lose a pizza slice. And once you run out of pizza, it’s game over man.

Think you have what it takes? Unleash your Turtle Power and give it a go in January.

Nex Playground is also planning games based on DORA and The Tiny Chef Show!

Nex is helping families reconnect with the joy of movement through fun, social, and interactive content that’s accessible to all ages. Its award-winning Nex Playground gaming console launched in December 2023, is designed in California, manufactured by Skyworth, a leader in home entertainment, and is powered by an Amlogic premium AI chip. With Nex Playground, cutting-edge AI and computer vision technologies are used to merge digital and physical worlds, immersing players in the experience using their natural body movement. Games range from original sports and fitness titles, to educational games and titles in collaboration with Hasbro, Sesame Workshop, Fruit Ninja and more. Since its founding, Nex has been recognized as one of Fast Company’s Most Innovative Companies, TIME’s Best Inventions, Parents’ Best Entertainment System for Families, and has received RedDot, IDEA, and Core77 international design awards. Nex Playground is also kidSAFE+ COPPA certified, highlighting the company’s firm stance on privacy and safety for kids and families. To learn more, visit https://www.nex.inc or follow the company on Instagram and Facebook.

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Thursday, November 14, 2024

Super League Brings Ancient Rome to Fortnite Creative Platform Ahead of Paramount Pictures’ 'Gladiator II' Film Release

Super League Brings Ancient Rome to Fortnite Creative Platform Ahead of Paramount Pictures’ Gladiator II Film Release

Super League is launching Gladiator Gauntlet on Unreal Engine Fortnite Edition ahead of the Paramount Pictures’ Gladiator II where players will battle in an epic, life-like version of the film’s Colosseum

Super League is launching Gladiator Gauntlet on Unreal Engine Fortnite Edition ahead of the Paramount Pictures’ 'Gladiator II' where players will battle in an epic, life-like version of the film’s Colosseum
Super League is launching Gladiator Gauntlet on Unreal Engine Fortnite Edition ahead of the Paramount Pictures’ Gladiator II where players will battle in an epic, life-like version of the film’s Colosseum (Graphic: Business Wire)

SANTA MONICA, Calif.--November 11, 2024--Super League (Nasdaq: SLE), a leader in redefining the gaming industry as a media channel, today announced its partnership with Paramount Pictures to release a custom Gladiator II-inspired Fortnite map, Gladiator Gauntlet, ahead of the film’s release on November 22. To drive awareness of the map and broader awareness of the movie, Super League and Paramount Pictures are collaborating with the creators of multiple popular UEFN maps who will place Gladiator NPCs and portals to Gladiator Gauntlet within their own experiences, including Minigame Box PVP, Bodycam, Chained Together, Bank City, Speed Realistics, and Sniper One Shot Battle.

UEFN is a revolutionary gaming platform enabling brands and IP owners to build captivating worlds for a massive audience interested in interactive entertainment. “Gladiator Gauntlet” will immerse players in the Roman Empire to do battle in the film’s iconic Colosseum, which was designed from a live art scan of its physical counterpart from the film. The experience also will challenge players to fight through a series of trials in other high fidelity arenas inspired by stadiums and locations featured in the movie and modeled after Ancient Rome.

Gladiator is one of the most epic film sagas of all time. With the sequel set to equal the original 2000 film in unforgettable action sequences, Gladiator Gauntlet will offer Generation Z gamers the chance to immerse themselves in glorious battles within history’s most grand arena,” said Super League President and Chief Commercial Officer Matt Edelman. “We’re thankful to Paramount Pictures for enabling Super League to bring such an ideal Fortnite Creative experience to life for an audience primed to head to theaters to experience the grandeur of Gladiator II.”

Leading up to the film’s release date, Paramount Pictures will host custom Gladiator-themed streams run by top Fortnite content creators Typical Gamer, Loserfruit, and Peterbot, on Twitch. The experience is available between November 9 to 29 for entertainment fans over the age of 18.

To learn more about how Paramount is bringing Gladiator II to Fortnite, visit this link.

About Gladiator II:

From legendary director Ridley Scott, Gladiator II continues the epic saga of power, intrigue, and vengeance set in Ancient Rome. Years after witnessing the death of the revered hero Maximus at the hands of his uncle, Lucius (Paul Mescal) is forced to enter the Colosseum after his home is conquered by the tyrannical Emperors who now lead Rome with an iron fist. With rage in his heart and the future of the Empire at stake, Lucius must look to his past to find strength and honor to return the glory of Rome to its people.

About Paramount

Paramount’s (Nasdaq: PARA, PARAA) is a global portfolio of multimedia entertainment and news brands. Paramount has an expansive library of original series, hit shows and popular movies across every genre from world-renowned brands and production studios, including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel.

About Super League

Super League (Nasdaq: SLE) is redefining the gaming industry as a media channel for global brands. As a leading end-to-end immersive content partner, Super League enables marketers, advertisers, and IP owners to reach massive audiences through creativity, innovation, and gameplay within the world’s largest immersive platforms. Boasting an award-winning development studio, a vast community of native creators, and a proprietary suite of tools that maximize user engagement, Super League is a one-of-a-kind holistic solutions provider. Whether a partner is focused on building a world-class creative experience, achieving a lift in brand awareness, inspiring deeper customer loyalty, or finding new sources of revenue, Super League is at the forefront – always pioneering within immersive worlds. For more information, visit superleague.com.

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Island Code: 9943-2806-4759.

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Official Super League press release courtesy of Business Wire.

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