Showing posts with label Paramount Acquisitions. Show all posts
Showing posts with label Paramount Acquisitions. Show all posts

Friday, August 07, 2026

Paramount-Warner Bros. Merger Gets Green Light From U.K. Government

The U.K. has cleared Paramount Skydance’s $111 ⁠billion acquisition of Warner Bros. on both competition and ⁠public interest grounds after Paramount beefed up promises ​about ​programming ⁠and news provision in the country.

Paramount x Warner Bros. Discover

In a statement, the U.K.’s Department of Culture, Media and Sport said, “Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the U.K. which necessitate their further intervention.”

Among the areas that the CMA looked at were theatrical film distribution, linear children’s TV channels and the supply of subscription VOD services.

The DCMS added that Lisa Nandy, the Culture Secretary, had decided “not to issue a Public Interest Intervention Notice on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the U.K.; the continuation of their distinct editorial identities; and, the distinct editorial identities of key U.K. news programs.”

The U.K. government received the following assurances from Paramount:

  • Media and streaming services: “Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the U.K., and Paramount has made a commitment that they shall retain their distinct editorial identity.”
  • Children’s programming: “Paramount has promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original U.K. children’s content.”
  • News plurality and editorial independence: “Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the U.K. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.”
  • Channel 5 and U.K. investment: “Paramount has committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB license obligations. Channel 5’s commissioning strategy will remain focused on the U.K., with Paramount committing more funding to support high-quality news, original children’s programming and drama.”

Reacting to the U.K. decision, Paramount placed it in the context of its antitrust showdown in March 2027 against California attorney general Rob Bonta and his coalition of 11 other state AGs. “These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the U.S. state AGs in their antitrust complaint in California,” a Paramount spokesperson said.

Below is the official statement issued by the U.K.’s Department of Culture, Media and Sport:

Public statement- Proposed acquisition of Warner Bros Discovery by Paramount: decision of no intervention on Public Interest Intervention or Foreign State Influence grounds

The Culture Secretary has decided not to intervene on the basis of assurances and legally-binding commitments she has secured from Paramount.

From: Department for Digital, Culture, Media and Sport and Department for Culture, Media and Sport
Published: 6 August 2026

Details

Public statement

On 30 June 2026, DCMS wrote to Paramount and Warner Bros Discovery on behalf of the Culture Secretary informing them, under the Enterprise Act public interest regime, that she was minded to intervene in the proposed merger between the two companies on the basis that the merger may impact on media plurality in the UK, including in relation to children’s programming, editorial independence and news media. The Secretary of State also issued a Written Ministerial Statement to this effect in Parliament. Both the “minded to” letter and the parliamentary statement were clear about the Secretary of State’s concerns in relation to this proposed transaction. 

The parties were given the opportunity to make representations to the Secretary of State by 6 July in response to her concerns. Paramount put forward a set of assurances seeking to address the issues raised by the Secretary of State. These assurances included a range of commitments on future investment in the UK, maintaining the distinct editorial identities of key services and the editorial independence of news. Following further discussions with DCMS officials, Paramount offered to strengthen those assurances and turn them into legally-binding commitments by way of a ‘deed of undertaking’ made in the Secretary of State’s favour.

Today, the Competition and Markets Authority have announced their decision that there are no competition aspects of this proposed merger in the UK which necessitate their further intervention.

In parallel, after careful consideration, the Secretary of State has decided not to issue a Public Interest Intervention Notice (PIIN) on the basis that the assurances and further legally-binding commitments she has secured at this point from Paramount provide a set of protections that will help safeguard the continued availability of a diverse range of broadcasting and on-demand services in the UK; the continuation of their distinct editorial identities; and, the distinct editorial identities of key UK news programmes.

Paramount has committed to providing the Secretary of State with annual statements of compliance with the undertakings in the deed and DCMS will closely monitor their implementation. In the circumstances, she has decided to accept the deed and has informed the parties of her decision. She will update Parliament of her decisions formally when it returns from Summer Recess in September.

The Secretary of State has taken this decision based on the specific powers she currently has available to her under the Enterprise Act, which only relate to matters concerning UK broadcasting and news media landscape. As set out in the “Watch this Space” Green Paper published on 23 June, the media sector is undergoing a profound and rapid transformation. The Secretary of State believes it is of the utmost importance to protect plurality, diversity and distinct British voices across our wider creative industries, including film, and shares the concerns about the impact consolidation could have on the UK’s creative industries.

She will be meeting with Paramount in the coming weeks with a view to seek assurances about the impact of this proposed deal on the wider creative industries. Beyond this the Secretary of State is also considering all avenues - ranging from changes to existing powers to further legislation should it be necessary - to ensure the government has the ability to protect plurality, diversity and British content when it is under threat.

Assurances from Paramount

A copy of the letter of assurances from Paramount and the Deed can be found on GOV.UK.. The main assurances are:

  • Media and streaming services: The assurances offered by Paramount set out clear intentions not to consolidate the Combined Group’s linear channels with its on-demand services in the UK, and Paramount has made a commitment that they shall retain their distinct editorial identity.
  • Children’s programming: Paramount has also promised that its children’s channels, including Nickelodeon and Cartoon Network, shall remain editorially distinct and continue to commission and acquire original UK children’s content.
  • News plurality and editorial independence: Paramount has promised to ensure that Channel 5 News maintains its editorial independence, that its editorial direction shall remain entirely separate from CBS News and CNN International, and that CNN International will continue to be available in the UK. In addition, it has given assurances that the provider of Channel 5 News will continue to have editorial control and independence over news programming and that bona fide licensees will enjoy continued access to the CNN, CBS News and Channel 5 news archives on standard commercial terms.
  • Channel 5 and UK Investment: Paramount has also committed that Channel 5 will continue to operate as a Public Service Broadcaster fulfilling its PSB licence obligations. Channel 5’s commissioning strategy will remain focussed on the UK, with Paramount committing more funding to support high-quality news, original children’s programming and drama.

Video-on-demand services

The Secretary of State’s Written Ministerial Statement noted that should she decide to intervene in this case, she would bring forward secondary legislation to amend the plurality of control public interest consideration set out in the Enterprise Act, to enable Ofcom to examine the impact of the proposed acquisition on video-on-demand services. While DCMS will no longer be bringing forward secondary legislation in relation to this specific merger, the Secretary of State may do so in future, given the role on-demand viewing now plays in the market.  

Foreign state influence regime

Having considered the proposed merger under the statutory Foreign State Influence regime, the Secretary of State has concluded that she does not have reasonable grounds to suspect that her duty to issue a Foreign State Intervention Notice has arisen. She is therefore currently not minded to intervene in this case. The Secretary of State will reassess the position if any new information comes to light suggesting otherwise.

Notes to editors

How long do Paramount’s commitments last?

The commitments in the deed are to come into effect on the date on which the transaction completes, and to remain effective for a period of five years. Commitments relating to Channel 5 will remain in effect until 31 December 2034, when Channel 5’s current public service broadcasting licence ends.

What about film and cinema?

Under the Enterprise Act 2002, the Secretary of State’s role in this merger process is strictly defined. Her powers of intervention are limited specifically to Public Interest considerations, which focus on issues such as media plurality and editorial independence. Issues relating to the effect of the merger on film and cinema are for the CMA to examine, as the responsible body for assessing the competition aspects of the merger.

--Ends--

Below is Paramount Skydance Corporation's official press release announcing the news, courtesy of PR Newswire:

UK COMPETITION AND MARKETS AUTHORITY APPROVES PARAMOUNT SKYDANCE CORPORATION ACQUISITION OF WARNER BROS. DISCOVERY

LOS ANGELES and NEW YORK, Aug. 6, 2026 /PRNewswire/ -- The United Kingdom Competition and Markets Authority has today formally cleared the acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD") by Paramount Skydance Corporation (NASDAQ: PSKY) ("Paramount"), representing an important milestone in completing the transaction.

Paramount is grateful to the CMA for its constructive engagement and its review of the transaction.

Separately, Paramount has entered into a deed of covenant and undertaking with the UK Department for Digital, Culture, Media and Sport. Paramount welcomed the opportunity to engage with DCMS and is pleased to have agreed on a path forward.

Paramount has already received competition clearances from antitrust and competition authorities in: the United States, Australia, Brazil, Canada, China, Kuwait, Montenegro, New Zealand, North Macedonia, Saudi Arabia, Serbia, South Africa, South Korea, Ukraine, and by the European Commission, and the COMESA Competition Commission.

Additionally, Paramount has received foreign direct investment clearances in Australia, Belgium, Czechia, Germany, France, Italy, New Zealand, Romania, Spain, and Slovenia. The transaction was also unconditionally approved by European Commission under its Foreign Subsidies Regulation regime and by the Austrian Federal Competition Authority under its media merger control regime.

With the clearance from the Competition and Markets Authority, bodies and governments representing 66 jurisdictions have either cleared the transaction or chosen not to challenge it on competition and/or foreign direct investment grounds.

These clearances recognize that the combination of Paramount and WBD will enhance consumer choice and enable a creative-first company to invest in more projects and bring stories to audiences worldwide. It will create a scaled media and entertainment company capable of competing with the tech companies that have come to dominate the industry, strengthening the media ecosystem and creating more opportunities for creatives both in front of and behind the camera.

As we have noted, this transaction does not raise antitrust concerns in any market. Today's clearance by the CMA further reinforces that. Similar to the European Commission, which cleared the transaction on 22 July 2026 after months of careful review, the conclusions reached by the CMA directly refute the assumptions that underpin the US state AGs' complaint seeking to block the transaction, despite federal approval. When considering theatrical film distribution, the CMA concluded that the merged entity "would continue to face competition from these three major studios and a range of other smaller studios." At several points, the CMA review considered how other forms of content distribution directly compete with SVOD.  Moreover, in its assessment of linear cable and in particular children's TV channels, the CMA highlighted the competitive constraint from free-to-air channels and children's content available via SVOD, and in relation to the supply of SVOD services, the constraint imposed by broadcast video on demand services and other SVOD suppliers. These conclusions further demonstrate the misguided and gerrymandered market definitions relied upon by the US state AGs in their antitrust complaint in California. 

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation is a next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. Paramount's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment.

PSKY-IR

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" regarding the merger. The reader is cautioned not to rely on these forward-looking statements. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of Paramount or WBD. Risks and uncertainties include, but are not limited to:  the risk that the closing conditions for the merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of Paramount or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the merger, if completed, may not be realized or may take longer to realize than expected; risks related to Paramount's streaming business; the adverse impact on Paramount's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to Paramount's decisions to invest in new businesses, products, services and technologies, and the evolution of Paramount's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of Paramount's content; damage to Paramount's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining Paramount's intellectual property rights; domestic and global political, economic and regulatory factors affecting Paramount's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to Paramount's operations as a result of labor disputes; risks and costs associated with the integration of, and Paramount's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of Paramount's Class B common stock; the effect Paramount's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in Paramount, including that Paramount's stockholders may not realize any change of control premium on shares of Paramount's Class B common stock and that Paramount may become subject to the control of a presently unknown third party; risks associated with Paramount's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of Paramount's Class B common stock; risks that anti-takeover provisions in Paramount's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against Paramount's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to Paramount; risks associated with Paramount's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; disruptions the merger may cause to Paramount's and WBD's business and commercial relationships; the negative impact that a failure to consummate the merger could have on Paramount's business, financial condition, results of operations and stock price; the risk that the merger may be prevented or delayed or the anticipated benefits reduced if Paramount does not obtain certain regulatory approvals; the risk that the Merger Agreement may be terminated in accordance with its terms, including if any conditions to the closing of the merger are not satisfied; the risk that litigation relating to the merger could prevent or further delay the closing of the merger or result in the payment of damages after closing; challenges realizing synergies and other anticipated benefits expected from the merger, including integrating WBD's business successfully; risks to Paramount's business, financial condition or results of operations as a result of the incurrence of substantial costs and indebtedness in connection with the merger; and risks of reduced ownership and economic interest by Paramount's existing stockholders as a result of the merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of Paramount and WBD can be found in Paramount's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, Paramount's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, and Paramount's Form 10-Q for the quarterly period ended June 30, 2026, filed with the SEC on August 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and Paramount's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at www.sec.gov, ir.wbd.com or on request from Paramount or WBD. Paramount undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law.

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Source: Variety; H/T: Special thanks to RegularCapital for the news!

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Monday, July 27, 2026

Harry Potter Film Series Week-Long Marathon on Nick@Nite

The Harry Potter Film Series Week-Long Marathon, starts Sunday, August 9 on Nick@Nite. Rated TV-14.


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PARAMOUNT NETWORKS LAND “HARRY POTTER” IN EXCLUSIVE U.S. LINEAR LICENSING DEAL FOR WARNER BROS.’ ICONIC FILM FRANCHISE

06/25/2026

Landmark Agreement Brings “Harry Potter” and “Fantastic Beasts” Films to MTV, Nickelodeon, Nick at Nite and Paramount Network, Beginning July 3

'Harry Potter' Film Series Key Art

Paramount is bringing the world of “Harry Potter” to MTV, Nickelodeon, Nick at Nite and Paramount Network for the first time, starting Friday, July 3. The Company inked a multi-year licensing agreement with Warner Bros. Discovery, making Paramount’s family of brands the exclusive linear home of the beloved franchise spanning 11 films and nearly 40 hours of storytelling across the “Harry Potter” and “Fantastic Beasts” library.

“Expanding Paramount’s portfolio with the ‘Harry Potter’ and ‘Fantastic Beasts’ films underscores our commitment to delivering world-class franchises to the wide range of audiences our brands serve,” said Laurel Weir, head of programming and acquisitions for Paramount Media Networks and chief research and insights officer for TV Media. “As one of the most beloved and enduring franchises in entertainment, ‘Harry Potter’ continues to captivate audiences across generations, and this addition enables us to deliver the magic and adventure of these timeless stories to fans of all ages.”

The programming rollout for each network is as follows:

  • MTV: MTV will debut the franchise with a special holiday weekend event, beginning Friday, July 3 at 12:00 PM, ET/PT through Sunday, July 5, featuring a marathon of all eight films from the original “Harry Potter” series.
  • Paramount Network: Paramount Network will present a week-long event showcasing all eight “Harry Potter” and all three “Fantastic Beasts” films, with a featured movie each weeknight beginning Monday, July 13 at 6:00 PM, ET/PT, and continuing through Sunday, July 19, with weekend airings beginning at 12:00 PM, ET/PT.
  • Nickelodeon/Nick at Nite: Nick at Nite will host a week-long event showcasing all eight “Harry Potter” movies beginning Sunday, Aug. 9 at 7:00 PM, ET/PT, with each title encoring the next day on Nickelodeon. Later in the summer, as part of Warner Bros. Discovery’s annual “Back to Hogwarts” celebrations, Nickelodeon will air the “Harry Potter” films over the Labor Day holiday weekend, beginning Thursday, Sept. 3, inaugurating its own participation in the global activations.

Films Included in the Agreement

  • “Harry Potter” Films
    • HARRY POTTER AND THE SORCERER’S STONE™
    • HARRY POTTER AND THE CHAMBER OF SECRETS™
    • HARRY POTTER AND THE PRISONER OF AZKABAN™
    • HARRY POTTER AND THE GOBLET OF FIRE™
    • HARRY POTTER AND THE ORDER OF THE PHOENIX™
    • HARRY POTTER AND THE HALF-BLOOD PRINCE™
    • HARRY POTTER AND THE DEATHLY HALLOWS™ – PART 1
    • HARRY POTTER AND THE DEATHLY HALLOWS™ – PART 2

  • “Fantastic Beasts” Films
    • FANTASTIC BEASTS AND WHERE TO FIND THEM
    • FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD
    • FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE

About the “Harry Potter” Franchise

From the moment 11-year-old Harry Potter met Rubeus Hagrid, Keeper of Keys and Grounds at Hogwarts School of Witchcraft and Wizardry, his adventures have left an indelible mark on popular culture. Today, over 25 years later, the “Harry Potter” phenomenon thrives as one of the most successful and best-loved entertainment properties in history.

J.K. Rowling’s best-selling “Harry Potter” novels have been brought to life in an ever-evolving, interconnected universe that is loved by millions of fans worldwide. Eight blockbuster Warner Bros. Pictures “Harry Potter” films and three epic “Fantastic Beasts” films bring the spellbinding action to life on screen, “Harry Potter and the Cursed Child” mesmerizes on stage, and state-of-the-art video and mobile games from Portkey Games allow players to experience the wizarding world like never before. Fans can proudly showcase their passion through innovative consumer products, and thrill at spectacular location-based experiences – including five theme park lands at Universal Studios locations around the world.

This expanding portfolio of Warner Bros. Discovery-owned “Harry Potter” and “Fantastic Beasts” offerings includes ground-breaking touring experiences and events, each developed to celebrate special moments and locations that fans cherish, as well as the Platform 9 3⁄4 retail shops and iconic flagship store – Harry Potter New York. Wizards, Witches and Muggles alike can also discover something new as they explore behind-the-scenes secrets at Warner Bros. Studio Tour London – The Making of Harry Potter and Warner Bros. Studio Tour Tokyo – The Making of Harry Potter.

With a new HBO Original TV series based on the “Harry Potter” books on the way, this extended world continues to provide the community with fresh and exciting ways to interact. For its global fans, and for generations to come, it invites everyone in to find the magic for themselves.

For the latest “Harry Potter” and “Fantastic Beasts” news and features, visit www.harrypotter.com.

'Harry Potter' Film Series Key Art/Poster

'Harry Potter' Film Series Key Art

'Harry Potter' Logo

'Harry Potter' Film Series Key Art/Poster

'Fantastic Beasts and Where to Find Them' Key Art

'Fantastic Beasts: The Secrets of Dumbledore' Key Art

'Fantastic Beasts'

Fantastic Beasts'

'Fantastic Beasts: The Crimes of Grindelwald' Key Art

'Fantastic Beasts and Where to Find Them' Logo

'Fantastic Beasts: The Crimes of Grindelwald' Logo

'Fantastic Beasts: The Secrets of Dumbledore' Logo

About Warner Bros. Discovery Global Content Sales

Warner Bros. Discovery Global Content Sales (WBDGCS) is one of the leading distributors of entertainment programming in the world, bringing award-winning movies, television, animation and digital content produced by Warner Bros. Discovery to the homes and screens of millions worldwide. Licensing content from Warner Bros. Pictures, Warner Bros. Television, HBO, Discovery, Cartoon Network, TBS and more, WBDGCS brings fans of Warner Bros. Discovery’s content even more ways to watch when and how they want across streaming, video-on-demand, cable, satellite and broadcast networks, local television stations, airlines and through digital purchases. For more information: www.wbd.com.

About Paramount’s TV Media Group

MTV, Paramount Network, Nickelodeon and Nick at Nite are part of Paramount’s TV Media Group, a flagship division of Paramount, a Skydance Corporation (Nasdaq: PSKY). The Group encompasses the Company’s broadcast and cable television businesses, delivering world-class entertainment, news and sports across every platform. Its powerhouse portfolio includes CBS Television Network, CBS News, CBS Stations, CBS Sports and CBS Media Ventures, alongside a collection of iconic brands including BET, Comedy Central, MTV and Nickelodeon. The Group is also home to award-winning studios – CBS Studios, See It Now Studios, BET Studios, MTV Entertainment Studios and Nickelodeon Animation Studios – which produce original series and beloved programming that connects with audiences across platforms globally.

For more information, visit https://www.paramount.com.

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Saturday, July 25, 2026

Paramount Agrees To Not Close Warner Bros. Discovery Transaction Until Next Year - Or Until Lawsuit Merits Are Resolved

Paramount has agreed not to close its proposed merger with Warner Bros. Discovery until Tuesday, June 1, 2027, or until shortly after the merits of lawsuits brought by state attorneys general and the Writers Guild of America are resolved.

Paramount Skydance Corporation x Warner Bros. Discovery

The agreement is an extraordinary new development in the merger transaction, which has won regulatory approval from the federal government and European regulators.

After a court filing spelling out the agreement came during the last hour of trading on Wall Street, shares in Paramount added to what was already a lackluster day. They fell 3.3% on the day to finish at $8.21 after touching a 52-week low of $8.17. The stock slid another penny in after-hours trading.

Click here to read Paramount’s agreement not to close the transaction as legal proceedings take place.

U.S. District Judge Araceli Martinez-Olguin this week granted the states a temporary restraining order pausing the transaction for 14 days to hold a hearing on whether to grant a lengthier preliminary injunction. She later extended the TRO by another 14 days, through Monday, August 17. Now both sides have indicated that they want to schedule a trial.

California Attorney General Rob Bonta, in a statement on social media, called the agreement “a major victory for a free and fair economy, for the entertainment industry, for workers, for consumers, and for affordability.” He planned to share additional thoughts with the media at a Friday (July 24) afternoon press briefing.

Hanging over the legal proceedings has been the prospect that Paramount would be on the hook to pay a $7 million-per-day “ticking fee” to Warner Bros Discovery for every day that the transaction does not close past Wednesday, September 30. The agreement opens the very real possibility that legal proceedings will extend well beyond that date. There is a $7 billion breakup fee if the deal falls apart.

In their filing in federal court Friday, the attorneys for the parties wrote, “The transaction at issue in State of California and Writers Guild shall not close, be consummated, or otherwise be completed and Defendants will not take any steps, directly or indirectly, to integrate or consolidate their operations pursuant to the Transaction until the earlier of (1) five days after the merits determination in these matters, or (2) June 1, 2027. This stipulation and order extends to Defendants’ agents, officers, servants, employees, attorneys, and other persons who are in active concert or participation with Defendants.”

A Paramount spokesperson said, “Today’s agreement is a significant win because the result is exactly what we have sought from the outset: a direct path to a trial based on the evidence. This is the fastest and clearest way to prove that this transaction is good for competition, good for consumers, and good for creators, a conclusion dozens of competition authorities around the world have already reached. Plaintiffs’ market definitions bear no relationship to the realities of today’s marketplace and cannot withstand scrutiny. We look forward to proving our case at trial.”

The judge still has to sign off on the plan, but she had asked attorneys for the plaintiffs and defendants to meet to try to agree to a schedule.

In a joint statement on the agreement, the WGA West and WGA East said, “Paramount and Warner Bros. Discovery today agreed to what the state Attorneys General and the WGA both sought from the court: the merger will be put on hold pending the outcome of the states’ and the WGA’s cases or until June 1, 2027, whichever comes first. It remains our view that this merger is unlawful, and we will continue the fight to block it.”

New York Attorney General Letitia James, representing one of a dozen seeking to block the transaction, said in a statement, “From the workers and artists who bring stories to life to the families who buy tickets at the box office, Paramount’s illegal takeover of Warner Bros. is a bad deal for all those who count on a competitive entertainment industry. Halting this merger while our case proceeds is a critical victory in our efforts to uphold the law and protect the film and television industries. I look forward to continuing our case to stop this illegal merger.”

The sides also agreed to scrap the current briefing schedule, as well as an August 3 hearing on the motion for a preliminary injunction. They also agreed to file a joint statement regarding the scheduling of a trial by July 31.

The state attorneys general sued July 13 to block the transaction, claiming that it would stifle competition for wide release theatrical film distribution, anticipated big budget blockbusters, and basic cable television channel licensing. The WGA filed its own suit a day later, contending that the merger would illegally limit competition for writers services.

Paramount called the state AGs lawsuit a “flawed application of the antitrust laws and is wrong on both the facts and the law. We will vigorously defend the transaction and demonstrate that this challenge is inconsistent with sound competition policy and the competitive realities of the media marketplace.”

Original source: Deadline.

More from Variety:

Paramount Agrees to Postpone Warner Bros. Merger Until After Antitrust Trial

Paramount Skydance has reached an agreement with a coalition of state attorneys general to postpone the Warner Bros. Discovery merger until after an antitrust trial.

The company entered a joint stipulation in the federal case on Friday afternoon agreeing not to close the $111 billion transaction until five days after a trial is held or June 1, 2027, whichever is earlier. No trial date has been set, but the agreement likely puts the merger on hold for at least several months.

A coalition of 12 states, led by California, obtained a temporary restraining order earlier this week that blocks the merger from closing for 28 days, pending the outcome of motion for a preliminary injunction. The states allege that the deal will reduce competition in the cable and theatrical markets, and should be blocked.

“Halting this merger while our case proceeds is a critical victory in our efforts to uphold the law and protect the film and television industries,” said New York’s attorney general, Letitia James, in a statement. “I look forward to continuing our case to stop this illegal merger.”

California Attorney General Rob Bonta, meanwhile, declared the agreement a “tremendous win.”

“Our argument against this illegal merger is straightforward: When too few corporations have too much power in markets central to American life, it makes things more expensive, and it makes things worse,” he said. “Today’s agreement is great news for audiences, movie theaters, and the many people who write, build, and create the art, news, and entertainment so many of us enjoy. We are eager to continue to make our case in court and celebrate another tremendous win in our effort to ensure this unlawful merger never sees the light of day.”

Norm Eisen, co-founder of the Democracy Defenders Fund and a member of the #BlocktheMerger campaign, also hailed the agreement as a victory for grassroots opposition to the deal.

“The Ellisons believed their relationship with President Trump would help them push through a disastrous deal that threatened democracy, creative freedom, and independent journalism. We in the #BlocktheMerger campaign helped prove them wrong,” he said. “This collective resistance is turning the tide.”

Paramount had been keen to close the deal before Sept. 30, when it will begin to incur a $7-million-a-day “ticking fee” to be paid to Warner Bros. investors. The agreement is a tacit acknowledgement that that will not happen, barring a settlement with the states.

Paramount previously sought a three-day hearing on the injunction motion in late August, hoping to win the judge’s blessing to close the deal sometime in early September.

But the states resisted that idea, saying they would need more time to take discovery and prepare for a full trial on the merits. The states were due to file their injunction motion on Thursday night, but held off as the two sides held discussions on a path forward.

In a statement, the company said the agreement is a “significant win.”

“Today’s agreement is a significant win because the result is exactly what we have sought from the outset: a direct path to a trial based on the evidence,” a Paramount spokesperson said. “This is the fastest and clearest way to prove that this transaction is good for competition, good for consumers, and good for creators, a conclusion dozens of competition authorities around the world have already reached. Plaintiffs’ market definitions bear no relationship to the realities of today’s marketplace and cannot withstand scrutiny. We look forward to proving our case at trial.”

A hearing was scheduled for Aug. 3 in federal court in Oakland, at which point the two sides were expected to argue over the injunction motion. The two sides agreed to cancel that hearing.

U.S. District Judge Araceli Martinez-Olguin approved the joint stipulation on Friday afternoon, about an hour after it was entered.

The Writers Guild of America filed its own motion for an injunction earlier this week, which was also set to be heard on Aug. 3. That motion has been withdrawn, as Paramount has effectively conceded that it will not close the deal until a determination of the merits of the antitrust claims.

The parties also agreed to submit a joint stipulation by July 31 on their respective positions on trial scheduling. The states previously proposed to hold the trial in April 2027.

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Thursday, July 23, 2026

European Commission Approves Paramount Skydance Corporation Acquisition of Warner Bros. Discovery Marking Major Milestone Towards Completion

EUROPEAN COMMISSION APPROVES PARAMOUNT SKYDANCE CORPORATION ACQUISITION OF WARNER BROS. DISCOVERY MARKING MAJOR MILESTONE TOWARDS COMPLETION

Paramount, A Skydance Corporation Logo

LOS ANGELES and NEW YORK, July 22, 2026 -- The European Commission has today formally cleared the acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD") by Paramount Skydance Corporation (NASDAQ: PSKY) ("Paramount"), representing a major milestone in completing the transaction in line with the publicly stated timeline.

Paramount has already received competition clearances from antitrust and competition authorities in the following jurisdictions: the United States, Australia, Brazil, Canada, China, Kuwait, Montenegro, New Zealand, North Macedonia, Saudi Arabia, Serbia, South Africa, South Korea, Ukraine, and the COMESA Competition Commission (the regional competition authority for the Common Market for Eastern and Southern Africa). Additionally, Paramount has received foreign direct investment clearances in Australia, Germany, France, Spain, Slovenia, Belgium, Czechia, New Zealand, Italy, and Romania. The transaction was also unconditionally approved by European Commission under its Foreign Subsidies Regulation regime and by the Austrian Federal Competition Authority under its media merger control regime.

With the clearance from the European Commission, bodies and governments representing 65 jurisdictions have either cleared the transaction or chosen not to challenge it on competition and/or foreign direct investment grounds.

These clearances recognize that the combination of Paramount and WBD will enhance consumer choice and enable a creative-first company to invest in more projects and bring stories to audiences worldwide. It will create a scaled media and entertainment company capable of competing with the tech companies that have come to dominate the industry, strengthening the media ecosystem and creating more opportunities for creatives both in front of and behind the camera.

The conclusions reached by the European Commission directly refute key assumptions that underpin the state AGs' complaint seeking to block the transaction. In its finding that "at film production level, enough film studios remain as competitors in the EEA", the European Commission correctly defined the market as including "smaller US studios such as Amazon MGM, A24 and Lionsgate, as well as European studios" in addition to "other major US studios like Disney, NBC Universal and Sony." The European Commission did not find that high-budget or 'blockbuster' films constituted a relevant market. It rather considered them as an element of differentiation in its competitive assessment, and found that the market will remain competitive for these types of films too. In coming to the conclusion that "as regards the AV value chain, the Commission's investigation showed that enough alternative competitors remain to exert sufficient competitive pressure on the merged entity in the EEA", the European Commission rightly considered streaming platforms as competing directly with linear TV. These conclusions further undermine the market definition relied upon by the state AGs in their complaint. 

"Today's approval from the European Commission marks another significant milestone in bringing Paramount and Warner Bros. Discovery together. We appreciate the Commission's constructive engagement and thorough analysis throughout its review," said Makan Delrahim, Chief Legal Officer, Paramount. "Not only does this combination not pose any competitive harms, it actually enhances competition by creating a scaled media and entertainment company with the ability to truly challenge the tech platforms that have come to dominate the industry. By strengthening competition it will support increased investment in content, expand opportunities for creatives and deliver greater choice for consumers. We are pleased that the European Commission, following its robust review, joins other bodies, including the United States Department of Justice, Australia's ACCC, Canada's CCB, Brazil's CADE, China's SAMR and South Africa, in concluding that this transaction does not harm competition and can proceed, further underscoring its potential to strengthen the global media and entertainment ecosystem."

The transaction brings together the two companies' complementary strengths to create more competition and support greater investment in storytelling and talent. Paramount has proactively made clear its plans and incentives for the combined company: to increase output to at least 30 high-quality films annually, each of which will receive a full theatrical release starting immediately; to continue licensing content to and acquiring content from third parties; and to preserve iconic brands with independent creative leadership.

***

About Paramount, a Skydance Corporation

Paramount, a Skydance Corporation is a next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. PSKY's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance Animation, Film, Television, Interactive/Games, and Paramount Sports Entertainment.

PSKY-IR

Cautionary Note Concerning Forward-Looking Statements

This communication contains "forward-looking statements" regarding the Merger. The reader is cautioned not to rely on these forward-looking statements. These statements are based on current expectations of future events. If underlying assumptions prove inaccurate or known or unknown risks or uncertainties materialize, actual results could vary materially from the expectations and projections of PSKY or WBD. Risks and uncertainties include, but are not limited to: the risk that the closing conditions for the Merger will not be satisfied, including the risk that clearances under applicable antitrust or regulatory laws will not be obtained; the possibility that the transaction will not be completed in the expected timeframe or at all; potential adverse effects to the businesses of PSKY or WBD during the pendency of the transaction, such as employee departures or distraction of management from business operations; the risk of stockholder litigation relating to the transaction, including resulting expense or delay; the potential that the expected benefits and opportunities of the Merger, if completed, may not be realized or may take longer to realize than expected; risks related to PSKY's streaming business; the adverse impact on PSKY's advertising revenues as a result of changes in consumer behavior, advertising market conditions and deficiencies in audience measurement; risks related to operating in highly competitive and dynamic industries; the unpredictable nature of consumer behavior, as well as evolving technologies and distribution models; risks related to PSKY's decisions to invest in new businesses, products, services and technologies, and the evolution of PSKY's business strategy; the potential for loss of carriage or other reduction in, or the impact of negotiations for, the distribution of PSKY's content; damage to PSKY's reputation or brands; losses due to asset impairment charges for goodwill, content and long-lived assets, including finite-lived intangible assets; liabilities related to discontinued operations and former businesses; increasing scrutiny of, and evolving expectations for, sustainability initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; challenges in protecting and maintaining PSKY's intellectual property rights; domestic and global political, economic and regulatory factors affecting PSKY's businesses generally; the inability to hire or retain key employees or secure creative talent; disruptions to PSKY's operations as a result of labor disputes; risks and costs associated with the integration of, and PSKY's ability to integrate, the businesses of Paramount Global and Skydance successfully and to achieve anticipated synergies; litigation relating to the transactions contemplated by the transaction agreement entered into on July 7, 2024, between Paramount Global and Skydance, potentially resulting in substantial costs; volatility in the price of PSKY's Class B common stock; the effect PSKY's dual-class capital structure and the concentrated ownership may have on the price of its Class B common stock or business; risks related to a private sale of a controlling interest in PSKY, including that PSKY's stockholders may not realize any change of control premium on shares of PSKY's Class B common stock and that PSKY may become subject to the control of a presently unknown third party; risks associated with PSKY's status as a "controlled company" under Nasdaq rules, including its exemption from certain corporate governance requirements; risks associated with the lack of voting rights of PSKY's Class B common stock; risks that anti-takeover provisions in PSKY's amended and restated certificate of incorporation (the "Charter") and amended and restated bylaws, and under Delaware law, could deter, delay, or prevent a change of control; risks that exclusive forum provisions in the Charter could limit a stockholder's choice of forum for certain claims and discourage lawsuits against PSKY's directors and officers; risks that corporate opportunity provisions in the Charter could permit certain persons to pursue competitive opportunities that might otherwise be available to PSKY; risks associated with PSKY's holding company structure, including its dependence on distributions from its subsidiaries to meet tax obligations and other cash requirements; risks related to PSKY's indebtedness, including PSKY's substantial outstanding debt obligations; risks related to PSKY's ability to incur substantially more debt and PSKY's ability to meet the financial and other covenants contained in the agreements governing PSKY's indebtedness; risks relating to PSKY's ability to deleverage the business in accordance with management's targets, including risks arising from assumptions, uncertainties and contingencies that may affect PSKY's ability to reduce indebtedness; risks relating to management's ability to execute on its strategic plan and improve its financial profile and cash flows from operations; and risks relating to any capital or other financing PSKY may have to raise in order to reduce its indebtedness following the Merger. A further list and description of these risks, uncertainties and other factors and the general risks associated with the respective businesses of PSKY and WBD can be found in PSKY's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 25, 2026, and PSKY's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 4, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and PSKY's subsequent filings with the SEC, and WBD's Annual Report on Form 10-K for the fiscal year ended December 31, 2025, filed with the SEC on February 27, 2026, and WBD's Form 10-Q for the quarterly period ended March 31, 2026, filed with the SEC on May 6, 2026, including, in each case, in the sections captioned "Cautionary Note Concerning Forward-Looking Statements" and "Item 1A. Risk Factors," and WBD's subsequent filings with the SEC. Copies of these filings, as well as subsequent filings, are available online at www.sec.gov, ir.wbd.com or on request from PSKY or WBD. PSKY undertakes no obligation to update any forward-looking statement as a result of new information or future events or developments, except as required by law. 

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Official Paramount Skydance Corporation press release courtesy of PR Newswire.

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Wednesday, July 01, 2026

The Angry Birds Movie 3 | Official Trailer (2026 Movie) | Paramount Pictures UK

The Angry Birds Movie 3 | Official Trailer (2026 Movie) | Paramount Pictures UK


Parenthood is a game-changer. Watch the new trailer for The Angry Birds Movie 3 - only in cinemas coming soon.

Connect with Paramount Pictures Online:
#AngryBirdsMovie3

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The Angry Birds Movie 3 | Official Trailer (2026 Movie) | Paramount Pictures and Angry Birds

The Angry Birds Movie 3 | Official Trailer (2026 Movie) | Paramount Pictures and Angry Birds


Parenthood is a game-changer. Watch the new trailer for The Angry Birds Movie 3 - only in theatres December 23.

This holiday season, one angry bird will face his greatest challenge yet, surviving fatherhood… while saving the world!

Connect with #AngryBirdsMovie3 :


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H/T: Special thanks to @KcaWomansRights for the news!

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Tuesday, June 30, 2026

Crime-Thriller 'Wardriver' to Stream Exclusively on Paramount+

CRIME-THRILLER WARDRIVER TO STREAM EXCLUSIVELY ON PARAMOUNT+

New Film Starring Dane DeHaan and Sasha Calle Coming to Paramount+ on July 8

Wardriver

June 25, 2026 - The 2026 crime film, Wardriver, starring Dane DeHaan (The Place Beyond the Pines, Kill Your Darlings, The Amazing Spider-Man 2) will make its official post-theatrical premiere on Paramount+ on July 8.

  • Wardriver follows Cole (Dane DeHaan), a hacker lured into a million-dollar cyberheist that turns into a deadly game of cat and mouse where every line of code could be his last. The film is bolstered by thrilling performances from additional cast members Sasha Calle (The Flash, The Exorcist), William Belleau (Killers of the Flower Moon, Eddington), Karina Gale (Grizzly Night, Branching Out), Cameron Lee Price (Sympathy for the Devil), Mamoudou Athie (The Drama, Elemental) and Jeffrey Donovan (Burn Notice, The Faithful).


  • The film is directed by Rebecca Thomas (Stranger Things, Electrick Children) and written by Daniel Casey (Kin, F9), the latter of whom also produced the film alongside Dane DeHaan, Arianne Raser (Brothers Under Fire, Not Without Hope), Delphine Perrier (The Crow, Terminal), Tim White (King Richard, Ingrid Goes West), Trevor White (No One Will Save You, Wind River) and David. M. Wulf (Call Jane, The Card Counter). The film is produced by Highland Film Group, Redline Entertainment and Star Thrower Entertainment.
  • The film premiered at the Cinequest Film & Creativity Festival on March 14, before its limited theatrical release on March 20.
  • Wardriver will be available exclusively on Paramount+ on July 8.

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About Paramount, a Skydance Corporation
Paramount, a Skydance Corporation (Nasdaq: PSKY) is a leading, next generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. The Company's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, SHOWTIME®, Paramount+, Pluto TV, Skydance Animation, Film, Television, and Interactive/Games, and the newly established Paramount Sports Entertainment. For more information, please visit www.paramount.com.

@ParamountPlus @PeakParamount #ParamountPlus

###

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Official Paramount+ press release courtesy of TheFutonCritic.com.

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Friday, June 26, 2026

Paramount Networks Land 'Harry Potter' In Exclusive U.S. Linear Licensing Deal for Warner Bros.' Iconic Film Franchise

PARAMOUNT NETWORKS LAND “HARRY POTTER” IN EXCLUSIVE U.S. LINEAR LICENSING DEAL FOR WARNER BROS.’ ICONIC FILM FRANCHISE

06/25/2026

Landmark Agreement Brings “Harry Potter” and “Fantastic Beasts” Films to MTV, Nickelodeon, Nick at Nite and Paramount Network, Beginning July 3

'Harry Potter' Film Series Key Art

Paramount is bringing the world of “Harry Potter” to MTV, Nickelodeon, Nick at Nite and Paramount Network for the first time, starting Friday, July 3. The Company inked a multi-year licensing agreement with Warner Bros. Discovery, making Paramount’s family of brands the exclusive linear home of the beloved franchise spanning 11 films and nearly 40 hours of storytelling across the “Harry Potter” and “Fantastic Beasts” library.

“Expanding Paramount’s portfolio with the ‘Harry Potter’ and ‘Fantastic Beasts’ films underscores our commitment to delivering world-class franchises to the wide range of audiences our brands serve,” said Laurel Weir, head of programming and acquisitions for Paramount Media Networks and chief research and insights officer for TV Media. “As one of the most beloved and enduring franchises in entertainment, ‘Harry Potter’ continues to captivate audiences across generations, and this addition enables us to deliver the magic and adventure of these timeless stories to fans of all ages.”

The programming rollout for each network is as follows:

  • MTV: MTV will debut the franchise with a special holiday weekend event, beginning Friday, July 3 at 12:00 PM, ET/PT through Sunday, July 5, featuring a marathon of all eight films from the original “Harry Potter” series.
  • Paramount Network: Paramount Network will present a week-long event showcasing all eight “Harry Potter” and all three “Fantastic Beasts” films, with a featured movie each weeknight beginning Monday, July 13 at 6:00 PM, ET/PT, and continuing through Sunday, July 19, with weekend airings beginning at 12:00 PM, ET/PT.
  • Nickelodeon/Nick at Nite: Nick at Nite will host a week-long event showcasing all eight “Harry Potter” movies beginning Sunday, Aug. 9 at 7:00 PM, ET/PT, with each title encoring the next day on Nickelodeon. Later in the summer, as part of Warner Bros. Discovery’s annual “Back to Hogwarts” celebrations, Nickelodeon will air the “Harry Potter” films over the Labor Day holiday weekend, beginning Thursday, Sept. 3, inaugurating its own participation in the global activations.

Films Included in the Agreement

  • “Harry Potter” Films
    • HARRY POTTER AND THE SORCERER’S STONE™
    • HARRY POTTER AND THE CHAMBER OF SECRETS™
    • HARRY POTTER AND THE PRISONER OF AZKABAN™
    • HARRY POTTER AND THE GOBLET OF FIRE™
    • HARRY POTTER AND THE ORDER OF THE PHOENIX™
    • HARRY POTTER AND THE HALF-BLOOD PRINCE™
    • HARRY POTTER AND THE DEATHLY HALLOWS™ – PART 1
    • HARRY POTTER AND THE DEATHLY HALLOWS™ – PART 2

  • “Fantastic Beasts” Films
    • FANTASTIC BEASTS AND WHERE TO FIND THEM
    • FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD
    • FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE

About the “Harry Potter” Franchise

From the moment 11-year-old Harry Potter met Rubeus Hagrid, Keeper of Keys and Grounds at Hogwarts School of Witchcraft and Wizardry, his adventures have left an indelible mark on popular culture. Today, over 25 years later, the “Harry Potter” phenomenon thrives as one of the most successful and best-loved entertainment properties in history.

J.K. Rowling’s best-selling “Harry Potter” novels have been brought to life in an ever-evolving, interconnected universe that is loved by millions of fans worldwide. Eight blockbuster Warner Bros. Pictures “Harry Potter” films and three epic “Fantastic Beasts” films bring the spellbinding action to life on screen, “Harry Potter and the Cursed Child” mesmerizes on stage, and state-of-the-art video and mobile games from Portkey Games allow players to experience the wizarding world like never before. Fans can proudly showcase their passion through innovative consumer products, and thrill at spectacular location-based experiences – including five theme park lands at Universal Studios locations around the world.

This expanding portfolio of Warner Bros. Discovery-owned “Harry Potter” and “Fantastic Beasts” offerings includes ground-breaking touring experiences and events, each developed to celebrate special moments and locations that fans cherish, as well as the Platform 9 3⁄4 retail shops and iconic flagship store – Harry Potter New York. Wizards, Witches and Muggles alike can also discover something new as they explore behind-the-scenes secrets at Warner Bros. Studio Tour London – The Making of Harry Potter and Warner Bros. Studio Tour Tokyo – The Making of Harry Potter.

With a new HBO Original TV series based on the “Harry Potter” books on the way, this extended world continues to provide the community with fresh and exciting ways to interact. For its global fans, and for generations to come, it invites everyone in to find the magic for themselves.

For the latest “Harry Potter” and “Fantastic Beasts” news and features, visit www.harrypotter.com.

'Harry Potter' Film Series Key Art/Poster

'Harry Potter' Film Series Key Art

'Harry Potter' Logo

'Harry Potter' Film Series Key Art/Poster

'Fantastic Beasts and Where to Find Them' Key Art

'Fantastic Beasts: The Secrets of Dumbledore' Key Art

'Fantastic Beasts'

Fantastic Beasts'

'Fantastic Beasts: The Crimes of Grindelwald' Key Art

'Fantastic Beasts and Where to Find Them' Logo

'Fantastic Beasts: The Crimes of Grindelwald' Logo

'Fantastic Beasts: The Secrets of Dumbledore' Logo

About Warner Bros. Discovery Global Content Sales

Warner Bros. Discovery Global Content Sales (WBDGCS) is one of the leading distributors of entertainment programming in the world, bringing award-winning movies, television, animation and digital content produced by Warner Bros. Discovery to the homes and screens of millions worldwide. Licensing content from Warner Bros. Pictures, Warner Bros. Television, HBO, Discovery, Cartoon Network, TBS and more, WBDGCS brings fans of Warner Bros. Discovery’s content even more ways to watch when and how they want across streaming, video-on-demand, cable, satellite and broadcast networks, local television stations, airlines and through digital purchases. For more information: www.wbd.com.

About Paramount’s TV Media Group

MTV, Paramount Network, Nickelodeon and Nick at Nite are part of Paramount’s TV Media Group, a flagship division of Paramount, a Skydance Corporation (Nasdaq: PSKY). The Group encompasses the Company’s broadcast and cable television businesses, delivering world-class entertainment, news and sports across every platform. Its powerhouse portfolio includes CBS Television Network, CBS News, CBS Stations, CBS Sports and CBS Media Ventures, alongside a collection of iconic brands including BET, Comedy Central, MTV and Nickelodeon. The Group is also home to award-winning studios – CBS Studios, See It Now Studios, BET Studios, MTV Entertainment Studios and Nickelodeon Animation Studios – which produce original series and beloved programming that connects with audiences across platforms globally.

For more information, visit https://www.paramount.com.

***

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Originally published: June 25, 2026 at 23:13 BST.


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